DOI QR코드

DOI QR Code

Renoir's Fashion Colors and Exotic Taste That Must Be Re-Evaluated

재평가되어야할 르누아르의 이국취미와 패션컬러

  • Lee, KeumHee (Dept. of Fashion Design & Marketing, Seoul Women's University)
  • 이금희 (서울여자대학교 패션산업학과)
  • Received : 2017.11.23
  • Accepted : 2018.01.06
  • Published : 2018.02.28

Abstract

The purpose of this study is to examine the characteristics that appeared in the fashion and colors of exotic tastes used by Renoir with a view to re-evaluating his-attitude towards exotic tastes. The methods used in this study were literature research and analysis of visual data from Renoir's works. The results of the study are as follows. Renoir's exotic tastes originated from the material perspective appearing in the fashions and accessories of Algeria, Orient, Spain, and Japan. Parisienne Odalisque Lise in Harem-style, Jeanne Samari in parisienne fashion holding a Japanese fan, and Gabriel in oriental fashion were portrayed as major muses. The Algerian style consisted of white, yellow or red veils, thobes, loose pants worn in Haik, and burnous. The Oriental-style was composed of harem pants, turbans, hair accessories, ornate zouave jackets, and oriental ornaments. The Spanish-style showed gay ornaments, fitted red or yellow matador costume, red bandannas, black hats, and red dresses, plus Spanish guitars. The Japanese-style consisted of kimonos, accessories such as fans, and backgrounds with interior articles such as vases, wall picture frames, and folding screens. The exotic fashion colors were red, yellow and white. Renoir expressed the works with his delicate skills and sense of craftsmanship, and he even added creative design portrayals sometimes. He selected fashions and accessories of exotic tastes as objects and expressed the objects with materials and colors reflecting regional characteristics as such, he can be regarded as an artist wed to who fashions of exotic tastes.

Keywords

References

  1. Art notebook. (1979). Tokyo: Art-publisher.
  2. Bailey, C. (2003). Renoir and Algeria. The Burlington Magazine, 145(1206), 682-684.
  3. Benjamin, R, & Prochaska, D, (2003). Renoir and Algeria. Williamstown: Clark Art Institute
  4. Crepaldi, G. (2009). Renoir. (B. Choi, Trans.). Seoul: Maroniebooks. (Original work published 2006).
  5. Distel, A. (1997). Renoir : A sensuous vision(New horizons). (I. Song, Trans.). Seoul: sigongsa. (Original work published 2005).
  6. Durand-Ruel, F. (2016). Renoir images of women, Seoul Museum of Art, The Kyunghyang Shinmun, Seoul: Hankook inter Culture.
  7. Engelmann, I. (2008). Impressionism 50 paintings you should know. (J. Lee, Trans.). Seoul: Semicolon. (Original work published 2007).
  8. Feist, P. (2005). Pierre Auguste Renoir: 1841-1919 : A dream of harmony (Y, Kyun, Trans.). Seoul: maroniebooks. (Original work published 2000).
  9. Fukai, A. (2011). Japonisme in fashion. (E, Her, Trans.). Seoul : J&C. (Original work published 1994).
  10. Grimme, K. (2010). Impressionism. (G, Ha, Trans.). Seoul: maroniebooks. (Original work published 2007).
  11. Heyde. A. & Valva, M. (eds.). (2009). Renoir art classics 11. (Y. Kim, Trans.). Seoul: Yekyong. (Original work published 2005).
  12. House, J. (2003). Renoir and Algeria. Apolio. 50, 57-58.
  13. Jeong, H. (1997). The analysis of female costume in the painting of Renoir. The Research Journal of the Costume Culture 5(3), 129-141.
  14. Kim, G. (1989). Renoir. Seoul: Seomoomdang.
  15. Lee, K. (2013). A study on the formative factors and characteristics of spanish fashion. Journal of the Korean Society of Costume, 63(8), 188-208. https://doi.org/10.7233/jksc.2013.63.8.188
  16. Lee, K. (2017). Exotic colors and fashion in the painting of Edgar Degas. Proceedings of 2017 Conference on Revolution and confrontation Stratagy of Textile & Fashion business in thr age of Fourth Industrial Revolution (pp.146-149). Seoul : the Korean Society of Fashion Business.
  17. Loumaye, J. (2000). Renoir: Un eternel ete. (S. Kim, Trans.). Seoul: Sungwoo. (Original work published 1996).
  18. Mabuchi, A. (2004). Japonisme-representations et imaginaires des europeens (Y. Choi, Trans.). Seoul: J&C. (Original work published 2004).
  19. Mathieu, C. & Kim, S. (2014). Musee d' Orsay: Impressionism. (Y. Bai & S. Hong, Trans.). Seoul: National Museum of Korea GNCmedia.
  20. Naokazu AOKI, Daisuke OTANI, Hiroshi ARAI, Yuki MASUDA and Hiroyuki KOBAYASH(2008). Application of Renoir's expression technique of flesh color to digital imaging. Nihon Shashin Gakkaishi, Society of Photographic Science and Technology of Japan, 71(5), 375-379.
  21. Pach, W. (1991). Pierre Auguste Renoir, (M. Cha & K. Kim, Trans.). Seoul: Korea Joongang Daily. (Original work published 1983).
  22. Renoir(1868). Portrait of the Couple Sisley. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/portrait-of-the-couple-sisley-1868
  23. Renoir(1870). Madame Stora in Algerian Dress. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/madame-stora-inalgerian-dress-1870
  24. Renoir(1870). Odalisque (An Algerian Woman). Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/odalisque-an-algerian-woman-1870
  25. Renoir(1871). Still Life with Bouque. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/still-life-with-bouquet-1871
  26. Renoir(1872). The Harem. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-augusterenoir/the-harem-parisian-women-dresses-as-algerians-1872
  27. Renoir(1874). The Box. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/the-box-1874
  28. Renoir(1874). The Blue Lady. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-augusterenoir/the-blue-lady-1874
  29. Renoir(1875). Girl with Fan. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-augusterenoir/girl-with-fan
  30. Renoir(1876). Girl with a Watering Can. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/girl-with-a-watering-can-1876
  31. Renoir(1877). Jeanne Samary in a Low-Necked Dress. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/jeanne-samary-in-alow-necked-dress-1877
  32. Renoir(1878). Madame Georges Charpentier and Her Children. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/madame-georges-charpentier-and-her-children-1878
  33. Renoir(1880). Sleeping Girl with a Cat. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/sleeping-girl-girl-with-a-cat-1880
  34. Renoir(1881). Algerian Girl. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-augusterenoir/algerian-girl-1881
  35. Renoir(1882). Marie Therese Durand Rruel Sewing. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/marie-therese-durand-ruel-sewing-1882
  36. Renoir(1882). Mosque in Algiers. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/mosque-in-algiers-1882
  37. Renoir(1882). Girl with Falcon. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/girl-with-falcon-1882
  38. Renoir(1882). Algerian Women and Baby. Retrieved June 25, 2017, from https://fineartamerica.com/featured/algerian-woman-and-child-pierre-augusterenoir.html
  39. Renoir(1882). Algerian Women Seated. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/algerian-woman-seated-1882
  40. Renoir(1882). Madame Heriot. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-Augusterenoir/madame-h-riot-1882
  41. Renoir(1883). Dance at Bougiva. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/dance-at-bougival-1883
  42. Renoir(1883). Yellow Dress. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-augusterenoir/bust-of-a-woman-yellow-dress
  43. Renoir(1884). Girl with a Straw Hat. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/girl-with-a-straw-hat
  44. Renoir(1896). Woman Playing the Guitar. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/woman-playing-the-guitar-1896
  45. Renoir(c.1896). Spanish Dancer in a Red Dress. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/spanish-dancer-in-a-red-dress
  46. Renoir(1896-1897). Women with Guitar. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/woman-with-a-guitar-1897-1
  47. Renoir(c.1897). Young Guitarist Standing. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/young-guitarist-standing
  48. Renoir(1898). Young Spanish Woman with a Guitar. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/young-spanish-womanwith-a-guitar-1898
  49. Renoir(1899). Self-Portrait. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-augusterenoir
  50. Renoir(1905). Young Woman Seated in an Oriental Costume. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/young-woman-seated-in-an-oriental-costume-1905
  51. Renoir(c.1905). Still Life with Strawberries. Retrieved May 11, 2016, from http://www.musee-orangerie.fr/en/artwork/strawberries
  52. Renoir(1909). Dancer with Tambourne. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/dancer-with-tambourne-gabrielle-renard-1909
  53. Renoir(1911). Gabrielle with a Rose. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/gabrielle-with-a-rose-1911
  54. Renoir(1914-1917). Dedee in Spanish Dress. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierre-auguste-renoir/dedee-in-spanish-dress-1917
  55. Renoir(1917). Ambroise Vollard Portrait. Retrieved May 11, 2016, from https://www.wikiart.org/en/pierreauguste-renoir/ambroise-vollard-portrait
  56. Yang, S (2016). A study on the relationship between the color of Impressionism and the classical form in Renoir's paintings. Journal of Korea Child Art Association, 15(1) 63-76.
  57. Sawachi, H. (2006). The wife of artis. (E. Byun, Trans.). Seoul: Artbooks. (Original work published 1998).
  58. Simon, M. (1995). Fashion in art: The second empire and impressionism, Paris: Hazan.
  59. Snollaerts, C. (2016). Renoir images of women, Seoul Museum of Art, The Kyunghyang Shinmun, Seoul: Hankook inter Culture.

Cited by

  1. 인상주의 회화에 나타난 근대도시의 기호와 여성패션 vol.22, pp.4, 2018, https://doi.org/10.12940/jfb.2018.22.4.76