• 한국멀티미디어학회논문지
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• 제13권7호
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• pp.1105-1114
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• 2010

이 논문은 제13회 부산국제영화제(2008년10월2일부터10월10일까지 개최)조직위원회로부터 의뢰를 받아 필름으로 제작한 20초 분량의 공식트레일러 제작에 관한 연구결과를 요약한 것이다. 디지털콘텐츠 제작에서의 정체성과 방향성 확립이 필요한 시기에 한국적인 수묵채색화 기법을 3D Animation과 접목시켜 제 13회 부산국제영화제의 공식트레일러 제작에 활용하였다. 서양화가 신창식화백의 '아리랑_희망I(공식 포스터)를 모티브로 한국적인 수묵채색화의 특징을 고찰하여 모델링, 쉐이딩, 렌더링 단계에서 먹의 농담, 선의 강약, 수묵채색화의 색채요소를 디지털기법으로 어떻게 표현할 수 있는가에 대한연구결과 이다.

• 한국의상디자인학회지
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• 제8권2호
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• pp.183-199
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• 2006

This study aims to estimate the nationality of two envoys by examining their dresses and appearances depicted on the wall painting of Afrasiab's Palace in Samarkand with the concentration on the history of the international exchange between three states and the countries in Central Asia. The international exchange between three states and the countries in Central Asia are examined with the concentration on the literature review. And what are related to the dresses during the period of the three states are examined with the concentration on the literature review and the wall painting of Goguryeo tomb. The followings results were identified. The dresses of envoys were comprised of Jowugwan, the soft hat shaped like a peaked hat, the upper garment reaching a hip line with Jikryeong Gyoim and Tongsu, narrow trousers, black belt with a hook, front-pointed shoes and big sword with a round ring. The items of dressing are very similar to those during the Goguryeo period as observed on the wall paintings and excavated articles from the tombs from the Goguryeo period and literature. The next examination is estimated that Goguryeo had the official relationship with the countries in Central Asia before the invasion of Tang in mid-7 century when the wall painting, in our estimation, was produced, and to this end, Goguryeo sent the envoys to those countries. The envoys on the wall painting were estimated to be from Goguryeo as discussed above.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.97-104
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• 2011

Art has always been a witness to its time. The art of our century has lived through two world war. In that time Friedensreich Hundertwasser was born to a half Jewish family in Vienna in 1928. He lived and died as a painter, architect, designer, ecologist, writer, innovator... etc. He was impressed form Gustav Klimt, who pioneered the Viennese Secession which was the Austrian expression of the Art-Nouveau mouvement and inspired by the works of Egon Schiele from an early date. His style as an architect was heavily influenced by Antonio Gaudi and some of the Jugendstil architects. Although his architectural work is comparable to Gaudi in its biomorphic forms and use of tile, but is currently renowned for his unique styling. His character as follows; First, Bold color - His use of color is bold, and he has a strong sense of which color work well together. Second, Curved line & Spiral - It's the primary shapes in his works against the tyranny of ugliness and the iron rule of its straight line. Spiral reveal as a transautomaism. Third, Harmony with nature - His work is the creator of beauty, of nature of harmony, peace of joy, against the contradictions of our post-industrial society. He represented these various characteristics in his works. Hundertwasser first achieved notoriety for his boldly-colored painting, he is more widely renowned today for his revolutionary architectural designs.

• 한국시뮬레이션학회논문지
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• 제21권2호
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• pp.91-101
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• 2012

자동차 생산라인은 차체라인, 도장라인, 의장라인으로 구성된다. 이러한 생산라인들은 직렬로 배치되어 흐름생산을 거치기 때문에 전후 공정의 상태에 따라 라인에서는 starvation(물량 부족으로 인한 생산 불가능) 또는 blocking(용량 초과로 인한 생산 불가능)으로 인한 정지가 발생한다. 이에 starvation이나 blocking으로 오는 생산 손실을 막기 위해 WBS, PBS와 같은 창고를 개별적으로 보유하여 운영된다. 본 논문은 라인의 버퍼역할을 하는 각 창고들을 통합하여 운영할 수 있는 통합창고 시뮬레이션 모형을 제안한다. 적정 Stacker Crane 대수와 AGV 대수를 구하고, 이를 운영할 수 있는 운영방법론을 제안한다. 또한 개별창고와 통합창고 모형을 시뮬레이션을 이용하여 효율성 비교를 한다.

• 한국콘텐츠학회논문지
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• 제11권2호
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• pp.268-275
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• 2011

21C는 디지털 시대로 3D문화의 발전과 예술문화의 발전으로 예술영역이 다양해지고 있으며, 바디아트의 한 분야인 바디페인팅 또한 3D와 접목되고 3D로 표현되는 UV바디페인팅은 시각적으로 가장 극대화 되는 한 장르이다. UV바디페인팅은 단파장과 장파장의 원리를 통해 입체적으로 보여지는 빛을 결합한 과학적인 페인팅기법으로 8가지 색상으로 일반 수성물감보다 색이 한정되어 있다. 본 연구에서는 바디페인팅에 대한 이론적 고찰과 UV바디페인팅의 특성을 파악하여 시각적 효과의 이론을 정립하고자 한다. 또한 연구자가 제작한 점, 선, 면의 UV바디페인팅의 작품을 제시하여 3D원리를 통한 시각적 효과에 대한 결과를 분석하였다. UV바디페인팅은 발광물감을 이용한 페인팅 기법으로 블랙라이트로 인해 UV물감이 발광하고 단파장과 장파장의 원리를 통해 3D로 표현되며, 일반 바디페인팅과는 달리 점과 선에 의한 디자인 형태에 따라 입체적인 작품의 효과를 얻을 수 있었다. 효과에 나타난 특이점은 점, 선, 면 중 점과 선에 의한 페인팅이 3D효과가 더욱 뚜렷하였으며, 면에 의한 페인팅은 3D효과보다는 인체의 움직임으로 모티브 자체의 변형이 이루어짐을 알 수 있었다. 따라서 UV바디페인팅 3D시각적 효과는 디자인에 의해 다양한 표현이 연출되어진다. 본 연구를 통해서 바디페인터들의 실무적인 기초자료로 활용되기를 기대하며 추후 이에 따른 지속적인 연구가 이루어지기를 바란다.

• Journal of Genetic Medicine
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• 제1권1호
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• pp.45-50
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• 1997

Neuroblastoma, a pediatric malignant neoplasm of neural crest origin, has a wide range of clinical virulence. The mechanisms contributing to the development of neuroblastomas are largely unclear, but non-random chromosomal changes identified over the past years suggest the involvement of genetic alterations. Amplification of the human N-myc proto-oncogene is frequently seen either in extrachromosomal double minutes or in homogeneously staining regions (HSRs) of aggressively growing neuroblastomas. N-myc maps to chromosome 2 band 24, but HSR have never been observed at this band, suggesting transposition of N-myc during amplification. We have constructed and analyzed the region-specific painting probe for HSR in neuroblastoma IMR-32 to determine the derivative chromosomes. Microdissection was performed on HSR using an inverted microscope with the help of microglass needles and an micromanipulator. We pretreated the microdissected fragments with Topoisomerase I which catalyzes the relaxation of supercolled DNA, and performed two initial rounds of DNA synthesis with T7 DNA polymerase followed by conventional PCR to enable the reliable preparation of Fluorescent in situ hybridization probe from a single microdissected chromosome. With this method, it was possible to construct the region-specific painting probe for HSR. The probe hybridized specifically to the HSRs of IMR-32, and to 2p24, 2p13 of normal chromosome. Our results suggest there was coamplification of N-myc together with DNA of the chromosome 2p24 and 2p13. Moreover, the fluorescent signals for the amplified chromosomal regions in IMR-32 cells were also easily recognized at a Thus this painting probe can be applied to detect the similar amplification of N-myc in neuroblastoma tissue, and the probe pool for HSR may be used to identify the cancer-relevant genes.

• 문화기술의 융합
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• 제5권1호
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• pp.113-118
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• 2019

최북(崔北)(1712~1786)은 중서층(中庶層) 출신의 여항화가(閭巷畵家)로서 시(詩) 서(書) 화(畵)를 겸비한 삼절작가(三絶作家)이다. 신분적 차별에 대한 저항적 냉소와 스스로 어디에도 구속되지 않는 광방불기(狂放不羈)한 광기(狂氣), 그리고 자신의 예술적 재능에 대한 자부심으로 인한 오만(傲慢)과 명인(名人) 의식 등을 탈속적(脫俗的) 문사적(文士的) 문인화를 통해 개성적 화풍(畵風)으로 광견(狂?)하게 발현하였다. 그의 문인화는 시화일치(詩畵一致)라는 시의도(詩意圖)가 많으며, 화법(畵法)은 근력(筋力)을 위주로 하여 불구격투(不拘格套)의 광필(狂筆)로 대상물을 묘사하였고, 파격적 구도와 필선의 간일(簡逸)함, 여백과 색채의 독창적 운용으로 한 차원 높은 예술의경을 발현하였다. 그의 문인화는 광자(狂者)의 오만한 듯한 진취적 기상과 견자(?者)의 변혁적 심미를 고수하고자 하는 예술관이 작품에 자연스럽게 투영되었다.

• Journal of the Korean Wood Science and Technology
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• 제40권6호
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• pp.418-423
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• 2012

원통형 단판적층재(LVL)의 구조재 이외의 공예재 등의 용도개발을 위하여 원통형 단판적층재의 내수접착성과 도장처리에 따른 내마모성 및 표면경도를 측정하였다. 레조시놀 수지와 경화제(paraformaldehyde)를 100 : 5의 혼합비로 하여 접착 경화한 원통형 단판적층재의 전체적인 접착층에 대한 삶음박리 접착력은 양호한 편이었다. 내마모성은 횡단면이 접선단면보다 상대적으로 우수하였으며, 접선단면에 자외선 차단 오일을 도장 처리한 경우 내마모성이 향상되었다. 표면경도는 횡단면의 경우, 낙엽송 중심재가 라디에타소나무 단판적층 부위보다 높았고, 접선단면의 경우에는 접착층 부위가 단판부위보다 높게 나타났다.

• Plant Biotechnology Reports
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• 제3권4호
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• pp.277-283
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• 2009

One of the limitations to conducting maize Agrobacterium-mediated transformation using explants of immature zygotic embryos routinely is the availability of the explants. To produce immature embryos routinely and continuously requires a well-equipped greenhouse and laborious artificial pollination. To overcome this limitation, an Agrobacterium-mediated transformation system using explants of type II embryogenic calli was developed. Once the type II embryogenic calli are produced, they can be subcultured and/or proliferated conveniently. The objectives of this study were to demonstrate a stable Agrobacterium-mediated transformation of maize using explants of type II embryonic calli and to evaluate the efficiency of the protocol in order to develop herbicide-resistant maize. The type II embryogenic calli were inoculated with Agrobacterium tumefaciens strain C58C1 carrying binary vector pTF102, and then were subsequently cultured on the following media: co-cultivation medium for 1 day, delay medium for 7 days, selection medium for $4{\times}14$ days, regeneration medium, and finally on germination medium. The T-DNA of the vector carried two cassettes (Ubi promoter-EPSPs ORF-nos and 35S promoter-bar ORF-nos). The EPSPs conferred resistance to glyphosate and bar conferred resistance to phosphinothricin. The confirmation of stable transformation and the efficiency of transformation was based on the resistance to phosphinothricin indicated by the growth of putative transgenic calli on selection medium amended with $4mg\;1^{-1}$ phosphinothricin, northern blot analysis of bar gene, and leaf painting assay for detection of bar gene-based herbicide resistance. Northern blot analysis and leaf painting assay confirmed the expression of bar transgenes in the $R_1$ generation. The average transformation efficiency was 0.60%. Based on northern blot analysis and leaf painting assay, line 31 was selected as an elite line of maize resistant to herbicide.

• 산업공학
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• 제16권3호
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• pp.352-361
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• 2003

Vehicle manufacturing plant is a typical mixed-model production system. Generally it consists of three main shops including body shop, painting shop and assembly shop in addition to engine shop. Each shop contains diverse manufacturing processes, all of which are integrated in a form of flow line. Due to the high pressure from the market requesting small-volume large variety production, production planning becomes very critical for the competitiveness of automotive industry. In order to save costs and production time, production planning system is requested to meet some designated requirements for each shop: to balance the work load in body and assembly shops, and to minimize the number of color changes in painting shop. In this context, we developed a sequencing module for a vehicle production planning system using the ILOG Solver Library. It is designed to take into account all the manufacturing constraints at a time with meeting hard constraints in body shop, minimizing the number of soft constraints violated in assembly shop, and minimizing the number of color changes in painting shop.