• Korean Institute of Interior Design Journal
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• v.22 no.2
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• pp.186-193
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• 2013

In the commercial space, the modern consumers want to consume not only product but also culture. Thus, the modern commercial space tries to induce the customer's concern and purchase to the differentiated design. The introduction of this 'the natural element' delivers the pleasure and stability to the consumer buying process and availability is enlarged. Therefore, the purpose of study is gain that expression and characteristic method of the natural element in the commercial space. The detailed study method are as follows. First, the study looks into the natural element expression tendency in the modern space. Second, the expression type of the natural element was classified as 'Reappearance', 'Transformation', and 'Fuse' based on the preceding research. And according to the content of the expression type, subdivided method of 'Inclusion' and 'Replication' of 'Reappearance' and method of 'Imitation' and 'Association' of 'Transformation' and method of 'Juxtaposition' and 'Combine' of 'Fuse'. Third, the result of analyze the characteristic of expression of the natural element of the besides the commercial space case 20 place is as follows. First, 'Inclusion' of 'Reappearance' introduced the external scenery or planned garden as the inside through the opening. 'Replication' is used for decorative purposes or functional purposes as the natural element. 'Imitation' of 'Transformation' imitated the form, pattern, and color of the natural element and was mainly expressed in the wall and objet. The method of 'Association' expressed the concept of the natural element for the whole of the space and a portion of the wall and objet repetitively. As for 'Juxtaposition', mixture of 'Reappearance' had a good visual effect, because it can be obtained the external-internal nature. As for 'Combine', mixture of 'Replication' and 'Imitation' was the most common method. Thus, the study results are expected to be utilized as base date in designing the commercial with development of the natural element application method.

• Korean Institute of Interior Design Journal
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• v.14 no.6 s.53
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• pp.37-46
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• 2005

This study is focused on the indeterminacy of the contemporary social structure based on the philosophical concept of relationship. The purpose of this study is to present the index of the space planning that the contemporary society demands through analysis of a characteristics of the indeterminate program. As the result, we got a characteristic and a design method of the following indeterminate programs. (1)The characteristic of the interior space programs are in such cases as combined, the continuance, the pile, the juxtaposition, mixing and interference etc. (2) The characteristics of space planning are multiple changes of the space occupation, various sight experiences, folding structure, expansion of flow space, the insertion of a between spates etc. (3) The characteristic of space design expression is addition of various functions tv unification of a structural element and an element of furniture.

• Bulletin of the Korean Mathematical Society
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• v.32 no.2
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• pp.337-342
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• 1995

A semiring is a binary system $(S, +, \times)$ such that (S, +) is an Abelian monoid (identity 0), (S,x) is a monoid (identity 1), $\times$ distributes over +, 0 $\times s s \times 0 = 0$ for all s in S, and $1 \neq 0$. Usually S denotes the system and $\times$ is denoted by juxtaposition. If $(S,\times)$ is Abelian, then S is commutative. Thus all rings are semirings. Some examples of semirings which occur in combinatorics are Boolean algebra of subsets of a finite set (with addition being union and multiplication being intersection) and the nonnegative integers (with usual arithmetic). The concepts of matrix theory are defined over a semiring as over a field. Recently a number of authors have studied various problems of semiring matrix theory. In particular, Minc [4] has written an encyclopedic work on nonnegative matrices.

• Animal cells and systems
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• v.13 no.1
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• pp.1-8
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• 2009

Toll-like receptor (TLR) family proteins, type I transmembrane proteins, play a central role in human innate immune response by recognizing common structural patterns in diverse molecules from bacteria, viruses and fungi. Recently four structures of the TLR and ligand complexes have been determined by high resolution x-ray crystallographic technique. In this review we summarize reported structures of TLRs and their proposed activation mechanisms. The structures demonstrate that binding of agonistic ligands to the extracellular domains of TLRs induces homo- or heterodimerization of the receptors. Dimerization of the TLR extracellular domains brings their two C-termini into close proximity. This suggests a plausible mechanism of TLR activation: ligand induces dimerization of the extracellular domains, which enforces juxtaposition of intracellular signaling domains for recruitment of intracellular adaptor proteins for signal initiation.

• Journal of the Korean Institute of Telematics and Electronics B
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• v.31B no.5
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• pp.134-140
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• 1994

In this paper, an algorithm of CBAM(Combination Bidirectional Associative Memory) model proposes, analyzes and tests CBAM model `s performancess by simulating with recalls and recognitions of patterns. In learning-procedure each correlation matrix of training patterns is obtained. As each correlation matrix's some elements correspond to juxtaposition, all correlation matrices are merged into one matrix (Combination Correlation Matrix, CCM). In recall-procedure, CCM is decomposed into a number of correlation matrices by spiliting its elements into the number of elements corresponding to all training patterns. Recalled patterns are obtained by multiplying input pattern with all correlation matrices and selecting a pattern which has the smallest value of energy function. By using a CBAM model, we have some advantages. First, all pattern having less than 20% of noise can be recalled. Second, memory capacity of CBAM model, can be further increased to include English alphabets or patterns. Third, learning time of CBAM model can be reduced greatly because of operation to make CCM.

• Journal of the Korean Home Economics Association
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• v.35 no.3
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• pp.89-100
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• 1997

The formal constructions of deconstructive architecture in the contemporary fashion expressed as intertexruality, difference and trace and the working of DIS and DE, and intertextuality in deconstructive has manifested itself as the intertextuality of material, hybridization of items, the blending of modes and the bi-sexuality of sexes. And the difference and trace found in fashion are fantastic and playful and come to exist as historicity. DIS and DE in fashion shows the retrogression of gravity through non-structural silhouette. Their disentring expression emerged as construction through mixture and repetition as well as overlapping of planes or spaces. And their disjuctive representation appeared in the form of mutual juxtaposition and substitution with the double-side of formal construction in fuctional terms.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.73-77
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• 2001

Deconstruction Architecture takes various approaching ways in the plural situation of modem times while it has a common thinking way in the whole area of society, art field, etc. This plural phenomenon is expressed by collage used as a painting technique. We examine the relations of collage and Deconstruction Architecture to see what kind of space formation factor collage is applied in the Deconstruction Architecture, which can be applied to the architecture composing vocabulary, and classify the aspects that collage technique is expressed with space formation factor of Deconstruction Architecture by category. We can see that superimpositon, interpenetration, juxtaposition, scaling, open structure, undecidability, assemblage, etc. are expressed as various factors in the space of Deconstruction.

• Bulletin of the Korean Chemical Society
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• v.30 no.11
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• pp.2608-2612
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• 2009

The unequivocal solid-state structure and stereochemistry of the hetaryl leuco-TAM dye, 2,2’-(2-phenyl propane- 1,3-diylidene) bis(1,3,3- trimethylindoline) derivatives were established using X-ray single crystal analysis. The X-ray crystal analysis showed that the (Z, E)-isomers only formed stereoselectively, with a so-called “threebladed propeller” conformation, from the reaction of a Fischer base and benzaldehyde derivatives. These isomers were stacked in a juxtaposition to form a dimer or a double dimer, adopting either a triclinic, with P-1, or monoclinic crystal system with a space group P21/n in the unit cell of the crystal.

• The Research Journal of the Costume Culture
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• v.11 no.6
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• pp.925-940
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• 2003

The purpose of this study is to analyze the major influence of postmodernism on 20th century fashion. Due to its characteristic traits like pluralism, indeterminacy, and immanence, it can be said that postmodernism in fashion manifests itself in an overlapped and duplicated style. The conceptual side has to do with such various 20th century thoughts as decanonization, deconstruction, populism, and in fashion it is presented as subcultural style, syncretic style, and post-feminist style. The stylistic side of postmodernism in fashion also has to do with fragmentation, hybridity, stress on performance and participation, carnivalization, deconstructive turn, and it is presented as hybrid expression, deconstructive technique, performance, and so on. In the latter part of the 20th century in which postmodernism blossoms in various fields, fashion also participates in the current of the times, together with the rapid stylistic turn, the co-existence of various trends, and the experimental or avant-garde new trials. However, it should be said that all of these tendencies mean not so much blurring of the boundaries between styles as developmental mixture of styles coming from juxtaposition after fully realizing the boundaries of contrast and combination.

• Korean Institute of Interior Design Journal
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• v.16 no.6
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• pp.65-76
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• 2007

This research is progressed on the premise that there is a basic rule to organize a space in form generation process. In this study first, antecedent researches are inquired, and formal vocabularies related with form generation in space design are founded. Generally in the organizing process of spatial form designer could have selectively combined formal vocabularies consciously or unconsciously, and these formal vocabularies related with form generation are classified with 'formal elements' and 'spatial relationships'. First, as formal elements '2-dimensional line elements(rectilinear, oblique-linear, curvilinear)' are chosen. Second, formal vocabularies of 'spatial relationships' are 37 extracted from literatures related with architectural language or spatial language. Among them there are several vocabularies with similar or same meaning, they are unitized to representative one. Thereupon 20 vocabularies are finally selected as the formal vocabularies of 'spatial relationships', they are addition, subtraction, intersection, superimposition, juxtaposition, shifting, rotation, reflection, scaling, stretching, shear, bending, folding, distortion, articulation, deconstruction, symmetry, repetition, proportion, and asymmetry.