• 한국실내디자인학회논문집
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• 제25권4호
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• pp.68-79
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• 2016

The purpose of this study is to provide a reference for stage space planning in modern theaters by analyzing and understanding stage components in terms of spatial composition, purposes, and correlation between them, and collecting various opinions from stage managers an directors. The findings are as follow: the determination of the size of proscenium arch is crucial, and it needs to be considered not only with the genre of the performance and the number of seats, but also with the size of the stage facility. The two-dimensional size of proscenium arch affects the scale of stage area in three-dimensional way; the size of main stage comes from the width of the arch, and the length of set battens comes from the stage width, and so on. The height of the arch affects the elevation of gridiron, and the height of the building itself ultimately. The number and length of the set battens are directly linked to the size of the winch room, and so is the number of the winches to the Mcc panel room. The 1st level gallery supplying power to lighting equipment needs to be wide enough for staffs to work with various equipments effectively and safely. Degree of practical usage of under-stage machinery turned out to be very low. In order to cut unnecessary waste and cost, the characteristics of the theater must get set first, and experts who know how stage works need to get involved in planning stage.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.180-187
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• 2010

The purpose of this study was to examine the application tendency of the western classical style which appears in contemporary performing arts centers. The types of space in performing arts centers were investigated according to the times. There were somewhat fixed stage and auditorium types for each period ; the ancient times had the arena stage and round auditorium, the Renaissance the proscenium stage and the U-shaped auditorium, the Elizabethan period the thrust stage and polygonal auditorium, and the modern times the proscenium and apron stage, the horseshoe and fan type auditorium. Today since the purposes of performance are multiple, a variety of stage types are applied to each performing arts center. They use various spaces and performances of multiple purposes by moving and transforming the stage and auditorium according to the kinds of performance as a variation of the arena and proscenium stage. Recently there appear complex performing arts centers that can plan performing spaces of diverse sizes and forms to fit the functions of a performance in a large building. Since they put on performances in a large space according to the characteristics of the kind of performance, the intentions and goals of the performance are well delivered to the audience.

• 한국실내디자인학회논문집
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• 제18권1호
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• pp.43-53
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• 2009

This study is to investigate the utilization of Indoor Proscenium Stage Zone Lighting method in the dancing performance. In other words, it is about how we can utilize the principle of zone lighting in dancing performance, a kind of stage art. Stage lights give lights on the stage. Therefore they play big and important roles in dancing performances. Lightings make big influence on the overall atvosphere and situations of the dancing work but most of dancers do not perceive their importance and furthermore they don't know about the lightings very well. To let them know about stage lightings better, we studied lightings form the perspective of the dancers who face the lightings without great knowledge thresh the articles and literature related general lightings and lighting design, books related to stage lightings and dancing lightings, previous studies and academic articles. The most important part of this study is to understand and utilize the principle of zone lightiing. Zone lighting is generally called as cross lighting, which means single light from the crossed two lights. When looking into the principle of the zone lighting of the Indoor Proscenium Stage, it means 45 degree lighting from both sides of the top form the point of the dancer When more than two lights are used, the angle of the light should be $90^{\circ}$or 120. It is the principle of the lighting technology showing the face and body of the dancers ing three dimension. Applying for the principle of this zone lighting to the dancing performance of Indoor Proscenium Stage, the lighting methods and the usage of the lightings were studied. As shown above, the role of the lighting is very important in dancing configuration. We hope that the perception on the dancing lighting will be changed and studies on the dancing lightings. By understanding and applying more principles of lighting, we will make efforts to make better dancing performance and dancing conporsers and dancers shall make more efforts and studies on lighting for better works. Through such efforts, we can have more experts and professionals In dancing lighting field and they will help us to describe and express the intention of the dancing work better as dancing artists. We hope that there will be better quality performances through more and diversified studies in this field.

• 한국화재소방학회논문지
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• 제31권5호
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• pp.28-36
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• 2017

본 논문에서는 공연장 무대 화재 시 객석으로의 연기 확산에 방화막 및 강제 배연구가 미치는 영향에 대하여 Fire Dynamics Simulator (FDS)를 이용하여 연구를 수행하였다. 폭 31 m, 깊이 34 m, 높이 32 m의 무대에 대하여, 10 MW의 열방출률과 화재성장속도가 fast인 화재를 적용하였다. 강제 배출량은 화재안전기준과 기존 연구를 토대로 설정하였으며, 방화막과 프로시니움 (Proscenium) 벽 사이 간격은 0 m, 0.5 m인 경우를 대상으로 하였다. 방화막과 프로시니움 벽이 완벽하게 밀착되어 있는 경우, 강제 배연구와는 상관없이 객석으로의 연기 확산은 일어나지 않았다. 방화막과 프로시니움 벽 사이의 간격이 0.5 m인 경우, 방화막이 없는 경우에 비해 무대 공간 내에서 연기층이 더욱 낮은 높이까지 하강하였으며, 이는 방화막에 의해 객석으로의 연기 확산이 방해받았기 때문이다. 한편, 동일한 방화막 조건에서, 강제 배연구가 있는 경우가 없는 경우에 비해 방화막과 프로시니움 벽 사이 간격을 통한 유출 질량유량이 작았다. 본 연구를 통하여 방화막과 강제 배연구가 공연장 무대 화재 시 객석으로의 연기 확산을 억제할 수 있는 효과적인 방법임을 확인하였다.

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.195-202
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• 2012

This study aimed to analyze the types and characteristics of space forms according to performance types in the space of performing arts centers through the cases of modern performing arts centers. As for the space forms according to the performance forms, the performing arts centers devoted to dramas made a small space or turned into multi-purpose ones entering the modern days. Added to the proscenium, the main stage, was the back stage for the stage background. The area of the stage and auditorium grew similar with some kind of separation between the stage and audience. The concert halls have close relationships with the audience and their stage contacts the auditorium on many sections. The stage space is smaller than the auditorium and usually either the complex or entry type. In the opera theater, they commonly create a space for social gathering in addition to the main stage of proscenium, back stage, side stage and auditorium. They're also distinct from other performing centers for having an orchestra pit between the stage and audience. The stage is twice as big as the auditorium and the separate type. In today's performing arts centers, the sizes of the stage and auditorium can vary widely, and the performances of many different genres are put to multiple purposes.

• 한국화재소방학회논문지
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• 제32권6호
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• pp.7-14
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• 2018

본 연구에서는 방화막 및 자연배출구 면적이 공연장 무대 화재 시 연기 거동에 미치는 영향에 대해 Fire Dynamics Simulator (FDS)를 이용하여 전산시뮬레이션(Numerical simulation)을 수행하였다. 공연장의 무대 크기는 폭 31 m, 깊이 34 m, 높이 32 m로 설정하였고, 자연배출구 면적은 무대 바닥면적의 약 10%, 약 8%, 약 5%, 약 1%로 하였다. 방화막은 프로시니엄(Proscenium) 벽과 0.5 m 이격하여 설정하였다. 방화막과 자연배출구 면적은 객석으로의 연기유출, 자연배출구 및 프로시니엄 개구부를 통한 유입 및 유출 질량 유량에 지대한 영향을 미치는 것으로 관찰되었고, 동일한 자연배출구 면적 조건에서 방화막이 설치된 경우가 미설치된 경우에 비해 무대 내 압력이 더 낮은 것으로 나타났다.

• 한국실내디자인학회논문집
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• 제25권5호
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• pp.42-54
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• 2016

The purpose of this study is to provide a reference for stage planning by analyzing current state of major theaters' stage space and understanding feedback from directors belonged to theaters. Each room in total 18 theaters' stage facilities was measured and their usage and requirements were analyzed on the spot. In addition, each director provided their experiential knowledge about appropriate stage composition for musical performance. The findings are as follow: under stage machinery is not needed for musical. Tour teams prefer to use their own show-deck for set conversion. On the other hand, over stage flying system needs to be able to deal with dense, fast, and accurate scene change. The size and location of the motor room needs to be carefully considered. The number of set battens is directly linked up with the size of the motor room, which should be located lower than the gridiron. As stage sets get bigger and complicated, the number of works at the gridiron is also increasing. The grating floor has to have enough strength coping with machines lifting heavy sets. Most sound control for musical performance is being done at F.O.H. these days rather that in the sound control room. It should equip enough work area and related infra especially for tour teams. 1st gallery needs to have enough effective width, power infra for lighting fixture, and strong guardrail. Lastly, the whole process of parking-unloading-transporting equipments and sets from loading dock to stage and vice versa needs to be efficient, and this has to be carefully considered from early stage of planning.

• 한국실내디자인학회논문집
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• 제18권5호
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• pp.89-100
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• 2009

Stage lighting system is very important in theater. Because basic of performing art. Recently, The stage lighting system is very close with a performing arts. The performance arts is to have an easy communication between actors and audience. All activities related to performance art take place between the stage light and auditorium. Therefore, when constructing theater the best conditions of the stage light system should be considered for the smooth progress of play. It will be method of solution that basically facility in the performance art hall. The results of this study can be used for suggesting an operation and system improvement for stage lighting system in performance art hall. Recently, changes in the progress of plays have required the perfect stage light system. As a result, performance art hall are the most advanced stage lighting system technology of changed. The following procedures were taken for this research-the literature on the development of stage lighting system and equipment, structure, and the dimmer and computer console system has been reviewed theoretically Most of all, Cheonan City Hall Bongseo Hall and CMB EXPO art hall is important a sample of lighting system. The result of this study presents operation and system improvement stage lighting system in theater, below to operation and system improvement at stage lighting system local self-government corporation performance art hall are inconsistent stage.

• 한국조명전기설비학회:학술대회논문집
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• 한국조명전기설비학회 2009년도 춘계학술대회 논문집
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• pp.224-229
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• 2009

A Study on the Stage Lighting Design by the Type of Performance Hall The purpose of this study is to inquire into the practice of lighting design which is changed by type of stage Proscenium Stage, Thrust Stage, Arena Stage, and Flexible Stage, which have originated from ancient Greek theatre and are still used in contemporary theatre. This studt takes a good at the practical application of lighting design to different types of stage, through which it is expected to improve the understanding of lighting as a part of performing arts and to develop the quality of stage arts. The way of lighting design by type of stage can be acstracted as the following. This is expected to be of a great help to stage arts as well as different lighting designs for each type of stage. The methodology of lighting design might have limits in its application to practice in the current war Id where theatre structures and lighting equipments are fast-developing and ever-changing. However, lighting design can develop based on the basic design concepts as the researches of all fields can develop by applying their basic theories.

• 한국실내디자인학회논문집
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• 제15권1호
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• pp.121-130
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• 2006

The key role of performance facilities is to provide the stage shape and stage system suitable for the purpose and the property of public performance. The purpose of this study is to draw comparison analysis about the stage construction and stage machine system of the specialty theater or the multiple purpose performance facilities. The progress of the research is as followings. 1. Investigation into literature and catching on physical composition in the performing facilities, 2. Analysis of the stage organization, items of performance, construction form of stage machine systems, conversion system of the analysis samples, 3. A suggestion of the standard model of stage by each scales, through the such continuous analysis. And it was founded that the relation of stage composition, production type, stage system and distribution, and also the basic data between each elements. On the basis of the results, this study proposes the data and the application methods in domestic performance space when we are setting up the plan of performance facilities.