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http://dx.doi.org/10.9717/kmms.2018.21.8.991

VR & Changes in Cinematic Storytelling - Focusing on film composition unit, montage, space, mise-en-scène and perspective -  

Jeon, Byoungwon (Cinema & Transmedia Institute, Dong-eui University)
Cha, Minchol (Dept. of Film Studies, Dong-eui University)
Publication Information
Journal of Korea Multimedia Society / v.21, no.8, 2018 , pp. 991-1001 More about this Journal
Abstract
In the context of the 4th Industrial Revolution, IoT, Big Data, and VR are rapidly emerging as core sectors of future industries. In particular, the VR has been under the limelight as a new media content appealing to new generation. And the VR user is not merely a 'spectator', but the 'actor'. In other words, the newness of VR is not in the 'more likely representation of the virtual reality', but in the 'making it act more virtual (more technically, 'interactive')' in the virtual world. In this paper, we examine the VR cinema in terms of film composition unit, montage, cinematic space, mise-en-$sc{\grave{e}}ne$ and perspective. The VR cinema, which is in the early stage of evolution, is basically based on $360^{\circ}$ image that strengthens the autonomy of the audience's point of view, but other factors like haptic or sonic immersion are becoming increasingly important. In addition, the VR cinema will be combined with AR, MR, SR, and Interactive technologies, and will expand its horizon as it is produced in various forms. Therefore, it is expected that more detailed viewpoint will be applied in the subsequent study on VR cinema.
Keywords
Virtual Reality(VR); Storytelling; $360^{\circ}$ Video; Perspective; Mise-en-$sc{\grave{e}}ne$;
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