• 한국의상디자인학회지
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• 제21권1호
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• pp.149-162
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• 2019

The purpose of this study is to suggest various directions of living hanbok and proposed the living hanbok design that integrated the tradition and the contemporary, as well as the past and present with denim material that represents the youth cultureby while using the motif of Korean Jogakbo. For the research method, the data on living hanbok, denim, and Jogakbo were surveyed to develop and produce a living hanbok design. The development of a living hanbok design emphasized the meaning of longing for an accumulation of good fortune, by using the concept of 'wishing for fortune' including the symbolic images of denim and Jogakbo. The production results of this study are as follows. First, the Jogakbo motif consisted of patterns yearning for harmony, great fortune, longevity, and many children, and the living hanbok design integrated with the denim material symbolized the convergence of the past and present and the harmony of eastern and western cultures. The study could verify that the living hanbok design was recreated in a contemporary sense to be used everyday by expressing contemporary senses in a traditional image. Second, leftover fabric pieces and recycled materials that can be abandoned by the material market were used for denim. This study could also develop the living hanbok design as a sustainable design through upcycling, an important social trend, puting an emphasis on carrying out socio-ethical responsibilities. Third, denim Jogakbo work, which is connected by small pieces of denim material, used to be a difficult and labor intensive handicraft, but it could be proposed as a new high value-added fashion and generate contemporary living hanbok with a new image.

• 한국정보통신학회:학술대회논문집
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• 한국정보통신학회 2019년도 춘계학술대회
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• pp.232-235
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• 2019

일본풍의 중국 모에화 게임들이 최근 수년 간 한국 모바일 게임 시장에서 성공을 거두고 있다. 소녀 전선 등에서 시작된 이런 움직임은 2018년 벽람항로로 이어졌다. 함선 의인화 게임인 벽람항로 등은 여성 캐릭터의 선정적인 일러스트가 특징이며 소녀 전선 등의 과도한 노출과 선정성은 등급 재분류 제재를 받기도 했다. 벽람항로는 상당수의 청소년 남성 사용자층을 갖고 있어 여성 캐릭터의 과도한 선정성은 유해하다고 볼 수 있다. 본 논문은 벽람항로 게임에 나타난 300여 종의 여성 캐릭터 스킨을 분석하여 여기에 나타난 섹시즘이 단순히 특정 부위의 노출 뿐 아니라 캐릭터의 소속 국가별로 의상이 정형화 되어 있음을 밝힌다. 즉, 중국과 일본은 기모노나 치파오 같은 전통 의상이 중심이고 영국은 제복과 메이드복의 비중이 상당하고, 독일은 제복을 주로 착용하게 함으로써 해당 국가 여성의 성적 오브젝트화와 고정관념을 조성할 수 있다. 또 이런 기본 스킨이 수영복으로 유료 전환되면 상당한 노출이 이루어져 선정성을 특히 강조한다는 점에서 19금 게임이라 해도 이런 과도한 섹시즘은 여성에 대한 부정적 성 대상화 우려가 있다.

• Human Ecology Research
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• 제60권2호
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• pp.273-287
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• 2022

(K)Hanbok, which is Korea's traditional clothing, differs from the Chinese Hanfu or Japanese Kimono. This study aims to understand the fundamental differences between (K)Hanbok and Hanfu. The Goryeo Dynasty (K)Hanbok, which was particularly popular in China, was established because the Ming Dynasty Hanfu and Chinese fashion were considerably influenced by the 'Koryo Yang'. Firstly, while (K)Hanbok is bulky, Hanfu of the Han Dynasty is characterized by forming a slim silhouette. Due to the climate of the Northern Hemisphere, (K)Hanbok shows a rich silhouette comprising multiple layers of inner pants and a pleated skirt over a voluminous underskirt. On the other hand, the Han's Hanfu creates a straight silhouette in the form of a wrap, revealing the contours of the body. The pleated skirt of the (K)Hanbok can use six to twelve width fabrics, depending on the social position; however, the Hanfu of the Han is a skirt without any pleats. Secondly, the clothing patterns, which have various shapes, are totally different in how they are made and sewn. The Korean (K)Hanbok is a two-piece separate, whereas the Chinese Hanfu style is a one-piece with a skirt. The short length of the (K)Hanbok jacket has a Sup which is cut and pasted allowing the front closure to overlap. Nevertheless, the Hanfu of the Han does not have this Sup because it is of a wrap-around, one-piece style and has an exceptionally large front, and wraps around at the waist which extends to the sides. Thirdly, the (K)Hanbok jacket has separate string Gorums for fastening, and an additional belt around the waist; however, in the case of Gorum, it is unnecessary for a wrapping style of Hanfu. Fourthly, Koreans as an agricultural horse-riding people, basically wore the trousers attached a comfortable gusset, while the Chinese Hanfu had no pants, but the Chinese wore Gaedanggo pants which exposed the hips, inevitably during the Warring States period.

• 대한한의학방제학회지
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• 제30권4호
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• pp.249-257
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• 2022

Objectives : Aquilaria crassna is a traditional herbal medicine, which is used to treat allergies, diabetes, neurological diseases. Recently, Aquilaria crassna extracts have been reported in anti-bacterial and anti-inflammatory activities. In this study, various solvents fraction of Aquilaria crassna were investigated on various physiological activities. Methods : According to the polarity, the solvents fraction of Aquilaria crassna were confirmed through TLC, and the activities of the extracts were confirmed in anti-diabetes, anti-obesity, whitening, anti-gout, and anti-inflammation. Results : TLC results showed that ACM and ACM/E have similar patterns and most of the components were transferred to ACM/E. Treatment with ACM and ACM/E fraction were significantly decreased the generation of NO in lipopolysaccharide (LPS)-stimulated macrophage cells. Analysis of biological activities such as α-glucosidase, protein tyrosine phosphatase (PTP1B), tyrosinase, xanthine oxidase (XO) and pancreatic lipase inhibition, showed that ACM and ACM/E have more inhibitory effects than other fractions. Conclusions : Therefore, the results of the present study clearly demonstrate that Aquilaria crassna and its constituents might be beneficial in the prevention or treatment of immune-regulating effects.

• Journal of Ginseng Research
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• 제47권3호
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• pp.429-439
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• 2023

Background: The incidence and clinical importance of nonalcoholic fatty liver disease (NAFLD) has emerged. However, effective therapeutic strategies for NAFLD have yet to be found. Panax ginseng (P. ginseng) is a traditional herb in Eastern Asia with therapeutic effects in many chronic disorders. However, the precise effects of ginseng extract on NAFLD are currently unknown. In present study, the therapeutic effects of Rg3-enriched red ginseng extract (Rg3-RGE) on the progression of NAFLD were explored. Methods: Twelve-week-old C57BL/6 male mice were fed a chow or western diet supplemented with high sugar water solution with or without Rg3-RGE. Histopathology, immunohistochemistry, immunofluorescence, serum biochemistry, western blot analysis, and quantitative RT-PCR were used for in vivo experiment. Conditionally immortalized human glomerular endothelial cell (CiGEnC) and primary liver sinusoidal endothelial cells (LSECs) were used for in vitro experiments. Results: Eight weeks of Rg3-RGE treatment significantly attenuated the inflammatory lesions of NAFLD. Furthermore, Rg3-RGE inhibited the inflammatory infiltrate in liver parenchyma and the expression of adhesive molecules to LSECs. Moreover, the Rg3-RGE exhibited similar patterns on the in vitro assays. Conclusion: The results demonstrate that Rg3-RGE treatment ameliorates NAFLD progression by inhibiting chemotaxis activities in LSECs.

• 한국식품영양학회지
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• 제37권2호
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• pp.67-79
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• 2024

Yuzu (Citrus junos) undergoes traditional processing to create preserved yuzu with a sugar content of 50%. This study aimed to produce low-sugar yuzu syrup using artificial or natural sweeteners instead of sugar. Among artificial sweeteners, maltitol showed minimal browning and lack of deposition at high temperatures. The addition of xanthan gum (0.2%) and carboxymethyl cellulose (0.2%) resolved the issue of layer separation and viscosity decrease of yuzu syrup. Alternatively, grain syrup, a natural sweetener, improved viscosity and homogeneity without the additives. Yuzu syrups were developed using yuzu juice and preserved yuzu, with maltitol (20~40%) or grain syrup (50~70%) as the sweetener. Yuzu syrups containing 35% maltitol (M35) or 55% grain syrup (G55) had less than 5% and 10% free sugar, respectively. These syrups exhibited taste patterns similar to commercial yuzu syrup in analysis using an electronic tongue. Furthermore, M35 and G55 contained yuzu flavonoids at concentrations of 19.82 mg/g and 24.09 mg/g, respectively. Antioxidant activity (DPPH, ABTS radical scavenging) of M35 and G55 was equivalent to 10.55, 17.59 mg/100 g of Vitamin C and 97.39, 33.92 mg/100 g of Vitamin C, respectively. Consequently, M35 and G55 offer promising alternatives to preserved yuzu, providing low-sugar yuzu syrups enriched with functional ingredients.

• 한국미생물·생명공학회지
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• 제39권1호
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• pp.56-62
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• 2011

고문헌에 기록된 사라진 우리술을 발굴하는 전통주 복원 프로젝트의 일환으로서 시판 누룩 5종을 사용한 석탄주(惜呑酒)를 제조하여 이들의 양조적성을 구명하였다. 석탄주 발효 중 품온변화 등 일반성분을 분석하였고 완성된 석탄주(발효기간 10일)의 관능평가를 실시하였다. 전체적으로 술덧의 품온변화는 실내온도 변화에 상응하였다. pH는 전체적으로 발효 0~3일차까지 급격히 떨어졌다가 발효 중간부터 완만히 증가(3일: 3.13~3.57, 6일: 3.35~3.80)하였고, 발효 종료 시, pH 3.60~4.05로 상승하였다. 산도는 전반적으로 높았으며 (0.45~0.59%) Nuruk-B의 수치가 가장 높았다. 이는 누룩에 생육하는 유기산 생성 곰팡이와 젖산균이 술덧의 적절한 온도, 원료 조성, 효모 수에 따라 유기산 생산능에 차이가 있는것으로 보여진다. 환원당과 당도는 Nuruk-C로 제조한 석탄주에서 가장 높았으나(5.36%, 23o) 알코올 함량(8.6%)은 가장 낮았다. 5종의 시판누룩으로 발효시킨 석탄주에서 Nuruk-A가 알코올 함량(19.4%)이 가장 높았고 휘발산은 발효 3일째 가장 높은 수치(132.6~263.7 ppm)를 나타내었으나, 발효가 진행되면서 급격히 감소(5.25~5.94 ppm)하였다. 관능평가는 5점 척도법으로 실시하였으며 Nuruk-D로 제조한 석탄주가 전반적인 기호도가 가장 높았고(4.0), Nuruk-A의 경우 가장 낮았다(2.77).

• 패션비즈니스
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• 제2권3호
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• pp.137-156
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• 1998

In this study, the researcher studied the historical background, and the traditional culture about dress and ornament of Yunnan Province of China, The results of the study are as follows. 1. Dress and personal ornaments of the Va peoples vary with the locality. Their traditional dress and adornment is characterized by those in the Ximeng area. Men usually wear black or dark blue collarless jackets and black and dark blue loose and short bagged trousers with folding waist. Women usually wear close-fitting sleeveless pullover blouses with V-shaped necks and straight skirts with patterns of red and black cross stripes. 2. Jingpo men have changed to wear shirts with button down the front and trousers. They also entwine white turbans with red bobbles on both ends, and carry diagonally long knives, firelocks and red woolen figured satchels on their shoulders. Women usually wear black velvet blouses with silver bowl-shaped ornaments and chains around collars and on the fronts. They also wear red straight skirts with overlapped slit on the right, waistbands and waist hoops made of rattan and bamboo. 3. The Naxi nationality has a long history and excellent traditional culture. In modern times, women like to wear red, blue or purple laced blouses, long double-layered pleated skirts, waistbands and embroidered shoes. They wear their hair in buns with either hats or kerchiefs over them. While working or going out, they put on their "seven-star" capes made of sheepskin and embroidered with two big circles and seven small ones, while is a symbol of their frog totem. 4. The dress and adorment of the Jinuo people is simple, elegant and has its own unique characteristics. Men usually wear white buttonless shirts with round necks and an opening on the front, knee-length bagged trousers and legging. They wear cloth turbans, earrings and also put small bamboo or silver pipes in the holes of their earlobes. Women wear short buttonless blouses with round necks and seven coloured stripes and thin tight-fitting or embroidered triangular underwear. 5. The dress and ardorment of the Benglong (De' ang) nationality has its own strong national colour. Most of the men wear jackets with buttons arranged diagonally on the front, loose, short trousers and black or white turbans. Some young men like to wear eardrops and silver necklaces. Women's dress and adornment differs according to various branches. For example, the women of the Bielie and Liang branches have their hair shaved and wear black turbans. They use large square silver tablets as buttons and wear blue or black blouses with buttons down the front. 6. Oai men usually wear trousers, white or blue cloth turbans and round-necked shirts with buttons down the front or arranged diagonally on the front. Women usually wear long straight skirt and blouses. But dress and adornment varies in regions. 7. The Bai nationality dress and adornment has unique national style. The dress fabrics are mainly cotton cloth, silk and velvet. Men usually wear red velvet vests over white shirts with buttons down the front or black velvet vests over light blue shirts. They also wear white of blue turbans and carry satchels with beautiful embroidered designs over their shoulders. Women usually wear red velvet vests over white blouses, or black vests over light-coloured blouses.

• 헤리티지:역사와 과학
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• 제44권4호
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• pp.42-55
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• 2011

이 연구의 기본적인 접근방법은 문화변동론적 시각에서, 소달구지 이용의 근현대적 양상이 어떠하며 그것이 갖는 사회 경제적 적절성과 문화적 의미를 탐구하는 것이다. 이 연구는 한 마을의 자연지리적 경제적 문화적 특성에 따라서 전통적 문화요소가 어떻게 지속 변용되는지를 이해하는 데 참고가 될 수 있으리라 기대한다. 조사지역인 경북 군위군 부계면 가호 2리인 동림마을에서는 소달구지를 일제강점기부터 이용하여 왔으며, 1972년 저수지 축조를 계기로 전통적 소달구지를 개량소달구지로 교체하였다. 1970년대까지는 소달구지로 농산물과 짐을 운반하고, 멀리 부계면이나 군위읍 소재 장터까지 소달구지를 타고 다녔다. 그러다가 1980년대 초반 경운기 도입 이후 소달구지는 마을에서 서서히 사라지면서 단순한 이동수단으로 그 기능이 변했다. 반면 젊은층은 현대식 운송수단을 적극적으로 도입하면서 1980년대에는 경운기가, 1990년 후반부터는 트럭이 마을의 주요 운송수단으로 자리 잡았다. 그럼에도 70대 이상의 노인들은 계속 소달구지를 이용하였다. 노인들은 노동력이 고령화되어, 현대식 운송수단을 사용하지 못하는 상황에서 경사진 농토를 경작하고, 원거리에 분산된 농토에 쉽게 접근하기 위해서 소를 사육하면서 소달구지를 개량하여 지속적으로 이용하고 있다. 동림마을의 개량형 소달구지 이용 전통은 노령의 농민들이 적정기술(appropriate technology)을 실천하는 것이며 고령화된 농촌사회의 문화적 표상이기도 하다. 즉, 노인들이 전통문화의 적합성과 실용성을 인정하여 소달구지라는 전통적 운송수단을 재창조하게 되었다. 그리고 산간농촌이라는 지리적 제약조건 속에서 남녀 노인들이 소달구지를 즐겨 이용하는 현상은 동림마을 노인들의 문화적 표상으로 자리 잡고 있다. 동림마을에서 소달구지가 지속적으로 이용되는 것은 농민들이 고령화되면서, 소달구지가 마을의 자연지리적 경제적 측면과 노인들의 문화적 관성이 잘 부합되기 때문이다. 따라서 사람들은 자신이 처한 제반 상황과 조건에 맞게 문화를 전승 변용한다는 사실을 알 수 있다.

• 복식문화연구
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• 제23권4호
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• pp.661-672
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• 2015

In this study, nine scarf designs expected to be effective for accent design for the fashion style of new senior women were suggested by reflecting purchase behavior and scarf preference after conducting surveys and an analysis by targeting 136 new senior women in order to propose scarf design-matching with the preferences of new seniors. As a result of the study on the scarf purchase features of new seniors, it was revealed that the purchase time for scarves was mainly autumn and winter, even though it is regardless of season, and in spring and summer, they seldom purchased scarves. The purchase frequency was four times a year, and what they first thought of at the time of purchase was represented in the order of color, design, and the material of the scarf. They most preferred department stores, mixed and achromatic colors, cotton and silk fabrics, natural and geometric patterns, and long scarves of a rectangular shape. In the case of the consumer attributes of scarves, it was revealed that $50^{th}$ desired more individuality-oriented, unique scarf designs than $60^{th}$, and $60^{th}$ desired scarf designs with convenient management considering others' attention compared with $50^{th}$. As concepts for scarf designs, the aspects of individuality, co-existence, and maturity were extracted by reflecting the features of new senior women, and a total of nine scarf designs were suggested by developing three sub-designs for each concept.