• 한국의류산업학회지
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• 제11권6호
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• pp.857-866
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• 2009

The objective of this study was to design a fashion storytelling method, which is a strategic instrument for constructing a fashion show with artistry and popularity, based on the principle and structure of storytelling. In order to understand the concept and principle of storytelling composed of story and telling and to introduce storytelling into fashion shows, we associated fashion design with the substance of a story, a show with the form of telling, and a fashion show with storytelling. Based on these associations, we analyzed the relationship between fashion show and storytelling and developed basic elements and structure necessary to design a fashion storytelling method. Through this study, we designed a fashion storytelling method with five steps, which are story planning, story development, fashion show structure design, fashion show production, and fashion show execution. These steps were again classified into contents setting step, structure design step, and expression step. The contents setting step included story planning and development for creating stories, and the structure design step means the design of fashion show structure that adds telling to the stories. Lastly, the expression step included fashion show production and execution that forms a storytelling by combining the stories and the telling.

• 한국식생활문화학회지
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• 제24권2호
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• pp.137-145
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• 2009

The purpose of this study is to present the scheme that can enhance the value of native local foods by analyzing the case into which storytelling is incorporated in order to revitalize native local foods. Towards this end, the cases of native local foods throughout the country were recommended through professional survey and one region among them was finally selected through the field study. The survey on the native local foods was conducted through qualitative study. The four stages of storytelling: the findings of storytelling, the production of storytelling, the experience of storytelling, and sharing of storytelling were analyzed by stage and the contents of the survey by stage were developed. In the findings of story, the origins and background of the main family's foods and food-related stories were derived. The production of stories deals with how to convey the stories of surveyed native local foods to consumers and it presented the stories about the place and food menu. In the experience of storytelling, the physical environment and non-physical environment, in which people visit native local eating houses and experience native local foods were analyzed. Finally, in the sharing of story, how the tourists who have experienced the native local foods make stories and disseminate and share them was analyzed. The significance of this study is that through the storytelling technique it presented the findings, production, experience and sharing of native local foods in the level that can apply to practical business. Although the research is in the stage of inquiry, this study is meaningful in that it presented the basic methodology that can induce the revitalization of the native local food industry through examining the tradition and significance of native local foods that can be found in all the regions of the country.

• International Journal of Advanced Culture Technology
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• 제8권1호
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• pp.213-217
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• 2020

In this paper, we present that Virtual Reality (VR) is a type of media that has attracted interest in storytelling and media utilization. VR was first discussed as a specific narrative medium with traditional story medium. Via this discussion, The innate difference of VR is that the role of the media users in which the narrative is communicated were active in the development of the narrative unlike that of most classical narrative media. We also discussed specific features related to VR based on the theories of traditional literary criticism, movie reviews, and plays. Through these discussions, we aruged two directions of VR storytelling production as an narrative medium, its specificity, and its expressiveness for VR producers. First, story processing and characters can be introduced as part of continuing a new narrative by altering the interaction history that appears in VR stories to user interest ratings. Second, VR interaction responds intuitively to the idea that it represents a trajectory across the story surface of all possible interactions. More specific theories and controvercials are discussed.

• 한국멀티미디어학회논문지
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• 제18권2호
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• pp.260-267
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• 2015

The Ministry of Culture, Sports and Tourism has been implementing the 'Local Government 3D Contents Production Support Project' since 2010 to foster the 3D contents industry and secure high-quality 3D contents of local governments. This is part of national support for securing 3D media contents of local governments. In particular, stereo-scopic 3D animation is in the spotlight as media contents appropriate for simultaneous implementation of pleasure of narrative and high-level of presence to promote tourism resources of local governments. But existing stereo-scopic 3D animation-related studies are mostly concentrated in three dimensional effect expression for particular scenes or theater. Therefore, this study extracted elements required for storytelling planning by analyzing production cases of stereo-scopic 3D animation using tourism resources of local governments which have been recognized for a high quality of work.

• 한국융합학회논문지
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• 제7권6호
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• pp.177-184
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• 2016

스마트 테크놀로지 시대의 디지털 콘텐츠 주 소비자층의 연령대가 과거에 비해 확대되어가고 있다. 소비자는 다양한 형태로 콘텐츠의 생산과 배포에 주도적으로 참여하고 있으며 그 중심에는 매개체로서의 Personal Digital Device, 콘텐츠 그리고 생산과 소비, 이야기 하는 자와 듣는 자의 경계를 무너뜨린 포스트 모던한 사회 구조와 공간이 존재한다. 세상에 똑같은 것의 존재를 거부하는 콘텐츠 주 소비 계층의 성향과 이를 관통하는 포스트 모던적 스토리텔링의 제공은 다양한 형태의 콘텐츠로 거대한 산업 군을 형성한다. 본 연구의 수행을 위해 영화와 게임, 광고 등의 사례를 통하여 소비자가 주도적으로 참여하며 일반성을 배제하고 그들만의 독창적 스타일로 콘텐츠의 중심을 개인으로 옮겨가는 모습들을 추적하는 방식을 따랐다. 연구결과 현재의 시점에서 광고와 영상, 사용자 주도형 게임 콘텐츠의 경향을 통해 관계성을 되짚어보고 콘텐츠 제작 분야의 다양한 융합 가능성에 대한 인식의 변화를 가져왔다.

• 한국멀티미디어학회논문지
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• 제20권9호
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• pp.1596-1605
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• 2017

This study recognizes the narrative of the movie as a semiotic system and proposes a structured storytelling analysis model through theoretical basis and empirical analysis. It classifies as 'Narrative 17 Process' which considers the narrative of successful 11 animations as a continuous process of formal structure. It extract the paradigmatic sub-narrative units(NU) centered on the act of the character in each process. The structural pattern of the story types are extracted by comparing and analyzing with 5 NU analysis elements presented in this study. As a result, the 4 story types were consistently classified by the SSD distance value. Therefore, this study propose a storytelling analysis model that can be effectively applied to scenarios and narrative composition stages of movie production.

• 한국컴퓨터정보학회논문지
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• 제25권11호
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• pp.67-74
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• 2020

본 논문은 실감 콘텐츠 개발을 위한 스토리텔링 교육 방안을 제시하려 한다. 미디어 기술이 발전하면서 기술적 융합과 함께 실감 콘텐츠의 필요성이 대두되고 있다. 이러한 현상은 COVID-19로 인해 가속화되고 있다. 이러한 저변 환경 속에서 2019년 정부는 미래 성장 동력을 확보하기 위한 전략을 수립하고, "콘텐츠산업 3대 혁신 전략"을 발표하면서, '선도형 실감 콘텐츠 육성'을 강조했다. 실감 콘텐츠는 사용자의 직접 체험이 가능한 콘텐츠 영역이다. 실감 콘텐츠 제작에서 기술의 발전과 함께 중요하게 다뤄져야 하는 것이 1인칭 스토리텔링이다. 실제 교육 현장에서 이루어진 스토리텔링 수업의 결과를 분석하고, 기존의 문학적 글쓰기에서 통용되는 1인칭 시점과의 변별점을 찾아내, 1인칭 스토리텔링이 실감 콘텐츠 개발에 활용될 수 있는 효과적인 교육 방안 제시하고자 한다.

• 융합정보논문지
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• 제9권4호
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• pp.8-13
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• 2019

본 논문은 지역의 문화콘텐츠의 제작기술과 인프라를 기반으로 스토리텔링 중심의 캐릭터 브랜드 상품의 부재로 인하여 지역 문화자원의 재구성 및 상품화가 필요하다고 판단되어 전통적 문화소재인 캐릭터를 발굴하여 문화산업 기념품으로 개발하였다. 스토리텔링 기반의 캐릭터 상품 개발에 대한 차별화 전략을 통해 발전된 사업기반을 확립할 수 있는 토대가 되어, 다양한 콘텐츠 제작의 밑거름과 더불어 발전된 도예 상품들의 공급 확대에 기여할 것으로 보여 진다. 또한, 수작업 기반의 제작으로 인해 소량 생산만 가능하고 제작기간이 길어지는 반면 3D 프로그램 및 3D 프린팅을 통한 목업 제작으로 석고 틀 제작 기간이 단축되었으며, 대량생산의 발판이 마련되어 기존의 전통적인 도자기 인형에서 벗어나 다양하고 풍부한 도자기 제품 개발에 효과가 있었다.

• 방송공학회논문지
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• 제24권5호
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• pp.859-869
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• 2019

우리는 한편에서는 초고령화 시대를, 다른 편에서는 인공지능 초기단계의 자동화 시대를 동시에 마주하고 있다. 본 논문에서는 새로운 미디어 기술의 적용을 통해 초고령화의 문제를 해결하려는 목적으로 세대 통합형 영상 스토리텔링과 연계한 영상자서전 제작을 수행하였다. 영상자서전 제작 프로그램은 조부모와 손자, 손녀가 함께 영상 속 주인공이 되어 지나간 기억과 삶을 되돌아보고 그들의 삶의 의미를 인식하는 소중한 기회가 되었으며, 이는 다양한 미디어로 확장될 수 있는 잠재적 가능성을 가졌다고 고찰하였다. 본 논문에서 제시한 스토리텔링 교육 프로그램 모델과 미디어 라이프 서비스는 청년세대와 노인세대가 함께 공유하며 사회 통합 프로그램으로서의 '공감문화'에 기여할 것이다.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2006년도 학술대회 2부
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• pp.518-523
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• 2006

As digital broadcasting process and information compressing technologies developed, digital technologies have been used extensively in many visual media such as movies and TV programs, and it is required to develop a new process for 3 dimensional digital programs. The study attempts to develop a new digital video-producing process through pre-simulation using a digital storytelling method, in order to increase the quality of broadcasting, reducing the producing time and improve efficiency. This system, supposed to be used to produce actual broadcasting, includes all tools needed for broadcasting in the program, so users can select an appropriate set among the pre-made library, which saves time for making sets. Also, it offers a storyboard making function by perfectly representing the functions of a virtual camera, and enables users to make the better storyboard, checking the real time movies. In addition, it recognizes objects though avatars, organizes the appropriate set for these avatars to act, and embodies a variety of avatar movements through which it reaffirms the camera's position and organization, minimizing errors and saving time and budget.