• 한국문화재보존과학회:학술대회논문집
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• 2006.11a
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• pp.145-149
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• 2006

• 한국문화재보존과학회:학술대회논문집
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• 2007.05a
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• pp.65-66
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• 2007

• 보존과학연구
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• s.25
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• pp.93-117
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• 2004

The stone cultural properties durability is the falling. So the conservation is easy relatively. But the conservation countermeasure of the stone cultural properties the environment pollution needed urgently as extreme. I will find out about the stone cultural properties Through the example of Restoration and conservation treatment about Bowonsabeobin-guksaboseungtap in the paper. Damage reasons of the stone cultural properties are a physical damage, a structural damage, a biology damage, a chemical damage and artificial damage. The moisture plays especially the role which damage is make the stone cultural properties. The stone cultural properties is damaged due to damage reasons. So we investigate the stone cultural properties and must remove damage reasons. Bowonsabeobin-guksaboseungtap is funerary stupa of buddhist monk with circleorientedoctagon in Geryeo Period. There is the open air. Parts of it were damaged by grave robbery in 2004. So restoration was begun in 2004.While restoring it, wrong arrangement on top of the monk-stupa was rearranged. After being arranged in right order, the middle of monk-stupa was fixed by setting up stainlesssteel shaft. A roof stone of stupa finial has cracks. So It was adhered with epoxy resin(L-30) and was washed with distilled water for pollution clearing. The stone cultural properties takes the influence of the environment pollution much because it stays at the fields. It is easy also to be robed. Therefore we must watch more with the concern.

• Journal of Conservation Science
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• v.27 no.1
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• pp.115-121
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• 2011

A Urethane resin restoration material was made to be used in the restoration of stone cultural assets. The Urethane resin restoration material showed strong adhesive strength and tensile strength similar to epoxy recovery material, which had been mainly used for the recovery of stone cultural assets. The sealing property, anti-shrinking property and paint-ability of Urethane resin restoration material are also similar to existing epoxy system restoration materials. Especially, this Urethane resin restration material is expected to give permanence and continuous stability in the restoration of cultural assets made in stone by resolving the two big issues of existing epoxy recovery material, which are 'yellowing' and 'ir-reversibility'. This Urethane resin restration material had been directly applied as a filling material and adhesive and it was dissolved again. The Urethane resin, which had been used for the recovery, was able to be perfectly removed, which means that this Urethane resin recovery material has perfect reversibility. This Urethane resin restoration material also has enhanced convenience since user can adjust the working-life dependent on work environment. It is believed that this Urethane resin restoration material can also be used as a filling material or adhesive for other cultural assets made of ceramic or metal heritage, in addition to stone, since it has strong adhesive strength and tensile strength.

• Journal of Conservation Science
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• v.35 no.3
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• pp.259-268
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• 2019

Stone cultural heritage will either be damaged by composite damage or will lose its original historical authenticity starting with the moment it is created. Various artificial interventions to restore them to their original state have been described, centering on the conservation treatment case of the Stupa of State Preceptor Jigwang from the Wonju Beopcheonsa Temple Site. Restoration of the Jigwang stone pagoda was carried out after securing all scientific and technological means for the research and protection of the cultural heritage in question. Since its restoration was promoted to retain its aesthetic and historical value and was based on a careful understanding of the original materials and prototypes, extensive restoration was sought, which contributed to the restoration of the original form, resulting in both preservation and authenticity.

• Journal of Conservation Science
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• v.25 no.2
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• pp.115-130
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• 2009

This study was focused on digital restoration and structural stability evaluation applying 3D scanning system of five-storied Magoksa temple stone pagoda in Gongju. For these, the digital restoration of the pagoda was completed using laser scan data which is measured 16 directions and data processing program of 7 stages. As a result of digital restoration, the overall height and width of stone properties showed a little difference in directions and the width of roof stones appeared very high difference of each floor. The width of pagoda body become smaller to the fifth floor, but gradual decrease rate showed irregular characteristics. Also, as result of 3D image analysis for structural stability evaluation, the displacement occurred toward northwest in second body stone to upper final stone except for central axis of the first body stone which inclines toward southwest. Such 3D image analysis is required quantification of survey method and should be applied to various field such as quantitative damage maps in order to utilize a conservation of stone cultural heritages, continuously.

• 보존과학연구
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• s.21
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• pp.101-118
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• 2000

Stone cultural properties(pagoda, Buddhist statue etc.) is moved in original place for many reasons and restored after taking to pieces for structural safety. With the movement and restoration after taking to pieces, the cast iron is used for the sake of a fixation and horizontality. The stone cultural properties are spoiled the beauty and accelerated the weathering because of the corrosion product of cast iron. So we need to substitute for the improved property in all aspects. We are executed the corrosion test and inquired the property of material on the usable material for the shim of stone cultural properties. That is the Cast iron, Stainless steel, Titanium and Fiber Reinforced Plastics. In the result of the physical property and strength, the Stainless steel and Titanium was superior to the Cast iron. And the Stainless steel and Titanium was slower than the Cast iron in the corrosion velocity for the acid, salt and rain. If the shim is substitute the Stainless steel or Titanium for the Cast iron, the stone cultural properties are able to reduce the pollution of stone cultural properties by corrosion product and should not happen in the matter of stone pagoda.

• 보존과학연구
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• s.29
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• pp.163-182
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• 2008

Precise scientific-diagnosis for preserving stone cultural properties has been well-advanced, but research on proper methods for conservation, restoration and repair is still in early stage. Accordingly it is quite difficult to establish conservation treatment methods compatible to unique characteristics and environments of each cultural property. We tried to select most compatible conservation materials through thorough assessment of conservation materials in current use. This research is focused on conservation and restoration materials except cleaner, which are used as adhesive, filler, repellent and consolidant. Conservation treatments for stone cultural properties were first tested in 1960's and have been carried out by various methods under relevant organizations and conservation treatment companies since. We investigated present status of conservation materials being used for cultural properties. Based on these data, we will look through types and properties of the conservation materials to figure out existing problems. Among many kinds of resins, the ratio of conservation materials used in cultural properties is very low. Therefore, new conservation materials equipped with proved long-term stability should be developed as soon as possible.

• Korean Journal of Heritage: History & Science
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• v.44 no.3
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• pp.92-111
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• 2011

This study focus on the restoration stone selection of break-out part based on material characteristics analysis and the conservational safety diagnosis using various nondestructive techniques for Jungdong and Banjukdong Stone Auariums. As a result, the original rocks of the stone aquariums body are porphyritic granodiorite with magnetite-series having igneous lineation, microcline phenocryst, veinlet and basic xenolith. As a result of the provenance presumption of the host rock, a rock around Gamgokri area in Nonsan City was identified the genetically same rock. Therefore, the rock is appropriate for restoration materials of the break-out part. The deterioration assessment showed that the stone aquariums were highly serious scaling, scale off and blackening. Particularly, the front face of Banjukdong stone aquarium needs reinforcement of structural crack (760mm) caused from igneous lineation of biotite. Blackening contaminants on the stone aquariums surface occurred by combining iron oxide, manganese oxide and clay mineral. Also, major factors of efflorescence contaminants were identified as calcite (Jungdong stone aquariums) and gypsum (Banjukdong stone aquariums). The physical characteristics of stone aquariums appeared that the original and new stone is third (moderately weathered) and second grade (slightly weathered), respectively. This study sets up an integrated conservation system from material analysis to restoration stone selection and conservational safety diagnosis of Jungdong and Banjukdong stone aquariums.

• Korean Journal of Heritage: History & Science
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• v.36
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• pp.227-239
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• 2003

Korea and China can find the common feature derived from the mutual cultural exchanges, belonging to the same cultural sphere of the East Asia. It also applies to the stone figures of the palace gardens of both countries. In case of Korea in the stone figures of the palace gardens, there are few of them existing in Kyungbok Palace, Changduk Palace, and Changkyung Palace of the Chosun Dynasty, and most of them were washed away, there are hardly any records remaining and transmitted, and there are hardly any materials of drawings and pictures of them. On the contrary, in case of China, although there are those washed away, there are vast numbers of real objects, and records and materials of them. Therefore, for the study on the stone figures of Korea, the method to analogize the research lacking regarding the stone figures of the palace gardens of Korea from those of China after conducting the comparative study between those existing and those of China, may be available. I consider that although the restoration of the palaces of Chosun Dynasty of Korea had been the restoration project oriented toward the buildings until now, it will be the phase where one should have more interest toward the restoration of the palace gardens in the future, and that the restoration of the palace gardens should be made centered on the landscape architectural structures, deviated from the restoration project attaching weight to the restoration of the trees. Above all, I consider that the interest should be turned to the restoration of the stone figures where the view toward the nature of the Orientals are expressed well. For the restoration of the stone figures in the Changduk and Changkyung Palaces, it is considered that the restoration of the rough locations and shapes is possible based on the Dongkwol Drawings being transmitted, and that the research on the shapes, characters, pedestals, characteristics, etc. of the specific stone figures is possible as far as it is based on the study of the stone figures of the palace gardens of China.