• 고전문학과교육
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• 제16호
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• pp.65-90
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• 2008

This study is on the reading method of Korean old poetry in the digital age. Now days, we are living in digital media. The method of getting, organizing, and producing information is changed a lot. So for keeping pace with this change, we should reflect our teaching method. Of course, the purpose of our reflection is not to follow digital media's method and change or alter existing reading or teaching method, but it is to identify proper own reading strategy of old poetry and adjust existing method for our student who are skilled with digital media. We propose three kinds of method for student readers in school. These are 1) starting like a newspaper reader, 2) getting context (reading, making hyperlink), and 3) figuring as an architect (reading as space or scenery creator). In addition, we think about recent tendency that Korean old poetry is de-constructed and re-constructed as digital contents in digital space. We call it digitalizing of old poetry. The experiencing old poetry as a digital contents is different from reading old poetry, so we cannot alter old poetry reading experience into experience of digital contents. In conclusion, digitalizing contents should be used restrictively to fertilize reading experience of original old poetry.

• 음성과학
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• 제11권3호
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• pp.181-192
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• 2004

The metrical structures in orally produced the poetry were generally analyzed by accent, metre and syllable. The purpose of this study is to investigate of metrical structures of Korean modem poetry using computer implemented speech analysis system. Two famous poet's poems confidential talk, Miloe and 'A buddhist dance, Sungmu' were selected for prosodic analysis. The informant is 60 years old professor in major of Korean and French poetry. The syllable structures of poems were analyzed primarily by vowel timbers, which can classified compact and diffuse vowels according to the distance of F2-F1. The perception cues of consonants were analyzed by VOT and tensity features of articulation. Rhythm is classified by dactyl, anapest, trochee, spondee and iambic. As a result, syllable structures of Korean modem poetry were mainly CV and CVC and the reading times of each lines were 3-4sec for 12 and 15 syllables. Main metre of Korean modem poems constructed the Imbic and Anapest. The break of each lines were demarcated by grammatical structure or meaning rather than phonetic structures.

• 한국보육지원학회지
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• 제13권2호
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• pp.59-80
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• 2017

Objective: The purpose of the present study was to find out the development of 4-year-old children's emerging poetry composition process and features of poetic expression through their own forest experiences. This research also aims to explore the possibility of alternative poetry education for early childhood. Methods: This study collected data from one class of four-year olds through classroom observation, interviews with teachers, and the researcher's journal entries on events that occurred during forest walking activities. Results: Research findings showed that it was possible to encourage free expression of metaphors and imagination in children and they were able to share excitement about poetry with their classmates when provided with an alternative environment. One remarkable finding was that children's spontaneous writing and pleasure in poetry did not continue when given the new theme of 'Mom and Dad'. Conclusion/Implications: The results imply that to encourage the development of children's intuitive poetic words we need to be interested in how to organize and highlight the experiences of children. This study also suggests that positive methodological and teleological changes are needed for poetry education that is separate from language education.

• 대한예방한의학회지
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• 제11권1호
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• pp.101-108
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• 2007

In the Study of Poem in Health-Preservation, the results were as follows : Though poetry as therapy is a relatively new development in the expressive arts, it is as old as the first chants sung around the tribal fires of primitive peoples. For many centuries the link between poetry and medicine remained obscure. The chant/song/poem is what heals the heart and soul and is used for health-Preservation and the well-being. Poetry Therapy began to flourish in the hands of professional in various disciplines, including rehabilitation, education, library science, recreation, and the creative arts. Mental health professional were exploring the therapeutic value of literary materials, especially of poetry. Their contribution to the emerging discipline was two-fold : 1) emphasis on the evocative value of literature, particularly poetry; and 2) recognition of the beneficial potential of having clients write either their response to poems written by others or original material, drawing on the clients' own experiences and emotions. Especially in Oriental Medicine, the therapy is based on controlling of Mind(心). And it is in harmony with Qi-circulation(氣-循環), so smoothing the circulation of meridians, strengthened Essential-material(精), Qi(氣), Sprit(神).

• 한국콘텐츠학회논문지
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• 제17권6호
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• pp.9-21
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• 2017

본 연구는 기존의 연구 성과들에 기반 하여 장르를 중심으로 연령별로 아동이 좋아하는 그림책의 특성을 탐색하고자 하였다. 이를 위해 2015년 10월부터 2016년 1월까지 만6세와 만9세 아동을 면담하고 최종 34명의 자료를 분석대상으로 선정하였다. 수집된 자료는 귀납적 약호화의 과정을 거쳐 질적으로 분석하였다. 연구 결과를 요약하면 첫째, 만6세 아동들이 선호하는 그림책은 옛이야기 그림책, 이야기 그림책, 국내 시 그림책, 정보 그림책 순으로 나타났으며 번역 시 그림책은 선호하지 않는 것으로 나타났다. 이들은 흥미로운 줄거리와 잘 짜인 플롯을 좋아하는 경향을 보였다. 둘째, 만9세 아동들이 선호하는 그림책은 이야기 그림책, 옛이야기 그림책, 국내 시 그림책 순으로 조사되었고 정보 그림책과 번역 시 그림책은 선호하지 않는 것으로 나타났다. 이들은 문학적 요소를 폭넓게 탐색하고 그것을 재미요소로 여겼다. 이와 같은 결과를 토대로 본 연구에서는 연령별 아동들이 특정 그림책 장르를 선호하는 이유를 밝히고, 연령별로 그림책 장르를 폭넓게 활용할 수 있는 방안을 제안하였다.

• 한국전통조경학회지
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• 제32권1호
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• pp.44-52
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• 2014

본 연구는 최근 10년 동안 고문헌을 제재로 한 전통경관연구의 경향을 파악하여, 고문헌자료 활용에 있어 전통경관연구의 방향성을 제시하기 위한 것이다. 전통경관연구의 경향분석을 위해 2002년부터 2012년까지의 한국전통조경학회지에 발표된 논문을 조사 분석하여 전통경관연구의 고문헌자료 활용을 고찰하였다. 고문헌을 통한 연구논문의 수량은 2009년까지 한해에 2~3편 정도인 것이 2010년부터 8편 이상으로 많아졌다. 고문헌자료의 활용경향은 국역본을 사용하거나 개인문집의 일부를 번역하여 사용하는 경우가 대부분이었다. 원문사용에 있어서도 간혹 번역문만으로 연구를 진행하여 원문번역에 대한 고증부분이 미진한 점도 나타났다. 결과에 의해 전통경관연구의 방향을 아래와 같이 제안해 볼 수 있다. 원문의 효율적인 이해나 검증을 위해 원문과 번역본을 같이 제시하고, 번역의 출처도 명기해주는 것이 필요하다. 현황을 기록한 기문인 경우에는 조경 및 경관의 전문성이 갖추어진 번역 역시 필요한 것으로 보인다. 고문헌 자료의 분석에 있어서도, 시문과 기문 등을 병행한 전통경관 분석은 풍부한 자료로 인해 경관의 위치 및 장소 추정이 용이하므로, 기문 등을 근거로 연구의 기초를 잡은 후, 보완적으로 시문을 활용하는 등의 연구접근도 필요한 것으로 보인다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.95-96
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• 2007

Language is the method for communication. Semantician, G. Leech categorized the function of language as informational, expressive, directive, aesthetic and phatic one. Therefore, language can be defined as the social symbol system and the media for communication. Space, also, performs the role of symbol, information and communication. Space can be the media for the communication and the design can be logical construction process by it's arbitrary interpretation. The researcher considered the common points between verbal language and visual language as the tools for the mutual communication, tried to transit them into the 'space' as object language after analyzing 'image of poetry' as meta language, so that the old perspective of space design as function can be renewed as information system of the significant meaning delivery in the context of language's multiplicity, expandibility and changeability.

• 한국영어학회지:영어학
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• 제1권4호
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• pp.509-536
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• 2001

The traditional typology of English poetic meters makes a binary division between strong-stress (or accentual) meters and accentual-syllabic (or syllable-stress or syllable-accent) meters. According to this typology, Old and Middle English alliterative poetry was composed in strong-stress meter; the iambic pentameter from Chaucer to Yeats and on to the present has been an accentual-syllabic meter. Intersecting with this literary typology is a linguistic typology that classifies languages of the world as stress-timed or syllable-timed or some mix of the two. English is a clear example of a stress-timed language. Whereas most descriptions of strong-stress meter focus on the counting of stresses, the present study focuses on the patterns of unstressed syllables between the stresses (possibly at isochronous intervals). The implications of this analysis suggest a new typology in which certain forms of English verse follow strict grammatical stress (mainly Old and Middle English, but for reasons different from “strong-stress” expectations) and other forms are shaped by a compromise of grammatical stress and the metrical template. Within this later group, iambic pentameter contrasts with trochaic, anapestic, and dipodic meters in lending itself more readily to modulation. Some of this modulation comes from an easy incorporation into iambic pentameter of elements associated with Old and Middle English meters.

• 복식
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• 제36권
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• pp.121-137
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• 1998

This paper is a study of clothing recorded in$\boxDr$Shin Ching$\boxUl$.$\boxDr$Shin Ching$\boxUl$is the oldest poetry, which written in early west-Zhou to mid Spring and Autumn Period. In this book, clothing is classified with men's women's and fabrics. But only the men's costume is included in this paper, and others will be studied later. As a result, men's clothing includes Qui, Mian Fu, Bian Fu, Yi Shang, Po, Ze, the armour, the belt ornaments, the hair ornaments and the hair styles, the shoes. 1. Qui is depicted at 11 poetries. It's materials are sheep, wolf, bear etc. The materials and color are differentiated according to the class. 2. Mian Fu is depicted at 20 poetries. There are depictions about the embroidered black garment and a red skirt, and also about inner blouse, Chong er, Chi xi etc. 3. Bian Fu is depicted at 5 poetries and there are three types. 4. Yi Shang is depicted at 9 poetries and classified with two types. One is twp piece style, and the other is one pieced style. 5. Po and Ze is depicted at 1 poetry. Po is sa long coat with lining and Ze is a under-wear. The armour and the helmet are depicted at 2 poetries. 6. The belt ornaments are classified with two styles. One is decorational and the other is practical. At 7 poetries they are depicted. 7. The hair ornaments includes a hat and a hair style. Also, the shoes are depicted and there are two styles. Such a results can clarify the men's costumes of Zhou and may be a raw datas about the costumes of old China.

• 한국시조학회지:시조학논총
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• 제30집
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• pp.165-188
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• 2009

이 논문은 안자산의 시조론에 관한 분석이다. 그는 선입견을 가지지 않은 상태에서 문헌들을 정사(精査)했으므로 우리의 고전시가가 글자로 쓰인 문학이 아니라 입으로 불리던 음악이었다는 점을 체득하게 되었다. 우리 고유의 음악이나 문학 모두에 달통한 지식을 소유하고 있던 안자산은 시조에 대하여 정확한 인식을 갖고 있었다. 시조를 논할 경우 언제나 그 본질을 언급한 다음 존재 양태를 분석한 그의 태도는 그런 인식에서 가능한 것이었다. 안자산 시조론의 첫 단계는 시조의 정체성을 탐색한 "시조의 연원"이다. 그 글에는 유래, 율조, 시상, 시조의 발전 등 시조의 전반에 걸친 논의와 함께 시조 각론들의 방향까지 잘 나타나 있다. '시조의 시학적 정체성 확립'이 안자산 시조론의 2단계이자 완성담론인데, 저서 "시조시학"에 그런 내용이 집약되어 있다. 1단계인 "시조의 연원"부터 이 저서 직전까지는 시조가 지닌 종합적 측면이 언급되고 있으나, 이 저서에 이르러 비로소 본격 시문학으로서의 시조를 논하게 된다. 특히 장구론의 세밀한 논의가 이 시기에 이루어졌는데, 운율이나 율동 등 등장성을 바탕으로 하는 율격론 또한 이 단계의 핵심적인 논의다. 후대 학자들에 비해 아직 다듬어지진 않았으나, 후대 학자들의 논의가 출현할 수 있도록 한 '모범적 선례' 역할은 분명히 했다고 할 수 있다. 그의 견해는 각 시기마다 분명 여타 학자들보다 앞 서 있었다. 그럼에도 불구하고 메이저 그룹에 속해 있지 않았기 때문에 안자산의 이론은 연구자들로부터 본의 아니게 소외를 당해 왔다고 할 수 있다. 시조 연구사에서 안자산의 위치가 새롭게 조정되어야 한다고 보는 것도 바로 이런 이유 때문이다.