• 비교문화연구
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• 제25권
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• pp.421-452
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• 2011

This writing is about an effort to try to preserve and transmit the materials related to Jing-Ju(京劇) who is the Chinese traditional theatrical art. The plan to preserve the materials of performing arts is very important because its collection and preservation about them are much more particular than other genres. China got the great results in this field because of China Jing-Ju Yinpeixiang (中國京劇音配像) project. Jing-Ju Yinpeixiang project is a kind of project to restore and preserve the materials which reproduced Jing-Ju repertoire by inserting the performance method of Yinpeixiang (音配像: put together images to sounds) by later actors and actresses of Jing-Ju in recordings of 1950s to 1960s by remained famous ones. Also, this is the large scale culture project that more than 170 institutions and more than 3000 persons participated in during the total 21 years that it first started in 1985 and was completed in the end of 2006. Thanks to this project, China got to have the almost perfect materials which reproduced live performances to add the images of junior actors and actresses who accurately imitated performances of 115 famous actors and actresses including each type of role, schools and great actors from 1907 to the end of 20th century in their voices. This is the only method to restore the materials in this world and very creative. It's been 15 years since TV broadcasting first showed its fruition to Chinese people. The Chinese government gave the positive judgement on this project and prepared to hold the big event which celebrated itself this year. But very little is known of this process and there is no any study in Korea. This writing tried to clarify what Jing-Ju Yinpeixiang project is, what it has meant to Chinese people and what results it has gotten after it's been 15 years since the first show was on TV.

• 보건교육건강증진학회지
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• 제12권2호
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• pp.120-138
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• 1995

In order to find smoking status and its related factors for female students, a survey was conducted for 1,045 female students of a women's university in Seoul from 22nd of May to 18th of June, 1995. The results were as follows: 1. Of the 1,045 respondents, 7.4% of them were current smokers and 20.6% of them were ex-smokers. The rate of smoking by the major field of study was 18.5% in art and physical education, 10.6% in liberal art and social science, 1.9% in natural science, and 1.2% in medical science. The rate of smoking by the grade was 4.1% in the freshman, 5.9% in the sophomore, 10.9% in the junior, and 10.0% in the senior grade. 2. 7.2% of respondents experienced first smoking at junior high school, 16.8% at senior high school, 4.1% after high school, and 69.2% at college. 3. The major motivation to start smoking was 'curiosity'(57.9%), 'releasing stress'(21.6%), and 'temptation from friend or senior'(12.0%). 4. The first smoking place was 'entertainment place'(49.6%), 'own room'(20.5%), and 'school '(11.3%). And the first smoking companion was 'friend'(62.3%), 'alone'(19.9%), and 'senior or junior'(5.1%). 5. The average quantity of a daily smoking was 6.16±5.29 cigarettes in current smokers and 31.2% of them had experience to quit smoking at least one or more time. 6. Most of the reasons to quit smoking in ex-smoker were due to 'bad taste '(60.5%), 'health concern'(27.4%) and 'religion'(2.3%). 7. Current smoker and ex-smoker had more positive attitude for the female smoking than nonsmoker. And 76.7% of nonsmokers answered that they would not smoke in the future. 8. Most correspondents(89.8% of nonsmoker, 83.7% of ex-smoker, 80.5% of current smoker) strongly supported the antismoking movement. 9. The major information source in smoking were from 'radio, TV'(51.0%), 'newspaper, magazine'(38.8%) and 'school'(7.7%). 10. The multiple logistic regression analysis showed that the related factors for smoking status were satisfaction of home life, coffee intake, alcohol drinking, sister's smoking, girl friend's smoking, and knowledge about smoking.

• 한국콘텐츠학회논문지
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• 제13권6호
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• pp.77-85
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• 2013

본 연구는 중국 최초의 대형 역사 무용극을 표방한 서안의 <장한가> 라는 작품 속에 들어있는 영상이미지의 공연효과를 분석하고자 한 것이다. 즉 <장한가> 작품 속에 들어 있는 특정 주제, 소재들을 표현함에 있어 어떠한 영상이미지를 사용하여 공연의 효과를 거두고 있는가에 대한 것이다. 영상이란 '사물의 모습이 반영된 상', 특히 영화, 텔레비전, 사전 등의 이미지를 의미하는 말로 그 범위는 매우 넓으며 image의 어원은 imitary에 근거를 둔 것으로 구체적 또는 심적으로 나타낼 수 있는 시각적 표시를 말한다. 따라서 영상이미지는 '영상'과 '이미지' 라는 동의어의 결합으로 볼 수 있는데 여기서 영상이란 단순히 시나리오의 문학성, 연극성, 미술성 등과 같이 전통적인 예술장르의 종합이 아니라 모든 예술의 본원적 기능을 통합하고 인간존재의 오묘한 이미지 활동을 연결한 결과로서의 총체라고 보는 것이다. 연구결과는 다음과 같다. <장한가>에 표현되는 영상 이미지의 효과로 첫째, 시대성과 문화를 반영한 함축적 의미의 표현 효과 둘째, 상상적 동일시 효과, 셋째, 장면전환의 효과 넷째, 몰입을 통한 극적 재미의 효과, 다섯째, 공연의 입체감을 통한 시각적 효과가 있음을 알 수 있었다.

• 한국콘텐츠학회논문지
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• 제9권3호
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• pp.91-98
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• 2009

복잡하고 빠르게 돌아가는 현대사회의 사회적 대상관계의 특징은 개인주의 팽배와 획일적 인간 관계속의 주체성 상실 등을 들 수 있다. 이러한 구조상의 무관심속에 아동들은 혼자서 텔레비전을 보거나 컴퓨터에 빠져 지내는 경우가 늘어나고 있다. 또한 어머니들의 과보호, 불규칙적인 양육태도, 정서적 외상 및 유전적 영향으로 인해 아동기 정신 발달 장애 빈도가 높아지고 있는 추세이다. 이러한 추세에 발맞추어서 미술치료에 대한 연구와 사례들이 많이 발표되고 있으며 미술치료의 중요성이 대두되고 있다. 이에 본 연구에서는 가장 인간과 밀접한 관계가 있는 자연 매체인 점토를 통한 치료가 발달 장애(자폐아)를 가지고 있는 아동에게 미치는 영향과 효과에 대하여 고찰해보고 또한 점토치료가 이러한 장애를 가진 아동들의 사회적 대상관계와 정화작용의 발전에 미치는 영향에 대해 제시하며 이를 바탕으로 생기는 시너지 (Synergy Effect) 효과와 이러한 효과를 극대화 시킬 수 있는 교육 프로그램 개발 연구에 대해서 제시하려한다.

• 한국기록관리학회지
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• 제3권2호
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• pp.78-96
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• 2003

오늘날 미디어는 우리의 일상을 혁신하고 우리의 삶을 변혁시키는 위력을 갖게 되었다. 뉴미디어는 마샬 맥루한 (Marshall MacLuhan)의 말처럼 새로운 언어이며, 우리를 실재의 세계와 연결시켜주는 수단이며 또 그 자체가 실재의 세계이기도 하다. 이러한 뉴미디어의 세계에서 문자의 출현은 새로운 의미를 갖게 되었다. 미디어의 세계에 있어서 문자의 출현은 과거 무성시대 말기로부터 시작된 내용의 의미전달을 위한 자막의 역할을 뛰어 넘어 화면의 구성적 요소로서 역할을 하게 되었다. 이러한 구성적 요소로서의 자막 혹은 문자의 출현은 미학적 요소, 오락적 요소, 재현적 요소, 부언적 가치전도의 요소, 설명적 요소 등의 의미를 지니게 되었다. 과거 자막에서 보여주던 번역적 요소마저도 뉴미디어의 세계에서는 새로운 양식으로 탈바꿈하면서 계속전진을 계속하고 있다. 의미 전달을 위해서 영상 속의 문자는 의미론적인 입장에서의 변화나 연구가 계속될 뿐만 아니라 그 글꼴 등에서도 많은 변화와 의미를 지니게 되었다. 글꼴의 디자인은 미디어세계의 새로운 미학적 발상이며, 글꼴의 양식은 미디어 화면의 또 다른 생명력이라 할 수 있다. 그러므로 글꼴이 미디어에 미치는 영향에 대해 보다 구체적으로 살펴보고자 했다.

• 한국게임학회 논문지
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• 제10권2호
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• pp.3-10
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• 2010

게임 디자인에 대한 학문적 기반이 미약했을 때는 장르를 기반으로 하는 기존 게임의 몇몇 유형에 표면적인 변화만을 통한 차별성을 추구했다. 게임 시장이 더 다양한 대상을 위한, 더 다양한 유형을 가진 게임으로 전례 없는 확장을 경험하는 이유는 이와 같은 게임의 형식적 구조에 대한 다양한 변화를 통한 실험적 디자인이 가능하기 때문이다. 본 논문에서는 게임의 형식적 요소 중 특히 '경계'를 집중적으로 조명한다. 게임의 경계는 다양한 모바일 기술의 발전, 공공디자인 분야에서 행해지는 공간의 재해석과 환경과 미디어의 조합 그리고 인터렉티브 미디어의 수용과 같은 맥락의 새로운 생활, 놀이문화와 융합미디어의 가능성을 제시하여 준다.

• 한국정밀공학회지
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• 제28권7호
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• pp.761-768
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• 2011

The large surface micro machining system includes the equipments and processes for manufacturing the ultra precision micro patterned products with large surface through the mechanical machining. Recent major issue on the micro machining technology may be the development of optical parts for the back light unit of display which has the largest market. This special issue makes up with three parts; the large surface micro machining system and machine, machining process and forming process. In this paper, the state-of-the-art and core technology of large surface micro machining system is introduced with focus on the manufacturing technology for the back light unit of LCD TV. Then, some research results on the development of a roll die lathe is introduced which involves the concept of machine design, improvement of thermal characteristics in the spindle system, improvement of relative parallelism and straightness between spindle system and long stroke feed table, machining of micro pitch patterns. Finally, the direct forming process is introduced as the future work in the large surface micro machining field.

• 한국실내디자인학회논문집
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• 제26호
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• pp.79-87
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• 2001

This study is focused on three major museum projects completed during 1990's by Richard Meier who is known as the romantic modernist as well as one of the architects who continue their devotion on completing the fourth dimensional spatial concept through the practice. Main focus of the study will be analyzing the space and design elements shown in the Museum of Contemporary Art (Barcelona, Spain, 1986-95), Museum of Television & Radio (Beverly Hills, CA., 1994-96) and the Getty Center(Los Angeles, CA., 1984-97), and find out the new meaning of museum design suggested by the architect. The analyzation was done based on the actual sight visits and through the acquired references. The museum designs done by Richard Meier show consistency between visual language, use of 'light, space and form' as the design elements to connect interior and exterior to create openness and harmony with surrounding condition. Additionally, greatness of the architectural elevation, efficient use of interconnecting space, adoption of natural light, affective use of the space, careful consideration to the exhibiting items, spread of information centers, balance between large and small exhibition spaces, and his concept on providing choices to the viewer within the museum are the main issues in designing the museum in order to give various spatial experience to the visitors.

• 한국식품영양학회지
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• 제19권4호
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• pp.343-351
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• 2006

This study was conducted to investigate food habits and eating behavior of preschool children. Food habit, eating behavior and health status were investigated by using a questionnaire answered by the mothers of 312 children aged 6 to 7 years old who lived in Uiwang. The average height, weight, Kaup index were 115.08cm, 21.41 kg, 16.13, respectively, for boys 111.37 cm, 19.93 kg, 15.72 for girls. Results showed that 72.16% of subjects skipped the breakfast meal. One of the main reason fur skipping breakfast was 'no appetite'(53.14%). It was found that 49.67% of the subjects belonged to 'good' in health status. The eating behavior of 'watching TV or playing a toy during meal' and 'can eat the rice by oneself were significantly higher score in girls than in boys(p<0.05). Food attention of the parents for the health of children was the highest in 'keep regular meals a day'(92.65%). Health status showed significantly negative correlations with kaup index and eating behavio(p<0.001). Kaup index(p<0.05) and health attention(p<0.001) were positively related with eating behavior. Based on this study, nutritional education program for preschool children would be required for the dietetics teacher to guide the children and more attention should be paid to the nutritional education of food habits in this age group and their mothers.

• Journal of Contemporary Eastern Asia
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• 제17권1호
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• pp.94-111
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• 2018

This study examines Korea's international development volunteer program as a citizen diplomacy initiative. Informed by a cultural perspective of transmission and relational models of public diplomacy, I examine the ways in which volunteer training incorporates cultural-learning into its program. The study finds that volunteer training is largely based on an instrumentalist approach to culture that places emphasis on learning the "explicit" side of culture, such as Korean traditional dance, art, and food as a strategy to promote the country's national image. In contrast, much less covered in the training program is a relational approach to culture-learning that is guided by a reflexive understanding of the "implicit" side of culture, or the values and beliefs that guide the worldviews and behavior of both volunteers and host constituents. Whereas the value of the volunteer program as a citizen diplomacy initiative is in its potential to build relationships based on two-way engagement, its conception of culture is mostly guided by that of the transmission model of public diplomacy. Based on the findings, this study calls for an integrated approach to culture-learning in volunteer training program to move the citizen diplomacy initiative forward.