• 제목/요약/키워드: Planning craft

검색결과 16건 처리시간 0.022초

새만금 복합곡물단지의 6차산업화 모델 분석 (Analysis of a 6th Industrialization Model in the Saemangeum Grain Complex)

  • 김유안;정찬훈;김솔희;김찬우;서교
    • 농촌계획
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    • 제25권2호
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    • pp.63-74
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    • 2019
  • As the awareness of food security has increased, the Korean government has established national projects, such as Saemangeum proclaimed land, to secure sources of grain. Saemangeum is a large-scale agricultural area that was constructed to maintain preparedness for unstable food markets. This study aims to develop a $6^{th}$ Industrialization Model (SIM) for Saemangeum Grain Complex by applying feasible strategies to wheat and two-rowed barley which have low self-sufficiency rates. In addition, this study estimates the potential economic value of each development strategy associated with a sixth industrialization model to create higher added values from production, processing and tourism experiences. The strategic plan for primary, secondary, and tertiary industries is to combine cultivating and processing wheat and two-rowed barley for sales and linking them to tourism experience. This study shows value added from the combination of the primary, secondary and tertiary industry of wheat and two-rowed barley are 7.5 and 23.0 times more than those of the primary and tertiary industry combination, respectively. Through branding Saemangeum Grain Complex's products, such as Saemanguem bread and craft beer, would further enhance the economic benefits derived from the complex.

무인고속전차를 이용한 활주선 모형의 저항시험 기법 연구 (A Study on the Resistance Test Method for Planning Hull Model using the High Speed Towing Carriage)

  • 이영길;하윤진;정광열;채순재
    • 대한조선학회논문집
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    • 제51권5호
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    • pp.349-355
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    • 2014
  • The resistance test of a high speed craft such as planing ship is performed with a high speed towing carriage instead of ordinary towing carriage because of the speed limitation. In the resistance test using high speed towing carriage, the model ship is fixed to the carriage to restrain the running attitude for enough measuring time. Such method is called fixed model test method. In the fixed model test method, to get the appropriate running attitude, the model test is iteratively repeated until the trim moment and lift force are close to zero. In this research, trim free model test method is investigated to reduce the number of iteration. And, the limitation of towing speed range in the trim free model test method is investigated.

어린이 기초건축교육 참가자 인식에 관한 연구 (A Study on the Participants' Perception in the Built Environment Education Programs for Children)

  • 이승재
    • 대한건축학회논문집:계획계
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    • 제35권5호
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    • pp.51-59
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    • 2019
  • The purpose of this study was to analyze the perception among participants in the Built Environment Education(BEE) programs for children. And also, hopefully, we would get some strategies for development of BEE program through post-evaluation. The survey was conducted by the students and the parents who were participated in the four BEE programs. The key results are as follows: 1) The way of participation in the programs was limited. We should consider public relation strategies and its sustainable curriculum. 2) The students felt easy to learn from the lecture, but we need to consider the students' ability in craft activities and the level of school grades. 3) Most of the participants was satisfied with the programs. For students, the 'Educational Environment(Hours & Facilities)' was highly correlated with overall satisfaction. On the other hand, in the case of parents, the 'Teacher' was highly correlated with overall satisfaction. 4) Parents were aware of the need to link the BEE program to school education such as a subject of 'Creative Activity.' The BEE as an integrated program would be a school curriculum or contents of STEAM education. At the end of this paper, the meaning of this study was discussed.

'연구 업무 전담제'를 통해 살펴보는 국립현대미술관 전시 기획의 새로운 패러다임 (New Paradigm in exhibition organization at the National Museum of Contemporary Art)

  • 최은주
    • 미술이론과 현장
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    • 제3호
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    • pp.67-84
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    • 2005
  • Since the evaluation of its intellectual activities and abilities is done by curator's capabilities, planning exhibition is very important as the final result achieved by their own knowledge, information, and research. ARPA(Advanced Research Project on Arts) is suggested as the system which enables curators responding simultaneously to the society in the times, based on its special characteristics. If this system settles well, which means that the curators at NMCA(National Museum of Contemporary Art, Korea) play their roles as the professionals in each of their fields, the goal of consolidating the status of museum as the representative national museum, and building up competent department of curators, will be achieved at the same time. To clarify above, the curators set up the various assignments of research about the types of arts such as painting, Korean painting, sculpture, installation, new-media, design, craft, photogarphy, architecture, etc. And they establish the art objects classified by the regions, such as the Northern American, Southern American, European, Asian, and other Third World countries. They elaborate art objects more on the history, the work, the artist, and the issue of contemporary art. Furthermore, when the curators devote deeper study to those research subjects, they can have the opportunities to design an exhibition upon the research. Today, the museum of art is 'The Place for Communication and Encounter', it is regarded important to share the aesthetical, creative values with current artists, and to understand mutually with the spectators. It is needed to improve the curator's work, in order to meet the demands of the times and even to advance. Because the form of 'exhibition' is the tool that reveals the identity NMCA aiming at, the motivation, the development, and the realization should be leaded by the curators, who are the mainstream of the museum. ARPA is a system for identifying the exhibition like mentioned above. The main purpose of this system is to produce synergy effect, having the researching, collecting work in liaison with planning exhibition. ARPA will be able to improve the quality of exhibition through the way of developing the exhibition, passing through the stable process in the long run. So far, I have referred to a new paradigm of the exhibition design at NMCA via ARPA. Yet, there still remain missions in reality, such as analyzing the previous exhibition and reshuffling personnel and system, which should be done. When these matters settled, these plans would be suggested practically. At this point, it is the most significant that NMCA is attempting to let others aware of the importance of exhibition planning based on research. when the ARPA and exhibition planning is conjoined together successfully, the competent exhibition will be achieved, which can offer a meaningful exhibition to the art world, strengthen infra structure thru exchanging with public museum in the region, and eventually, establish a network with museum in foreign countries.

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현대(現代)패션에 응용(應用)된 장식적(的) 단추의 디자인 개발(開發)및 제작(製作)에 관(關)한 연구(硏究) -구스타프 클림트의 작품(作品)을 중심(中心)으로- (A Study about Designing of Ceramic Button with it's Manufacturing)

  • 백정현;배수정
    • 패션비즈니스
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    • 제7권2호
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    • pp.55-68
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    • 2003
  • The purpose of this research is to expand the realm of a button for a decorative purpose through embossing the effect and gravity of a button in fashion by designing the new ceramic buttons which are mainly used for decorative function in costume. In order to acquire a motif for the design, I analyzed several works of Gustav Klimt. As the result, those feature can be classified into the use of decorative lines, mosaic forms, and harmony of golden yellow and black, and it can be applied to buttons and clothes design. The sort of clay used in manufacturing the ceramic buttons was white clay to have high density and to diffuse light well, and press shaping techniques using plaster mold were employed. The baking was performed in an electronic kiln at $800^{\circ}C$ for the first time and at $1250^{\circ}C$ for the second time. Based on wearable designs in 2002/2003 F/W Trend of Interfashion Planning, I made three pieces of dress which could express the button's capability of decoration with effect. This is expressing a simplified form which shows up in details of and yellow and red pink were used to harmonize with golden yellow clothes. As an application of shapes of foliage in I transformed its size and form to be consistent with a jacket and a tube top. To accord with golden beige costume, I made a curve, showing up in Klimt's paintings, with golden color on a circle shape which was also a main motif in his paintings.

지역민인 지역문화예술 감독의 정체성과 역할에 관한 내러티브 탐구 - C지역 공예비엔날레를 중심으로 - (The Narrative Inquiry on the Identity and Role of Local Cultural Art Director as a Local Resident: Focus on C Region Crafts Biennale)

  • 사윤택
    • 예술경영연구
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    • 제50호
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    • pp.101-146
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    • 2019
  • 2014년 지역문화진흥법의 제정 이 후, 정부는 지역의 삶을 반영하고 지역민의 정서에 부합하는 지역문화의 방향성을 찾기 위해 지속적으로 노력해 왔다. 이러한 노력에 걸맞게, C지역 비엔날레 조직위원회는 이례적으로 비엔날레 예술 감독을 C지역의 역사성과 생태적, 정서적 특성을 담고 있는 지역 예술인들로 구성하였다. 이에, 본 연구자는 C지역의 지역민이자 공예비엔날레 감독으로 임명된 연구 참여자들의 내러티브를 통해 지역민 문화예술 감독의 정체성과 역할에 대한 인식을 탐구하고자 하였다. 연구를 위해 지역민으로 구성된 6명의 지역문화예술 감독을 연구 참여자로 선정하였으며, 그들의 내러티브를 중심으로 지역문화예술 감독으로서의 정체성과 그 역할을 탐구하였다. 이 과정에서 사진 자료, 문서, 심층 면담, 회의 자료 등 다양한 형태의 자료를 수집하여, 결정적 사건을 중심으로 내러티브를 분석하였다. 이에 다음과 같은 결론을 얻을 수 있었다. 먼저, 연구 참여자들의 지역문화예술 감독의 정체성에 대한 생각은 세 가지 방향으로 귀결되어짐을 알 수 있었다. 첫째, 참여자들은 지역 예술가로 구성된 예술 감독 체계가 그 동안 지역 안에서 활동한 자신들의 정체성을 담보하고 있다고 보았다. 둘째, 지역문화예술 감독들의 정체성은 다양한 지역의 문화예술 담론이 개발되고 토론됨으로서 지역화 될 수 있는 방법을 찾는 역할과 맥을 같이 한다고 인식하였다. 셋째, 참여자들은 일회적이 아닌 지속적인 지역문화예술에 대한 관심과 애정을 지니고 있었고 그것이 그들의 정체성이라고 인식하였다. 면담에 참여한 감독들은 다양한 지역의 문화예술의 담론이 개발되고 토론됨으로서 지역화 될 수 있는 방법을 찾고자 하는 모습을 보였다. 다음으로, 정체성과 연계한 연구 참여자가 인식하는 지역문화예술 감독의 역할은 다음과 같다. 첫째, 한 해를 마감하고 다음 해의 예술 행사를 연계해 구성할 수 있는 안목의 체계적이고 장기적인 기획의 주체가 되어야 한다. 둘째, 지역과 연계된 사회적, 문화적 생태 분석에 대한 정체성을 도출할 수 있는 학술·연구의 역할을 수행해야한다. 셋째, 지역 예술인들이 지역을 넘어 세계적인 예술문화와 교류할 수 있는 장을 마련할 수 있는 지역문화전문인력 즉, 문화매개자 역할이 요구되어진다. 지역문화예술의 매개자로서 지역민 감독 형태에 대한 연구는 지역 예술인의 정체성 수립의 근원을 알게 하고, 지역민이 주체가 되는 문화예술의 방향성에 대한 방법론을 구축하는 일이다. 아울러 바람직한 지역문화의 소통과 의미에 대한 성찰을 제공하고, 지역문화예술 매개자의 양성 시스템에 관한 시사점을 갖는다는 점에서 지속적인 관심과 연구가 필요하다.