• 건축역사연구
• /
• 제3권2호
• /
• pp.9-28
• /
• 1994

A collective theory is tried in analysis on the architectural history of Temple Gowoon in Gyongbook Province. For this purpose, firstly, the chronicle of construction was composed based on the critical study of the old documents. Secondly, the drawings of existing facilities were made after the field survey. And lastly, the collective theory was be able to extracted from the relation between chronicle and physical composion of the Temple Gowoon. The whole temple is composed of two territories, northern one and southern, which are divided by the central ravine. Northern territory was enlarged from Gukrakgeon's cluster through Myongboogeon's to Yeonsoogeon's. On the other hand, southern territory was reduced its position and its size from Daewoongeon's cluster, which was one of the main cluster, to Monigeon's, sub one. These processes were the results of the architectural adjustment, that is say, the dogmatic principles adapted in the topographical environments. The collective forms of clusters are different from each other. Gukrakgeon's cluster is composed of four buildings which enclose the empty inner court. Monigeon's is similar to the small temple type, Myongboogeon's selects the straggling form, and Yoensoogeon's has the type of Confucian shrine. The various types of clusters were the physical settings to symbolize the religious heirarchy of their buildigs. In the front of temple area, Gawoonloo, which located on the ravine and has a big volume, integrates straggling clusters.

• 건축역사연구
• /
• 제22권1호
• /
• pp.41-50
• /
• 2013

In Korea, only a few wooden pagodas are extant because some wooden pagodas were lost due to artificial environment like war. Fortunately, only Eight Depictions Hall(Palsangjeon) in Beobjusa temple and main hall of Ssang-Bong Sa the main temple are extant. Though main hall of Ssang-Bong Sa the main temple shows old style in construction and outstanding creativity, survey and investigation for the hall have been poor. Accordingly, this study investigated pillar part, bracket structure part, and roof part composing pagoda body section which actively reflects structure and design skill compared to floor or upper part. And for better understanding, in the part that is similar to pagoda body section of main hall or needs examples, wooden pagoda in China or Japan was referred. Through this investigation, it was known that unique skill applied to main hall of Ssang-Bong Sa the main temple is based on plane in one room ${\times}$ one room - Ssang-Bong Sa the main temple has common form of wooden pagoda in appearance.

• 한국가구학회지
• /
• 제24권4호
• /
• pp.400-407
• /
• 2013

21C modern society is a time when enough design to dominate the world, a unique design is required new in all aspects. In addition, there is a religion to the best of Zen art. In our cultural heritage with a ethnicity unique unparalleled in the world, and a new recognition of traditional culture and identity of its own in our country, lattice door flower temple the beauty of Korea in the way you tell, it was modernized by interpreting a new one to utilize as a design element of a wood lattice door flower temple. In this study, to re-appear in openwork having regard to the symbolism of pattern and shape of the lattice door flower temple molding properties were highlighted, change the part of the motif, repeated the curve geometric has been designed to simplify as. As a result, it is possible to present the possibility of a design element that can design a traditional Korean is reinterpreted Modern thereby simplify the repetitive element of the related art, for a new aesthetic changes unique. Design Development of wood with a Buddhist temple flower lattice modern re-interpretation, it suits while a strong indication Korea imagery and expressed a variety of needs and personality to the design elements that are competitive in the world the cage, and design of wood, various studies competitive on to be applied to each field is required.

• 한국화재소방학회논문지
• /
• 제20권2호
• /
• pp.64-71
• /
• 2006

본 연구에서는 양양산불에 의한 낙산사의 소실이후 전통사찰 문화재의 방재대책에 대한 연구를 실시하였다. 전통사찰의 현황과 관련 법규를 검토하였고, 양양산불의 발생에 따른 화재특성과 낙산사의 피해현황에 대해 정리하였다. 또한 낙산사 소실로 본 전통사찰의 화재피해사례와 관련 소방법규를 검토하여 문제점을 제시하였고, 낙산사의 소실에 따른 방재대책에 대해 설문조사결과를 제시하여 향후 전통사찰문화재에 대한 화재예방안전대책을 제시하고자 한다.

• 건축역사연구
• /
• 제25권6호
• /
• pp.7-16
• /
• 2016

The purpose of this study is to find framework schema of early J usimpo-style Buddhist halls (Geungnakjeon Hall of Bongjeongsa Temple, Muryangsujeon Hall of Buseoksa Temple, and Daeungjeon Hall of Sudeoksa Temple). Though the halls are known as built in the late Goryeo Period, they show the influence of the architectural style of the early Unified Silla Period. To find the adopted modules and proportions of these halls, this study conceived a schematic diagram based on the whole frame structure taking reference from the Cai-Fen system in Yingzao Fashi. In these three halls, the heights of each cross-beam (Dori) are made up by the layers of member and member units. This study computes the values of Cai, Zhi, and Fen which can apply to both the section and the plan. The vertical section structure is determined by combining the standard member heights (Cai) and the standard unit heights (CaiZhi). The bays of columns are made by multiples of the standard member width (Fen).

• 헤리티지:역사와 과학
• /
• 제51권1호
• /
• pp.66-79
• /
• 2018

금산사 대장전은 대장경을 봉안하는 건물이라는 명칭을 가지고 있지만 경전은 없으며, 석가모니삼존을 봉안하는 불전이다. 금산사에서 전하는 기록에 의하면 이 건물은 목탑에 불상과 경전을 봉안하던 습관 때문에 점차 불전으로 변한 건물로 알려져 있다. 탑은 사리신앙을 대표하는 구조물임에도 대장전으로 변하였지만 대장경조차 봉안하지 않고 있는 셈이다. 이러한 변화는 금산사 대장전이 상당히 복합적인 성격의 건물이라는 점을 상징하고 있다고 볼 수 있다. 이 건물의 변화과정과 신앙적 복합성을 통해 조선후기 교학적 열풍 속에서 사리신앙, 경전신앙의 상관을 접근해 보고자 한다.

• 건축역사연구
• /
• 제14권4호
• /
• pp.137-155
• /
• 2005

This study was started with its consideration as materials showing original shapes of temple buildings in the late period of Chosun the photographs and drawings which contained in $\ulcorner$A Survey Report of Korean Architecture$\lrcorner$ made by Sekino Tadashi through his survey for 62 days(July 5${sim}$Sep. 4, 1902). Results of the study can be summarized as follows. During the period of Japanese occupation, Beomesa temple experienced frequent changes in building layout including the transfer and removal of buildings. Such frequent change began in spring, 1936 when a Buddhist monk of Beomeosa temple, Cha Woon Ho moved Gwaneumjeon, originally located to the light of the main building, to the left of the building and, on its original site, built up a 7-storied sarira tower. Though it is difficult to say that the study provides everything about Beomeosa temple, the researcher expects that the study would be the very basis on which changes in the building layout of the temple since the late period of Chosun can be researched. In conclusion, the researcher hopes that the above mentioned restoration plan would help originally restore or enlarge temples, further transmitting such restored or enlarged establishments as valuable cultural remains from generation to generation. In this respect, the researcher expects such restoration plan to be made in continuous and more detailed ways.

• 보존과학회지
• /
• 제32권4호
• /
• pp.535-548
• /
• 2016

괘불탱은 불교에서 특별한 야외 법회 때 사용하는 대형 족자형 불화이다. 보관 시 괘불궤라는 보관상자에 보관한다. 괘불탱의 바탕재나 안료 등에 대한 연구 사례는 많으나 괘불탱의 괘불축과 괘불궤에 대한 연구는 미비한 실정이었다. 본 연구에서는 조선시대에 제작된 괘불탱을 중심으로 수종분석을 실시하였다. 대상은 보은 법주사, 공주 마곡사, 예산 수덕사, 부안 개암사, 영천 수도사, 상주 북장사, 곡성 도림사, 양산 통도사, 예산 대련사 등 총 10건을 선정하였으며 시료 81점에 대해서 수종분석을 실시하였다. 분석 결과 괘불축 및 괘불궤에 사용된 수종은 소나무류 51점, 피나무속 8점, 노간주나무속 6점, 잣나무류 5점, 솔송나무속 4점, 미송속 3점, 망개나무속 2점, 문배나무속 1점, 대나무아과 1점으로 확인되었다. 솔송나무속과 미송속은 외래수종이며 보수 및 수리 과정에서 사용된 것으로 사료된다. 전체적으로 소나무류를 이용하여 괘불탱과 괘불궤를 제작하였고 잣나무류도 사용되었다. 불교문화에서 상징성을 갖는 피나무속도 괘불궤를 제작하는데 사용된 것으로 사료되며, 망개나무속과 노간주나무속과 같이 목조각에서는 잘 사용되지 않는 수종도 식별되었다. 본 연구 결과를 토대로 향후 괘불탱 및 괘불궤에 진정성 있는 보존 연구에 활용될 것이라 기대한다.

• 한국디지털건축인테리어학회논문집
• /
• 제2권1호
• /
• pp.39-44
• /
• 2002

Purpose of this paper is to find the Baroquely characteristics in Korean Temple Architecture.(MA KOK-SA) We could find out the characteristics as follows; First, visual freedom and floating in the arrangement of the temple buildings through segmenting the axis. Second, tension of variations in size, distance, and frame. Third, diverse sceneries provided by Sequential(dynamic) view points. Fourth, visual process and sharp contrast between horizontality and verticality, and unexpected scenery, etc.

• Journal of the Korean Wood Science and Technology
• /
• 제44권6호
• /
• pp.897-902
• /
• 2016

This study was conducted to identify wood species from main pillars of Daeungjeon Hall, the main building of Jeonghyesa Temple located in Suncheon, Jeollanamdo Province in Korea. It was known that this temple had been built in the $8^{th}$ century by Hyeso, a national master in the Unified Silla period, and was designated as Treasure No. 804 in 1984 due to its historic and academic values. The results of wood species identification showed that main pillars from Daeungjeon Hall of the Jeonghyesa Temple were made of hard pine, Korean fir (Abies spp.) and Zelkova tree (Zelkova spp.). In addition to the wood species identification, floor plan documentation was also done to help identify what wood species had been used for main pillars. These results could be applied and utilized for the conservation and restoration of Daeungjeon Hall in future. This study may help with the authenticity of conservation works.