• 한국융합학회논문지
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• 제9권8호
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• pp.161-169
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• 2018

우리나라 한옥은 지붕재료에 따라 크게 와가, 초가, 너와, 굴피집으로 구분할 수 있다. 초가는 지방 특색에 따라 재료, 경사, 모양, 잇기 방법이 다양하다. 그러나 산업화로 초가가 급속히 감소하여 이러한 특성을 보기 어려운 실정이다. 본 연구는 북부지방의 초가의 건축적 특성을 알고자 한다. 그래서 북부지방에 지정된 고성왕곡마을을 조사 대상으로 선정하였다. 연구는 종합정비 및 지정 자료를 기반으로 현장조사, 전문가 및 주민 인터뷰를 통해 특성을 조사 분석하는 방법으로 하였다. 본 연구 결과 왕곡마을의 가옥의 지붕재료는 와가보다는 초가의 비율이 높았다. 그리고 평면은 좌우 돌출형과 겹집형이 다수를 차지하고 있으며 정지와 마루 사이에 칸막이벽이 없었다. 또한 전면의 개구부는 출입을 위한 것이 아닌 채광과 통풍 기능을 담당하는 북부지방의 특성을 가지고 있었다. 이러한 고성왕곡마을 초가는 현지조사를 통해 원형특성을 회복할 수 있는 건물의 비율이 높게 나타났다.

• 한국실내디자인학회논문집
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• 제23권2호
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• pp.147-155
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• 2014

The purpose of this study was to investigate expression characteristics of korean traditionality in restaurants & Ccfes which adapted thatched roof & shingle-roofed house. As a method of this study, a case study was made to investigate for exterior and interior elements(roof type, facade, floor, wall, ceiling, door & window) of 12 restaurants & cafes in Seoul and Kyunggi Province from June 10, 2013 to December 1, 2013. The results of this study were as follows: First, traditional transformation was mostly used among the traditional expression methods. But, there was not many traditional reinterpretation method. Second, looking at each component, traditional reproduction method mostly used for roof, column and ceiling to emphasize facade. Traditional transformation method can be divided into 3 ways in detail. The first method is mixing materials of modern and traditional, and the second one is transforming traditional material and combining this with modern one. The third is removing traditional material completely and transforming totally into modern materials. Third, traditional high quality noble houses are found in luxurious Korean restaurants and luxurious cafes while common houses are found in local food restaurant and cafes. It is because traditional common houses are still considered as low quality of design and it may prevent common houses from becoming high quality of design.

• 한국어학
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• 제80권
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• pp.49-85
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• 2018

The purpose of this study is to research and systematize Jeju dialectal words about Jeju traditional housing culture and study them on the basis of lexical semantics. Vocabularies related to the names of the traditional thatched-roof house and its partial names, thatching, supplementary facilities, housing culture, etc. were categorized after recording in an ethnographic way from Seongeup folk village which is Important Folklore Material no.188, and studied them linguistically. Informants are fore people who were born and bred in Seongeup-ri and they are over 70. They have a lot of experiences building thatched-roof houses from a young age. There are 9 different categories - the kind of the house, partial names, exterior space, materials, tools, words about actions, doers, units, and folklore. Some new words related to Jeju traditional housing, which had not been in the list of Korean dictionary, could be introduced as a result of the study. For example, rice which are made when doing earth work is called Heukppap and adzes used to sharpen stones are called Dolchagui. The finding of These new words hopefully contribute to the promotion of Korean language as well as enrich vocabulary on housing. Furthermore, the collected vocabularies and oral materials could be used as important educational materials to comprehend Jeju traditional housing culture.

• 대한지리학회지
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• 제19권
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• pp.41-51
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• 1979

Since 1971 when the nation wide 'New Community' movement was launched to improve rural standards of living, dol and thatched-roof houses have been reshaped or removed, thereby making it hard to find time-honored people's living structures in the countryside. Since 1977, the improvement work of rural houses has started throughout the country, so many new rural residences have been constructing along the highway, main roads, railways and around the sightseeing area, New rural houses do not show, for the most part, the traditional architectural style and the nation's unique conventional ways of living. The writer tried to find solutions to the problems derived from improvement work of rural residence, in a comparative method of traditional rural houses and newly constructed rural ones. The greater part of new rural houses' types, painting colors, and fence types had been recommended by provincial administrative trative officials. Officials recommended them to the farmer with their standards, which did not consider farmer's convenience of traditional way of life, but a fine sight from the highways or railways. Korea's three basic roof types are the HAPKAK roof (gabled and hipped), the UCHINKAK roof(hipped), and the BAKKOONG roof(gabled). However, the gabled roof houses, having their entrance on the gabled side, are found more ofter in new rural village. As mentioned above, architectural style is not harmonious with the topography and climate i Korea, because it is not Korean traditional type, but one of the western styles. And new rural house plans are inconvenient in the conservation rural family system, because of the same category with urban houses plans. Other problems derived from ton-traditional architecture style are roof painting in 4-5 colors in a new village, types of wall and fence, and attached building in the site.

• 한국농촌건축학회논문집
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• 제11권1호
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• pp.25-36
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• 2009

Coastal village and Inland village was village in jeju. This study was cultural elements of stone to village in jeju. Memorial Stone and Stone Monument Street, Shrine, An altar of sarificial site for village tutelary spirits, Bangsatap(pagoda), 25 Bongsu(25 beacon fire stations) and 38 Yeondae(38 signaling sites), Hwanhaejangseong Fortress, Grave wall and Horse pasture walls were included in elements of history and culture to village in jeju. An altar of sarificial rite for village tutelary spirits was generally on the a hill near a village, built of Stone wall. Bangsatap(pagoda) was the kind and the size of stone to a location, that expresses the form and the scale. the form of grave wall was the oval or the rectangle, the latter was frequent. Thatched houses in jeju and facilities in a house, Stone wall, Tongsi(pigsty), Paeng namu and A heights of stone, Spring water and Water collected in a depression, Stone Weir, Horse mill and Dodaebul(Old Lighthouse) were included in elements of life and culture to village in jeju. Stone wall has the multiplicity of the size and the building method in the use, the function and the region. The form of Stone weir was the rectangular figure or the curvilinear figure, the section of that was the right triangle or the rectangular form.

• 건축역사연구
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• 제8권4호
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• pp.39-62
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• 1999

Basic concept of this study is that architectural form as a material at present has meaning for the dweller's life on the past historical plane. Main method to recover history is ethnographic interview to dwellers. Secondary method is to analyze ancestors' writings, buildings in the background of the family photos, and past drawings and then to relate them with architectural form at present. Taxonomy is a starting point: general name of the building by outside researcher is quite different from it by inside dwellers. 'Haengrang-chae', servant quarter, has never been used for servants. Function of the haengrang went outside thatched houses at the front village. Firsthand observation or simple analyses as results of several precedent research are reexamined and criticized through this study. The mansion has moaning when we synthesize with the site location based on farming land and tenant farmer, and decline of the Kyongpo Lake. Territoriality of the mansion is reinterpreted to 'In-Out Structure' by Yin-Yang thinking, Dwellers extend buildings gradually to outside village, surrounding rear hills, the lake, DongHae Sea, and finally goes to imaginative Taoist heaven beyond real nature through the literary life. Confucius principle, known to govern upper class house at Yi Dynasty also affect general composition of the buildings: perpetuation of the family by ancestor worship, elder dominance and male dominance, fraternity love in the extended family, charity display by reception of guests, Taoist scholarly life harmonized with nature. However, the study of the particular life and usage of the dwellers reinforces or corrects general supposition of precedent researches. Unique shape of the house has been formed by convenience of the dwellers' life style, early modernized free thought over the rigid Confucius design principle, and female power in male dominant society.

• 복식문화연구
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• 제23권1호
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• pp.45-62
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• 2015

This study is to develop cultural products based on 'Jeju Choga', which means the traditional houses in Jeju. For the product development, old literature review, field surveys, and consumer surveys were employed. Through old literatures and field surveys, the unique and visual characteristics of Jeju Choga were confirmed: A thatched roof with lattice pattern, a side wall and fences with porous stones, a 'Jungnang' serving as a gate, and a 'Pungchai' preventing strong sola radiation and 'Ollai' meaning a narrow street in front of the Choga. As a results of consumer survey conducted before the development of products, consumers highly recognized and associated Jeju Choga as Jeju representative image. The six basic patterns of Jeju Choga were drawn and eight textile designs were created through the repeated arrangements of the basic patterns. Using the created textile designs and digital printing method, the eleven new fabrics with the patterns of Jeju Choga were developed. The various kinds of ten bags and tow wallets made with the new fabrics. As a result of consumer evaluation for the twelve products made in this study, the scores of preference and purchase intention were above the average work for the most products of them. In particular, the preference and purchase intention of the square shoulder bag, the big-size shopper bag, and the small-size cross bag were very positively evaluated. Therefore, it is confirmed that Jeju Choga could be very useful as a motif for the development of cultural products focusing on Jeju tourism souvenir market.

• 한국농촌건축학회논문집
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• 제25권2호
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• pp.43-50
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• 2023

This study is an architectural and landscaping analysis view to rural landscape paintings painted by Vincent van Gogh in the late 19th century. The purpose of this research is to discover the expressive techniques of Western art that Van Gogh's landscape paintings have, and to understand the characteristics of the architectural object in his landscape paintings from February 1888 to April 1889 in Arles, southern France. The method of this study is to analyze the landscape paintings of Van Gogh painted during 15 months in Arles. Among the total paintings in Arles, 47% of the paintings he made were landscapes. The following conclusions have three views. First, Vincent van Gogh was born into a Protestant family in the Netherlands and become an artist in his late twenties. While living in Arles, he painted prolific landscapes. Farming, farmers, and rural area related to normal living are the main subjects of paintings. It can be seen as showing the view that everyday life is sublime and should be included as a unitary value. Second, Gogh's rural landscape paintings were painted with linear and aerial perspective with other the expressive techniques, and plane painting structure that leads to two dimension. Third, from an architectural point of view, Van Gogh's paintings depicted simple vernacular architecture such as traditional rural house, mas, thatched houses, and mills in southern France. This means the normal value of the rural landscape through the eyes of the painter.

• 한국조경학회지
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• 제42권4호
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• pp.76-88
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• 2014

본 연구의 목적은 농어업유산과 경관의 관계 규명을 통하여 농어업유산의 경관특성요소를 도출하고, 이를 바탕으로 한국농어업유산 제1호로 지정받았으며, 국내에서는 처음으로 세계중요농업유산(GIAHS)에 등재된 청산도의 경관특성요소를 유형화한 후, 이에 대하여 방문객들이 중요시 여기는 인자와 만족하는 인자 간의 차이를 파악함으로써, 한국농어업유산으로 지정된 청산도의 경관 보존 및 관리를 위한 우선순위를 제시하는 것이다. 이를 위하여 농어업유산과 경관의 관계 규명 및 농어업유산의 경관특성요소 도출을 위한 문헌고찰, 청산도의 경관특성 요소를 도출하기 위한 현장답사, 청산도의 경관특성요소에 대한 중요도-만족도 설문조사를 실시하였고, SPSS 20.0을 활용하여 신뢰도분석, 기술통계분석, IPA 분석을 실시하였으며, 그 결과는 다음과 같다. 1사분면에 분포하여 지속적 노력을 요하는 인자는 유채꽃밭, 바다, 청보리밭, 구들장논, 방파제와 등대, 전복양식장, 돌집, 초가집, 해안도로, 슬로길, 성서마을 돌담길, 주민농업행위로 분석되었다. 2사분면에 분포하여 집중적 관리전략이 필요한 인자로는 주변산지, 선착장, 도청항, 선박들, 수산물시장, 독살이돌담, 원색지붕농가, 느린섬여행학교, 펜션과 카페, 버스정류장, 정자목, 횟집거리, 해수욕장, 촬영지로 분석되었다. 3사분면에 분포하여 관리 조절이 필요한 인자는 소나무숲, 해변, 갯벌, 마늘밭, 비닐하우스, 곡식건조장, 미역 건조장, 문화유산전시장, 초분, 당리굿, 장터, 주민어업행위, 주민산업행위, 주민일상행위, 선착장 방문 행위, 슬로길 산책 행위, 특산물 섭취 쇼핑 행위, 농어업 체험 행위로 분석되었다. 4사분면에 분포하여 과잉 노력으로 분석된 요인은 도출되지 않았다.

• 한국전통조경학회지
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• 제41권4호
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• pp.49-56
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• 2023

본 연구는 옥호정의 조영자 김조순의 풍고집에 나타난 옥호정도의 내용 전체를 분석하여 풍고집내에 옥호정으로 확인할 수 있는 문헌의 내용을 통해 기존 연구와 옥호정도를 비교하고 조영자와 정원과 관련된 교유관계, 조영사실 등을 규명하였다. 그 결과는 다음과 같다. 첫째 옥호정의 조영자인 김조순은 문인취향이 강했던 요인으로 정원의 조영과 경영에 관련된 내용을 비교적 상세히 표현하여 정원의 원형을 추정하기 용이했다. 둘째, 옥호정의 조성연대는 기존에는 을해벽의 각자를 근거로 1815년으로 추정하였으나 이성민이 동성교여집에 김조순이 장씨집을 사들인 기록을 밝혀 1804년으로 정정하는 것이 바람직하다. 셋째, 풍고집에 나타난 김조순의 문예취미는 철저하게 중국고사 등을 따랐으나 정원조영 부분은 사실에 근거한 정원고고학적 기록으로서 그 가치를 지닌다. 정원의 부지확장에 대하여는 옥호정 남측 부분의 경계를 김생 사호에게 양도 받아 반칸 정도 늘린 것으로 추정되고 원예활동과 정원 곳곳에 가산이나, 석상, 괴석, 분재, 수반 등이 매우 다양하게 나타나고 있으며 특히 석가산을 조성하는 기법과 풍치에 대해 언급하고 있으며 어린 소나무의 이식에 대한 전문적 식견, 정원의 화목에 대한 애호와 풍류는 시문 곳곳에 깃들여 있다. 아울러 옥호정의 입지를 선정하기 위한 지형 지세의 파악과 기존 식생 등의 현황파악 능력, 초목을 베고 땅을 고른 과정과 기와와 초가로 지은 집들, 이 곳에서 한거하기 위한 목적과 안전을 기원하는 내용이 완벽한 옥호정 조성의 단계를 보여주고 모정인 산반루의 위치와 조성과정을 알 수 있어 정원고고학적 가치를 지닌다. 향후 풍고집에 등장한 교유인물들의 문집의 해석을 통해 옥호정의 정원원형에 대한 보다 많은 자료들이 발굴되기 위한 후속연구가 요구된다.