• 인간행동과 음악연구
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• 제15권2호
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• pp.93-114
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• 2018

본 연구의 목적은 마음챙김 방법으로써 음악심상기법(music and imagery, 이하 MI)을 탐색하는 것이다. 이를 위해 예비음악치료사를 대상으로 집단 MI를 시행하고 참여자의 경험을 분석하였다. 집단 MI는 총 8회기가 시행되었고 음악치료 인턴훈련과정에 있는 예비음악치료사 11명이 참여하였다. 이들의 MI경험에서 마음챙김 상태에 해당하는 요소가 나타나는지를 분석하기 위해 MI세션동안의 참여자 언어 반응을 녹취하여 필사한 후 수정된 근거이론방법을 적용하여 경험의 차원과 속성을 분석하였다. 분석에 앞서 연구자는 선행연구를 고찰하여 다양한 용어로 정의되고 있는 광범위한 마음챙김의 범위를 '자각하기', '수용하기', '거리두기'로 규명하였다. 연구결과를 살펴보면, 참여자의 음악심상 경험에서 마음챙김에 해당하는 의미단위 114개를 발견하였다. 이로부터 7개의 하위범주, 즉 '정서', '감각', '사고', '대면', '관점 확장', '정서분리', '감각분리'가 나타났다. 범주화에서 나타난 참여자 경험을 통해 음악과 심상이 마음챙김 상태를 촉진하는 매체임을 확인할 수 있었다. 한편 참여자 경험의 속성이 유사한 반면 차원에는 차이가 있는 것으로 나타났으며, '자각하기'는 '수용하기'와 '거리두기'에 선행하는 상태인 것으로 확인되었다. 이에 본 연구의 제언으로 음악과 심상의 어떠한 특성이 마음챙김 상태에 기여하는지와 그 경험의 과정에 기여하는 다양한 요인에 관한 심층 탐색을 제안하였다.

• 성인간호학회지
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• 제15권1호
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• pp.67-77
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• 2003

Purpose: This study was to examine the effects of music therapy on the levels of anxiety and discomfort in patients undergoing gastrofibroscopy. Method: This study was equivalent control group pre-post test design. The subjects were 61 patients who visited H hospital internal medicine department for gastrofibroscopy ; 31 were randomly selected for the control group and the remaining 30, for the experimental group. Result: 1. The experimental group who used music therapy showed a significantly lower level of anxiety during gastrofibroscopy than the control group. 2. The experimental group revealed a lesser change in pulse rate between pre and post gastrofibroscopy than the control group. 3. There was a significant difference in the levels of subjective and objective discomfort during gastrofibroscopy between the two groups. Conclusion: The results suggested that music therapy may help relieve anxiety and discomfort for patients undergoing gastrofibroscopy. These results showed that the use of music aided in the reduction of anxiety and discomfort during the unpleasant diagnostic procedure and, testing the effectiveness of music therapy deserves further study in other hospital settings.

• 한국항행학회논문지
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• 제10권3호
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• pp.250-255
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• 2006

디지털 멀티미디어 사회에서 음원은 과거 아날로그 방식에서 탈피하여 디지털 방식으로 생성, 저장 및 전송되는 음악 시스템이 주류를 이룬다. 이 과정에서 특정 규약에 따라 음악의 각종 정보를 위한 디지털 코드를 삽입해 놓는다면 음원분류 시스템이 내장된 Mp3 플레이어나 기타 디지털 음원 재생기에서 특정 곡의 선택, 분류등 여러 기능을 효율적으로 수행 할 수 있다. 본 논문에서는 기존의 음원에 정보 코드를 삽입하여 특정 재생기에서 개인이 원하는 방식으로 음악을 분류 및 검색할 수 있는 음원 분류 시스템을 구현하였다. 구현된 시스템을 이용하여 임의 장르에 대한 선별적 분류, 검색 실험 결과 제안한 방법의 타당성을 입증하였다.

• International Journal of Computer Science & Network Security
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• 제23권9호
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• pp.47-54
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• 2023

For Bengali music emotion classification, deep learning models, particularly CNN and RNN are frequently used. But previous researches had the flaws of low accuracy and overfitting problem. In this research, attention-based Conv1D and BiGRU model is designed for music emotion classification and comparative experimentation shows that the proposed model is classifying emotions more accurate. We have proposed a Conv1D and Bi-GRU with the attention-based model for emotion classification of our Bengali music dataset. The model integrates attention-based. Wav preprocessing makes use of MFCCs. To reduce the dimensionality of the feature space, contextual features were extracted from two Conv1D layers. In order to solve the overfitting problems, dropouts are utilized. Two bidirectional GRUs networks are used to update previous and future emotion representation of the output from the Conv1D layers. Two BiGRU layers are conntected to an attention mechanism to give various MFCC feature vectors more attention. Moreover, the attention mechanism has increased the accuracy of the proposed classification model. The vector is finally classified into four emotion classes: Angry, Happy, Relax, Sad; using a dense, fully connected layer with softmax activation. The proposed Conv1D+BiGRU+Attention model is efficient at classifying emotions in the Bengali music dataset than baseline methods. For our Bengali music dataset, the performance of our proposed model is 95%.

• International journal of advanced smart convergence
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• 제12권4호
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• pp.44-54
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• 2023

This paper provides a comprehensive analysis of the implications of the metaverse on the music industry, focusing on copyright issues and potential solutions. It delves into the concept and characteristics of metaverse platforms, describing them as environments that immerse users in a variety of virtual experiences. A significant portion of the paper is dedicated to exploring music use and copyright infringement in the metaverse. It examines how users incorporate existing music into their content, often leading to legal challenges due to copyright infringement. The paper discusses the role of online service providers (OSPs) in this context and the legal implications of their actions. The paper also addresses the 'safe harbor' provisions for OSPs and examines the balance between protecting rights holders and limiting OSP liability. It highlights the challenges and limitations of copyright enforcement in the metaverse, especially given the unique nature of content on platforms such as Roblox. Finally, the article proposes solutions to simplify music licensing in the metaverse, suggesting a shift from property rules to liability rules and the establishment of Collective Management Organizations (CMOs) to streamline the licensing process and better protect copyright holders' interests.

• 한국중재학회지:중재연구
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• 제27권2호
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• pp.59-81
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• 2017

The purpose of this study is to find a solution to disputes in the process of producing digital music sources. At present, the center of the world music market including the domestic market has been completely transformed from the tangible musical record market to the intangible sound source market. Due to these environmental changes, the music production process becomes industrialized and specialized, causing conflicts of interest among the individuals in the process. First of all, this study examined changes in the music market which is the background of the dispute, identified the problems of the process and suggested solutions while summarizing the meaning and role of each process of producing a sound source that may arise during the sound production process. This study covers plagiarism between producers, copyright infringement of the creator against assistant creator caused by the industrialization and division of the production environment, issues related to the rights of sound engineers whose role and importance become bigger as acoustic technology develops and music genres become more diverse, and vertical hierarchy due to the formation of oligopoly by several distributors with huge capital. As a result of the study, it was concluded that Alternative Dispute Resolution (ADR) system is suitable for solving these problems. Specific methods of using ADR include activation of the dispute settlement system of the Korea Copyright Commission, active use of the arbitration clause specified in the standard contract, and recalculation of labor costs and earnings from copyright through mutual negotiations. This paper can be differentiated from previous studies in that it studied overall problems that might arise in the process of digital music source production and suggested ADR utilization as the solution.

• 한국콘텐츠학회논문지
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• 제20권10호
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• pp.76-88
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• 2020

<샤이닝>에 쓰인 기존음악 자체는 영화와 어떠한 직접적인 관계도 없기에 영화음악으로서 적합하게 활용됐는지에 대한 물음을 낳는다. 본 논문은 <샤이닝>의 20세기 현대음악들이 영상과의 도상성을 통해 영화음악의 역할을 효과적으로 수행하고 있음을 드러내는 데 목적이 있다. 본 연구는 공포영화에서 20세기 현대음악 사용을 논하기 위해 공포의 성격과 음악의 형식 간 유사성을 한슬리크의 형식미학을 통해 접근하였다. 음악이 갖는 형식적 특성은 음들의 움직임으로 관찰되는데, 이 움직임은 하이데거가 언급하고 있는 공포의 심경 양태와 유사성을 이루고 있다. <샤이닝> 분석에 있어 음들의 정체된 움직임과 연속성, 악기의 특수주법, 군집한 음들의 불특정한 떨림, 고음역대 여린 세기의 선율, 타악기의 강타, 그리고 중심에서 이탈하는 음들의 진행은 공포영화에 대한 20세기 현대음악의 적소성을 확인시켜 준다. 본 연구가 단순히 20세기 현대음악에서 대변되는 감정들에 기대지 않고, 철저히 음들의 움직임을 포착해낸 것은 영화 <샤이닝> 연구에 큰 의의를 갖는다.

• 임상간호연구
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• 제14권1호
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• pp.187-198
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• 2008

Purpose: Music intervention has long been used in research of patients undergoing surgical operation in reducing anxiety level and improve surgical outcome. However, there are few studies that have considered a patient's music preference. We investigated the effect of the tailored music intervention which chose music according to the patient's preference on anxiety level and vital signs. Method: The subjects were 50 patients who received regional anesthesia for surgical operation at D hospital in Pohang city from April, 2006 to November, 2006. All of the subjects were randomly assigned either music group (30 subjects) or non-music group (20 subjects). As the patients arrived in the operating room, vital signs were monitored until the subjects were transferred to the recovery room, while Spielberger's STAI-KYZ questionnaires were applied twice to measure preoperative and intra-operative anxiety. The data were analyzed by 2-test, t-test, one-way ANCOVA and repeated measures ANOVA using SPSS 12.0/PC+. Results: There were no significant differences between the two groups on vital signs. All of the vital signs increased when the subjects arrived in the operating room, but decreased quickly once the operation began, regardless of the groups. However, the music group reported significantly less intra-operative anxiety, compared to the non-music group (F=15.208, p<.000), when preoperative anxiety was treated as a covariance. Conclusion: The findings support that the use of music which was chosen by patients during the surgery significantly reduced patient's intra-operative anxiety during regional anesthesia.

• 국제물리치료학회지
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• 제7권2호
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• pp.1056-1065
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• 2016

The purpose of this study was to determine the effects of music therapy and ball exercise on women experiencing menstrual discomforts, thereby identifying the validity of these methods as interventions against menstrual discomforts, with a particular goal of presenting basic data for clinical use. Twenty university students in their 20s were assigned to two therapy groups in a sequence via simple random sampling; ten subjects attended a ball exercise combined with music therapy group and the other ten subjects attended a music therapy group. Ball exercises were conducted 3 times per week for a total of 12 times, starting from 3 weeks before the expected first day of the menstrual period and ending on the last day of the menstrual period. Similarly, the subjects participated in music therapy by listening to music for 35 minutes per session and 3 sessions per week, starting from 3 weeks before the expected first day of the menstrual period and ending on the last day of the menstrual period. Five out of six categories of menstrual discomforts were significantly decreased in both music therapy and ball exercise, the exception being changes in the autonomic nervous system, while those in the music therapy group showed a significant difference only in the category of behavioral changes. The results of the present study demonstrate that the ball exercise combined with music therapy more effective in improving menstrual discomforts than the music therapy group.

• 인간행동과 음악연구
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• 제20권2호
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• pp.33-60
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• 2023

본 연구는 국외 파킨슨병 환자의 신체 재활을 위해 음악을 사용한 중재 연구의 연구 특성을 분석 및 고찰한 연구로 최근 20년간 진행된 연구 중 24편의 중재연구를 음악사용 수준에 따라 분류하여 요약 제시하였다. 분석된 연구 내용을 통해 파킨슨병 환자의 운동 산출 시 움직임의 시작 및 종료와 관련된 타이밍 문제를 개선할 수 있는 음악 요소가 무엇인지에 대해 고찰하였다. 분석 결과, 신체 기능의 변화를 유도하기 위해 제공한 음악사용 수준의 차이에 따라 음악 기반 중재연구(music-based intervention) 6편과 리듬기반 중재연구(rhythm-based intervention) 18편으로 나타났다. 이처럼 음악 수준에 따른 연구 특성을 고찰 후 음악사용의 공통 요소인 '리듬'이 대상자의 문제 개선에 적합한 중재 요소였음을 결론 도출하였다. 또한 연구자의 특성이 음악 요소의 활용 범위 및 음악사용의 정도와 관련이 있으며, 이것이 중재 효과의 다양성과 관련이 있다고 제시하였다. 따라서 본 연구는 실제 임상 환경에서 파킨슨병 환자를 포함하여 다양한 신체기능 문제 개선을 위한 신체 재활 중재에 적용이 가능한 음악사용의 근거를 학술적으로 제시하는 것으로 사료된다.