• 복식
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• 제65권2호
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• pp.105-124
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• 2015

This research was started to study how the design identity of an overseas fashion house was formed, changed and connected. For the purpose of the study, Saint Laurent House was selected as the subject of the study, because it began as a couture house and launched the $pr\hat{e}t-\grave{a}-porter$ for the first time among the designer brands, and also contributed to the development of modern women's fashion. Literature survey on related books and papers was performed to study the Saint Laurent House. Then, fashion collection photos of the house from 1962 SS to 2014 SS were collected to analyze and compare the features of the designs. The photos were collected from related books, fashion magazines and internet sites. The results are as follows: The features of Yves Saint Laurent's early designs were contemporarily sensational with their couture tradition. His representative designs including Le Smoking, Pea Coat, Loose Fit Blouse, Safari Look, Jumpsuit, Ethnic Look and Art Look became the signature looks of the Saint Laurent House. His designs expressed the liberation of sex, multi-cultural sensitivity and the fusion of art and fashion. His successor, chief designer Tom Ford designed with strong sensitivity of his own. He dealt with Yves Saint Laurent's design themes and signature looks in sensual as well as trendy and sophisticated way. Stefano Pilati showed the Parisienne chic and elegance. He re-made the legacies of Yves Saint Laurent with his own design style using new materials or cutting technique. Hedi Slimane reinterpreted the signature looks of the house with his rock' n roll mood for young, modern women while reflecting the spirit of Yves Saint Laurent's early stage. In conclusion, the design identity of Saint Laurent House is not just a fixed one. By the subsequent chief designers, the signature items and design spirit of Yves Saint Laurent have been succeeded, reintroduced or changed to be trendy and to reflect the designers' design sensitivity. All of these make and maintain the design identity of the fashion house.

• 한국실내디자인학회논문집
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• 제19권1호
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• pp.16-26
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• 2010

In recent, as rediscovery of the modern value is developed through the support by the government and the reinterpretation of the traditional culture, a Korean-style house(Hanok) also becomes an object of interest. Among these various viewpoints to see the Korean-style house, the necessity of a new spatial design approach to contain the types and functions of the architectural space of the Hanok appropriate to the modern society is raised which is not a passive approach to preserve the existing cultural assets. Out of the methods of the new spatial design of the Hanok which reflect the paradigm of the times, this study has the purpose to make an approach from the viewpoint of 'Restoration design'. As the 21 st century started, the recycle design whose active discussion and performance is made largely by Europe and Japan can be called a design method in the hardware part which enables continuous adaptive use of a building by applying a new use purpose and method to a building which doesn't use the recycle design or has low efficiency. In that meaning, it can be considered to be a very important architectural activity historically, archltecturally and spatially. Based on the methodological characteristics of the recycle design, this study largely divides the types of recycle into coherent recycle and imagery recycle and dedto s detailed methods of space, consinto ion and material and wardrobe used for each case to analyze the methods of concrete recycle design through the methodological analysis of recycle cases of the existing modern buildings. For the objects of recycle cases of the Hanok made recently based on the design methods acquired here, it was examined how the architectural and spatial characteristics of the Hanok can be reconsinto ed through what kinrecycmethods. The approach of the recycle design is considered to be a cornerstone to show a new architectural and spatial value in the viewpoint of the Hanok existence in modern times.

• 한국농촌건축학회논문집
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• 제14권2호
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• pp.51-58
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• 2012

The purpose of this study was to set and analyze the utilization of the substituted agricultural land in the Dongtan new town in Hwa-seong city. The results of this study were as follows. In the respect of the land efficiency and utilization, the need of the agricultural land in the Dongtan has shrunk. Therefore, the land should be reconsidered and developed as other purposes. The land could be developed as the weekend farm for the city people. The weekend farm is currently gaining popularity because the citizens want to not only experience the nature but also get a healthy food. So, the land in the new town could provide them with a good place. And the Han-ok(Traditional Korean style housing) is recently in the limelight of many people because of its healthy function and the special aesthetic, so the agricultural land of Dongtan could be a great opportunity to develop the Han-ok village. Lastly, the logistics center for agricultural products could be proposed. Because the traffic condition of the new town is satisfactory, the land is idealistic as the logistics center which connect the capital with the local. These practical uses of agricultural land in the Dongtan new town will be able to provide opportunities to improve the quality of life in the area and develop the land more efficiently.

• 한국농촌건축학회논문집
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• 제20권3호
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• pp.11-18
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• 2018

Suhwa Kim Hwan-gi established his own unique world of art based on Korean-style lyricism with his sophisticated and sublimated formative language as the first generation of Korean abstract artist. He made his name known not only in Korea but New York and Paris, the center of contemporary art. Presently, there is almost no material left for us to examine how Kim Hwan-gi's house looked in the first place. But there is a painting that chef Kim Am-gi possesses where we can find the image of painter Kim Hwan-gi's house drawn by recalling the memories at home in a far-off land. With that, we can see it should be the original looks of that house. To examine the original looks of Kim Hwan-gi's house when it was built, this author studied the closure land registration map. By analyzing 29 land registration maps around Eupdong-ri of Gijwa-myeon in Muan-gun of Jeollanam-do produced in 1917 which National Archives of Korea possesses, this researcher could figure out the status of land registration around Kim Hwan-gi's house with No. 15 and 22 drawing boards. According to the results of considering aerial photographs after the emancipation that National Geographic Information Institute possesses, this author has found that the arrangement of Kim Hwan-gi's house was changed from 1954 up to 2008. In 1954 aerophotos, we can see the main building and studio in Kim Hwan-gi's house and there was an additional structure between them. Kim Hwan-gi's house was built before 1925. The main building presently designated as a cultural asset and also the sarangchae arranged in the east and the studio, too, were built in the similar period.

• 농촌계획
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• 제22권4호
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• pp.183-194
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• 2016

Rural house came into the rapid change through the process of modernization and Saemaul movement in the past. This change continue to the current era, there is a such exotic forms and indiscriminate development of new house and Saemaul housing and existing conventional farmhouse in rural area. Such a phenomenon, ultimately creating disharmony in traditional environment of rural. In this respect, reflecting the location characteristics of the region which is based on the regional characteristics and unique model of rural housing, it is absolutely required for the development of rural housing customized to fit the diversity of modern. With that background, the purpose of the research is to try and find out the changes in rural houses and the transforming characteristics. To achieve this research purpose, this research selected a specialized magazine for architecture. Then, it identified contents which has specific keyword. lastly, it analyze type and contents of house in rural area from selected article. This process make up the rural housing for effective utilization. The result showed that the type of economic activity and residents information directly show the character of the members who located in the new homes after retuning to farming. The polarization of structure was clearly visible by the building time. And, propensity to western-style of major components was very high such as shape and form of housing. However, it was found to prefer to reflect traditional aesthetics in the components of the housing partially. Therefore, more research is needed to reflect of the results of a survey. Also, analyzing the characteristic of rural house's element and suggesting ways to take advantage in order to present suitable element of modern rural house.

• 대한지리학회지
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• 제19권
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• pp.41-51
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• 1979

Since 1971 when the nation wide 'New Community' movement was launched to improve rural standards of living, dol and thatched-roof houses have been reshaped or removed, thereby making it hard to find time-honored people's living structures in the countryside. Since 1977, the improvement work of rural houses has started throughout the country, so many new rural residences have been constructing along the highway, main roads, railways and around the sightseeing area, New rural houses do not show, for the most part, the traditional architectural style and the nation's unique conventional ways of living. The writer tried to find solutions to the problems derived from improvement work of rural residence, in a comparative method of traditional rural houses and newly constructed rural ones. The greater part of new rural houses' types, painting colors, and fence types had been recommended by provincial administrative trative officials. Officials recommended them to the farmer with their standards, which did not consider farmer's convenience of traditional way of life, but a fine sight from the highways or railways. Korea's three basic roof types are the HAPKAK roof (gabled and hipped), the UCHINKAK roof(hipped), and the BAKKOONG roof(gabled). However, the gabled roof houses, having their entrance on the gabled side, are found more ofter in new rural village. As mentioned above, architectural style is not harmonious with the topography and climate i Korea, because it is not Korean traditional type, but one of the western styles. And new rural house plans are inconvenient in the conservation rural family system, because of the same category with urban houses plans. Other problems derived from ton-traditional architecture style are roof painting in 4-5 colors in a new village, types of wall and fence, and attached building in the site.

• 한국주거학회논문집
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• 제14권5호
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• pp.19-26
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• 2003

The purpose of this paper is to examine and analyse the features of plan type and space composition of the Siheyuan(courtyard house) which is one of the most remarkable types of the traditional dwellings in China. With the passage of time this house developed into one of the chinese house style. The technique of Siheyuan's spatial composition goes so far back in the New Stone Age. The relics of this are the colony layout, the system of four sides, the layout type of a palace, the picture of lacquered ware, the pictured brick, the earthenware of house type, the cave painting, the paintings of painters and others. The fundamental spatial conception of it arranges one or more courtyards to compose, sometimes in a very complex way, a general walled compound. The main longitudinal axis is mainly north-south, but the chief buildings, or halls are always placed transversely to it. These rectangular buildings mayor may not connect, by means of open galleries variously planned, with rows of smaller buildings flanking the courtyards on both sides. On this system, enlargement is never carried out by adding to height, but by continual duplication of existing units, and growth in breadth or preferably depth. The need for family security is thought to have led to the development of this rectangular houses with walls mainly blank on the outside, defensible entrances, and public service facilities in the center of the houses.

• 토지주택연구
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• 제2권4호
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• pp.453-461
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• 2011

주택에 대한 수요가 다변화되면서 최근 한옥주택 및 한옥주거단지에 대한 사회적 관심이 증대되고 있다. 기존에 한옥이 밀집한 지역을 중심으로한 정비사업 뿐만 아니라, 대규모 택지개발지구등에서도 한옥주택과 주거단지 개발에 대한 시도가 이루어지고 있지만, 본격적인 사업화는 이루어지지 않고 있다. 본 연구는 LH가 공급하는 신도시의 단독주택용지와 특성화용지등을 대상으로 하여 한옥의 잠재적 수요계층을 바탕으로 사업모델을 도출하고 사업모델에 대한 타당성을 검증하여 향후 사업화를 위한 방향을 제안하고자 한다. 기존에 검토되었던 고급형 타운하우스 형태의 한옥주거단지는 입지선정, 수요불일치 등으로 인하여 사업성이 부족한 것으로 분석되었으며, 설문조사 결과등을 바탕으로 계획규모변경, 용도혼합, 필지세분화등의 방법을 통해 사업유형을 6가지로 설정하였다. 사업모델 중에서 가장 사업성이 높은 유형은 블록형 집합주택으로, 이는 규모의 경제법칙(Ecnomy of Scale)에 따른 건축연면적의 증가가 분양수입의 증대로 이어진 것으로 이해할 수 있다. 소규모 한옥과 근생시설이 결합한 공동주택 모델의 타당성도 높게 나타났으며, 블록형 집합주택과 같은 동일한 사업조건을 적용한다면, 한스타일 공동주택의 사업성이 높은 것으로 분석되었다. 그 밖에 블록형 단독주택지내 고급주택 모델은 민간부문이 일반적으로 추진하고 있는 대표적인 사업유형으로서, 1호당 건설비용이 9.1억원으로 가장 많은 비용이 투입되는 것으로 나타났다. 한옥주거단지 사업성 제고를 위해서는 입지선정, 수요계층의 다양화, 주택규모의 적정화, 용도혼합등을 통한 집합화가 필요할 것으로 판단된다. 또한 단독주택용지에 한옥주택을 도입하기 위해서는 기존의 필지계획의 조정과 분할이 필요하며, 한옥형 용지등의 공급을 통해 새로운 수요에 대응하는 전략도 제안될 수 있다. 또한 기존의 획일적인 택지개발방식에서 벗어나 기초인프라(간선도로 및 상하수도)외에 조성되지 않은 자연상태의 토지인 원형지(原形地) 공급을 통한 개발방식도 검토할 수 있으며, 한옥의 지붕 및 가구구조상 1~2층 이상의 건축이 불가능하므로 경사지 형태를 갖는 원형지 공급방식의 단지조성이 토지비절감, 경관효과 등을 감안할 때 적합한 모델로 제안될 수 있다.

• 한국농촌건축학회논문집
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• 제15권3호
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• pp.33-40
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• 2013

The rural traditional houses in Taebaek mountainous regions play important roles in figuring out values and social aspects of past time including housing life. But due to the introduction of convenient facilities in the current housing life style after industrialized society, many transformations have been taken place even to exist rural traditional folk houses such as installation of new equipment and furniture, the arrangement and function change of rooms, expansion of residential area and etc. So this study aims to secure basic data to prepare installation standard of the convenient facilities as examining convenience facility installation status of the cultural asset designated as rural traditional house, and to identify the meaning and usage of major room of rural traditional houses in order to prepare the proper balances between its original form preservation and residents' convenience living.

• 한국산학기술학회논문지
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• 제20권12호
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• pp.765-771
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• 2019

기존 한식기와에서 요구되는 강도, 흡수율, 내동해성 등은 유지하면서 지붕 하중을 대폭 줄일 수 있는 새로운 한식기와가 개발되었다. 물막이 턱과, 유속을 빠르게 하는 음각유로를 이용하여 기와 사이의 틈으로 유입되는 빗물을 방지할 수 있도록 설계되었다. 새로 개발된 한식기와는 빗물 역류 방지 능력이 있으므로 지붕에 흙이 필요 없는 건식시공이 가능하다. 새로 개발된 기와를 이용한 건식시공 한옥지붕은 흙을 필요로 하는 기존의 습식시공 한옥지붕에 비하여 지붕 중량이 약 80% 이상 감소될 수 있다. 건평 30평인 전통한옥의 경우 신형 한식기와 사용 시 지붕 중량이 약 135톤에서 약 24톤으로 줄어든다. 제작된 신형 한식기와의 물성은 KS 규격을 만족하였으며, 기와 1개당 중량은 기존 기와보다 30% 이상 가볍고, 신형 한식기와로 지어진 지붕은 우리나라의 강수량 기록을 60% 이상 넘어서는 200mm/h강수량과 풍속 17m/s의 태풍급 폭풍우에서도 물이 새지 않는 우수한 배수성을 보였다. 중량감소 효과와 우수한 배수성 이외에도, 새로 개발된 한식기와는 경제성, 효율성, 작업 편의성, 유지보수, 내진성 등에서 기존 한식기와에 비하여 우수한 장점이 있다.