• 제목/요약/키워드: Musical Characteristic

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한국 뮤지컬의 변천과 뮤지컬 의상의 특성에 관한 고찰 (A Consideration on the Change of Korean Musical and the Characteristic of Musical Costume)

  • 김희정
    • 복식문화연구
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    • 제18권6호
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    • pp.1112-1128
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    • 2010
  • This study aims to know the trace of Korean musical, consider musical depending on its type, arrange characteristic of musical costume and find out the developmental direction of Korean musical costume with potentials as a culture industry. For study method, the data were collected from thesis, academic journal, book and internet web-site concerning musical costume, literatures were considered and performance costume photos, which were captured via musical performance site, were analyzed. The history of Korean modern-day musical is regarded as starting with (1966) in the full scale. Although foreign musical was imitated in 1970s~1980s, it may be called the growth period of Korean musical because the period showed the commercial possibility. Since 1990s, large-scaled musical securing good work and popularity was popular. In 2000s, musical industry was abundant quantitatively and qualitatively as investment or popularity was significantly expanded. The type of Korean musical are divided to opera musical of European, Broadway musical of American and creative musical of Korean. The costumes used in opera musical of European and Broadway musical of American are borrowed from original works through license or were manufactured in Korea by referring to the costumes of original works and using similar materials or fabrics. The costumes used in creative musical of Korea are designed by either domestic or foreign designers and produced in Korea.

멀티미디어를 활용한 ICT 기반 초등학교 가락짓기 교육에 관한 연구 (A Study on ICT-based Elementary Education for Musical Composition Using Multimedia)

  • 정화영;곽노윤
    • 디지털콘텐츠학회 논문지
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    • 제5권3호
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    • pp.213-218
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    • 2004
  • 본 논문은 멀티미디어 기술을 활용한 ICT 기반 초등학교 가락짓기 교육의 유용성과 타당성을 검증함에 그 목적이 있다. 최근 몇 년 사이 컴퓨터의 급속한 발달과 함께 더불어 눈부신 발전을 보이고 있는 멀티미디어 기술은 음악 교과가 가진 특성과 맞물려 음악 교육의 다양한 문제점을 극복하고 학생의 음악적 기능과 지식의 발달을 충족할 수 있는 새로운 대안이 될 것으로 기대되고 있다. 특히, 많은 초등학교 교사들과 학생들이 교육과 학습 과정에서 어려움을 겪고 있는 가락짓기 교육에 ICT 기반 음악 교육을 도입할 경우 그 교육적 효과가 지대할 것으로 기대되고 있다. 본 논문의 ICT기반 가락짓기 교육 방법은 전통적인 이론 학습과 악기를 활용한 가락짓기 수업의 한계와 문제점을 파악하고 이를 개선하기 위한 방법의 하나로 초등학생에게 컴퓨터 프로그램 사용법을 지도한 후 음악 창작 수업에 이를 적용시킴으로써 전통적인 수업방식에 비해 단시간에 효과를 극대화하고 교과서에서 제시된 수준 이상의 가락짓기 능력을 신장시켰다.

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르네상스시대, Leon Battista Alberti의 "건축 10서"에 나타난 음계비례의 미학적 특징 및 적용방법에 관한 연구 -화성법에 따른 상대적 불협화음의 적용방법을 중심으로- (A Study on the Aesthetics and Practice of Musical proportion in L.B. Alberti's The Ten Books Architecture -focused on the study of the practice of relative dissonance according to the theory of harmony-)

  • 이강업;진경돈;배윤천
    • 건축역사연구
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    • 제10권4호
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    • pp.57-75
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    • 2001
  • The music has influenced on the aesthetics, structure and symbol of the architecture from the ancient to the present. and been to be like architecture. It is important part that through the study of musical proportion by number, which is method of architectural and musical composition, resemblance can be found, music is resemble to architecture and this recognition is general as well in renaissance as architect and musician after that time. Therefore, in this background and aesthetics, the purpose of this study is to research purpose and methodology of the proportion of musical consonance and dissonance used in L. B. Alberti's architecture. At first, for the background of aesthetics this study previewed characteristic of aesthetics arranged by subjectivism and objectivism, and this musical proportion which is applicable for Alberti's architecture was defined. secondly, Alberti's architectural aesthetics (concinnitas) of the higher concept was defined by methodology of the lower concept, and this study described the application of dissonance used by the method of canon in music. thirdly, after according to characteristic of aesthetics in chapter three, proportion system was researched by the more objective, applicable unit in renaissance: roman foot and local unit differs meter in the present, Alberti's architectures was researched by the method of cannon in music.

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국악기 근접 마이크로폰 테크닉스를 위한 연구 (가야금, 해금, 대금, 꽹과리) (Study on Close Microphone Techniques for Korean Traditional Musical Instruments (Gayageum, Haegeum, Daegeum, and Kkwaenggwari))

  • 한제석
    • 한국산학기술학회논문지
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    • 제14권10호
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    • pp.4753-4761
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    • 2013
  • 본 연구는 국악기 방사특성을 고려하여 다양한 마이크로폰의 설치 각도와 거리를 설정하여 국악기소리를 녹음한 후 녹음된 데이터를 주파수 스펙트럼과 반복청취를 통하여 음색특징을 분석, 가장 적합한 마이크로폰의 위치 및 녹음위치를 도출하였다. 본 연구의 실험은 대중음악에 사용되어지는 근접 마이크로폰 테크닉을 위한 실험이며 대중음악 녹음 스튜디오에서 이루어 졌다. 이 연구는 녹음 시 가장 적합한 마이크로폰의 위치 제시와 함께 다양한 위치에서 나타나는 음색의 차이를 설명하였다. 연구의 결과는 아름다운 우리 국악기 소리를 정확하게 표현하고 다양한 음색을 표현하기 위한 국악기 근접 마이크로폰 테크닉스로 사용될 수 있을 것이다.

현대 뮤지컬 보컬 테크닉의 융합적 특징 - 'The Girl in 14G' 분석을 중심으로 - (Convergence Characteristics of Contemporary Musical Vocal Techniques - Focusing on the Analysis of 'The Girl in 14G' -)

  • 이은혜
    • 한국엔터테인먼트산업학회논문지
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    • 제15권4호
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    • pp.157-166
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    • 2021
  • 본 연구는 뮤지컬 보컬 수업에 있어 다양한 발성법을 익히고 학생들에게 적용시키기 위해 동시대에 나타나는 발성법과 노래의 특징을 파악하기 위함이다. 뮤지컬 보컬 발성법은 시대의 요구에 따라 변화하며 진화하고 있다. 오늘날 현대 뮤지컬의 특징은 어느 한 장르로 국한 할 수 없으며 작품 양식과 더불어 음악의 장르도 여러 장르로 파생되어 공존한다. 본 연구의 대상인 'The Girl in 14G'는 다양한 보컬 창법을 구사하는 미국의 유명 뮤지컬 배우인 크리스틴 체노웨스(Kristin Chenoweth)의 앨범에 실린 노래이다. 이 노래의 작곡자인 제닌 테소리(Jeanine Tesori)는 이 노래에서 뉴욕을 대표하는 음악 장르인 '브로드웨이 뮤지컬, 메트로폴리탄 오페라, 이스트 빌리지 재즈'를 표현하기 위해, '성악 창법(Classical Voice), 재즈(Jazz), 벨팅(Belting) 창법, 믹스드 보이스(Mixed Voice)'의 다양한 보컬 테크닉으로 작곡하였다. 노래의 전개는 1명의 배우가 3가지 음악 스타일과 창법으로 3명의 다른 인물을 넘나들며 연기해야 하는 어려운 과정으로 구성되어 있다. 'The Girl in 14G'를 부르기 위해서는 다양한 보컬 테크닉의 습득이 필요한 만큼 많은 노력과 연습이 필요하며, 교육적 측면에서 학생과 배우에게 좋은 텍스트라 할 수 있다. 결과적으로 연구를 통해 이 노래는 탄탄한 음악적, 극적 구성을 갖는 대표적인 노래로써 현대 뮤지컬 보컬 테크닉의 융합적 특징을 잘 보여주는 예임을 확인 할 수 있었다.

국악뮤지컬에 나타난 소리(창(唱))의 수용 및 변화양상 연구 - "'국악뮤지컬집단 타루'를 중심으로" - (Studies about Acceptance of Songs or Sounds 'Sori(唱)' appeared in Musical Comedy performed in Korean Traditional Music and Changeable Aspects Thereof - Centering around Korean Musical Group, Taroo -)

  • 정혜원
    • 한국연극학
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    • 제49호
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    • pp.5-47
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    • 2013
  • Among the styles of performing arts, perhaps the genre that has attracted the largest audience would be musical. Popularity of musical has brought diverse changes in our performing arts market, and, upon emerging another musical genre, called 'Korean Traditional Musical Comedy,' it has been well-received by the audiences. 'Korean Traditional Musical Comedy' is a word that are formed by merging two other terms such as 'Korean Traditional Music' and 'Musical (Comedy).' In the meantime, however, it has yet some problems in order to be defined as the genre that has concrete concepts. It is because the term such as Korean Traditional Musical Comedy was created being closely associated with a marketing purpose rather than a term that defines the characteristics of a genre of performing arts. Although this new musical genre has drawn attentions of many audiences by adding 'Musical Comedy' to 'Korean Traditional Music' that was not quite popular to the public, it still does not have any established forms so that there is a fine line between "Korean Traditional Musical Comedy" and another genre like traditional style folk opera ("Changgeuk"). Looking at the characteristics of the musical work called 'Korean Traditional Musical Comedy, in general, first of all, it is a performance where music and drama are played. Here, the distinctive characteristic of this musical is that 'Korean Traditional Music' is sung. And the kinds of Korean traditional musics being sung are mainly Pansori (dramatic story-singing) and folk-songs, and, in most cases, Korean traditional musical instruments are being used as accompanying music. In this paper, the researcher investigated the aspects of experiment centering around Korean Musical Group, Taroo. These days, various experiments has been repeated not only for the works of Taroo but other musical work presently called 'Korean Traditional Musical Comedy' also. Having encompassed overall performance factors including use of musical instruments, dance, acting, materials for drama as well as music in drama, the researcher has gone through experiments repeatedly. Meanwhile, however, the subject matters that make 'Korean Traditional Musical Comedy' mostly attractive to the audiences are music and songs or sounds. ["Sori" also called "Chang" (唱)] Particularly, under the current situation of our musicals, the role of "Sori" is extremely important. The factor that plays absolutely most important role in acceptance and transformation of "Sori" is the created Pansori. Since the created Pansori is composed with new rhythmic patterns and new narrative poems, it tells the present story. Also it draws good responses from the audiences owing to easy conveyance of dialogues. And, its new style brings diversification to organization of musical instruments, so then this leads to the arrangements of music for Korean traditional music instruments, as well as instrumental music ensemble, orchestra, and jazz band, etc. Likewise, upon appearing creative musics in 'Korean Traditional Musical Comedy,' professional music and vocal compositions have begun to emerge naturally. And, the song specialist and writer, of course, staffs including direction, lighting, and sounds, etc are required. That is, professional composition method are forced to be introduced to all areas. Other than this, there are many music pieces which are based on our unique songs and sounds ("Sori") and such traditional factors as use of lead singer for ceremony or chorus, and the method that puts weight on Pansori. Accordingly many things accomplished. However, it is required that 'Korean Traditional Musical Comedy' go through numerous discussions and more experiments. Above all, the most important things are the role of actor and actress, and their changes, and training of actor and actress further. Good news is there are good audience responses. 'Korean Traditional Musical Comedy' is an open genre. As musicals are divided into several domains according to the characteristics thereof, 'Korean Traditional Musical Comedy' will be able to show its distinctive features in various styles according to embodiment.

클래식 음악 연주복에 대한 의복 태도와 디자인 선호도 연구 (A Study on the Clothing Attitude and the Design Preference at Playing Costume of Classic Music)

  • 변지현;김미영
    • 복식
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    • 제55권8호
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    • pp.99-111
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    • 2005
  • The research analyzed the clothing attitude which it follows in type of performance musical instrument and a design preference moral difference. The result which tries to observe the clothing attitude which it follows in type of performance musical instrument and a design preference moral difference, it was visible a difference little by little. When comparison it tries the design which it prefers but consequently most in type of performance musical instrument, the big difference is not born and not to be putting the difference of the preference design which it follows in type of musical instrument specific your neck line, color, and silhouette of the vocal musician or wind music performer. When seeing whole, the clothing attitude regarding a performance luck compared to considered seriously an aesthetic pursuit and a convenient characteristic and harmonious, there design preference is the clothes which have no sleeve, neckline like camisole, black and pastel color, design with lots of decorations, princess silhouette, and they prefer the fabrics which have softness to it. Now, I want to introduce restriction of this research and proposal. First, the fundamental research of performance's clothes is insufficient with restricted point and the literature investigation is difficult, second, it was difficult to stretch the whole market for performers because of limitation for research volunteers. Only few volunteers are from college who are majoring in music.

공연예술통합전산망(KOPIS)을 통한 뮤지컬 소비 특징 (The Consume Characteristic of Musicals through Korea Performing Arts Box Office Information System(KOPIS))

  • 신종철
    • 한국콘텐츠학회논문지
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    • 제20권6호
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    • pp.241-255
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    • 2020
  • 본 연구는 공연예술통합전산망(KOPIS)을 통하여 2017년부터 2019년까지 3년간 공연 예매 정보를 바탕으로 뮤지컬 작품들을 분석하여 한국뮤지컬의 시사점을 알아보는데 목적이 있다. 이에 공연예술통합전산망자료와 선행연구, 인터넷, 신문기사, 전문잡지를 토대로 공연작품을 분석하고 공연예술통합전산망이전의 자료와 브로드웨이 리그의 자료를 분석한 결과는 다음과 같다. 첫째, 한국형 중극장 뮤지컬에 집중해야 한다. 둘째, 제작사들은 작품에 투자한 제작비를 투명하게 공개해야 한다. 셋째, 오프브로드웨이 시스템을 한국의 현실에 맞게 수정하여 도입해야 한다. 넷째, 장기공연을 할 수 있는 작품을 생산하여 상업적으로도 성공 할 수 있는 구조를 만들어야 한다. 다섯째, 작품을 위한 극장으로의 변화와 시도가 필요하다.

무대 의상에 나타난 블랙의 미적 특성 - 뮤지컬 '시카고'를 중심으로 - (The Study on the Aesthetic Characteristics in Black Shown in Stage Costume - Focused on Musical 'Chicago' -)

  • 한나라;김영삼
    • 복식문화연구
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    • 제18권6호
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    • pp.1291-1304
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    • 2010
  • This study examined that the black dress is the one of having aesthetic value as well as symbolism while delivering specific image, from the perspective of color, which is essential element in forming design of the Stage Costume. This study carried out the theoretical research of centering on the literature consideration and the empirical research of centering on a case side by side. It analyzed the works and design based on the clothing, which had been performed in Korea with a revival version of Musical 'Chicago'. Aesthetic characteristics in more than two are being shown in one dress. If so, the following are the results that considered on aesthetics characteristics in black, which were shown in Stage Costume of Musical 'Chicago', which is increasing the theme consciousness through Stage Costume, which is simple and sexy black. First, as emotion of coming to stay in agony and sadness on the basic fact called death, the Stage Costume in black led to being shown sorrow of implying death, fear and murder. Second, the dignity, which corresponds to noble beauty in the aesthetic category, expresses dignity and elegance with flat material in black, and is revealed the aspect of expressing fashion, which emphasized spirit rather than body. Third, as the aesthetic characteristic of causing sexual desire, the sensuality was shown, which has the aspect of being expressed through exposure, concealment and emphasis. Fourth, it was expressed with androgyny, which evokes androgynous image. Fifth, black in Musical 'Chicago' formed the whole mood with a sense of weight by arranging the whole feeling with color in similar tone, thereby having been indicated the harmony of being formed with theme, which is aimed to be indicated in drama.

Score Image Retrieval to Inaccurate OMR performance

  • Kim, Haekwang
    • 방송공학회논문지
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    • 제26권7호
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    • pp.838-843
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    • 2021
  • This paper presents an algorithm for effective retrieval of score information to an input score image. The originality of the proposed algorithm is that it is designed to be robust to recognition errors by an OMR (Optical Music Recognition), while existing methods such as pitch histogram requires error induced OMR result be corrected before retrieval process. This approach helps people to retrieve score without training on music score for error correction. OMR takes a score image as input, recognizes musical symbols, and produces structural symbolic notation of the score as output, for example, in MusicXML format. Among the musical symbols on a score, it is observed that filled noteheads are rarely detected with errors with its simple black filled round shape for OMR processing. Barlines that separate measures also strong to OMR errors with its long uniform length vertical line characteristic. The proposed algorithm consists of a descriptor for a score and a similarity measure between a query score and a reference score. The descriptor is based on note-count, the number of filled noteheads in a measure. Each part of a score is represented by a sequence of note-count numbers. The descriptor is an n-gram sequence of the note-count sequence. Simulation results show that the proposed algorithm works successfully to a certain degree in score image-based retrieval for an erroneous OMR output.