• 한국체육학회지인문사회과학편
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• 제56권1호
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• pp.99-110
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• 2017

본 연구의 목적은 영화<60만번의 트라이>의 사회적 파급력에 주목하고 영화 속 재현된 자이니치와 럭비가 지니는 상징과 의미를 살펴봄으로써 영화가 궁극적으로 관객에게 전달하고자 하였던 메시지가 무엇이었는지를 밝히는 것이었다. 연구방법으로는 텍스트 분석을 실시하였다. 연구결과, 영화 속 자이니치는 두 가지의 모습으로 재현되고 있었다. 자이니치들은 일본의 주권권력에 의해 사회내부에 위치하나 외부자로 인정받는 모순적 존재인 호모 사케르로 재현되고 있었다. 또 한편으로 자이니치의 정체성은 분명 한국인임을 드러내고 있었을 뿐만 아니라 일본에서도 인정받는, 능력 있는 자랑스러운 존재로 표현되고 있었다. 영화 속에서 럭비가 지니는 상징적 의미에 대해서는 크게 두 가지가 나타났다. 먼저 영화 속 럭비는 자이니치를 증명할 수 있는 가장 효과적이면서도 강력한 인정투쟁으로 사명과 같은 것이었으며, 또 한편으로 그들이 염원하는 이상사회의 모습을 오롯이 담고 있는 중요한 메시지였던 것이다.

• 한국의상디자인학회지
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• 제11권1호
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• pp.29-41
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• 2009

The purpose of this study is to improve the fitness of clothes by producing patterns considering body proportions at a time of producing clothes for export through extracting factors comprising body types and conducting comparative analysis of proportions by body part using body indexes of Korean women in their 20s living in both Korea and foreign countries. The study results are as follows. Factor analysis by group was conducted for body indexes in order to examine body types of Koreans living overseas. As a results, six factors were extracted from all of three groups; Joseonjok(Koreans living in China), Goryeoin(Koreans living in Russia) and Korean residents in Japan, and their explanatory powers were 60.42%, 63.62%, 63.15%, respectively. Obesity factor was extracted as the 1st factor, and the groups showed differences in other factors. As a result of proportion comparison using body indexes of Koreans living in foreign countries and Korea, it was found that, in height item, when regarding the height as 100, the length of the lower part of the body was long in the order of Goryeoin. Joseonjok, Koreans living in Korea and Korean residents in Japan. Also in width item, when regarding the waist as a standard, it was observed that Joseonjok people have the shoulders, the breasts and the hips that look relatively wider comparing with the width of the waists because they have very narrow waists and the width between shoulder length is big. In addition, the study examined proportions of the breast thickness/the breast width, the waist thickness/the waist width, the hip thickness/the hip width to height. From the analysis, it was found that breasts of Koreans living in Korea are flattest while their waists are slender, and Goryeoin and Joseonjok have round body shapes from the waist to the breast.

• 한국의류학회지
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• 제32권1호
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• pp.134-146
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• 2008

This study measured the body parts of female adults in their 20s, 40s and 60s living in Japan and analyzed and examined the measures by age group in order to provide the basic data required for the somatics study of Koreans living abroad. The subjects were 304 women in their 20s, 40s and 60s born in Japan and living in Osaka at present, and 81 items were measured. The major results of this study are described below. All women in their 20s, 40s and 60s showed significant differences in weight, waist size and abdominal size. The 19 height items of which group were different from the measurements of the women in their 60s. All 20 length items displayed a significant difference by age group. The significant differences by age group were also observed in eight items of 12 width items, 10 items of 13 thickness items and 13 items of 14 girth items except the ankle girth. The weight measurements had a significant difference by age group(${\le}0.05$). The women in their 20s, 40s and 60s revealed almost similar values in the shoulder angles. As a result of the analysis above, the items that were considered being included in the obesity items in all age groups displayed significant personal differences. The women in their 20s had the largest sizes in the length and height items. The older the age, the higher the measures of width and girth items were. Those results helped to estimate the change of figures by torso by age.

• 공연문화연구
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• 제22호
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• pp.185-221
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• 2011

본 연구는 해외교포사회에 북한춤이 전파되는 과정과 그 발전양상을 살펴보는데 목적을 둔 것으로, 해외에 거주하는 민족집단으로서의 재외동포들의 무용문화, 특히 재중, 재일조선인들의 무용문화에 대한 관심과 연구의 필요성을 생각해보았다. 문헌연구 중심으로 살펴본 논점의 결과, 재일조선인사회와 중국조선족자치구의 무용문화의 출발점엔 공통적으로 최승희춤이 있었으며, 두 민족집단은 최승희로부터 직접·간접적으로 춤을 배우거나 작품을 전수받았으며, 최승희가 정리한 조선무용기본을 기초훈련으로 하여 무용을 습득했다. 또한 무용전수 및 훈련기관은 재일조선인사회의 경우 북한의 체계와 같이 무용소조를 따로 두고 그곳에서 무용훈련을 통해 재능있는 인재를 배출하여, 전문예술단에서 활동하게 하는 시스템을 유지해 왔다. 이에 반해 중국조선족자치구는 연변대학과 중앙민족대학내에 무용학과가 배치되어 있어 그곳에서 조선춤을 전수 교육함으로써 재능있는 무용인재들을 배출해 왔으며, 한국의 무용교육체계와 유사한 면을 볼 수 있다. 무용기초훈련과 작품의 경향면에서는 재일조선인사회에서는 북한에서 실천하고 있는 무용기초훈련과 기본훈련을 그대로 전수하고 있으며, 작품도 북한춤을 대표하는 명무나 민속무용을 그대로 전수받아 공연하고 있다. 그러나 중국조선족자치구에서는 최승희가 정리한 조선무용의 기초와 작품을 그녀로부터 직접 훈련받거나 전수받았으나, 최승희의 제자들은 그녀가 세운 무용기초를 발전시켜 중국소수민족의 춤기법 등을 접수하면서 중국조선족만의 무용훈련체계를 세워나가면서 한국춤과의 교류도 성사시켜 북한춤보다는 자유롭게 창작성을 가미한 중국조선족 무용문화를 형성하게 되었다. 전수된 시기로 보면, 재일조선인사회는 1960년대부터 시작되어 1970년대에 들어서는 직접적인 평양방문을 통해 전수와 교육을 받았고, 1990년대에는 북한무용가를 직접 일본으로 초청하여 무용기초훈련을 교육받음으로써 북한춤에서 볼 수 있는 스펙터클한 양상을 그대로 재현하고 있다하겠으나, 중국조선족자치구에서는 1950년대에 평양과 북경에서 최승희로부터 직접적인 지도를 받았고, 이후에는 북한무용가들로부터의 직접적인 지도보다는 북한예술단의 중국방문을 계기로 무용영향을 받는 한편, 1990년대 이후부터는 한국춤을 흡수하기 시작하면서 중국조선족만의 색다른 무용문화를 창조해 왔다. 같은 민족이면서도 살아가는 지역과 그 지역을 구성하는 민족집단의 구성체계 및 정치체제에 따라 북한춤의 전수과정 및 발전양상도 유사하지만 각각의 아이덴티티를 보장하는 독자적인 특색을 지닌 무용문화를 형성하며 발전시켜 왔음을 알 수 있으며, 재일조선인사회의 무용문화는 조총련의 통제하 강제적 문화접변에 의한 무용문화의 변동을, 중국조선족자치구의 무용문화는 자발적 문화접변에 의한 자유로운 차용과 발전으로의 변동을 살필 수 있었다.

• 한국주거학회논문집
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• 제4권1호
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• pp.17-27
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• 1993

The Japanese-style houses built in the colonial age have changed through extension or remodeling since Koreans started residence after the liberation of the country. The objective of this study is to find out the influene of the cultural differences of the two nations on the living-style of the two nations from the comparative living-style viewpoint. 26 Japaneses-style houses built in the Ulsan city from the Open-Port year to 1945 were studied with the field survey method. The qualitative and the quantatative analysis were used. The results of this study are as follows. 1) Because of new materials and conveniences, kitchen, bathroom and toilet have changed into standing-type kitchen, bathroom and bathtub of cement and tile, and flush toilet respectively. The indoor toilets were removed and outdoor ones replaced them instead. 2) In the residential space the Koreans have altered the Dadami-room to the Ondol-room becaus of their own heating wywtem, installed glass or wooden doors for the seperation of rooms, enlarged the indoor space throuh removing walls, and developed new uasge of the Dokonoma space. The room of Zasici is most frequently used as the Korean-style Anbang. The wide space called 'living room' or 'maru' near the entrance hall. In conclusion, the guest-oriented Zasiki-style plan of the Japanese-style houses has remodeled into the family oriented Anbang-style plan.

• 가족자원경영과 정책
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• 제1권2호
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• pp.97-108
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• 1997

The purpose of this study was to compare the division of housework of urban couples in Korea and Japan. The data for 214 Korean couples living in Seoul and 162 Japanese couples in Tokyo were collected using structured questionnaires and time diaries. The division of housework were analyzed according to employed status of wives. The results were as follows; Generally Koreans and Japanese had similar patterns in the division of housework between husbands and wives. Husbands of full-time employed wives spent more time on housework than husbands of part-time employed wives and full-time wives. But the division of housework between spouse of part-time employed wives in Japan was a little different from that of Korean partners. Especially the husbands of full-time employed wives in Japan do housework the most among all types of husbands.

• 한국인구학
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• 제21권1호
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• pp.105-128
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• 1998

그동안 해외 한인에 대한 관심은 주로 특정 지역에 거주하는 한인들의 삶에 그 초점이 주어졌다. 이주 지역에서 어떤 역사적 과정을 거쳐 오늘의 삶의 터전을 이룩하였으며, 한인 사회가 겪고 있는 문제점 등에 대한 논의가 주를 이루었다. 이에 반해 해외 한인들의 삶과 의식을 서로 비교, 분석하려는 시도는 자료수집의 어려움 때문에 거의 이루어지지 못했다. 해외 한인들의 삶을 비교, 분석하는 작업은 무엇보다도 해외 한인의 특성을 전체적인 시각에서 지역적 편차를 조망할 수 있다는 점에서 그 중요성을 지니고 있다. 이와 함께 연구결과는 해외 한인들을 위한 정책을 수립할 때 매우 유용하게 활용될 수 있다. 성공적인 해외 교포 정책 수립에는 전체적인 시각과 함께 지역적 편차를 고려하는 노력이 필수적이기 때문이다. 이러한 문제의식 하에 본 연구는 한인의 해외이주 유형을 살펴보고 해외 한인의 생활 양식의 특성을 지역별로 비교, 분석하는데 그 목적이 있다. 구체적으로 미국, 일본, 중국, 중앙아시아 한인들의 사회, 경제적 상황과 문제점 등을 추출함으로써 향후 한민족 공동체 형성을 위한 기초자료를 제시하고자 한다. 이주 유형은 최악의 삶을 벗어나고자 했던 농업이민, 망명이민, 노동이민의 성격이 강한 구이민과 1960년대 산업화시기에 미국과 남미를 중심으로 가족이민과 투자이민의 성격이 강했던 신이민으로 분류하여 살펴보았다. 해외 지역 한인들의 생활 가치관, 생활상의 문제점, 현지 적응력 등을 중심으로 검토했다.

• 한국인구학
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• 제31권3호
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• pp.107-130
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• 2008

그 동안 코리안 디아스포라에 관한 논의는 이주 배경과 정체성에 대한 것이 주를 이루었다. 이주 과정에서의 적응, 동화, 정체성 등의 제 현상에 대한 연구는 좋은 예이다. 이러한 논의는 미주, 일본, 러시아, 중국 등에 이주한 한인들에 대한 실태 조사와 아울러 다양한 분야에서 이루어져 왔다. 그러나 최근 디아스포라는 더 이상 유랑자가 아니라 해외에 거주하는 유용한 '자원'으로 개념화되고 있다. 본 연구는 코리안 디아스포라가 한민족공동체로서 뿐만 아니라 해외 한인들을 포함하는 글로벌 네트워크의 구축이 절실하다는 인식에서 출발한다. 이를 위해 우선 글로벌 네트워크가 잘 구축되어 있는 유대인 네트워크와 화교 네트워크의 특성을 검토한다. 이들은 전 세계 곳곳에 사람과 자본을 심어 놓은 이른바 현지화 세계화 전략을 꾸준히 전개해 왔다는 점에서 중요한 예가 되기 때문이다. 이를 기반으로 본 연구는 해외 한인을 묶을 수 있는 네트워크의 구축이 어떻게 진행되어 왔는지, 문제점은 무엇인지 그리고 발전방안에 대한 논의를 진행시키고 있다. 전 세계에 퍼져 있는 해외 한인을 연결시켜 주는 글로벌 네트워크의 구축이야 말로 21세기 무국경 무한경쟁시대를 헤쳐 나갈 수 있는 지름길이기 때문이다.

• 한국주거학회논문집
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• 제21권4호
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• pp.41-50
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• 2010

In recent study, we are referencing the necessity by examining the environment for housing policies for elderly Koreans. In reality, Japan, who is ahead of our country, has already experienced and is currently in progress for the aging society. They have developed a profound housing policy under all circumstances with the change of aging society. There forth, we are in progress of examining the series of helpful characteristics being presented by Japan, and how they have expanded and improved their housing support services. Our country must clearly ensure a resolution for investigating a new direction in housing policy and housing support services by learning through the development process of Japan's housing support services for the aging society. For instance, Japan have provided housing policy in both housing and welfare for senior citizens. Recently, the reason they are well adjusted for housing and welfare linked with special care and supportive living services and being skillfully focused on the maintenance policy is because they have great implications on how to successively organize housing policies for the aged society. Recent studies show preferred living arrangement and housing policy of the elderly for stabilization in the aging society. First, must be aware of the leading factors for housing in later life, organize dwelling patterns for diverse characteristics and give consideration for future life plans. Second, must continuously maintain an accessible environment in all community levels without changing the required services in their livelihood by adjusting to diverse changes for the aged. In addition, must organize flexibility in choice following these housing-support services for the elderly's desire and self reliance which raises profound questions on cultural policy.

• 미술이론과 현장
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• 제14호
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• pp.125-158
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• 2012

After liberation from Japanese colonial rule in 1945, there was the three-year period of United States Army Military Government in Korea. In 1948, Democratic People's Republic of Korea, and Republic of Korea were established in the north and south of the Korean Peninsula. The Republic of Korea is now a modern state set in the southern part of the Korean. We usually refer to Koreans as people who belong to the Republic of Korea. Can we say that is true exactly? Why make of this an obsolete question? The period from 1945 when Korea was emancipated from Japanese colonial rule to 1948 when the Republic of Korea was established has not been a focus of modern Korean history. This three years remains empty in Korean history and makes the concept of 'Korean' we usually consider ambiguous, and prompts careful attention to the silence of 'some Koreans' forced to live against their will in the blurred boundaries between nation and people. This dissertation regards 'Koreans' who came to live in the border of nations, especially 'Korean-Japanese third generation women artists'who are marginalized both Japan and Korea. It questions the category of 'Korean women's art' that has so far been considered, based on the concept of territory, and presents a new perspective for viewing 'Korean women's art'. Almost no study on Korean-Japanese women's art has been conducted, based on research on Korean diaspora, and no systematic historical records exist. Even data-collection is limited due to the political situation of South and North in confrontation. Representation of the Mother Country on the Artworks by First and Second-Generation Korean-Japanese(Zainich) Women Artists after Liberation since 1945 was published in 2011 is the only dissertation in which Korean-Japanese women artists, and early artistic activities. That research is based on press releases and interviews obtained through Japan. This thesis concentrates on the world of Korean-Japanese third generation women artists such as Kim Jung-sook, Kim Ae-soon, and Han Sung-nam, permanent residents in Japan who still have Korean nationality. The three Korean-Japanese third generation women artists whose art world is reviewed in this thesis would like to reveal their voices as minorities in Japan and Korea, resisting power and the universal concepts of nation, people and identity. Questioning the general notions of 'Korean women' and 'Korean women's art'considered within the Korean Peninsula, they explore their identity as Korean women outside the Korean territory from a post-territorial perspective and have a new understanding of the minority's diversity and difference through their eyes as marginal women living outside the mainstream of Korean and Japanese society. This is associated with recent post-colonial critical viewpoints reconsidering myths of universalism and transcendental aesthetic measures. In the 1980s and 1990s art museums and galleries in New York tried a critical shift in aesthetic discourse on contemporary art history, analyzed how power relationships among such elements as gender, sexuality, race, nationalism. Ghost of Ethnicity: Rethinking Art Discourses of the 1940s and 1980s by Lisa Bloom is an obvious presentation about the post-colonial discourse. Lisa Bloom rethinks the diversity of race, ethnicity, sexuality, and gender each artist and critic has, she began a new discussion on artists who were anti-establishment artists alienated by mainstream society. As migration rapidly increased through globalism lead by the United States the aspects of diaspora experience emerges as critical issues in interpreting contemporary culture. As a new concept of art with hybrid cultural backgrounds exists, each artist's cultural identity and specificity should be viewed and interpreted in a sociopolitical context. A criticism started considering the distinct characteristics of each individual's historical experience and cultural identity, and paying attention to experience of the third world artist, especially women artists, confronting the power of modernist discourses from a perspective of the white male subject. Considering recent international contemporary art, the Korean-Japanese third generation women artists who clarify their cultural identity as minority living in the border between Korea and Japan may present a new direction for contemporary Korean art. Their art world derives from their diaspora experience on colonial trauma historically. Their works made us to see that it is also associated with postcolonial critical perspective in the recent contemporary art stream. And it reminds us of rethinking the diversity of the minority living outside mainstream society. Thus, this should be considered as one of the features in the context of Korean women's art.