• Title/Summary/Keyword: The Fantastic

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A Comparison of Korean, American, Taiwanese Television Commercials for Young Children (한국·미국·대만의 유아대상 TV광고 비교)

  • Lee, Me Hye;Hong, Hae Kyung
    • Korean Journal of Child Studies
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    • v.22 no.3
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    • pp.137-150
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    • 2001
  • In this cross-national analysis of commercials for young children, 58 commercials were from KBS 2 in S. Korea, 51 from Nickelodeon, USA, and 69 from CTV, Taiwan, totaling 178 commercials. Differences between countries were that foods and beverages were mainly advertised in S. Korean and Taiwanese while a full range of items were evenly displayed in American commercials, and American commercials used more ordinary people in casting. Fantastic and realistic atmospheres were typical of S. Korean, realistic and explanatory of American, and explanatory of Taiwanese commercials. The commercials rarely showed an aesthetic sense or creative thinking, and the use of abusive language and aggression was ubiquitous, while some deviant behavior was also portrayed. The commercials often failed to provide useful information, and they stimulated customers to have unrealistic expectations.

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(SKEW) FILTERS IN RESIDUATED SKEW LATTICES: PART II

  • Koohnavard, Roghayeh;Saeid, Arsham Borumand
    • Honam Mathematical Journal
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    • v.40 no.3
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    • pp.401-431
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    • 2018
  • In this paper, some kinds of (skew) filters are defined and are studied in residuated skew lattices. Some relations are got between these filters and quotient algebras constructed via these filters. The Green filter is defined which establishes a connection between residuated lattices and residuated skew lattices. It is investigated that relationships between Green filter and other types of filters in residuated skew lattices and the relationship between residuated skew lattice and other skew structures are studied. It is proved that for a residuated skew lattice, skew Hilbert algebra and skew G-algebra are equivalent too.

Children's Responses to the Characters of Fantasy Picture Books (환상그림책의 등장인물에 대한 유아들의 반응)

  • Chae, Jong Ok
    • Korean Journal of Childcare and Education
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    • v.9 no.6
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    • pp.243-265
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    • 2013
  • The purpose of this study is to figure out how a child, as an active responder, responds to the characters of fantastic picture books by analyzing the child's questions and comments through the reading aloud approach. The subjects of this study are fifty-four children under five years old. Nine fantastic picture books are used as the study materials. The contents of the analysis are the frequency of children's questions and comments, the types of responses and the reasons of preferences to the characters. The results of the analysis are as follows: Firstly, the frequency of comments is three times higher than the frequency of questions. Secondly, the frequency of "evaluative questions" is the highest and "imaginative questions" is the next highest. The frequency of "transparent questions" and "personal questions" are comparatively low. Thirdly, most of the children answered that the reason of preference of the characters was "the character's appearance" and then "their subjective feeling to the character", "the character's role" and "the character's characteristics" in that order. Only one child answered that it was "the character's gender." This study will contribute to the planning and implementation of the strategies of reading picture books and to the strategic study to improve children's responses as well.

A Study on the modification of fantastique mode in You, Sijin's comic strips (유시진 만화의 환상성 변이 연구)

  • Chang, Eun-Young;Kim, Mi-Rim
    • Cartoon and Animation Studies
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    • s.24
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    • pp.25-48
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    • 2011
  • The fantastic has had various semantic layers between 'the Marvelous' and 'the Uncanny', these has been assorted by historical and synchronic aspects. The Marvelous has been harmonious and abundant world of fantasy which includes metaphysical system and all tradition of magical fence. The Uncanny has been a subversive fantasy world which shows absurdity and negative truths of this very world by modern consciousness. In comics, because of the media features, it is more useful the fantastic than the realistic. However, the relationship about comic and fantasy has rarely discussed in detail. So we has wanted to understand the specificities of affiliation with the Marvelous and with the Uncanny. Then it has been necessary to check the works of You, Sijin the comic book writer, for we ought to know how the affiliations with fantasy could influence each works' styles, and themes. You, Sijin started her works with sensibility of uncanny, but she tried to develop the theme "uptight" and devoted to establish "the Secondary World" stably. However, at Shin Meoung Ki(神明記) fantasy world overwhelmed the theme. After that, in The Closer and On, she crashed down the uptight feeing and made new self-consciousness by mixed fantasy style. The Closer and On has been the turning point of writer You, Sijin. Since than her works has showed a propensity for the Uncanny.

An Analysis of the Characteristic of Hybrid Hair Design in Fashion Collection (패션 컬렉션에 나타난 하이브리드 헤어디자인의 표현 특성 분석)

  • Kim, Kyoung-In;Yoo, Young-Sun
    • The Research Journal of the Costume Culture
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    • v.17 no.6
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    • pp.1021-1033
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    • 2009
  • This study aimed to analyze the expression of Hybrid in Contemporary Hair Design that is one kind of total fashion. In this research, by background of the hybrid characteristics of the messes culture art, the hybrid characteristics of the hair design has been defined as characters which is the mixture of timeless spaces, styles, sexes, unsuitable elements and cultures. The results of analysis by the expression of the hybrid hair design after 2000 is like this. As the researching, the hybrid characteristics of the hair design by the mixture of unsuitable elements and styles have been presented the highest. The result of the frequency of the apparition in the hair design molding elements according to the expression of the hybrid hair design, the hybrid characteristics of the unsuitable elements and style has been presented ideological form and the artificial form was the highest. The case of the hybrid of the activated texture, the unsuitable elements, style and timeless space has been presented excellently one after another. In the color tone, the mixture of the style, the unsuitable elements and timeless space has been presented one by one. The case of the hybrid of the image, the unsuitable elements that is the highest the frequency of the apparition was presented the image of the avant-garde, the fantastic and humor one after another.

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A Study on the tradition of Organic Medievalism expressed in Modern Architecture (모더니즘 건축에 나타난 유기적 중세주의 전통에 관한 연구)

  • 박수진
    • Korean Institute of Interior Design Journal
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    • no.29
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    • pp.67-76
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    • 2001
  • This Study is about the tradition of Organic Medievalism expressed in Modern Architecture. The concept of Medievalism is an attitude to revive the social and physical settings on the Middle Ages. The Organic Medievalism in Modern Architecture was to be explained as the two tendencies; one was toward the rational structural logic of the medieval architecture being re-interpreted into the Modern Architecture and the other was toward the organic and fantastic shape of the Modern Architecture, closely connected with nature-friendly and organic shape of medieval city and buildings. The structural logic of the medieval architecture became systematized by the French architects, Viollet-le-Duc and Auguste Choisy. The principle has been applied to the design of the Art Nouveau, Louis Kahn and so-called the High-Tech Architecture creating the aesthetics of its own by exposing the building structure. The other was used as the elements to represent the characteristics of the Art Nouveau architects, and then served as the background of the creation of the avant-garde architecture of Germany. The ideal has been serving as the great idealistic fundamentals by the so-called Archigram and Deconstruction at the late half of the 20th century.

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A Study on the Methodology for Fashion Design through the Source of Inspiration and its Application (의상디자인 발상 및 전개 방법에 대한 연구)

  • 금기숙
    • Journal of the Korean Society of Costume
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    • v.29
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    • pp.53-70
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    • 1996
  • The inspiration and its application in fashion design is considered as one of the important factors in boosting the fashion arena. Many inspirations are adapted in fashion de-sign and they make the fashion design unique and characteristic. In this study many fashion designs are analyzed to find what kind of inspirations were adapted and utilized for the fashion design in reality. The nature historic costumes ethcin costumes arts sciences literature music sports were revealed as the sources of fashion inspiration.l The concerns on the environments movies and dramas could provide inspirations in fashion as well. Several contents or steps were studied to provide the one of the example of appli-cations as follows: 1. The works of Marc Chagall were analized to figure out and several plastic characteristics from his works were revealed such as fantastic strong colors unreal animal pattern or their details his wife and friends various divisions of the surface and so on. These attributes had been favored in depiction of his works to ex-press his home town or nostalgia. 2. '90s fashion designs inspired by the works of Chagall were analized to find out the meth-odology or the process of designs. The same Chagall colors were used in design and similar pattern were expressed through beaded work or printing jobs. The surface designs such as printing were the most prefered method in adapting the inspirations. 3. The plastic characteristics of the work of Chagall were attempted in clothing design and construction. The color combination patterns which remind the animals the surface divisions were used in design ot practive the methodologies.

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The Study on the Reformative Costume of Gustav Klimt (구스타브 클림트[Gustav Klimt]의 개혁의상에 관한 연구)

  • Kim Sun-Young
    • Journal of the Korean Society of Costume
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    • v.56 no.4 s.103
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    • pp.1-14
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    • 2006
  • This paper is a perspectiveon the reformative costume expressed by Gustav Klimt who led the Secession Movement as a great master in Vienna. Klimt actively expressed a new costume style in his paintings, which influenced heavily on the modern costume design. This paper may contribute to reestablish the constructive direction for the 21st century fashion design based on Klimt's pursuing holistic art concept. The reformative costume in Klimt's paintings has two characteristics; ornamentism, eroticism, and reformativeness. Ornamentism is expressed with fantastic colors, various motives, exotic features, simple style clothes, and so on. Klimt used independent ornaments to express carnal desires metaphorically, which set ornaments free to lead spectators to the dreamy or elusive state and even have spectators indulged in ecstasy. As the Secession Movement focused on reforming all areas of life artistically, the costumes of Klimt's paintings symbolically express the reformativeness; he portrayed the woman in the early 20th century and sought to reform its contemporary value as a visual sensuality. Klimt tried to disrupt from the former era by over-emphasizing eroticism. The erotic expression with the colors and the style of ornaments substitute naturally for suggestive eroticism of the feminine body. With has creativity, Klimt has spectators extract the various senses from the female image in his paintings. Klimt's creative spirit on the holistic art concept could be helpful to develop a unique design as a catalyst foreseeing over the present.

Some Factors of Influence on Paco Rabanne`s Fashion Design (파코 라반 복식의 조형적 특성에 영향을 미친 요인)

  • 최영옥
    • The Research Journal of the Costume Culture
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    • v.7 no.5
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    • pp.122-139
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    • 1999
  • Paco Rabanne, who has created experimental and prophetic avant-garde fashion by cutting edge techniques and revolutionary new materials, is known as one of the most influential fashion designer of modern times. The purpose of this study is to analyze the various factors, including some major artistic movements, which influenced on the formative characteristics of Paco Rabanne\`s fashion design. First, Paco Rabanne\`s fantastic new materials is also influenced by his study in architecture and his own fantasies -which other people can hardly imagine- during his early childhood. Second, light one of the most important element in Paco Ranbanne\`s fashion design, shows some influence of medieval symbols of love and salvation. Third, the artistic trends which influenced on Paco Rabanne\`s fashion include surrealism, opart, and kinetic art. His use of new materials and avant -garde style represents the influence of surrealism. his experimental use of waving plastics and glittering metal during his early period is especially related with opart and kinetic art in the early 1960s which emphasize the artistic effect of light and movement. Fourth, the geometrical figures like triangles, rectangles, and circles represent the influence of Egyptian architecture like pyramids and the geometrical characteristics of Eguptian art. Fifth, Paco Rabanne\`s distinctive use of metal chains in his fashion shows the influence of the chain mail hauberk, the medieval knightly armour. By using the medieval material Paco Rabanne properly expressed the modern person\`s pain and suffering. Sixth, the ethnic elements of Egypt, Africa, Spain, and Japan reflect the experience in his former lives he insists he lived. The ethnic elements of his dresses emphasize the natural vitality and inheritance from the past.

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