• Journal of Korea Multimedia Society
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• v.16 no.12
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• pp.1439-1445
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• 2013

We present a Taekwondo training system using a hybrid sensing technique of a body sensor and a visual sensor. Using a body sensor (accelerometer), rotational and inertial motion data are captured which are important for Taekwondo motion detection and evaluation. A visual sensor (camera) captures and records the sequential images of the performance. Motion chunk is proposed to structuralize Taekwondo motions and design HMM (Hidden Markov Model) for motion recognition. Trainees can evaluates their trial motions numerically by computing the distance to the standard motion performed by a trainer. For motion training video, the real-time video images captured by a camera is overlayed with a visualized body sensor data so that users can see how the rotational and inertial motion data flow.

• Proceedings of the KIEE Conference
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• 1989.07a
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• pp.486-490
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• 1989

In this paper, a program controlling an auto-audio media - cassette deck - by a 16 bit personal computer is studied in order to execute audio and visual learning in CAI. The results of this study are as follows. 1. Audio and visual learning is executed efficiently in CAI. 2. Access rate of voice information to text/image information is about 98% and 60% in "play" and "fast forward" respectively. 3. In "fast forward", quality of a cassette tape affects voice information access rate in propotion to motor driving speed. 4. Synchronizing signal may be mistaken by defects of tape itself.

• International Journal of Fuzzy Logic and Intelligent Systems
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• v.14 no.1
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• pp.8-16
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• 2014

We consider the visual barcode recognition problem in a noisy video data setup. Unlike most existing single-frame recognizers that require considerable user effort to acquire clean, motionless and blur-free barcode signals, we eliminate such extra human efforts by proposing a robust video-based barcode recognition algorithm. We deal with a sequence of noisy blurred barcode image frames by posing it as an online filtering problem. In the proposed dynamic recognition model, at each frame we infer the blur level of the frame as well as the digit class label. In contrast to a frame-by-frame based approach with heuristic majority voting scheme, the class labels and frame-wise noise levels are propagated along the frame sequences in our model, and hence we exploit all cues from noisy frames that are potentially useful for predicting the barcode label in a probabilistically reasonable sense. We also suggest a visual barcode tracking approach that efficiently localizes barcode areas in video frames. The effectiveness of the proposed approaches is demonstrated empirically on both synthetic and real data setup.

• Journal of the Semiconductor & Display Technology
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• v.10 no.1
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• pp.83-89
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• 2011

In the case of the tracking system with an active camera, it is very difficult to guarantee real-time processing due to the attribute of vision system which handles large amounts of data at once and has time delay to process. The reliability of the processed result is also badly influenced by the slow sampling time and uncertainty caused by the image processing. In this paper, we figure out dynamic characteristics of pixels reflected on the image plane and derive the mathematical model of the vision tracking system which includes the actuating part and the image processing part. Based on this model, we find a controller that stabilizes the system and enhances the tracking performance to track a target rapidly. The centroid is used as the position index of moving object and the DC motor in the actuating part is controlled to keep the identified centroid at the center point of the image plane.

• Journal of Korea Multimedia Society
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• v.10 no.12
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• pp.1687-1697
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• 2007

Paik Nam-June is known as a Video Artist. Video is a presentation tool with the feature of recordability. However, it is not only a video which has been applied as an art presentation tool by him. Nevertheless, the existing researches fail to notice the aesthetic concept which is shown as the rest contents or forms, as they focus on the media features of Paik Nam-June's video. Therefore, this article aims at contemplating the art world of Paik Nam-June with its contents as 'visualization of music' and its form as 'hypermediacy' Therefore, 1. Sound is shown as the visualization of music, with the direct influence of absolute hollowness and noise of John Cage, originated from Zen Buddhism, while the foundation of it is known to be from the liberation of dissonance of Arnold Schoenberg and creative impromptu of shamanic sound. 2. The from of TVs influence of the orchestra, originated from Culture of a dining table in Korean. and indicated hypermediacy 3. Paik Nam-June indicated 'Text-interpretation' us to text analytics of 'how to read', rather than the question of 'what to tell' by intermedia as the visualization of music & hypermediacy.

• Journal of Broadcast Engineering
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• v.14 no.1
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• pp.36-43
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• 2009

Recently, the structural similarity (SSIM) index metric is proposed. In the present paper, a new framework, which is called visual SSIM (VSSIM), is proposed by incorporating crucial human factors into the SSIM. The human factors are foveation, luminance, frequency and motion information. The performance of VSSIM is evaluated by subjective quality test compliant with the Video Quality Expert Group (VQEG) multimedia group test plan. It shows that the visual SSIM is more correlated with the subjective quality result than the conventional SSIM.

• Journal of Broadcast Engineering
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• v.20 no.5
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• pp.770-773
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• 2015

The contrast of the intensity components of color images usually needs to be improved in order to enhance the visual quality of color images. However, pure color regions can be saturated due to the excessive enhancement of that color. In this paper, a new method for enhancing the visual quality of color images using saturation components in the HSI color space is proposed, and the same enhancement technique in the YCbCr color space is proposed. Computer simulations show that the proposed method provides improved visual quality compared to the conventional methods.

• Proceedings of the Korean Information Science Society Conference
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• 2005.11a
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• pp.280-282
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• 2005

In this paper we propose several mapping schemes for streaming video generated by state-of-the-art H.264 codec over IEEE 802.11e enabled wireless LANs. The schemes take advantage of both 802.11e's QoS mechanism and some novel features of the H.264 codec, so as to protect the most important information in terms of visual quality and reduce distortion under network congestion. The proposed methods are evaluated by means of the H.264 reference software codec, network simulation, and objective video quality measurements. Results show that the proposed methods achieve a robust and error resilient H.264 video streaming over wireless LANs than traditional best-effort streaming.

• Proceedings of the Korean Society of Computer Information Conference
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• 2015.01a
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• pp.197-199
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• 2015

3D 입체영상 촬영에서는 기존의 2D 영상과 다르게 깊이영역에 대한 시청자의 시각 피로에 주의해야 한다. 입체영상 촬영단계에서 시청자의 불편함을 최소화하기 위해 제작자들은 2D 촬영 방식과는 다르게 안정적인 카메라 촬영기법만을 사용한다. 본 연구는 입체영상 제작자들이 안전하게 다양한 촬영기법을 활용할 수 있도록 도움을 줄 수 있는 가이드라인 제작을 위해 시작되었으며, 그 결과의 일부로 본 논문에서는 촬영기법 중 달리샷에 대한 시각 피로도를 보여주고자 한다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2021.06a
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• pp.154-156
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• 2021

최근 3차원 영상이 다양한 분야에서 활용되고 있으며, 이에 따라 3차원 영상에 대한 압축과 전송 방안에 대한 연구가 활발히 진행되고 있다. 국제 표준화 기구인 ISO/IEC 산하 Moving Picture Expert Group(MPEG)에서는 기존의 2차원 비디오 코덱을 이용하여 고밀도 포인트 클라우드 압축하는 방안인 V-PCC와 3DoF+ 영상을 압축하기 위한 방안인 MPEG Immersive Video(MIV)를 표준화 중에 있다. V-PCC와 MIV는 압축 방법의 유사성으로 인해 동일한 Volumetric Visual Video-based Coding(V3C) 형식으로 저장된다. 압축된 V3C 데이터를 효과적으로 저장하여 이용하기 위해서는 ISO based Media File Format(ISOBMFF) 캡슐화 과정이 필수적이다. 본 논문에서는 MPEG의 Carriage of V3C data 표준에 따라 V3C 데이터를 ISOBMFF로 캡슐화 실험을 진행하였으며, 실험에 대한 검증을 위하여 생성된 ISOBMFF 데이터를 V3C 데이터로 복원한 뒤, 디코딩 하여 확인하였다.