• 농촌계획
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• 제17권4호
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• pp.51-60
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• 2011

This Study has intended to extract traditional elements for making Korean traditional garden through survey on theexperts and practitioners of landscape architecture. The survey form includes questions about representative type of traditional garden, representative elements of traditional garden, and necessary elements for making traditional garden, etc. The results are as follows; 1) the representative type of Korean traditional gardens are palace and villa gardens. 2) the available traditional facilities should be applicable with contemporary culture only maintaining the original form. 3) the major traditional facilities are water-scape such as ponds and mountain streams with traditional pavilions. 4) plants should be selected in spontaneous plants in Korea but it is possible to introduce species recorded in old documents. It is difficult to suggest the method of layout and design strategies in this study, but continuous studies in this line will be helpful to designing Korean traditional garden suitable in contemporary landscape.

• 한국전통조경학회지
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• 제28권3호
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• pp.114-121
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• 2010

전통사찰은 아름다운 경관 안에 문화적 가치가 있는 건조물이 조화를 이루는 역사적 장소로서, 수행과 기도, 그리고 포교가 진행되는 숨 쉬는 문화유산으로서의 강한 장소성과 독특한 가치가 있는 곳이다. 문화유산으로서의 전통사찰의 가치와 장소성 보존은 사찰경관과 밀접하게 연관된다. 그러나 이러한 경관조성에 필요한 전통적인 건축물은 에너지 효율성이 매우 낮아 전통사찰 관리에 심각한 문제점을 유발하고 있다. 특히 산중 사찰의 경우에는 겨울철 난방을 위한 에너지 소모량과 비용이 매우 높아, 이에 대한 대책이 시급한 실정이다. 따라서 신재생 에너지원 이용을 통한 에너지 효율성 향상은 변화하는 사회에 적극적으로 대처하기 위해 전통사찰이 해결해야 할 중요한 과제이다. 그러나 이러한 시도가 전통사찰의 경관을 훼손하면 자칫 사찰의 장소성을 훼손하고 더 나아가 문화유산으로서의 사찰의 가치를 저하시킬 우려가 크다. 본 연구에서는 전통사찰에 설치된 신재생에너지(태양열) 시설물이 사찰의 경관경험에 미치는 영향을 조사하고, 이를 바탕으로 전통사찰의 가치와 장소성 보존을 위한 경관 개선방안을 제시하고자 한다. 이를 위하여 전통사찰 통도사의 진입경관을 연구대상경관으로 설정하고 사찰의 경관경험을 파악할 수 있는 경관이미지와 사찰 정체성, 경관만족도, 경관개선 필요성 등을 설문항목으로 선정하였다. 설문조사에는 대학 학부학생 180명이 참여하였다. 중요연구결과를 바탕으로 태양열시설의 도입 시 필요한 경관개선방안을 제시하면 세 가지로 요약된다. 첫째 태양열시설의 설치는 사찰의 경관경험에 부정적 영향을 미치므로 이를 저감하기 위한 다양한 방안(산림지역에 설치, 식물을 이용한 차폐)이 요구된다. 둘째, 사찰경관의 관리는 심미성과 사찰 정체성 확보를 중심으로 하며, 개방성을 확보하는 방향으로 설정하는 것이 제안된다. 특히, 심미성은 조화성, 전통성, 자연성, 흥미성의 조성이 중요한 것으로 판단된다. 셋째, 이와 함께 인공구조물의 비율과 규모, 그리고 형태적 특성에 대한 전략과 세부지침을 마련한다면 전통사찰의 장소성과 가치를 보존 및 유지할 수 있을 것으로 판단된다.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.191-196
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• 2007

The Korean rural landscape has changed significantly due to nationwide modernization and industrialization in recent years. Moreover, as urbanization progresses due to population and economic growth, rural areas surrounding the suburbs of cities are feeling the pressure of encroaching urban sprawl. Use of land for human-made structures such as road and housing development is also increasing, resulting in the destruction of nature in rural areas. Adopting a concept of conserving rural landscape in future development projects is therefore highly desirable.The main focus of this study is to look into the traditional concept of the village and to classify some elements of the traditional rural landscape. Daegu Metropolitan City, the third metropolitan city in Korea, is chosen as the subject of the study. The existing 227 villages have been studied on the basis of their principles and types of village locations in relation to the traditional concepts of 'Feng-shui' and 'Tackriji'. The characteristics of the village location are divided into two aspects: the natural landscape, such as topography, hydrosphere, and azimuth, and the historical and cultural landscape, such as customs(Only the natural landscape aspect is included in this study). The natural landscape, a condition of the village location, is divided into three areas: topography, hydrosphere, and azimuth. There are two types of topography: flatland type and mountain type. There are two sub-types in the mountain type: ridge and valley, which depend on the village location in relation to the shapes of the mountains. There are four types of hydrosphere which include waterways and three directions of mountain depending on the shape: front, behind and side. The direction of the village is analyzed from the direction which the houses in the village face. Therefore, the natural landscape element as a condition of the village location is closely related to the traditional concepts of the village.

• 대한건축학회논문집:계획계
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• 제36권4호
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• pp.113-121
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• 2020

The Chinese Architect Wangshu, who won the Pritzker Architecture Prize at 2012, is the first and only winner in China. This study focused on the expression of his unique architectural ideas. Especially with a high interest in Chinese traditional calligraphy and landscape painting, Wangshu tried to use its traditional features to form his own architectural way. First this study looked at the features of calligraphy and landscape painting. Second this research studied the expression of Wangshu's architectural practice in calligraphy's way. Lastly this study furthered study of Wangshu's architecture combined with landscape paintings' features. The results state these following. 1) For calligraphy, he used the "modular composition" of Chinese characters to architectural composition, which included architectural form and materials. The "similarities" and "space creation" of calligraphy are respectively applied to architectural spatial details and site planning. 2) For landscape painting, Wangshu borrows its elements to compose his architecture with "gardening consciousness". The "view method" of paintings was used to his architectural pedestrian flows, and Wangshu also based on the "space creation" of landscape painting to do architectural space design with creating the similar atmosphere.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.19-29
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• 2007

The making of mountains and waters are recognized as essential to traditional Chinese landscapes and it is this concept that guided the Beijing Olympic Landscape, "Axis to Nature". The Olympic landscape extends the central axis of Beijing north until it is punctuated by the Forest Park Hill and dissipated by Forest Park Lake. Traditional landscape gardens, paintings, and poetry were researched and the plan assessed by eminent scholars and experts to conceive and construct an ecological park that features unique design and traditional Chinese landscape art.

• 한국실내디자인학회논문집
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• 제17권1호
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• pp.30-38
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• 2008

Borrowed landscape is an Oriental gardening method to draw inside external natural landscape, and borrowed landscape of Japan has a different characteristic from that of Korea or China nature is manipulated and re-interpreted by human will in the course of applying it to architectural space. In other words, not the original scenery, but manipulated one appears which is cut, reduced, or deleted by architectural elements such as wall, window, or fence. Therefore, this study examined how architectural structure of Ando Tadao symbolizing modernist architecture understood and adopted Japanese traditional views on nature, that is, borrowed landscape. To this end, on the basis of the understanding on 'polymerization of abstraction and form' he mentioned, his geometric architectural principles are discussed, since this serves to be an important beginning of architectural concretization by the concept of 'form' experienced and perceived by human being through geometric means called architecture 'abstraction.' The findings of this study are as follows: first, it was found that Ando Tadao generates borrowed landscape effects by polymerizing and manipulating his simple and geometric structures with each other and thereby editing natural scenery, while Japanese traditional borrowed landscape introduces source scenery inside, through condensation and symbolization. Second, the results of this study revealed that his architecture functions to transcend external and internal realm of a space, which is also observed in Japanese traditional architectural borrowed landscape. Therefore, this study is considered significant in the sense that it proved that Ando Tadao's architectural language is based on borrowed landscape as a specific Japanese traditional element, going beyond the scope of previous studies focusing simply on the introduction of natural elements.

• 한국전통조경학회지
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• 제32권1호
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• pp.120-126
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• 2014

• 한국조경학회지
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• 제20권2호
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• pp.76-89
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• 1992

This study is executed to investigate the legal and administrative system of the traditional landscape achitecture of Chosun-Dynasty. To pursuit this purpose, All the Codes established in Chosun-Dynasty were examined thoroughly. In Chosun-Dynasty, the landscape architectural activities were mainly carried out by San-Tack-Sa, Chang-Won-seo in the Ministry of Industry and Sa-Po-Seo in the Ministry of Finance. Stipulated in the text, in the early part of Dynasty, Chang-Won-Seo was composed of 63 personnels and Sa-Po-Seo was about 160 personnels involving servants as well as high-ranked officials. But gradually, the size and importance of organizations were reduced. These three organizations were managing the traditional gardens. But the meaning of traditional garden which was expressed in the Codes was relation to the practical aspect, as if planting flowers or fruit trees and breeding animals. The provisions dealing with landscape architectural activities were very poor. Only the provisions concerning with planting and managing the trees of practical use, governing the silkworm rearing areas and prohibition of timbering and quarrying were stipulated.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.208-213
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• 2007

I have analyzed four methods for revitalizing the Ibi district, a local community in Minami Awaji City in Hyogo Prefecture, using Awaji tile, a traditional product. The first analysis is of a workshop to think about the revitalization of the community using Awaji tile. The second is an evaluation of using Awaji tile in the construction of green spaces and the renewal of existing buildings. The third analysis is on the distribution of terracotta for plants to all the residents of this district and the construction of art objects using Awaji tile at the seashore and by the entrance area of a highway interchange. The fourth analysis is of the results of information sharing by a newsletter and a website. Finally, I gave questionnaires to workshop participants. As a result, visible, completed products of these efforts were evaluated positively, but more effort is required related to the newsletter and website. Overall, I could verify the compounded possibilities for revitalization of the community using Awaji tile as promoting regional industry, activating the community, and improving the landscape.

• 한국전통조경학회지
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• 제40권2호
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• pp.44-58
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• 2022

분황사, 백률사, 삼불사는 유명한 문화재구역은 아니지만 많은 관광객들이 찾고 경주국립공원과 경주역사유적지구에 위치해 환경적, 문화적으로 보존이 필요한 지역이다. 따라서 본 연구의 목적은 경주 전통사찰의 침입외래식물을 중심으로 분석하여 문화재의 고유환경과 경관을 관리하기 위함이다. 전체 식물상은 73과 136속 154종 3아종 11변종 4품종 5잡종 12재배품종의 188분류군이며, 조경식물은 163분류군, 침입외래식물은 38분류군으로 나타났다. 식재된 침입외래식물은 13분류군이며, 생태계교란 생물은 애기수영, 가시상추, 미국쑥부쟁이 3분류군이었다. 침입외래식물은 조경식재와 같은 인위적 원인도 있지만 외부에서 자연적으로 유입된 것도 있었다. 사찰의 주차장은 간섭과 교란이 많아 침입외래식물의 주요 전파경로가 될 것으로 예상된다. 본 연구 결과를 토대로 관리방안을 제언하면 다음과 같다. 첫 번째, 전통사찰의 조경식재는 한국의 자연환경 및 전통경관에 맞는 자생종 위주로 사용하는 것이 필요하며, 문화재 중심의 식재지침 개발이 요구된다. 두 번째, 전통사찰은 환경적, 역사적으로 중요한 지역에 위치해 있으므로 침입외래식물의 식재를 자제하는 것이 필요하다. 세 번째, 사찰환경의 보전을 위해 주변의 생태계교란 생물을 조속히 제거해야 할 것이다. 네 번째, 전통사찰의 경관적 특징을 표현하기 위해 입지환경, 역사성 등을 고려하여 특색 있는 식재계획이 수립되어야 할 것이다.