• 만화애니메이션 연구
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• 통권19호
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• pp.161-181
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• 2010

인간이 외부세계를 지각하는데 70%이상을 의존하고 시각을 통한 지각경험은 3차원 입체 영상기술의 발전으로 실재감 재현의 주축이 되고 있으며 다양한 연구 분야의 접목을 통해 발전하고 있다. 3차원 입체지각 기술은 양안시차의 지각요인의 원리를 경험적 지각요인과 결합하여 실재감을 재현하는 기술로, 인간이 지닌 시각의 생리적 특징을 메카니즘으로 한 것이다. 하지만 인간의 지각요인은 생리적인 요인으로만 설명하기엔 부족함이 많다. 대상을 지각하는데 있어 일정하게 지각하는 것이 아니라 인간의 심리적인 요인이나 물리적인 상태에 따라 다양하게 인지된다는 특성이 있기 때문이다. 따라서 시지각 요인간의 상관관계가 3차원 입체지각에 영향을 미치는지를 프로토타입을 제작하여 검증하고자 한다. 특히 3차원 입체를 지각하는 경험적, 생리적 요인과 형태를 지각하는 물리적, 심리적 요인을 중심으로, 게슈탈트의 집단화 및 단순화 현상과 3차원 입체지각 간의 관계를 실험을 통해 살펴볼 것이다. 본 연구를 통해 3차원 입체의 지각특성을 을 일부 파악하고 이는 실재감 재현을 위한 3차원 입체 콘텐츠제작에 기초연구가 될 것으로 본다.

• 만화애니메이션 연구
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• 통권34호
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• pp.81-104
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• 2014

자기반영성은 매체 스스로 자신의 조건과 절차를 텍스트 안에서 검토하며 매체의 본질을 탐구하고자 하는 미학적 전략이다. 이는 외부세계를 투명하게 모사하고자 하였던 재현의 원리가 19세기에 접어들어 위기를 맞이함으로부터 더욱 가속화 되었다. 19세기 초반 사진기술의 발명과 더불어 시작된 급격한 테크놀로지와 생활사회의 변화는 회화가 더 이상 재현의 방법론을 고수할 수 없도록 하였으며, 예술은 격변하는 세계의 페러다임과 맞물리며 새로운 방법론을 취하게 되었다. 이에 시각예술은 자신의 근원적인 매체의 성격을 성찰하고 스스로의 가능성을 재조직하는 자기반영적 전략을 취하게 되었으며 이러한 경향은 모더니즘과 포스트모더니즘에 이어 오늘날에 이르기까지 이어져오고 있다. 본고에서는 관람자로 하여금 애니메이션이 인공적 구성물임을 끊임없이 주지시키며 매체적 특성을 자각하고 인식하도록 유도하는 자기반영적 애니메이션을 중점적으로 다루었다. 첫 번째 장에서는 고대 그리스에서부터 에술의 창작원리로 폭넓게 수용되었던 모방과 미메시스에 기반한 재현 개념의 변화와 이와 관련된 자기반영성의 미학적 방법론을 개괄하였다. 이어 두 번째 장에서는 환영적이며 몰입적 재현에 목적을 두지 않고 애니메이션의 생산과정과 구성요소를 드러내며 자기 인식과 비판을 스스로의 작품 안에서 환기시킴으로써 다른 방식의 영상읽기를 제안하는 텍스트들을 분석하였고, 마지막으로는 애니메이션과 인접한 예술매체들과의 상호매체적인 관계 속에서 애니메이션의 존재론적 정체성과 조건을 탐색하는 상호텍스트적 작품들을 고찰하였다. 급변하는 매체환경 속에서 애니메이션 매체에 관한 재성찰이 요구되는 작금의 시절에, 자기반영성의 전략을 취하며 애니메이션 매체를 스스로 환기시키는 작품을 살펴보는 것은, 애니메이션이 스스로를 어떻게 구성해내고 있으며 무엇을 해나가고 수 있는지에 대한 가능성의 시각을 제공하는데 도움이 되리라 기대한다.

• 한국멀티미디어학회논문지
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• 제21권8호
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• pp.991-1001
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• 2018

In the context of the 4th Industrial Revolution, IoT, Big Data, and VR are rapidly emerging as core sectors of future industries. In particular, the VR has been under the limelight as a new media content appealing to new generation. And the VR user is not merely a 'spectator', but the 'actor'. In other words, the newness of VR is not in the 'more likely representation of the virtual reality', but in the 'making it act more virtual (more technically, 'interactive')' in the virtual world. In this paper, we examine the VR cinema in terms of film composition unit, montage, cinematic space, mise-en-$sc{\grave{e}}ne$ and perspective. The VR cinema, which is in the early stage of evolution, is basically based on $360^{\circ}$ image that strengthens the autonomy of the audience's point of view, but other factors like haptic or sonic immersion are becoming increasingly important. In addition, the VR cinema will be combined with AR, MR, SR, and Interactive technologies, and will expand its horizon as it is produced in various forms. Therefore, it is expected that more detailed viewpoint will be applied in the subsequent study on VR cinema.

• Industrial Engineering and Management Systems
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• 제12권3호
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• pp.181-189
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• 2013

This paper proposes a two-phase genetic algorithm (GA) to solve the problem of obtaining an optimum configuration of a paired single row assembly line. We pair two single-row assembly lines due to the shared usage of several workstations, thus obtaining an optimum configuration by considering the material flow of the two rows simultaneously. The problem deals with assigning workstations to a sequence and selecting the best arrangement by looking at the length and width for each workstation. This can be considered as an enhancement of the single row facility layout problem (SRFLP), or the so-called paired SRFLP (PSRFLP). The objective of this PSRFLP is to find an optimal configuration that seeks to minimize the distance traveled by the material handler and even the use of the material handler itself if this is possible. Real-world applications of such a problem can be found for apparel, shoe, and other manual assembly lines. This research produces the schematic representation solution using the heuristic approach. The crossover and mutation will be utilized using the schematic representation solution to obtain the neighborhood solutions. The first phase of the GA result is recorded to get the best pair. Based on these best matched pairs, the second-phase GA can commence.

• 한국실내디자인학회논문집
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• 제14권5호
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• pp.106-113
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• 2005

New images percolate through human consciousness by the media such as movies, TV programs, and brilliant advertisements. These images reproduce new ' things ' throughout the ' semantic processes ' by those who experience and recognize them. Alvin Toffler describes it as the ' information bomb ' and ' image fragments ' in his talk about the new paradigm of information-oriented era. The increasing number of images and their accelerating rate of appearance imply that images become more momentary, and are evidence that they are transforming entire human life and consciousness. Such awareness means a lot to a designer. Especially, the subject that how modern space-dominating images are related to the structure and materials constituting the space and communicate with human mind will be an important factor in establishing the human-space relationship in the future. Furthermore, the present age overspread with various medium is not the only one privileged of the images that exist within space. They are the results of continuous expansion of existing images, and also process of evolution of space powered by the fusion of images and digital media. Imagified space is a boundary layer of Cyberspace, and the space itself becomes an interface by human recognition and participation. Now, the functional classification of spaces such as ' office, ' ' cafe, ' and ' school ' is meaningless. Whatever it may be, the function of a space is defined by the information it interfaces, and therefore it becomes an interface to information through a large number of images. Based on this idea, we will observe the imagificaiton of space in the form of discussion, and from that, try to understand the phenomenon through the real world examples.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2009년도 춘계학술대회
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• pp.653-656
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• 2009

현재 초고속 통신망의 발전과 하드웨어의 발전으로 인하여 많은 멀티미디어 콘텐츠들이 인터넷상에서 아주 빠른 속도로 퍼지고 있다. 이러한 환경 때문에 멀티미디어 콘텐츠 제작 환경이 발전하고 있으며, 멀티미디어 콘텐츠들이 늘어나고 있다. 그러나 수많은 음성, 화상, 텍스트등과 같은 멀티미디어 콘텐츠의 시간과 공간적 동기화의 문제가 발생하기 시작하였다. 그래서 이러한 문제점을 해결하기 위하여 W3C(World Wide Web Consortium) 에서는 다양한 멀티미디어 콘텐츠의 표현을 구성할 수 있는 XML(Extensible Markup Language)에 기반을 둔 SMIL(Synchronized Multimedia Integration Language)이 표준으로 제안되었다. SMIL은 일련의 개별적 멀티미디어 객체를 시간과 공간적으로 동기화된 멀티미디어 표현으로 통합 할 수 있도록 한다. 본 논문에서는 다양한 멀티미디어 콘텐츠의 시간과 공간적인 동기화 하고, 통합하여 표현할 수 있도록 SMIL 저작 시스템을 설계 및 구현 하였다.

• Asia Marketing Journal
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• 제15권2호
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• pp.117-132
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• 2013

Recent developments in embodied cognition suggest that people process environmental information by using their bodily state and mental simulation. The focus of embodiment theory is that cognitive processing is based on the interaction among the body, the mind, and the world. Based on embodied theories of cognition, the authors predict that when the representation of marathon running is activated, bodily feedback such as tiredness and thirst will occur because mental simulation of marathon running contains sensorimotor representation of marathon running. As a result, it is predicted that participants primed with marathon runner will have more desire to have products that enable thirsty-quenching. Specifically, this research proposes that consumers' tendency to adopt the perspective of others influences embodied cognition, since perspective taking leads people to assimilate their own self-judgments and behaviors toward the cognitive representations of others. An experiment reveals that both perceptual and cognitive perspective taking tendencies moderate how participants respond to the contextual cues. The effect of perspective taking is moderated by whether participants are prompted to adopt a first-person view or a third-person view. In detail, among the high perspective takers, those in the marathon-first-person condition drink more the mineral water than those in the marathon-third-person condition, who in turn drink more the mineral water than those in the control condition. Among the low perceptual perspective takers, however, there are no significant differences in the amount of mineral water intake. This research delivers important insights for advertising messages. When being exposed to an advertisement, high perspective taking consumers may be more engaged in the advertised message than low perspective taking consumers, which in turn high (vs. low) perspective taking consumers' tendency to respond behaviorally consistent with the message may be higher. Based on the findings of this research, if the message induces the high perspective taking consumers to have a first- (vs. third-) person view, this effect may be stronger. Moreover, if the advertising message contains behaviors, such as using the target product, inducing consumers to mimic the behaviors seems to bring more behavioral responses which marketers intend.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2008년도 International Meeting on Information Display
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• pp.4-4
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• 2008

The progress in flat panel displays over the last two decades has been astonishing. In just 20 years, the LCD-TV grew up from a 2-inch curiosity, to an industry that will sell about 120 million flat panel TV's this year, with viewing area up to 4000 times larger. That success is based on continuous innovation, especially in manufacturing processes. For the next decade to bring another doubling of the business, progress will need to continue in four major areas: Human factors, ecological impact, visual quality, and of course continued drive towards affordability. This talk will detail the technology advances that can allow this industry to meet those challenges. Human factors. Today, we adapt our lifestyle to our technology. People organize their offices, and their homes, around displays. We pass around mobile phones to share images, rather than experiencing them as a group. Billions of newspapers continue to be sold daily. Advances in flexible displays can lead to large portable displays. "New era projection" includes the handheld Pico Projectors that are already on the market, and will ultimately appear integrated in mobile phones the same way cameras do today. "Eco" impact. Today TV's are one of the top energy consumers in a U.S. home, and the fastest growing. Watching a large flat panel TV can cost twice as much as running a large refrigerator. With today's concern about energy consumption, regulations are starting to emerge worldwide to limit TV electrical use. Fortunately, good solutions exist in using light management films to eliminate bulbs, saving power without increasing cost. Going forward, LED backlights will drive another step downward. OLED displays might be the ultimate solution. Visual quality. The color of an LCD-TV is still often considered inferior to a far less expensive CRT. And almost all displays suffer from representing a three-dimensional world on a two dimensional surface. The technology to improve color is available today, and will likely move from premium sets into the mainstream as costs come down. 3D is now arriving in movie theaters worldwide, and that will drive up the demand for similar realistic images in home theaters. And the technology is emerging today for 3D representation to move beyond specialized applications into everyday use, on screens large and small. Affordability. The world takes cost-down miracles for granted in consumer electronics. Each of these other advances will be balanced with a drive for affordability, especially as the market grows in emerging countries. The other three challenges must be met without increasing cost. Putting this all together, the next few years will emphasize "eco friendly" designs, and enhanced images such as 3D. By 2013 we will start to see serious penetration by emissive technologies (OLED, high efficiency plasma, or other), with the "ultimate display" likely not in the market for a decade. Lots of opportunities for innovation remain ahead of us.

• 패션비즈니스
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• 제14권1호
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• pp.116-131
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• 2010

As our world is becoming more and more globalized, nations tend to turn their interests towards their unique legacy and traditional culture. This research is intended to re-illuminate the Korean beauty through the Lotus Pattern, a traditional factor, from the Chosun Dynasty, and at the same time, analyze how its peculiar representation and figural elements can be reflected in modern fashion designs. The results will be an essential factor in creating exclusive and original designs. Research method was theoretical research from documents and to refer to positive data on preserved relics, and research contents consists of analysis on the use of lotus patterns in artworks that were exhibited during 2000 to 2008 by Korean and foreign artists. Results showed that lotus patterns that were used during the Chosun Dynasty are categorized by shape, composition form, and structural form. Applying these results, a total of 8 works were designed and created.

• 한국실내디자인학회논문집
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• 제16권6호
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• pp.56-64
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• 2007

This study is purposed to explicate the idea of 'the general design' for the construction of the construction of space of $L\'{a}szl\'{o}$ Moholy-Nagy who has stood against the traditional value system and made an attempt to create a new space-form language. On the basis of unification of perception and reality Moholy-Nagy intended to regenerate the essential aspects of life through an art by bestowing art with an aesthetic foundation and also expanding the art world into the living area. 'The Allgemeine Elementenlehre(the general theory of elements)' of Moholy-Nagy that is distanced from the visual perception as the dominant sense which is based on the principle of representation and imitation, and emphasized on the complicated relationship between the various senses including the tactile sense, offers a pedagogical basis for the space design that is indispensable for the plastic thinking and practice. At the same time it indicates an access route to the primary nature through the spatial construction of the prime elements of nature and man To explicate his idea toward the general theory of design of space, it will be tried first of all to clarify the core points of the empirio-criticism and the constructivism as the theoretical backgrounds of Moholy-Nagy. And then on the basis of these theoretical backgrounds will be analyzed the system and the contents of 'the allgemeine Elementenlehre' as the general space design theory and also the general space design pedagogy.