• Conservation Science in Museum
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• v.28
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• pp.89-108
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• 2022

Among about 500,000 characters in metal types in National Museum of Korea, this study conducts a statistical analysis of 62 metal types from the early Joseon Dynasty, including 33 gabinja (甲寅字) types and 29 eulhaeja (乙亥字) Hangeul types by examining the shape, measuring the specific gravity, and identifying the components based on previously-studied Joseon metal types. Among them, 33 gabinja types and 24 eulhaeja types were made of two-component bronze (copper and tin) (Group A), and four eulhaeja types were produced with three-component bronze (copper, tin and lead). (Group B), and one eulhaeja type was created with two-component bronze (copper and tin) with a high tin content (Group C). By comparing with imjinja (壬辰字) types of the late Joseon Dynasty based on multiple statistical analyses of type components, this study confirms that late-Joseon types have low copper content and high zinc and lead content, and therefore it may be possible to distinguish between the types of early and late Joseon Dynasty.

• The Journal of Korean Philosophical History
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• no.43
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• pp.9-32
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• 2014

Until now, the studies researching the Taoism theories of Joseon Dynasty have mainly dealt around the latter half of Joseon Dynasty. The reason for that was because the 5 cribs of a book Lao Tzu and the 2 crib of a book Changzi were produced after the Imjin-Year Korean-Japanese War(壬辰倭亂,Imjin Waeran). Therefore this thesis extracted the mentions about Taoism from about 200-year history records from Jeong Do-Jeon's Theory, which was the theoretical foundation for early days of Joseon's foundation and the history book King Taejong's Annals(太宗實錄) contained in The Annals of Joseon Dynasty(朝鮮王朝實 錄) and analyzed the extracted historic data as the first work contemplating how the Taoism theories were developed during the first half of Joseon Dynasty. From the analysis, this study drew out the findings as follows. Jeong Do-Jeon and Gwon Geun sharply criticized the Taoism for that it pursued for the techniques of longevity for oneself without moral. They tried to establish the identity of neo-Confucianism on the foundation criticizing the Taoism and the Buddhism. Since then, the Taoism was transformed through the 3 stages in The Annals of Joseon Dynasty. The first stage was the stage transformed 'Lao Tzu' as the witchcraft master of long-live, the technique of the taoist hermit and the super god in Taoism, and regarded the Taoism as heresy and excluded the Taoism. Second stage was the stage trying to see the book Lao Tzu as the core of Taoism theory separately from the 'Hermit Witchcraft' and the 'Taoist gods' the target of fortune-pursue religion beyond from the primary discussion of exclusion. Third stage was revealed as the respects on the art of politics and the art of living described in the book Lao Tzu. That is, the Taoism theories in the first half of Joseon Dynasty was developed with various spectrums from the early days of Joseon's foundation to 15~16 centuries beyond Joseon's strong suppression against the Taoism and the Buddhism in early days. That is the point that the Taoism in the first half of Joseon Dynasty can't be simply interpreted in the neo-Confucianism. During the firs half of Joseon Dynasty, the warm attitude toward the Taoism was created differently from the attitude against suppressing it as a cult, which had been created in the early days of Josen's foundation, and there appeared the changes accepting the art of living and the art of politics theoretically integrating with the Confucianism theories. That is, the book 'Lao Tus' became accepted as the Confucian country's arts of living and politics from a cult book pursuing for immoral log and immortal life. Such acception is revealed as the appearance actively interpreting the books about Laoism in the latter half o Joseon Dynasty.

• (The)Study of the Eastern Classic
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• no.37
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• pp.161-188
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• 2009

How did Japanese who surrender to Joseon reflect in old proses / Seo, Shin-hye This paper is focus on Japanese who surrender to Joseon. I researched how were these people to live through old novel, old tale and old biography. And I researched how these works reflected these people. Usually Japanese who surrender to Joseon were butchers. They were loyal to Joseon and their higher officer to a fare-thee-well. In old proses, writters compared these surrender with Joseon's general. People expect the general loyalty, but he didn't. Because of surrender's loyalty, Joseon's general was seen as an abject coward. This form came out in common in the biography of Gim Yeongcheol, the biography of Gang Hongrip and the biography of Gim Chungseon. But this fact was biased. All of Japanese surrender was not loyal, and they liked fighting in the battle. The singularity of the biography of the butcher who is Buddhist monk attracted our attention. In this work, we can see the surrender's mental conflict. We can realized the people is equal with Joseon's people.

• Journal for History of Mathematics
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• v.28 no.2
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• pp.65-72
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• 2015

The Joseon dynasty (1392-1910) is basically an agricultural country and therefore, the main source of her national revenue is the farmland tax. Thus the farmland tax system becomes the most important state affair. The 4th king Sejong establishes an office for a new law of the tax in 1443 and adopts the farmland tax system in 1444 which is legalized in Gyeongguk Daejeon (1469), the complete code of law of the dynasty. The law was amended in the 19th king Sukjong era. Jo Tae-gu mentioned the new system in his book Juseo Gwan-gyeon (1718) which is also included in Sok Daejeon (1744). Investigating the mathematical structures of the two systems, we show that the systems involve various aspects of mathematics and that the systems are the most precise applications of mathematics in the Joseon dynasty.

• (The) Research of the performance art and culture
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• no.36
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• pp.169-184
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• 2018

This paper reveals the double meaning of the temporal background and spatial background on Shimchungga. Its temporal background is the fictional and romantic time of the story, while the time of the weary lives of ordinary people is realistic and historical in the late Joseon Dynasty. The spatial background has a dual meaning that reminds us of the ancient capital of China and Seoul of the Joseon Dynasty. Namgyeong, a spatial background is fictional and romantic where the daughter of the public, Simcheong, becomes "The mother of all the people." In addition, Namgyeong reminds us of Seoul, the capital of Joseon Dynasty. Shimchungga is based on the customs and manners of the late Joseon Dynasty, and it is embodied by borrowing time and space from China. It is recalled Joseon's as backgrounds of China First of all, Namgyeong on Shimchungga is the ultimate attraction of the free imagination of the ordinary people as well as Shin, Jae-hyo in the late Joseon Dynasty.

• Journal for History of Mathematics
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• v.32 no.6
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• pp.259-270
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• 2019

Haidao Suanjing was introduced into Joseon by discussion in Yang Hui Suanfa (楊輝算法) which was brought into Joseon in the 15th century. As is well known, the basic mathematical structure of Haidao Suanjing is perfectly illustrated in Yang Hui Suanfa. Since the 17th century, Chinese mathematicians understood the haidao problem by the Western mathematics, namely an application of similar triangles. The purpose of our paper is to investigate the history of the haidao problem in the Joseon Dynasty. The Joseon mathematicians mainly conformed to Yang Hui's verifications. As a result of the influx of the Western mathematics of the Qing dynasty for the study of astronomy in the 18th century Joseon, Joseon mathematicians also accepted the Western approach to the problem along with Yang Hui Suanfa.

• Journal of Korean Medical classics
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• v.28 no.3
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• pp.79-88
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• 2015

Objectives : The Annals of the Joseon Dynasty has plenty of articles as primary historical records. The Korean medical historiy researches have also been driven from The Annals of the Joseon Dynasty. About public services in Joseon dynasty related to medicine, We rarely know persons in public services, titles, levels and so on. Methods : I focused on The Annals of the Joseon Dynasty to research the titles of person in public services in early Joseon dynasty. I found 33 persons related to medicine and reorganized 21 persons who had titles. Results : I got 10 titles of public medical services and more than 15 titles of public non-medical services, which were received according to their medical services and 6 grades. Conclusions : I concluded that there were much more titles of public medical services than what we had already known and several titles and grades of public non-medical services, which were received according to their medical services.

• Journal of the Daesoon Academy of Sciences
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• v.35
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• pp.217-253
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• 2020

This study analyzes the principles of the 'Earthly Paradise' (仙境, the realm of immortals), 'Virtuous Concordance of Yin and Yang' (陰陽合德), and the 'Reordering Works of Heaven and Earth' (天地公事) while combining them with Joseon art. Therefore, this study aims to discover the context wherein the concept of Taiji in 'Daesoon Truth,' deeply penetrates into Joseon art. Doing so reveals how 'Daesoon Thought' is embedded in the lives and customs of the Korean people. In addition, this study follows a review of the sentiments and intellectual traditions of the Korean people based on 'Daesoon Thought' and creative works. Moreover, 'Daesoon Thought' brings all of this to the forefront in academics and art at the cosmological level. The purpose of this research is to vividly reveal the core of 'Daesoon Thought' as a visual image. Through this, the combination of 'Daesoon Thought' and Joseon art will secure both data and reality at the same time. As part of this, this study deals with the world of 'Daesoon Thought' as a cosmological Taiji principle. This concept is revealed in Joseon art, which is analyzed and examined from the viewpoint of art philosophy. First, as a way to make use of 'Daesoon Thought,' 'Daesoon Truth' was developed and directly applied to Joseon art. In this way, reflections on Korean life within 'Daesoon Thought' can be revealed. In this regard, the selection of Joseon art used in this study highlights creative works that have been deeply ingrained into people's lives. For example, as 'Daesoon Thought' appears to focus on the genre painting, folk painting, and landscape painting of the Joseon Dynasty, attention is given to verifying these cases. This study analyzes 'Daesoon Thought,' which borrows from Joseon art, from the perspective of art philosophy. Accordingly, attempts are made to find examples of the 'Virtuous Concordance of Yin and Yang' and Tai-Ji in Joseon art which became a basis by which 'Daesoon Thought' was communicated to people. In addition, appreciating 'Daesoon Thought' in Joseon art is an opportunity to vividly examine not only the Joseon art style but also the life, consciousness, and mental world of the Korean people. As part of this, Chapter 2 made several findings related to the formation of 'Daesoon Thought.' In Chapter 3, the structures of the ideas of 'Earthly Paradise' and 'Virtuous Concordance of Yin and Yang' were likewise found to have support. And 'The Reordering Works of Heaven and Earth' and Tai-Ji were found in depictions of metaphysical laws. To this end, the laws of 'The Reordering Works of Heaven and Earth' and the structure of Tai-Ji were combined. In chapter 4, we analyzed the 'Daesoon Thought' in the life and work of the Korean people at the level of the convergence of 'Daeesoon Thought' and Joseon art. The analysis of works provides a glimpse into the precise identity of 'Daesoon Thought' as observable in Joseon art, as doing so is useful for generating empirical data. For example, works such as Tai-Jido, Ssanggeum Daemu, Jusachaebujeokdo, Hwajogi Myeonghwabundo, and Gyeongdodo are objects that inspired descriptions of 'Earthly Paradise', 'Virtuous Concordance of Yin and Yang,' and 'The Reordering Works of Heaven and Earth.' As a result, Tai-Ji which appears in 'Daesoon Thought', proved the status of people in Joseon art. Given all of these statements, the Tai-Ji idea pursued by Daesoon Thought is a providence that follows change as all things are mutually created. In other words, it was derived that Tai-Ji ideology sits profoundly in the lives of the Korean people and responds mutually to the providence that converges with 'Mutual Beneficence.'

• Journal of the Korean Society of Costume
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• v.58 no.5
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• pp.134-152
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• 2008

In this paper, embroidery works with a certain date are divided by a category, and they are reviewed in terms of original fabrics, embroidery patterns, the form of an artwork, embroidery techniques, and etc with the aim of the understanding of the Joseon period embroidery. In the second part, I examine the history of Korean embroidery from the Three Kingdoms period to the Joseon dynasty along with the written records and extant embroidery works. The third part, Joseon embroidery revealed by the analysis of the remaining embroidery works, divides Joseon embroidery by two kinds, bridal robe and rank badge as well as an embroidery screen. Through the examination of these extant works, I try to rediscover the historic significance of Joseon embroidery, and also hope to help people to gain an expert opinion on Joseon embroidery.

• Korean Journal of Heritage: History & Science
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• v.49 no.2
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• pp.122-141
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• 2016

It is known that Sung-gyu Jeon and several other Korean artisans were invited to "Joseon-Najeon Company" of Kimura Tenko in Takaoka, Japan to teach the skills of making lacquerware inlaid with mother-of-pearl, however these artisans discovered a new tool called fretsaw during the visit, which can easily cut nacre. The introduction of fretsaw in the 1920s in Korea innovated the Jureumjil(filing) technique and dramatically changed the style of modern Korean lacquerware inlaid with mother-of-pearl. In this paper, I will focus on the case of Sung-gyu Jeon, Kimura Tenko and "Joseon-Najeon Company". I will also examine why and how the Korean lacquerware artisans went to "Joseon-Najeon Company" in Takaoka and exactly what they did there. This analysis will help in discovering how the Korean artisans' experience in Takaoka affected their works after they came back to Korea.