• Journal of architectural history
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• v.25 no.6
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• pp.35-44
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• 2016

The purpose of this study is to identify the aspect of expression about the form of Shwedagon Pagoda as well as to find out its meanings. The aesthetic value of Shwedagon Pagoda appears as the worship and infinite respect to Buddha realizing its beautiful sacred symbol. The meaning of Shwedagon Pagoda is to progress in keeping pace with the specific flexibility of Buddhism in Myanmar developing Buddhistic diversity and accepting its active changes. As time passes, Shwedagon Pagoda has been transformed. It is because that Myanmar's architecture was developed independently being affected by India with the introduction of Buddhism, and accepted it through autonomous reinterpretation. Then, the function of the worship space surrounding Shwedagon was extended and its annexes and statues of the Buddha were built; its scale became larger. This study shows the comparison between Shwezigon Pagoda and Shwedagon Pagoda. This method of investigation reveals that the formal changes of Shwedagon makes it transform to concise composition and develop aesthetical component giving the sense of vertical rise.

• The Research Journal of the Costume Culture
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• v.23 no.2
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• pp.176-192
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• 2015

This work aims at analyzing the comparative feature about female flight attendant uniform designs of Korean and Asian region low cost carriers and providing some basic materials for development of these airline companies. As a research method, examinations were carried out on attendant's uniform both theoretically and empirically. Comparison of uniforms was made among the five Korean carriers and ten typical Asian carriers for empirical research. Results showed the followings. First, all Korean low cost carriers were characterized as formal style except Jin Air. Unlike this, Asian low cost carriers appeared as diverse including formal, semi formal, and casual styles with a uniquely differentiated image. Second, all carriers applied their own symbolic color to their uniform. Third, logo or symbol was adopted as a pattern on scarf in the two Korean companies but it didn't take effect practically. For those Asian carriers, embroidery was used on jacket, jumper and collar. They utilized even a merchandising character to put emphasis on airline image. Fourth, diverse petty items with a decorative effect were used in the case of Korean low cost carriers. In the changing period of uniform, nothing much was changed and remained almost the same as before. Those in the Asian region were characterized with the smallest number of items and the preclusion of decorative add-ons on uniform.

• Journal of the Korean Institute of Landscape Architecture
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• v.22 no.4
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• pp.81-93
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• 1995

Landscape Style would take various influences in general. In that of Korean Palaces religious thinking has been caused he most important factor. This conceptual attitude has been derived from Confucian philosophies and the doctrines of Taoism, the realm of ideas that had constituted the schema of culture through long times in the Orient. This paper has dealt with the influences of one's outlook on the universe, antropocentricism, and on the relationships of man and nature in those two major teachings upon the landscape style of palaces in Chosun Dynasty. The Confucian philosophies and the doctrines of Taoism in Taosim in palaces would be summarized as followings: 1. The composition of exterior spaces had been understood as a place for moral training and political morality in the world view of Confucious. 2. The view point on court circle with plants and trees had directed to the influences of beauty upon the human spirit, and it is clear in naming attitude. 3. The composition type of void and solid in palaces would focused on the completion of Confucian thoughts totally, and the method of a unit space is same. 4. The double symbolic ideas could be find out in the components of exterior space; one is Confucian in phenomena, the other is Taoism in meaning. This can be cleared in Pangji(方池), layout of natural features, and in planting methods. As a conclusion, the common spiritual base in landscape architecture of Korean old palaces can be understood as two major thinkings; Confucian philosophies and the doctrines of Taoism.

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2007.10b
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• pp.107-112
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• 2007

This study had the purpose to restore imaginary environment involved to symbolic thinking system of Eastern culture discontinued by scientific and reasonable rationalism of Western. To restore imaginary environment, this study selected example places such as Seoul, Beijing, Kyoto which were ancient cities of Korea, China, Japan each and used hermeneutics and phenomenological access method to draw out the element of imaginary environment by analyzing historical and cultural view of example cities. Through comparison and re-interpretation of historical and cultural view of three countries[Korea, China, Japan] in Northeast Asia, as the result of drawing imaginary environment involved within it, it was structured that the spirit and the factor of natural environment of places involved to each cities were reflected as the factor of civilized environment, organized that each element was united, and more sanctified the spirit of place step by step. This study has the meaning as first trial which comparatively analyzed city spaces of existent place of human life by new concept called imaginary environment. It may has the meaning that verifying the universality of imaginary environment involved to historical and cultural view of three Northeast Asian countries, however, there was limitation to examine specificity up to detailed elements of each city.

• Journal of the Korean Society of Clothing and Textiles
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• v.25 no.8
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• pp.1367-1377
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• 2001

Cousumers developed self-image through clothing symbolic product for reveal one’self image. When consumers select particular brand of various brand in the market that congruent with one’self image. They have to continue image. In this purpose, the research model was constituted and the questionnaire was made, reviewing preceding studies on self-image, shopping orientation. As for the method of the research, 635 female consumers were the object for the data of this research. The major results of this were as follows: 1. The factor or real self-image was composed of four factors: the refined and deluxe image, casual and simple image, decorous and dressy image, quiet and feminine image. 2. The consumer with real self-image were classified three groups: the group of feminine and dressy image 288 persons, the group of casual image 167 persons and poor image 171 persons. In the consumer’s classified real purchasing brand-image the group of feminine and dressy image was given higher score at feminine and refined and deluxe image, the group of casual image was given higher score at casual and active. 3. The factor of shopping orientation was composed of four factors: pleasant, planned, loyal, recreational shopping orientation. The group of feminine and dressy image was given higher score at pleasant and planned shopping orientation, the group of casual image was given lower score loyal and confident shopping orientation than the other group.

• Korean Institute of Interior Design Journal
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• v.17 no.4
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• pp.42-49
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• 2008

Design concepts of light can be divided into two respects, visual plastic and metaphysical meaning. The current research focuses on the second respect. The meaning of light is abstract characteristics(for example, divinity, spirituality, or image) ultimately expressed by visual plastic. Because it makes architectural space abundant, it have been expressed frequently in architectural space until now. The purpose of this paper is to conceptualize and explain and arrange the meanings of light in the category that have been expressed in architectural space from ancient to current. The method of this study is content analysis and case study, and this is supplement by theoretical consideration on the meaning of light(relationship between perception and meaning, elements to form meaning etc.). This study consists of three steps. Firstly, through the content analysis of existing literature and documents, 17 meanings of light are confirmed. Secondly, these 17 meanings are defined and explained in 3 categories(symbolic, esthetic, and experiential character). Thirdly, they are additionally explained and articulated by case study. In the result, various meanings of light that have been fragmentarily expressed in architectural space until now is clearly arranged at a glance. Those suggested design concepts will be basic conferential material, available to the interior designers and students who want to utilize the organised study concepts.

• Korean Institute of Interior Design Journal
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• no.5
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• pp.59-65
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• 1995

This thesis focuses on a study of design science, which is of a disciplinary character. And the purpose of such a study is to suggest a new direction to develop aesthetics through an empirical research into environmental psychol-ogy, human behavior, design thought, and the visual qual-ity of environment. The author of this study, since recognizing the necessi-ty of understanding environmental aesthetics as well as the necessity of aesthetics, has done an elementary study of empirical aesthetes, and then obtained some facts as follows: First, it is possible to analyse the visual characteristics immanent in the interrelations between human and envi-ronment by means of applying both the information the-ory of formal perception and expressional value and the perceptual theory of ecology to environmental aesthetics. Second, formal aesthetics is a science about the form and structure and in the meantime, symbolic aesthetics is a science about the environmental patterns giving pleas-ure to mankind and its associative meanings. Accordingly it is same as providing some aesthetic value to the ob-ject of environment design to apply some empirical data of visual quality to environmental design. Through such a process, users are provided or delivered with diverse, visual effect. In conclusion, environmental aesthetics is worthwhile to study, and its purpose is that it, as a framework of use-ful knowledge to the creation of the environment superi-or in quality, be applied to design.

• Proceedings of the Korea Information Processing Society Conference
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• 2015.10a
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• pp.1027-1030
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• 2015

하드웨어 디자인 설계에서 초기 단계의 설계 오류 발견은 개발 비용 감소 및 설계 시간 단축 측면에서 그 효과가 매우 크다. 이러한 초기 설계 오류 발견을 위한 대표적인 방법으로는 정형 검증(formal verification)이 있으며, Cadence SMV(Symbolic Model Verifier)는 정형 검증을 위해 Verilog HDL(Hardware Description Language)을 SMV로 자동 변환 해주는 장점이 있지만, 사건 기반 구조(event based structures)의 sensitivity list에 대한 지원을 하지 않는 한계가 있다. 이에 본 논문에서는 Cadence SMV에서 디지털회로(digital circuit) 중 하나인 조합 논리회로(combinational logic circuit)를 sensitivity list가 고려된 검증이 가능하도록 하는 방법을 제안한다. 신뢰성 있는 실험을 위해 본 논문에서는 제안하는 방법의 일반적인 규칙을 도출하였고, 도출된 규칙이 적용된 SMV 파일을 생성하는 자동화 프로그램을 구현하여 실험하였다. 실험결과 제안한 방법을 적용한 경우 기존 Cadence SMV가 발견하지 못한 설계상의 오류를 발견할 수 있었다.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.36 no.2
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• pp.109-116
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• 2020

There are many existing trees are to be damaged by reconstruction of large housing estates. The purpose of this study was to find out sustainable conversion methods of Greenbank system by UR Agency. Greenbank system is divided 3 parts as Preserving, Replanting, Recycling of Existing trees. Literature and institutional review and site survey of 5 reconstruction housing estate were the methods for the following findings. The results are follows. Firstly, Because of feasibility of reconstruction, existing trees are preserving at boundary space of reconstruction housing estates. Secondly, existing trees are preserving at inner space for remember of resettlement as symbolic trees. It is conformed by residents participation with UR Agency and city official. Thirdly, Preserving and replanting trees are recorded signboard in the reconstruction housing estates, and preserving of trees are developed as Green workshop by residents. Fourthly, Besides Preserving and Replanting trees, the other trees are recycling as bench, play equipment, planter, etc. And it is remained symbol of reconstruction housing estates. Fifthly, District planning as a institutional, Guidelines as a noninstitutional method are very efficiently for preserving trees. But a part of this study can be adapt reconstruction housing estates in Korea. The results of this study are expected to serve some clue for dealing with the practice of sustainable conversion in housing estates.

• The Research Journal of the Costume Culture
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• v.29 no.2
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• pp.289-306
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• 2021

The study aims to define the Korean Wave as global attention to Korea's unique culture and consider the specificity of traditional Korean fashion images in Korean Wave content. The research method of this study is a case study through literature research. In order to collect Korean Wave content on YouTube, 24 channels with the highest number of views were selected from among content uploaded from 2018 to the present through keyword search, and up to two channels with high views showing traditional Korean fashion images. As a result of selecting the analysis target, 41 Korean Wave videos and 368 costumes were selected and analyzed based on fashion style elements, including item, color, detail, motif, styling, silhouette, and accessory. As a result of the study, music, broadcast, fashion, and other content were found in the Korean Wave content fields in which Korean fashion style appeared, and the characteristics of each field were derived. Music content was characterized by fashion style excluding stereotypes about traditional Korean costume, broadcast and fashion content was characterized by fashion style inherited from traditional costume, and other content was characterized by symbolic fashion style of traditional culture. This study is meaningful in revealing the formative characteristics of traditional Korean design elements recently shared online through the study of Korean traditional fashion images in Korean Wave content.