• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2001년도 Bulletin of The 5th Asian Design Conference International Symposium on Design Science
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• pp.57.2-57
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• 2001

• 한국정보통신학회:학술대회논문집
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• 한국정보통신학회 2018년도 춘계학술대회
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• pp.358-359
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• 2018

이 논문에서는 opencv와 android studio를 이용하여 시각장애인이 앞에 사물이 있는지 유무를 구분해준다. 스마트폰의 카메라와 연결하여 차영상으로 움직임을 감지하면 해당 부분을 Labeling 작업을 수행하고 mean shift알고리즘을 이용하여 계속 tracking하는 작업을 수행하여 시각 장애인에게 물체가 앞에 있다는 것을 알려주는 방식의 어플리케이션을 제작하고 있다. 실시간 움직임 관측을 위하여 OpenCV 기반의 C++ 프로그램을 사용하였으며, 어플리케이션은 android studio에서 제작할 예정이다. 연구 결과 Labeling으로 움직이는 물체들을 판별하였으며, Mean-Shift 알고리즘으로 박스영역을 지정하여 물체가 움직이면 박스도 함께 이동하여 실시간으로 사물을 Tracking작업을 수행한다.

• 한국운동역학회지
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• 제17권4호
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• pp.37-44
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• 2007

This study compared the Character Studio of 3ds Max and OpenGL to find an adequate modeling method of character animation to be used in motion analysis in the area of motor mechanics. The subject was one male golfer. We obtained the positional coordinates of marks needed by photographing the subject's golf swing motions. Because the method based on the Character Studio used meticulously designed character meshes, it enabled high.level animation but it took a long time in applying physique and demanded the repeated adjustment of each motion data. With the method based on OpenGL, a character completed once could be usable to almost every testee and desired program control was available, but because each character had to be created by making a computer program, it was hard to make characters delicately. Because the method using the Character Studio is actively studied not only in motor mechanics but also in many research areas, it is expected to be more usable in the near future. On the contrary, the method based on OpenGL is easily applicable and allows the convenient use of other mechanical data.

• 한국농촌건축학회논문집
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• 제14권2호
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• pp.11-18
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• 2012

Carlos Jimenez's 'House and Studio' was self-designed to fully function as both a home and workplace. Since its establishment in 1983, the installation has been continuously updated for almost 30 years solely under the guidance of the owner's life occurrences and routine needs. The additions and alterations succeeding the building's erection were executed to incorporate small yet symbolic fragments of the resident's memories and life episodes. The particularity of the 'House and Studio' can be compared with other residential remodeling and expansion projects in regards to certain key aspects. These means of comparison include, but are not limited to, building strictly under the direction of a master plan of development vs. allowing natural adaptations that comply with the resident's needs, rapid development vs. gradual advancement, the ornamenting by exposing showy features vs. the enhancing by addition of modest natural components, sustainability vs. sustenance, systematic room divisions vs. ambiguous spatial organization, possession as a materialized asset vs. preservation as a recollection of memories, and finally the recognition as one example of signature architecture vs. the witnessing of a maturing animated shelter. The given propositions can be further explained with the comprehension of Erich Fromm's theory of the 'Having' mode and 'Being' mode, two mechanisms that categorize the essence of human life. The 'Having' mode is described by the human greed for wealth, power, and influence, whereas the 'Being' mode is comprised of compassion, joy, and productivity. Fromm's thesis applies to the general sense of human life, but the ideas can be narrowed to accommodate the architectural standpoint. In architecture, the 'Having' mode can be translated to be the conspicuous form-oriented and self-contained object. The 'Being' mode, on the other hand, is transposed as the more natural form, incorporating the needs of the owner before commercialization. The growth of Jimenez's 'House and Studio' can be perceived as an architectural suggestion to the overcoming of human indifference caused by fixation on the 'Having' mode.

• 복식문화연구
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• 제29권1호
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• pp.134-151
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• 2021

The aim of this research is to develop a clothing and textiles studio course for preservice home economics teachers applying principles of Project-Based Learning (PBL) and maker education to equip future teachers with the ability to nurture creativity among adolescents. The studio course was developed in the following stages: analysis, design, development, implementation, and evaluation. We concluded that the resulting course met the following objectives extracted from the 2015 revised curriculum of home economics subjects: to promote creative and environmentally-friendly fashion design and styling abilities, gain the ability to use makerspace tools, understand flat pattern making and sewing processes, and develop creative thinking, aesthetic sense, and communication skills. Furthermore, the educational effects of PBL and maker education were confirmed through student comments on the course. Students mentioned the practicality of the material in their actual lives along with their enhanced integration of the subject material, self-directedness, aesthetic sense, ability to learn through trial and error, collaboration and communication, and sharing. Based on results from the implementation and evaluation stages, a clothing and textiles studio course should include the following modules: introduction of terms and tools, submission and sharing of clothing reformation and upcycling techniques, introduction to hand sewing, pouch making, heat-transfer printing, 3D printing, mask making, hat making, vest making, and the final team project on fashion styling. It is important for instructors to provide detailed guidelines on selecting personas for styling, looking for available materials, and selecting materials online.

• 융합정보논문지
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• 제12권1호
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• pp.91-98
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• 2022

현재 VR, AR, XR에 이어 메타버스(Metaverse)까지 기술의 발전과 함께 새로운 용어들은 넘쳐난다. 이처럼 용어들이 생성될 때마다 사회는 신기술이라고 생각하며, 열광적으로 사용하는 경향이 있는데, 그 용어의 범주를 제대로 이해하고 활용하는 데는 혼란이 있다. 이 논문에서는 1990년대 방송 CG(Computer Graphics) 기술의 발전에 중요한 역할을 한 가상스튜디오에 대해 논의하여, 과거의 새로운 용어의 도입과 그 활용 방법에 관해 이야기하고자 한다. 그러므로 가상스튜디오가 도입될 시점을 기준으로 용어가 생성될 때마다 혼선과 정립 사이의 간극을 살펴보고, 도입기 제작 사례를 통해 과거 기점에서 신기술의 활용도를 분석한다. 이 논문은 재매개를 통해 표출되는 과거의 기술 발전 과정을 살펴봄으로써 현재 상황이 새로운 기술이 아니라 새로운 용어의 발현이라는 점, 다시 말해서 기술의 단계적 발전 중에 나타나는 현상이라고 주장하는 것이다.

• 가정과삶의질연구
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• 제23권6호
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• pp.67-77
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• 2005

The purpose of this study was to evaluate the accessibility of existing multi-household multi-studio type house for developing Senior Congregate Housing. At present, in Korea, 'the Act of Promotion of Convenience and SEcurity for Disabled, Aged, Expectant Mothers, etc.' is applied to only public facilities. Therefore, this study evaluated 7 units -2 multi-household house and i multi-studio type house- in order to grasp the problems caused if the aged would dwell in that type of house, by the items of 'manual for improving the residency of the disabled' which was stipulated by the act above. The data was collected from May to June, 2005. The results were as follows: Firstly, the main entrances, exits and width of stairways had narrow spaces, the handles and bars did not conform with the terms presented in the manual above. Front doors should be opened like a bay for wheelchair use. Secondly, additional lighting apparatus and furniture should be added properly Thirdly, there were several inconformity to the manual for bathroom: improper handles, inadjustable washing-stands, unavailable spaces in front of toilet bowls, and out-of-place showers and taps. Finally kitchen cabinet design improper for wheelchair user. In conclusion, accessibility of existing multi-household or multi-studio type house was not good enough for the aged reside in. Those insufficiencies suggest that more specified standards to enhance accessibility to develop senior congregate housing should be added.

• 한국산학기술학회논문지
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• 제14권1호
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• pp.454-463
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• 2013

본 연구는 건축학과 설계스튜디오 운영실태와 사용자 인식의 분석을 통해 설계스튜디오 실내공간에 대한 개선요소를 제안하였다. 공통적인 개선사항으로 첫째, 개인공간의 명확한 구획이다. 개인공간의 독립성과 영역성을 확보하는 것이 중요한 요소로 나타났고 가변파티션(movable partition)을 통해 획일화된 구성보다 분반에 관계없이 자유롭게 개인공간을 구획하는 것을 선호했다. 둘째, 공동공간 면적의 확보이다. 공동작업공간은 스튜디오내 유일한 공동공간으로 용도가 다양하고 유용성 또한 높은 만큼 유형의 특성을 고려하여 충분한 면적으로 계획하여야 한다. 셋째, 개인공간과 공동공간의 명확한 공간 구분이다. 이를 위해 주어진 면적에서 공간을 효과적으로 사용할 수 있도록 가변파티션, 공용통로 등의 융통성 있는 계획이 필요하다. 넷째, 유형별 스튜디오의 주요 개선사항으로 개실형은 공동작업 공간 확보, 혼합형은 인접스튜디오의 간섭차단, 오픈형은 수업공간의 별도 계획 등으로 나타났다.

• 한국컴퓨터그래픽스학회논문지
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• 제21권5호
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• pp.21-27
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• 2015

본 논문에서는 방송국 그린 스튜디오에 서 있는 연기자와 CG로 표현되는 스페셜 이펙트(물, 불, 연기 등)와의 상호작용을 제공하는 시스템을 제안한다. 기존의 가상 스튜디오는 주로 CG 배경과 연기자 촬영 영상을 정합하는 방법에 초점을 맞추고 있다. 기존의 연구와 달리 본 논문에서는 실제 연기자와 상호작용하는 비주얼 이펙트를 시뮬레이션하는데 집중함으로써 TV 화면에서 새로운 영역을 표현하고자 한다. 연기자 동작에 비주얼 이펙트를 연동하기 위하여 깊이 카메라를 이용하여 연기자 동작을 추출한다. 이를 3차원 벡터 필드로 변환하고 Navier Stokes 방정식의 외력으로 적용하여 물, 불, 연기의 유체를 시뮬레이션한다. 특히, 물의 상호작용을 사실적으로 표현하기 위하여 물에 연동되는 스플레쉬의 상호작용도 함께 시뮬레이션하여 물이 등장하는 비주얼 이펙트의 사실감을 극대화시켰다. TV의 실시간 녹화를 지원하기 위하여 GPU 프로그래밍을 도입하여 VFX의 실시간 상호작용을 지원하는 기능도 추가하였다. 제안된 방법의 유용성은 물, 불, 연기, 바다 속 물고기 떼 등의 VFX 시뮬레이션과 연기자와의 상호작용 실험을 통하여 확인할 수 있었다.

• 한국멀티미디어학회논문지
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• 제20권4호
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• pp.721-729
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• 2017

This study examined the dramatic devices that the production team made for the studio progress in the survival music entertainment program of open narrative structure in which the audience participated through MBC 'The King of Mask Singer'. The reason for the need for dramatic equipment is that the studio Audience who participated in the process of the program crossed the situations of flow, selection, and enjoyment. As a result of the research, the production team of 'The King of Mask Singer' was found to have a device of time margin, lighting and background image, and role of MC in order to change the progress of the studio and that the participating audience naturally change their roles.