• 한국전통조경학회지
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• 제36권1호
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• pp.67-77
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• 2018

본 연구는 독일 베를린 마르찬 세계정원 내에 조성된 한국전통정원인 서울정원의 현지 이용객을 대상으로 한국정원에 대한 인지성과 정원의 선호요소, 인접한 중국, 일본 전통정원과의 인식차이를 중심으로 분석하였다. 서울정원은 앞서 조성된 중국정원, 일본정원보다 상대적으로 잘 알려진 것으로 나타났다. 마르찬공원 내에서의 한국정원의 특별성에 대한 인지도는 평균수준으로 타 국가의 전통정원과의 차별성을 인식하지 못하고 있었다. 이는 동양 3국의 전통정원이 공원 내에 인접하여 배치되어 있어 이용객들의 연속적인 관람이 이뤄지고 있다는 것과 자연형 배식기법의 적용에 따른 유사한 수종의 구성을 통해 경관이 연출되고 있는데서 그 원인을 찾을 수 있으며, 나아가 한국정원이 타 동양정원과 비교될 만한 독특한 공간구성, 식재 수종의 다양성과 대표성, 설계단계에서의 해당 국민의 동양정원문화에 대한 인지성 분석 등 다각적인 차별화 방안이 향후 제시되어야 함을 의미한다. 방문 전후 한국정원에 대한 이해도 결과는 사전정보 없이 방문한 이용객의 경우 한국정원에 대한 이해도가 높게 나타났고, 재방문 의사도 높게 나타나 서울정원이 한국전통정원의 홍보와 이해에 기여한 것으로 해석된다. 한국성을 표출하고 있는 서울정원의 선호요소 중 수경관의 폭포와 계류, 정자와 자연석에 대한 관심이 많은 것으로 나타났는데, 이는 설계개념에서 제시한 독락당과 별서정원의 입지구조, 독락당 전면 너럭바위와 계류를 모티브로 한 한국정원의 경관연출기법이 중국과 일본의 전통정원과 차별성을 가질 수 있다는 가능성을 보여준다. 물리적 환경에서 지배적인 정원 건축물에 대한 양식적 차이와 함께 한국적 자연경관 형성을 통한 정원의 연출은 외국인에게 독특한 정원요소로 인식될 수 있을 것이다.

• 농촌계획
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• 제21권4호
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• pp.77-84
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• 2015

The purpose of this study is to interpret Landscape of Naeap Village which still preserves the Confucian culture and the traditional clans among the ideally settled villages mentioned in Joong Hwan Lee's "Taengniji" and "Joseon's Fengsui" from the time of Japanese Imperial Rule, from CPTED principles. The following are the findings of this study: First, in terms of access control and zoning, Naeap Village was controlling access from the outside with the natural environment of Banbyeoncheon River and the hills surrounding the village, the artificial environment of human-scale walls around the head house and the dead ends, and the reformation by the Confucian ideologies. Naeap Village, in particular, is prominently configured by the hierarchy of zones; the Gaehosong pine trees, Gyeongpodae, and Naeapssu by the entrance to the village are considered the village itself and the landscapes and valleys are managed by the head house. Second, the Confucian culture across the village, the traditional vegetation method that does not hide the visibility, and the workers in the farms allow natural monitoring. The surrounding visibility is also applied to the spirit of mutual cooperation in the farming society, the culture of commoners at the common well and laundry site, and the culture of ruling class at the towers and pavilions. Third, Traditional villages show the efforts to preserve and maintain the villages with the village rules, the organizational decrees of the clan, and active response to national disasters.

• 한국주거학회논문집
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• 제17권6호
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• pp.91-98
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• 2006

The stage for Tadao Ando's architectural works is not only in Japan but extends to many countries around the world. His creations are not limited to the world of architecture, but are widely acclaimed supported by public people as well. Why Tadao Ando's works are acknowledged and acclaimed so extensively? Japanese traditional elements used in the his works makes it so. Tadao Ando argued intuition and insanity which were deprived by modernism could recover with locality and it's historic elements laid importance to the self. To realize that, it is necessary the regeneration of landscape which was based on the site and self-reflection must accomplished with the nature. So as to regeneration of landscape, he used Japanese Landscape-gardening and make the nature condensed. With the su-ki, he made the architectural elements simple. And with the Japanese detoured circulation, he made deep and various space. In that way, he intended the nature which is changed with his idea experienced the way of yu-gen.

• 한국전통조경학회지
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• 제31권1호
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• pp.1-12
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• 2013

한국의 전통 석가산(石假山)은 고려시대 창안되어 조선시대로 계승된 우리의 우수한 석정문화(石庭文化)이다. 이 연구는 고려시대와 조선시대 석가산 문화가 시대 흐름에 따라 석가산 내면에 어떠한 함의성(含意性)을 표상하며 계승되어 왔는지를 분석하였다. 고려시대 산악형 풍경을 모사해 창안한 한국의 전통 석가산은 괴석을 소재로 진산(眞山)을 모사한 작은 인공가산(人工假山)을 만들었다. 그리고 산수풍경을 축경적(縮景的)으로 재현하고 심산유곡의 흥취를 집안에서 와유(臥遊)하며, 풍류를 즐기는 동시에 정서적 안정과 치유라는 실용적 측면의 경물(景物)로서의 심미적 풍경의 산수체험을 석가산을 통해 경험하였다. 이러한 석가산은 내향적으로는 경물 자체의 형식미를 초월하며 불로장생을 염원하는 삼신산(영주, 봉래, 방장)과 도교적 신선사상이 응축된 오악(숭산, 태산, 화산, 항산, 형산)을 표상하며, 신선계(神仙界)를 이상향적으로 나타내고자 하였다. 또한 석가산을 대하며 유교의 요산요수(樂山樂水)의 교훈을 실천해 심성을 가다듬고, 중국의 명산명호(名山名湖)를 모방하는 등 석가산 내면에 다양한 함의성을 포용하며 변천, 발달하였다. 한국의 전통 석가산은 심미적 풍경의 산수체험은 물론 실용적 경물로서의 형식미를 초월하며, 석가산의 심오한 상징적 함의성을 표상하여 무한한 상상의 관념적 공간으로 승화시켰다.

• 한국조경학회지
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• 제29권6호
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• pp.1-10
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• 2002

The purpose of this study is to establish a model of cultural sustainability in the traditional village. Cultural sustainability is being advanced by promoting the viability of traditional arts and the unique regional features of traditional culture, such as folklore, traditional landscapes, buildings and other environments of outstanding historical value. These cultural resources were also created or occurred at specific geographic locations at certain points in time by different individuals. The content of this study was to develop a model using indicators for cultural sustainability, and to apply and evaluate the model. In older to evaluate the model, Sonwon-ri village in Yongchon, located in Kyungsangbuk-do, was selected as the case study area. The major findings are as follows: 1) Sonwon-ri village has maintained the vernacular landscape except at the entrance of village. Also, the village people have pride and have adapted to the natural environment. 2) Sonwon-ri village has a self-sustaining system and circular network within its environmental capacity. Sonwon-ri village has many historical sites and buildings such as important folk resources, cultural assets, traditional houses and pavilions. 3) The people how the theory of fens-shui which interprets the location of village in relationship to a crane mountain with the village situated as a crane head. These symbolic and cultural elements have an important role in establishing the boundary of the village. From the research it can be seen that Sonwon-ri village kept many cultural sustainability indicators in terms of active factors, physical factors and psychological factors. By analysing the participation of different scientific disciplines and identifying disciplinary categories, this study provides a basis for understanding how cultural sustainability is subjected to research in the field of landscape planning and design.

• 한국전통조경학회지
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• 제37권3호
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• pp.127-133
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• 2019

본 연구는 지속적으로 변화하는 문화재 보호제도의 체계 속에서 문화재 조경의 제도 개선을 논의하고자 하였으며, 도출된 결과는 다음과 같다. 첫째, 천연기념물 및 명승을 포함하는 문화재 조경으로서의 위상을 정립하여야 한다. 가능하다면 조경에 관련된 천연기념물 및 명승법을 분법하여 제정하는 것에 대한 면밀한 검토가 요구된다. 둘째, 자연유산은 '개체' 중심의 보호에서 누락될 수 있는 문화적 산물과 주변 경관을 포함하기 위해 '공간' 중심의 보존이 이루어져야 한다. 제도적으로 관계 법령의 중복성과 상호 관계를 검토하여 업무 범위를 명확하게 분담하여야 한다. 셋째, 자연유산의 보호·관리를 위해 문화재청에 문화재 조경을 독립적이거나 주도적으로 전담할 부서를 신설하여야 한다. 넷째, 문화재보호법에 문화재위원의 위촉 자격에 조경 분야를 명시하고, 현행 '문화재 수리 등에 관한 법률'에서 '조경수리기술자'와 '식물보호기술자'의 역할을 확대하는 등의 제도 개선을 추진해야 한다.

• 한국조경학회지
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• 제15권2호
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• pp.101-113
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• 1987

The landscape structure of the both pre-industrial and industrial cities should be influenced to the topographical feature , religious thoughts, political ruling system and history. In the major socio-cultural factors in the pre-industrial townscapes in korea, the Feng - Shui(poongsu) which is an acient human settlement organization system based on the “Yin - Yang” principle and “Five Elements” and “Chryaegogong”system were the most important factors to the formation of traditional town scape in Korea. The landscape during the Japanese colonial periods were basically reorganized through change of “Boundary”, “Center” “Direction(path)” and “Domain” which were expressed by distinct traditional townscape in Yi dynasty. The physical shapes, meanings and behaviors of townscape were expressed properly of the intention of the colonization. As changes to the mordern industrial cities, the townscape had been amended landscape elements of the Japanese imperialism to an ideology of rebirth nation. Also as changes to the modern industrial cities, “Boundary”, “Center”, and “Domain” spreaded into the suburbs by funtionalsm and these were expressed an incoherent value system which were the advancement of growth, pursuit policies as well as an advancement of science techniques.

• 한국산업융합학회 논문집
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• 제13권4호
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• pp.227-233
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• 2010

This study analyzes the images of city residents on the landscape elements of the rural theme villages. The results of analysis bring the following conclusions. 1) Important factor of rural landscape with worth preserving is natural landscape such as dense forests, trees and creek. 2) Natural landscape such as forests and trees is evaluated high in image-assessment as well. However, it is evaluated low in the image of "Diversity", therefore, various species of trees need to be preserved. 3) In the future, people who spent their life only in the city would be the main stream of Green-tourism, and their structure of image-assessment needs to be reorganized.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.145-150
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• 2007

Settings of traditional shrines and their Surroundings are seemed to be one of the typical life-cultural designs realized on land in urban or rural area in Japan. It can be said that those settings are some reflections of nature-oriented cosmology established in long term history of ordinary people. Examining those settings and making clear their characteristics could be a significant issue of landscape architecture for discussing sustainable ways of urbanism or regional development. In this paper, the author examined and discussed the shrine settings from a view point of their spatial relation with surrounding water system. Based on the surveys on more than 60 local shrines in northern area of Tokyo, it was revealed that many shrines have strong connections to surrounding waters or low lands with downward-oriented worshipping to nature instead of upward-oriented worshipping well known as general location of shrine. It is believed that the result shows the diversity of landscape settings of shrines as historical life-culture, and the varieties has to be conserved or restored in various ways of urban design or regional planning.

• 농촌계획
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• 제24권1호
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• pp.113-127
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• 2018

This study comprehends that the landscape of Ipsan Village is the accumulated output of the landscape management and social behavior by the historic personages through the reference research and field surveys. And the study sorted out the over-layered landscape characteristics of Ipsan Village by analyzing the dispersed landscape elements as follows. First, right before the start of Japanese invasions to Korea(1592-98), Tamjin(耽津) An(安) Family moved into Ipsan and started establishing the a single clan village. At a site with mountain background and facing the water(背山臨水), the village used to be a typical farming one with an organically planned road-system and housing area following the traditional order. However, the landscape has changed drastically since the 20th century with the construction of banks, roads and readjustment of arable land etc. Second, the original landscape, which can be figured out through the 'Gosanjaesibyukgyeong(高山齋十六景)' in the 18th century, shows its harmony with natural landscape: mountain & valley, stream & field, traditional trees, etc, cultural landscape: village, well, spring, etc, and momentary landscape: seasons, time, weather phenomena, sound, behavior, etc. Third, based on the second, 16 natural landscape elements: mountain & stream, planting, etc. and 25 cultural landscape elements: housing spaces, self-cultivation & ceremony spaces, community spaces and modern education & enlightenment spaces were selected and interpreted as landscaping meanings. Fourth, the over-layered landscape which stems from the compositive functions and inter-connectivity of landscape elements which consists Ipsan Village is regarded as 'Natural geographical and Fungsu landscape', 'Rural production and livelihood landscape', 'Confucian ceremony and symbolic landscape' and 'Modern education and enlightenment landscape.'