• 인문언어
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• 제8집
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• pp.79-93
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• 2006

The modern play is going through a change that is differentiating it from the plays of yesterday. The importance of narration through language, specifically that of words spoken on stage as a means of communication is being replaced by images and minimalism of words. The narration that depended on spoken words today depends more on the images that are conjured on stage. This movement shows also the very development of stage and its craft in the domain of theater and especially holds true in the avant-garde theaters of today. The avant-garde theater, in trying to duplicate the reality does not confine itself to oratory rhetorics that we see in the traditional plays of the past but expresses itself by mimicking the reality to the utmost possible.

• 창의정보문화연구
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• 제7권4호
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• pp.279-288
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• 2021

본 연구의 목적은 국가 수준의 종단 연구 자료인 한국아동패널 자료를 활용하여 유아가 선호하는 놀이영역을 예측하는 변인들의 관계를 탐색하여 유아의 놀이행동에 대한 이해를 증진시키고자 하는 것이다. 이를 위해 유아의 성을 통제변인으로 설정하고 창의성과 또래놀이행동이 유아의 놀이영역 선호에 어떠한 영향을 미치는지를 알아보았다. 본 연구에서 밝힌 연구 결과는 다음과 같다. 첫째 유아의 성에 따라 창의성, 또래놀이행동, 놀이영역 선호의 차이가 나타났다. 둘째, 유아의 창의성과 또래놀이행동이 놀이영역 선호에 미치는 영향을 알아본 결과, 쌓기놀이영역 선호집단을 기준으로 할 때 언어영역, 미술영역, 수조작놀이영역, 역할놀이영역 선호에 영향을 미치는 요인은 다르게 나타났다. 본 연구는 유아의 놀이영역 선호에 영향을 미치는 변인들을 탐색하여 유아의 놀이행동을 위한 기초자료를 제공하고 있다는 점에서 시사하는 바가 크다.

• 디자인융복합연구
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• 제15권1호
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• pp.37-48
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• 2016

디자인용 컴퓨터 소프트웨어는 수정과 복제가 쉽고 디자이너 간의 의사 소통을 가능하게 해주는 등의 장점으로 인해 오늘날 디자이너들에게 필수적인 도구로 여겨지고 있다. 그러나 디자인 툴의 서로 다른 인터페이스 조작 방식은 디자이너의 아이디어를 시각화하는 과정에 대한 거리의 차이를 야기한다. 본 연구는 직접 조작 방식에서 대화형 메타포 인터페이스의 언어의 레벨 차이, 즉 하이 레벨 언어 인터페이스는 로우 레벨 언어 인터페이스보다 사용자의 생각에서 최종 구현까지 조작의 거리 차이를 줄일 수 있다는 Hutchins의 이론에서부터 시작하였다. 하이 레벨 언어 인터페이스가 로우 레벨의 그것보다 더 디자인 사고의 흐름을 덜 방해하고 더 다양한 결과를 도출할 수 있다고 가정하고, 두 개의 서로 다른 애니메이션 소프트웨어를 사용했을 때 사용자들의 디자인 사고 흐름이 어떻게 다른지를 프로토콜 분석 방법을 통해 알아보았다. 본 연구의 가설에 대한 검증이 디자인 소프트웨어의 대화형 메타포 인터페이스 적용 방식에 대한 가이드가 될 수 있기를 바란다.

• 한국정보과학회논문지:데이타베이스
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• 제27권2호
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• pp.185-198
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• 2000

최근 폭발적인 증가를 보이고 있는 멀티미디어 자료의 양과 그 자료들을 이용할 수 있는 하드웨어의 발전은 멀티미디어 상연물을 이용하는 여러 응용 분야에 대한 관심을 촉발시키고 있다. 이에 멀티미디어 상연물의 효과적인 이용을 위해서는 멀티미디어 상연물과 DBMS와의 통합이 필요하다. 이 논문에서는 내용(content)에 근거한 상연물 검색과 검색 처리 기술의 문제를 다룬다. 현재 멀티미디어 상연물 제작 도구(authoring tool)들은 멀티미디어 상연물을 상연 그래프(presentation graph)를 이용하여 표현하고 있으며 상연 그래프는 DAG(directed acyclic graph)이다. 각 노드는 같은 타입의 미디어 스트림을 나타내며 에지는 스트림간의 상연 순서와 동기화 (synchronization) 방법을 나타낸다. 각각의 스트럼에 포함된 정보, 이 정보들간의 순서, 그리고 스트럼간의 상연 순서는 상연의 내용을 구성한다. GCalculus/S(GCalculus with Set Operators)는 calculus에 바탕을 둔 검색언어이며 멀티미디어 자료들의 물리적 특정과 내용을 다룰 수 있다. 개개의 노드 안에서의 정보의 변화와 노드 사이의 순서는 시간 연산자(temporal operator) Next, Connected, Until을 이용하여 표현한다. 검색의 처리를 위하여 객체 대수(object algebra)인 O-Algebra를 확장한다.

• 비교문화연구
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• 제38권
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• pp.7-28
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• 2015

This article considers Chunhyanjeon written in Japanese by Jang Hyukju in 1938. His Chunhyangjeon was presented from among the collusion and crack of 'things Japanese' and 'things Chosun' discussed in Japanese literary world in the 1930's. This article analyzed the writing method and the meaning of the text. Jang Hyukju(張赫宙, 1905~1997) became known to Japanese literary world by the second grade nomination of the prize contest of the magazine Kaizo in 1932. Since then, he worked actively in the Japanese literary world by writing novels in Japanese and introducing the literature of Chosun. Thanks to his activity, the literature of Chosun drew attraction from the Japanese, which can be called 'boom'. Jang Hyukju was in the middle of this boom. So, his text presented the collusion and crack of empire and colony. We can make sure this issue from his play Chunhyangjeon. When he presented Chunhyangjeon, Jang Hyukju mentioned his purpose of writing. He intended to write modern play in new literary style. Chunhyangjeon was surely the material of things traditional Chosun, which was corresponded to the demand of Japanese literary world. Through the story of Chunhyangjeon, however, he formed the modern text style. He wrote in standard Japanese language, and described things from the perspective style which is often used in modern novel. And he renewed the character characteristically and arranged the structure of the play. His writing style showed clear distinction in the comparison to Chunhyangjeon written by You Chijin which was presented in Korean language 2 years earlier than Jang Hyukuju's. The text Chunhyangjeon written in Japanese by Jang Hyukju reflected specificity as a district of Japan. But on the other hand, a new literary method of modern realism was tried. Chunhyangjeon written by Jang Hyukju shows the cross penetration of empire and colony. And in his Japanese-language literature, the literature of Chosun is coexisting and playing variation.

• 건축역사연구
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• 제19권2호
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• pp.67-83
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• 2010

The purpose of this research is to rethink Alvar Aalto's architecture on the basis of the aesthetic concept of play. This attempt is valid because he had asserted the importance of play in his design. But more fundamentally, his critical view of the instrumentalised rationalism implied the idea that a human being is "Man the Player" as well as "Man the Thinker", of which theory was elaborated in Johan Huizinga's Homo Ludens (1938). Premised on it, this paper investigated the evolution of the play idea in aesthetics and located Aalto's concept within the map. Summing up, his play was an intuitively grasped desire opposed to a rational requirement, which leads to a dialectical synthesis. This schema is similar to that of Schiller, in which Spiel reconciles the reason and the sense. However, Aalto's play could be differentiated into the "astonishingly rational" and "a jest", each of which roughly corresponds to the Spieltrieb (play impulse) and the sinnliche Trieb (sensuous impulse) in Schiller's thinking. On the other hand, Aalto's architecture illustrates play that could be interpreted as the overflow of surplus energy. This play is the very concept that can bridge the gap in the form-function formula of modern architecture. Aalto's play idea seemed to basically originate from his personality but its value must be confirmed by the Finnish litterateur Yrjo Hirn as Aalto mentioned in his statements (1953 & 1972). It appears that Aalto's play concept was materialised in architecture through his typical design language, such as the undulating wall, the aperspective space, the imitation of nature and the collage of heterogenous elements. However, we should be careful not to reductively analyse the application of play in practise. As Huizinga's comprehensive theory suggests, the play element exists in any cultural areas including any architectural activities. In conclusion, this paper argues that Alvar Aalto the Homo Ludens presented the possibility of critical rationalism in modern architecture by imbuing dry modernism with "the life enhancing charm" of "the art of play".

• 영어어문교육
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• 제15권4호
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• pp.313-330
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• 2009

The purpose of this study is to investigate the metatheatricality of Harris' plays marked by the device of 'play-within-a-play' - Androcles and the Lion, Arkansaw Bear, and Punch and Judy. In his metatheatrical plays Harris shows that characters perform for themselves and others. The framework that inner performance is going on within the outer frame play is formed on the stage, and this device reminds the audience in the seats that they are representing reality but that they are only in the middle of performing on the stage. Based on this point of view, this study explores fictionality of character, and play. In Androcles and the Lion, the most-performed children's play in America, the metatheatrical elements are shown in the style of commedia dell'arte, which attacks the rigidity of characters' identity in the Roman society. Another well-known children's play, Arkansaw Bear consists of realistic frame play and fantastic inner play in the mind of a girl, both of which function as a mirror each other and help to sustain aesthetic distance to death and reality on the stage. In Punch and Judy, the structure of frame play and inner puppet play reminds that what's going on in the play is just a fictional play and reflects history of children's puppet show. Harris' unique metatheatricality, the heightened awareness of his own artistic medium, offers children educational opportunity to learn about how a play is performed on the stage and contributes to convey mature theme through children's imaginary participation in the process of playmaking on the stage.

• 아동학회지
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• 제37권2호
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• pp.127-142
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• 2016

Objective: This research examined mothers' and preschoolers' uses of mental state terms during pretend play and linked such use to children's independent mental state terms used in hypothetical narratives. Methods: Fifty four-year-olds and their mothers were engaged in pretend play and the preschoolers were asked to provide hypothetical narratives. Mothers' and preschoolers' mental state terms were analyzed in terms of types and frequencies. Results: During pretend play, the mothers and preschoolers used desire state terms most variously and frequently, followed by cognitive and emotion state terms. In the hypothetical narratives, the preschoolers used desire state terms most variously and frequently; however they talked about emotion state terms more variously and cognitive state terms more frequently. In addition, the mothers' mental state terms were correlated with the preschoolers' mental state terms during the pretend play, and the mothers' and preschoolers' uses of mental state terms during pretend play were related to the preschoolers' mental state terms in hypothetical narratives. Conclusion: Findings from this study highlight that, during the preschool period, a mothers' mental state language might foster her child's understanding of mental states in himself/herself and in others.

• 영어어문교육
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• 제1호
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• pp.189-211
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• 1995

Dream Girl. which was written to entertain. reflects his concern of psychoanalysis. The play does indeed glow with the happiness surrounding its creation and it is a theatrically astute. deftly crafted comedy. If it has a thesis, it is that one should live one's life and not dream away. Some critics say that Dream Girl is the merriest and the other critics bewail the lack of message. But this play does amuse many people and is a nice fusion of realism, expressionism, and entertainment.

• 대한음성학회:학술대회논문집
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• 대한음성학회 2000년도 7월 학술대회지
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• pp.17-28
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• 2000

Recently speech technologies have shown notable advancements and they now play major roles in computer-aided language learning systems. In the current paper, use of speech recognition technologies is viewed with our system for teaching English pronunciation to Japanese speakers.