• 제목/요약/키워드: Stage Lighting Design

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극장 형태에 따른 무대조명 디자인 기법에 관한 연구 (A Study on the Stage Lighting Design by the Type of Performance Hall)

  • 이장원;김명남
    • 한국조명전기설비학회:학술대회논문집
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    • 한국조명전기설비학회 2009년도 춘계학술대회 논문집
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    • pp.224-229
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    • 2009
  • A Study on the Stage Lighting Design by the Type of Performance Hall The purpose of this study is to inquire into the practice of lighting design which is changed by type of stage Proscenium Stage, Thrust Stage, Arena Stage, and Flexible Stage, which have originated from ancient Greek theatre and are still used in contemporary theatre. This studt takes a good at the practical application of lighting design to different types of stage, through which it is expected to improve the understanding of lighting as a part of performing arts and to develop the quality of stage arts. The way of lighting design by type of stage can be acstracted as the following. This is expected to be of a great help to stage arts as well as different lighting designs for each type of stage. The methodology of lighting design might have limits in its application to practice in the current war Id where theatre structures and lighting equipments are fast-developing and ever-changing. However, lighting design can develop based on the basic design concepts as the researches of all fields can develop by applying their basic theories.

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지자체 공연장의 천안 봉서홀과 대전 CMB엑스포 아트홀 무대 조명 시스템 운영 및 개선에 관한 연구 (A Study on the stage lighting operation and improvement of Cheonan City Hall Bongseo Hall and CMB EXPO art hall performance art hall of local self-government corporation)

  • 이장원
    • 한국실내디자인학회논문집
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    • 제18권5호
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    • pp.89-100
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    • 2009
  • Stage lighting system is very important in theater. Because basic of performing art. Recently, The stage lighting system is very close with a performing arts. The performance arts is to have an easy communication between actors and audience. All activities related to performance art take place between the stage light and auditorium. Therefore, when constructing theater the best conditions of the stage light system should be considered for the smooth progress of play. It will be method of solution that basically facility in the performance art hall. The results of this study can be used for suggesting an operation and system improvement for stage lighting system in performance art hall. Recently, changes in the progress of plays have required the perfect stage light system. As a result, performance art hall are the most advanced stage lighting system technology of changed. The following procedures were taken for this research-the literature on the development of stage lighting system and equipment, structure, and the dimmer and computer console system has been reviewed theoretically Most of all, Cheonan City Hall Bongseo Hall and CMB EXPO art hall is important a sample of lighting system. The result of this study presents operation and system improvement stage lighting system in theater, below to operation and system improvement at stage lighting system local self-government corporation performance art hall are inconsistent stage.

통합형 무대 디자인 시스템 연구 -조명 시각화 및 통제 시스템에 관하여- (A STUDY ON LIGHTING SIMULATION SYSTEM)

  • 이동훈;장태수;신호
    • 한국HCI학회:학술대회논문집
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    • 한국HCI학회 2009년도 학술대회
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    • pp.851-854
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    • 2009
  • 본 연구는 현재 존재하는 중극장 이상의 프로시니엄 혹은 다용도 무대의 실측과 그 data의 디지털화, 그리고 디지털화 된 무대에서 가상으로 디자인을 산출함으로 공연에 필요한 디자인 예산과 조명 시스템을 예측하고, 더 발전시켜 조명과 음향을 모두 통제하는 것을 목표로 한다. 이를 위하여 배경 기술 조사와 국내외 관련 기술에 관한 조사를 선행하였다. 이를 바탕으로 하드웨어적 소프 하드웨어적 기술을 연구하였다.

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실내 프로시니엄 공연무대의 구역 디자인 구역조명을 통한 무용 조명 활용방법에 관한 연구 (A study on Utilization of Dancing Light through Zone Lighting of the Indoor Proscenium Stage)

  • 이장원;한미희
    • 한국실내디자인학회논문집
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    • 제18권1호
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    • pp.43-53
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    • 2009
  • This study is to investigate the utilization of Indoor Proscenium Stage Zone Lighting method in the dancing performance. In other words, it is about how we can utilize the principle of zone lighting in dancing performance, a kind of stage art. Stage lights give lights on the stage. Therefore they play big and important roles in dancing performances. Lightings make big influence on the overall atvosphere and situations of the dancing work but most of dancers do not perceive their importance and furthermore they don't know about the lightings very well. To let them know about stage lightings better, we studied lightings form the perspective of the dancers who face the lightings without great knowledge thresh the articles and literature related general lightings and lighting design, books related to stage lightings and dancing lightings, previous studies and academic articles. The most important part of this study is to understand and utilize the principle of zone lightiing. Zone lighting is generally called as cross lighting, which means single light from the crossed two lights. When looking into the principle of the zone lighting of the Indoor Proscenium Stage, it means 45 degree lighting from both sides of the top form the point of the dancer When more than two lights are used, the angle of the light should be $90^{\circ}$or 120. It is the principle of the lighting technology showing the face and body of the dancers ing three dimension. Applying for the principle of this zone lighting to the dancing performance of Indoor Proscenium Stage, the lighting methods and the usage of the lightings were studied. As shown above, the role of the lighting is very important in dancing configuration. We hope that the perception on the dancing lighting will be changed and studies on the dancing lightings. By understanding and applying more principles of lighting, we will make efforts to make better dancing performance and dancing conporsers and dancers shall make more efforts and studies on lighting for better works. Through such efforts, we can have more experts and professionals In dancing lighting field and they will help us to describe and express the intention of the dancing work better as dancing artists. We hope that there will be better quality performances through more and diversified studies in this field.

무대조명용 LED 광학시스템 설계 및 시뮬레이션 결과 (The Optical Design and Simulation Results for LED Stage Lighting System)

  • 박광우;주재영
    • 조명전기설비학회논문지
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    • 제29권4호
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    • pp.30-36
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    • 2015
  • The principle of an illumination and projection system including LED light sources for a spot type stage lighting system was presented, and its optical system was designed with optimizing parameters by the analytical methods. A dichroic mirror incorporated with an illumination system to optimizing LED source positions and to obtain the compact system. The projection system was optimized with specific constraints such as a chromatic aberration, distortion aberration and angle of incidence angles. Optimized design system has a beam angle from $10^{\circ}$ to $45^{\circ}$, and its illuminance was 4,500lux at distance of 6m on the work plane.

Design of a Converter with Anti-blinking Circuitry for T5 LED Indirect Lighting

  • Woo-young, Kim;Quoc Cuong Nguyen;Seong-Kweon Kim
    • International Journal of Internet, Broadcasting and Communication
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    • 제16권2호
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    • pp.103-111
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    • 2024
  • We address the problematic issue of blinking in residential LED lighting systems-a phenomenon that has recently become a significant concern due to voltage sags caused by high-power household appliances. To combat this, we developed a two-stage LED converter with integrated anti-blinking circuitry, specifically designed for T5 LED indirect lighting fixtures. The first stage employs a Power Factor Correction (PFC) boost circuit to enhance voltage stability by aligning the voltage and current phases, thereby minimizing power losses. The second stage, a meticulously engineered DC-DC buck converter, ensures stable lighting despite electrical fluctuations. Rigorous testing has confirmed our converter's efficacy in maintaining consistent light output without blinking, thereby substantially improving user comfort and adhering to strict standards for harmonic distortion and electromagnetic compatibility. Our breakthrough provides a robust solution to a pressing issue, marking a significant advancement in LED lighting technology.

한국 무대디자인의 상징적 표현 연구 - 안톤 체호프의 연극 벚꽃동산을 중심으로 - (A Study on the Symbolic Expression of Korean Scenic Design - Focused on 「Vishnvovvi sad」 of Anton Chekhov -)

  • 최현욱;윤재은
    • 한국실내디자인학회논문집
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    • 제21권6호
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    • pp.243-251
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    • 2012
  • Theatricals have been with human's history for a long time. And It is also receiving a lot of love in modern times. The stage is recognized another space of time by spectators during the play and the production actualize fictional world by using all destination things on the stage. Therefore, the design of the stage has symbolism and the production needs semiological. The Elements expressed through the stage is composed of stage equipment, costume, lighting, stage effects and the production needs light, sound and costume designers, a stage manager, grips an advertising director for the play. The study analysis on symbolic image on the view of semigical with focused on "Vishnvovvi sad" of Anton Chekhov. The details of the study are symbolism of stage effect and costume, lighting, stage equipment. Furthermore, The study analyze way to symbolic Express korean characteristics and This research is an excellent source for students who are studying the semilogical analysis of stage.

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광원색이 직물의 색 변화에 미치는 영향 (The Influence of Luminous Source on Fabric Chromatic Change Effects)

  • 정지연;이은경
    • 대한가정학회지
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    • 제48권5호
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    • pp.17-24
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    • 2010
  • Although design, color, and material are important elements in stage costumes, stage lightning also plays significant role in the presentation of stage costumes. Costumes color, material and perception can be significantly influenced by visual effects. Stage illumination can be arranged or managed so that colors are closely related to or enhanced or change the effects of costume colors on the runway or display at specific times. The results of this thesis are as follow; 1) Fabric tone, name, brightness, and chroma of colors were changed by the colors of stage lighting. 2) An achromatic color was changed to a chromatic color after being combined with colors of stage lighting. 3) Stage illuminations can make fabric, colors look similar to stage colors. 4) Plain satin silk fabric which reflects light shows high brightness and chroma after being influenced by stage lighting its shining effects and color changes were clear and apparent. 5) Velvet pile fabric which absorbs light shows low brightness and chroma after being influenced by stage lightning its shining effects and changes of colors were not clear and apparent. In conclusion, natural lights did not significantly influence fabric colors and perception, while artificial lights had wide range of effects on fabric colors and perception.

무대조명을 통한 무용 예술의 무대공간 시각화 방안 연구 (A Study on Methods for the Visualization of Stage Space through Stage Lighting)

  • 이장원;이진우
    • 조명전기설비학회논문지
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    • 제23권4호
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    • pp.16-28
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    • 2009
  • 무대 예술은 근본적으로 '본다'는 본질을 바탕으로 삼는 동시에, 보여주고 보는 행위의 상대성을 지니고 있다. 무대 조명을 인공적인 빛을 이용하여 무대 예술의 근본인 '본다'는 본질을 해결하고 현대에 이르러서는 전기의 발명과 함께 급속도로 발전된 조명기재들과 광학의 발달에 힘입어 무대 예술의 중요한 시각적 표현매체로 역할이 증대되었다. 그러므로 조명은 하나의 무대예술 분야에서 빛이라는 매개체를 이용하여 무대공간을 아름답게 표현할 뿐만 아니라 관객에게 지적, 정서적 감동을 주는, 시간과 공간을 미학적으로 표현하는 시각예술이라 할 수 있다. 즉 무대 조명이란 조명 공학(기술, 과학) + 미의식(감각, 예술)의 복합적인 기능이라 할 수 있다. 무용은 움직임의 예술이며 선의 예술이다. 신체의 움직임은 무용의 재료이며, 움직임을 만들어 내는 무용수의 몸은 표현의 매체이다. 무용 예술은 인간의 신체를 도구로 움직임을 선정하고, 의식적으로 형상화된 동작의 표현 또는 내면의 정서적 반영을 관객들에게 극대화된 미적체험을 전달하며 감동을 전이시키는 예술이며, 시각적인 미를 보다 확대시키고 강조하기 위하여 무대 공연에 있어 조명, 장치, 의상, 음악, 소품 등의 보조적 도구들을 활용하는 종합예술이다. 그 중에서도 무용 조명은 그 표현의 미를 극대화 시키는 시각예술로서 순수한 신체언어의 조형적 시각화 작업이 필요하다. 이를 위해 본 연구자는 무대 조명의 기초와 타 분야와의 관계, 조명의 기능과 특징을 연구하여 무용 예술의 시각화를 극대화 시킬 수 있는 조명의 활용방안을 마련하고, 조명의 예술적 발전과 무용의 미적 표현 능력을 극대화 시키는데 그 목적이 있으며 다음과 같은 결론에 도달하였다. 첫째, 조명은 다양한 기재가 갖고 있는 빛의 형태와 방향성 등을 이용하여 무대 공간을 시각화 할 수 있으며, 작품이 추구하는 이미지 극대화를 표현할 수 있다. 둘째, 무용 작품에 있어 무용이 갖고 있는 공간의 형태를 빛의 움직임을 통한 시각적 연출로서의 조명이 가능하다. 셋째, 빛으로 창출하는 시각적, 공간적 표현을 통하여 작품의 극적 카타르시스를 관객에게 지적, 정서적 감동을 일으키게 한다. 넷째, 조명이 보조자로서의 역할이 아니라 독창적인 하나의 시각 디자인으로 자리매김 할 수 있다. 끝으로 대다수 사람들이 상식적으로 생각하고 있는 "무대를 밝게 비추는" 조명의 단순한 기능에서 벗어나 예술의 한 영역으로 발전하기 위해서는 조명 디자이너는 창조성과 예술성을 가지고 안무가의 의도나 작품을 이해하여 빛과 색채를 미적인 언어로 파악하여 작품의 효과를 높여주고 작품 구성의 한 요소로 참여하여 조명이 하나의 예술로 다뤄질 수 있도록 노력해야 한다. 특히 이번 연구를 통해 빛의 움직임을 통한 공간의 구성을 미학적으로 표현하기 위해서는 기본적으로 예술적 감각을 키우고, 생명력을 불어 넣는 빛의 예술뿐 아니라 저변에 걸쳐있는 제반예술에 대해 심미안을 키워야 할 것이다.

트리스탄과 이졸데의 무대디자인에 적용된 빛과 공간의 비교분석 - 막스 켈러의 실험과 디자인 프로젝트를 중심으로 - (A Comparative Study on Light and Space in the Stage Designs of Tristan und Isolde - Focusing on the Experiments and design projects by Max Keller -)

  • 김종진
    • 한국실내디자인학회논문집
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    • 제18권1호
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    • pp.3-10
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    • 2009
  • The relationship between light and space is fundamental In an opera stage design. In contemporary stage design, light, color and space themselves became one of tile most important elements to express and symbolize the content of the opera. This was very different compared to the primitive and medieval opera stage design in the past. The designer tried to represent the same periodical background of the opera with exact replica of the buildings as well as costumes. In comtemporary performance art, light became one the most important aspects in design. Max Keller is one of the living pioneers in stage lighting design. This thesis that is based on his lighting experiments and projects attempts to examine how contemporary stage design and light are applied and what kind of characteristics they have. One of the Wagner's opera, "Tristan und Isolde" was selected to be further analyzed. Three different "Tristan und Isolde" opera stage designs were carefully studied in terms of how three designs are differently constructed for specific same contents of the opera. This sort of comparison study is crucial when there is a strict parameter that is the opera itself. It was found that three opera stages have very different stage designs and unique ways of expressing the opera flow and contents. However, in some parts, very similar lightings were used. This sort of multi-disciplinary study can be helpful to re-think the interior environment by applying light as a fundamental medium.