• 제목/요약/키워드: Interior Color

검색결과 573건 처리시간 0.029초

재평가되어야할 르누아르의 이국취미와 패션컬러 (Renoir's Fashion Colors and Exotic Taste That Must Be Re-Evaluated)

  • 이금희
    • 패션비즈니스
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    • 제22권1호
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    • pp.82-99
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    • 2018
  • The purpose of this study is to examine the characteristics that appeared in the fashion and colors of exotic tastes used by Renoir with a view to re-evaluating his-attitude towards exotic tastes. The methods used in this study were literature research and analysis of visual data from Renoir's works. The results of the study are as follows. Renoir's exotic tastes originated from the material perspective appearing in the fashions and accessories of Algeria, Orient, Spain, and Japan. Parisienne Odalisque Lise in Harem-style, Jeanne Samari in parisienne fashion holding a Japanese fan, and Gabriel in oriental fashion were portrayed as major muses. The Algerian style consisted of white, yellow or red veils, thobes, loose pants worn in Haik, and burnous. The Oriental-style was composed of harem pants, turbans, hair accessories, ornate zouave jackets, and oriental ornaments. The Spanish-style showed gay ornaments, fitted red or yellow matador costume, red bandannas, black hats, and red dresses, plus Spanish guitars. The Japanese-style consisted of kimonos, accessories such as fans, and backgrounds with interior articles such as vases, wall picture frames, and folding screens. The exotic fashion colors were red, yellow and white. Renoir expressed the works with his delicate skills and sense of craftsmanship, and he even added creative design portrayals sometimes. He selected fashions and accessories of exotic tastes as objects and expressed the objects with materials and colors reflecting regional characteristics as such, he can be regarded as an artist wed to who fashions of exotic tastes.

메가스포츠시설의 사후 활용을 위한 임시주거 계획 - 2018평창동계올림픽을 중심으로 - (The Planning of Temporary Housing for Post Application of Mega Sports Facilities - Focused on the 2018 Winter Olympics -)

  • 이종찬;강윤도;김병선
    • KIEAE Journal
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    • 제16권4호
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    • pp.41-46
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    • 2016
  • Purpose: This is a study on the planning of temporary housing for post application of Mega Sports facilities. The subject of the study is 2018 Pyeongchang Winter Olympics, which is to suggest building an alternative temporary housing using shipping containers(high cube), which solve the lack of accommodations and recycle temporary housing after Olympics, save money and be eco-friendly in Olympics. Method: This study includes this ; research on the a fact-finding survey about Mega sports facilities post application and demand survey on 2018 Pyeongchang Winter Olympics accomodations and an analysis about temporary housing plan. Furthermore we decided temporary housing building plan by analyzing residents' needs and traits of the housing etc. Through this, we made a schematic design for household units. Result: As a result, this study is a plan of making space, forms, and structure. The planned size is $38.4m^2$(L:12m, W:3.2m) except balcony, and indoor height is 2.5m. The space consists of entrance, bathroom, bedroom and living room with folding furniture system. Also there's a detailed floor plan of the ceiling, wall, and floor we drew up. The ceiling and wall consist of dampproof film, noncombustible board, fire proof urethane form, and color-designed sheet. The floor is composed of floor tile, cement mortar, light concrete(with heat coil), insulation, and dampproof film. Additionally, this study is a plan of interior dry wall with detail using modular construction method for work efficiency and quality improvement.

A Study on Characteristics of Swedish Furniture Company, $K{\ddot{a}}llemo's$ chair Design

  • Kim, Jin-Woo
    • 한국가구학회지
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    • 제17권4호
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    • pp.1-13
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    • 2006
  • This study attempted to identify the characteristics of chair design from furniture company, $K{\ddot{a}}llemo$, the furniture manufacturer in Sweden manufacturing mostly the limited edition of art furniture on the basis of the unique management philosophy. There are 12 artists manufactured chairs for $K{\ddot{a}}llemo$. Of them, this study selected 4 artists-Sigurdur Gustafsson, John Kandell, Komplot Design, Mats Theselius-who designed at least more than three chairs. Total 25 chairs were analyzed; 6 from Sigurdur Gustafsson, 8 from John Kandell, 3 from Komplot Design and 8 from Mats Theselius. The chair structure was divided into three parts, seat, back and structure and analyzed by material, color, type of legs and finishing. The following results were derived from the study. First, $K{\ddot{a}}llemo$ secured the regular customers who want to possess the chairs as the artistic works by continuing the small quantity mass-production system insisting that the maximum quantity of production is 360 pieces and the minimum quantity is 33 pieces. Second, the sufficient time and cost were invested in the initial phase of design. This approach seems to be deviated from the traditional business system that has to create the revenue at a glance, but ultimately induces the commercial success by exponentially increasing the revenue through the creation of various product lines. Third, $K{\ddot{a}}llemo$ provides the space that the artists who work for $K{\ddot{a}}llemo$ can sufficiently enjoy the mental composure and luxury required for the designers by strictly selecting the artists and providing the best environment for enabling the creative activities that look like the pure art area. This study enables the further analysis and research on other collections of $K{\ddot{a}}llemo$ that mass-produces the chairs on the basis of the unique philosophy in the world as well as in Sweden using more various kinds of analysis frameworks.

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인피섬유의 천연염색 및 염색성 (제1보) -소목, 치자, 오배자 염액의 추출조건 및 염색성- (Properties of Natural Dyeing of Bast Fiber(Part 1) -Properties of dye and extraction condition of sappan wood, gardenia and gallnut-)

  • 박명옥;윤승락
    • 펄프종이기술
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    • 제41권3호
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    • pp.49-59
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    • 2009
  • The bast fibers of paper mulberry were dyed by using sappan wood, gardenia, and gallnut extracted under various extraction conditions. The surface absorption rates, color, and sunlight fastness of the dyed fibers were compared to those of the dyed cotton and silk. The K/S values of silk showed the highest values, followed by gallnut, gardenia, and sappan wood. The optimum extraction conditions of the dye materials were 20 g/L (input amount of dye materials per liter), $90^{\circ}C$ (extraction temperature), and 30 minutes (extraction time). The values of saturation were observed to increase with the increase of the amount of dye materials, extraction time, and extration temperature. However, no effect were found on the values of hue and lightness. In all samples, the developed colors dyed by sappan wood and gardenia were the series of YR, and Y, respectively. The colors of dyed cotton and bast fibers of paper mulberry by gallnut were the series of Y and the dyed silk showed the series of YR. The values of saturation of the bast fibers of paper mulberry by sappan wood and gardenia showed the highest values of saturation, followed by cotton, and silk. In the case of gallnut, cotton showed the highest values of saturation, followed by the bast fibers of paper mulberry, and silk. The sunlight fastness were not improved in all dyeing conditions.

실리카 코팅된 TiO2-천연 제올라이트 복합입자 제조와 특성평가 (Surface Coating of SiO2 on TiO2-natural Zeolite Composite Particles and Its Characterization)

  • 임형미;정지숙;이동진;이승호
    • 한국재료학회지
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    • 제16권11호
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    • pp.692-697
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    • 2006
  • Deodorization of natural zeolites have been improved not only for polar but also for non-polar pollutants by sucessive ion exchanges of H and Ag ions starting from Korean natural zeolite with high adsorption capacity. The modified zeolites with $TiO_2$ coating on the surface revealed high deodorization and photocatalytic decomposition effects. Further modification was made with $10{\sim}20nm$ silica nano particles coating on the surface, the resulting composite particles of $SiO_2/TiO_2/modified$ natural zeolite revealed not only comparable deodorization but also better durability and resisatnce to color change compared to the $TiO_2$/modified natural zeolite without much compensation of photocatalytic decomposition effect, when the composite particles were exposed to the polypropylene non-woven fiber coated with organic binder. It is expected for the composite particle prepared here to be used as indoor building materials for indoor air quality control.

Identification of Pisolithus tinctorius from GNU Campus

  • ;;;;김희규
    • 농업생명과학연구
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    • 제43권4호
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    • pp.33-36
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    • 2009
  • Globose to clavate base-ball sized, pear shaped, fruiting bodies were found under the Himalayan cedar, Cedrus deodora at less fertile and poor sandy poor soil in the campus of Gyeongsang National University in Jinju, Korea. The fruiting body was at first, round to club-shaped, usually with a narrow, rooting base with yellowish rhizomorphs attached to it and lack a volva and a sterile base. The peridium of fruiting body was tough and crusty. The peridioles were white pea-like capsules in a blackish matrix. The color change to darker tints of brown at the top of the exterior peridium reflected the gradual ripening of the interior gleba and peridioles, which proceeded from the top downward to become a mass of spore dust, appearing as cinnamon brown at the apex of the vertical section. At around this stage, the peridium cracked open linearly, exposing the gleba with powdery spores mass released from overmatured peridioles. Spores were more or less round, warty or spiny, 10 to $12{\mu}m$; globose, cinnamon brown in powdery mass, with spines up to $2{\mu}m$ long. The thin peridium ruptured further in response to the disintegration of the peridioles, releasing the powdery spores, which proceeded until whole fruiting body disappeared leaving the dry spore dust coats in the vicinity. The absence of a capillitium is a distinctive characteristic that distinguishes the specimen from other puff-ball fungi and from most of earthballs. Based on the above characteristics, the specimen was identified as Poslithus tinctorius.

한국 전통 의복에 나타난 모듈러 디자인 특성 연구 (A Study on the Characteristics of Modular Design Shown in Korean Traditional Clothing)

  • 나유신
    • 패션비즈니스
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    • 제23권1호
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    • pp.49-63
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    • 2019
  • The purpose of this study is to examine the characteristics of modular design observed in Korean traditional clothing. Modular design, which is one of the noticeable characteristics of modern fashion design emerged in the 20th century. This study analyzed the Korean traditional culture to investigate the characteristics that show similarities to the modular system in design. A traditional Korean house is composed of small structures called 'chae'. A traditional Korean building is composed of a basic unit space called 'kan', and the rooms are divided and recombined. Korean traditional interior design shows furniture, bedding and art works that could be used, folded then stored. Korean cuisine is served in combination with small dishes. Korean letters are combined in square shaped form to make writing and printing easy. Korean traditional clothing has a way of washing where clothing are disassembled, washed and then re-stitched. The pattern pieces are made to be rectangular shaped so that the fabric pieces can be kept in shape during washing. The rectangular shaped pattern pieces can be replaced and reused after washing. Tops and bottoms could be interchanged for color-coordination, because the shapes of the clothing were standardized. These features exhibit modular system in Korean traditional clothing design. Modular system design has common characteristics which have basic modules, pursue practical purpose, have interchangeability adapted to circumstances, and could be disassembled and re-combined. Korean traditional clothing illustrates different ways of practicing modular system, but has some common features to contemporary modular fashion design.

음양변증(陰陽辨證)의 정의와 기능 및 판별방법 연구 (Definition, Role and Method of Yinyang Pattern Differentiation)

  • 지규용;박신형
    • 동의생리병리학회지
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    • 제35권2호
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    • pp.47-55
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    • 2021
  • In order to ensure the fact that eight principle pattern differentiation is used clinically as a basic guideline for Korean medicine practice, the definition, role and method of yin-yang pattern differentiation with its case report were explored at first. Yinyang Pattern Differentiation is a method of discriminating human tendencies or morbidity based on the yin and yang characteristics expressed in living bodies. And yin and yang are the two contrasting characteristics and aspects of the interaction when certain physical conditions that have a lasting effect on the human physiological metabolic function are correlated with the morbidity. Specific methods of yinyang pattern differentiation can be divided into several types of yin and yang indicators. First, time and space factors like day and night, hot and cold seasons, above and below, topographical districts. Second, colors and pulse and their/or relative clearness and muddiness, hardness and softness, moving and resting. Third, diagnose yin and yang patterns through distinguishing the true and false of a fever and cold in an emergency phase such as increase of brain pressure and shock state. Fourth, general characteristics of the propensity and constitution of a subject such as body type, speech, behavior, and physiological metabolism. And for clinical use, these were summarized again as a symptom indicators of physical signs and color, pulse, tongue and questionnaire indicators of propensity, body type, and space-time characteristics. Conclusively, it was confirmed that yinyang pattern differentiation has its own diagnostic significance which is distinct from exterior-interior, cold-heat and deficiency-excess pattern differentiation.

통합예술을 토대로 조형원리를 적용한 아트메이크업 디자인 분석 (Analysis of Art Makeup Design Applying Formative Principles based on lntegrated Art)

  • 안나현
    • 문화기술의 융합
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    • 제10권3호
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    • pp.901-907
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    • 2024
  • 아름다워지고자 하는 욕구는 자연스럽게 미적으로 관심이 중시되고 그에 따라 뷰티산업도 크게 성장하고 있다. 그 중 아트메이크업은 색채와 표현을 중심으로 고정된 틀에서 벗어나 독창적이고 실험성이 있는 예술분야로 뷰티영역에서 발전하고 있다. 아트메이크업은 조형원리에 따라 통합예술을 토대로 한 패션, 건축, 미술 등을 모티브로 디자인 발상을 통해 조형원리를 적용한 아트메이크업에 대한 새로운 예술적인 형태 연구가 필요한 분야이다. 조형원리를 균형, 통일, 강조, 리듬으로 분류하여 그의 적용된 통합예술을 토대로 한 실질적 사례를 조경, 건축, 화훼, 회화, 패션, 인테리어로 구분하여 알아보고, 조형원리를 적용한 아트메이크업 디자인 분석하였다. 이에 아트메이크업 분야에서 조형원리를 적용한 메이크업 디자인 형태가 어떻게 적용되고 있는지와 창의적 영역으로의 확대모색과 아트메이크업 발전에 학문적으로 이론적 토대와 기초자료를 제공함으로 새로운 디자인 개발에 기여하고자 한다.

실내공간 구성요소에 의한 감성반응 연구 - 기독교 예배공간 강단부를 중심으로 - (A Study on the Emotional Reaction to the Interior Design - Focusing on the Worship Space in the Church Buildings -)

  • 이현정;이규백
    • 디자인학연구
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    • 제18권4호
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    • pp.257-266
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    • 2005
  • 본 연구는 기독교 예배공간 강단부 이미지를 대상으로 피험자를 통해 나타나는 감성반응을 연구하고, 감성 자극 요소가 감성반응에 미치는 기여도를 정량화하여 향후 예배공간 강단부 계획에 있어 감성의 공간을 구현하기 위한 기초자료를 제시하는데 그 목적이 있다. 연구 방법으로는 예배공간을 대상으로 추출한 감성 표현어휘 23개와 선정한 예배공간 강단부 이미지 32개와의 상관관계를 분석하기 위해 기독교인 143명을 대상으로 설문조사를 시행 하였다. 통합된 데이터를 수량화이론 III류 분석법을 이용해 2차원분산 분포도로 나타내었으며, 분석 결과, 이미지의 '단순복잡성'을 나타내는 가로(x)축과 이미지의 '독창성'을 나타내는 세로(y)축으로 성립됨을 밝혀내었다. 더불어 분석 결과에 따른 감성 반응치(反應値)와 감성 자극요소와의 인과관계를 수량적으로 추출하기 위해 클러스터 분석에 의한 유사도를 기준으로 가로축의 대표 감성어 소박한, 장엄한 과 세로축의 전형적인 독창적인 을 4개의 감성 어휘 그룹으로 선정하였으며, 해당하는 감성어휘 평가치의 총계를 기준변수로 하고, 예배공간 강단부의 감성 자극 요소를 독립변수로 하는 수량화 이론 I류 분석법을 이용해 분석하였다. 강단부의 감성 자극 요소의 구체적 부분은 벽의 색상, 형태, 마감과 바닥의 형태와 마감, 천장의 형태, 색채, 창의 형태, 상징적 요소의 유(有) 무(無) 9가지로 선정하였으며, 그에 따른 하부 카테고리 31개를 선정하여 감성 자극 요소가 감성반응에 미치는 기여도를 분석하였다. 그 결과 벽면의 색상과 마감이 피험자의 감성반응에 가장 많은 영향을 미치는 것으로 나타났으며, 상징적 요소의 유(有) 무(無)와 천장의 색상은 크게 영향을 미치지 않은 요소임을 밝혀내었다. 본 연구는 예배공간의 종교적 숭고미와 관련되는 감성적 요구를 표현하는데 있어 디자이너의 주관적인 해석을 객관화, 정량화시켜 사용자의 감성적 만족을 높이고 공간의 유형과 목적을 만족시킬 수 있는 공간 디자인 접근에 도움이 되리라 본다.

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