• 한국수자원학회:학술대회논문집
• /
• 한국수자원학회 2005년도 학술발표회 논문집
• /
• pp.1209-1213
• /
• 2005

It reflects well feature of slope that is characteristic of city river basin of Pusan local. Process various hydrological datas and basin details datas which is collected through basin basis data. weather satellite equipment(EMS-DEU) and automatic water level equipment(AWS-DEU) and use as basin input data of ILLUDAS model, SWMM model and HEC-HMS model In order to examine outflow feature of experiment basin and then use in reservoir design of experiment basin through calibration and verification about HEC-HMS model. Inserted design rainfall for 30 years that is design criteria of creek into HEC-HMS model and then calculated design floods according to change aspect of the impermeable rate. Capacity of reservoir was determined on the outflow mass curve. Designed imagination reservoir(volume $54,000m^3$) at last outlet upper stream of experiment basin, after designing reservoir. It could be confirmed that the peak flow was reduced resulting from examining outflow aspect. Designing reservoir must decrease outflow of urban areas.

• 한국측량학회:학술대회논문집
• /
• 한국측량학회 2007년도 춘계학술발표회 논문집
• /
• pp.261-264
• /
• 2007

In this study, I wished to forecast damage district by tsunami's occurrence. For this, analyzed tsunami that can happen in our country's neighborhood sea area using past data, and established tsunami's scenario by imagination with analysis result. I created 3D topographical model about study area and analyzed inundation area by achieving simulation by scenario. Also, result of simulation does overlay with digital map and manufactured imagination inundation map. This study result may offer as basic data for operation of tsunami's forecast/alarm system and making of disaster prevention policy.

• Nuclear Engineering and Technology
• /
• 제45권1호
• /
• pp.13-20
• /
• 2013

This paper looks at the Fukushima disaster from the perspective of resilience engineering, which replaces a search for causes with an understanding of how the system failed in its performance. Referring to the four resilience abilities of responding, monitoring, learning, and anticipating, the paper focuses on how inadequate engineering anticipation or risk assessment during the design, in combination with inadequate response capabilities, precipitated the disaster. One lesson is that systems such as nuclear power plants are complicated, not only in how they function during everyday or exceptional conditions, but also during their whole life cycle. System functions are intrinsically coupled synchronically and diachronically in ways that may affect the ability to respond to extreme conditions.

• 한국콘텐츠학회논문지
• /
• 제22권2호
• /
• pp.665-681
• /
• 2022

본 논문은 미래 디스토피아 사회에 대한 재앙의 상상력을 구현한 한국 SF 영화 <설국열차>와 <승리호>를 비교·분석했다. 서사 전략을 살펴보면, 두 영화는 공통적으로 미래사회를 지구환경의 위기가 일상화되고 빈부격차가 극단적으로 심화된 자본주의 사회로 재현하고 있다. 인류를 구원함과 동시에 멸망시키는 천재 과학자가 출현하고 과학기술-자본을 독점한 지배권력이 등장한다. 그리고 이에 맞서는 평범한 주체들로 구성된 저항 세력을 내세운다. 하지만 두 영화는 이와 같은 표층서사의 유사성에도 불구하고 기저의 심층 서사에서 미래사회를 바라보는 시각, 특히 자연, 과학기술 그리고 인간-비인간 행위자에 대한 인식 차이를 드러낸다. 본 논문은 이를 작품속 사물(오브제)의 구성방식과 그 내러티브 기능에 대한 분석을 통해 조명했다.

• Journal of Information Technology Applications and Management
• /
• 제28권3호
• /
• pp.77-87
• /
• 2021

The color gray in the cinema expresses the private or public memory and oblivion in the reminiscence scenes. The aesthetic function and meaning of gray that interacts with other elements in cinematic time and space are expanded in various ways. This study was analyzed the cases in which gray was used as the main visual style by limiting the scope to Korean films. Based on the traditional cultural symbolic meaning of gray, I analyzed how it was applied and transformed in films, and interpreted the cultural-social meaning by the interaction between gray and other elements. In film history starting from monochrome, gray has been used as a visual device suitable for realizing cinematic or imaginary reality. Gray is adopted when dreams or recollections are visualized as imaginary reality, and it is used when dreamy imaginations of daydreaming are demonstrated. Gray, which reproduces the dreamlike reality of imagination, is the concrete and realistic way of expression. First, in Korean films, gray is a flashback visual device that recalls the past, and is an intermediary visual form that materializes the imaginary. In films such as Ode to My Father (2014), DongJu (2015), A Resistance(2019) and The Battle : Roar to Victory (2019), the gray of the past is a visual device for cultural memory that builds the homogeneity and identity of the group. In the era of hyper-visibility, gray in black and white images is intended to be clearly remembered by unfamiliarity rather than blurry oblivion by familiarity. Second, in genre films with disaster materials such as Train To Busan (2016) and Ashfall (2019), the grays of rain, fog, clouds, shadows and smoke highlight other elements, and the gray color causes anxiety and fear. In war films such as TaeGukGi: Brotherhood Of War (2003) and The Front Line (2011), gray shows a more intense brutality than the primary color. In sports films such as 4th Place (2015), Take Off (2009) and Forever The Moment (2007), gray expresses uncertainty and immaturity. Third, gray visualizes the historical memory of A Petal (1996), the oblivion in Oh! My Gran (2020) and Poetry (2010), and the reality of daydreaming Gagman (1988) and Dream (1990). At the boundary between imagination and reality, gray is a visual form of dreams, memories and forgetfulness.

• 한국지리정보학회지
• /
• 제11권1호
• /
• pp.105-115
• /
• 2008

본 연구에서는 지진해일의 내습에 따른 피해지역을 예측하고자 인근연안에서 발생한 지진해일에 대한 통계자료 및 관련 연구 자료를 이용하여 가상적인 지진해일 발생 시나리오를 작성하고, 연구대상지에 대한 지형모델링을 실시하여 이를 시뮬레이션 함으로써 가상지진해일에 의한 피해지역을 3차원으로 분석하였다. 또한 시나리오별 시뮬레이션 결과를 수치지도와 중첩하여 최대범람지도를 시범적으로 작성하였다. 연구의 결과는 지진해일 예 경보시스템의 효과적 운용과 국가 및 지역단위의 방재정책의 수립을 위한 기반기술로 활용될 수 있을 것으로 사료된다.

• 대중서사연구
• /
• 제25권4호
• /
• pp.191-221
• /
• 2019

본 연구는 최근 주요한 인문학적 테제로 등장하고 있는 포스트휴머니즘적 상상력이 한국문학, 특히 소설에 나타난 양상을 분석하는 것을 목표로 한다. 특히 본고에서는 2000년대 초반 활동했던 작가인 조하형의 두 소설 『키메라의 아침』(2004)과 『조립식 보리수나무』(2008) 두 편을 집중적인 분석의 대상으로 삼는다. '포스트휴머니즘(Post-humanism)'은 근대의 한계를 극복하고 새로운 세계관의 정립을 모색하기 위해 노력한 탈근대적 사유의 연장선상에서 파악할 수 있다. 특히 이 사상은 20세기 이후 급격히 발전한 과학 기술의 발달이 인간관 나아가서는 인간중심적인 문명 자체를 바꿔온 양상을 종합적으로 파악하는 데에 관심을 기울인다. 포스트휴머니즘 비평은 서사에 등장하는 인물 형상을 새롭게 바라보는 시선을 제공하는 한편, 과거에 쓰인 고전 작품 속에서 주목받지 못했던 주변 인물들, 비-인간, 사물들을 발굴해서 재조명하는 작업을 시도하고 있다. 이러한 사상적 흐름은 최근 기존의 인문학이 지배하던 인간에 대한 관념이 전면적으로 바뀌어 자연과학·기술적 관점이 담론장에 다양하게 적용되는 현실을 반영하는 것이다. 포스트휴머니즘의 질문들은 철학의 큰 범주인 존재론, 인식론, 경험론적인 분야를 아우르는 동시에 문학과 과학 그리고 사회과학 전체의 참여를 요청함으로써 학제적인 연구 과제를 발생시키고 있다. 혹독한 재난이 닥친 세계를 배경으로 『키메라의 아침』은 인간이 바이오테크놀로지에 의해 변형된 변종의 형태로, 『조립식 보리수나무』는 컴퓨터 시뮬레이션에 의해 제작된 인공지능(Artificial Intelligence)의 모습으로, 다시 태어나는 과정을 그린다. 조하형 소설에 나타난 포스트휴머니즘적 사상은 텍스트에 재현된 세계의 형상와 인간의 정체성을 종합적으로 재고하고, 인간과 비인간을 구분하는 경계선과 위계질서 등을 다시 탐구하는 반성적인 계기가 된다.

• 미술이론과 현장
• /
• 제14호
• /
• pp.7-32
• /
• 2012

The exhibition was started in 2010 in the New Acropolis Museum of Athens and embarked a journey since 2011 as a travelling exhibition inside Greece and abroad. The main purpose of the exhibition was to draw attention of the general public to the value of the 'rescue excavation' and of cultural heritage of Greece, by presenting the reconstruction bust of a girl whose skull was found in Kerameikos cemetery of ancient Athens. The new Kerameikos excavation was initiated by the construction of Metropolitan Railway lines in the center of Athens between 1992 to 1998. It revealed a pit of a mass burial where about 150 people were inhumed in a very hasty way without proper funeral rites or offerings. These bodies are identified as the victims of the infamous plague of Athens in the first years of the Peloponnesian War(430-426 BC). The epidemic disease killed almost one third of the city population including Pericles, and brought extreme fear and panic to the Athens society. The traditional funerary rites were totally disrupted, and the social decorum and the morality among the citizens became enfeebled. The plague and the civil war were the decisive factors to end the Golden Age of Democratic Athens. However, the exhibition organizers did not focus on the tragic aspect of this disaster and its casualties. Their main concern was to simplify the scholarly works of archaeological excavation and microchemistry analysis so that the exhibition viewers will easily understand and empathize the living value of the scholarly works of ancient Greek civilization. The centripetal element of the exhibition was the vivid face of an 11 years old ancient girl 'Myrtis', which was carefully reconstructed based on both the scientific data and artistic imagination. Also the set up of the exhibition was structured in order to stimuli cognitive and emotional experience of the visitors who witnessed the rebirth of a vibrant human being from an ancient debris. The museologists' continuous efforts to promote projects of contemporary artists, publications, and school programs related to the exhibition indicate that the ulterior motive of this exhibition is the cultural education of the present and future generation through the intimate experiences of ancient Greek life. Also this is the reason why the various museums that held the travelling exhibition try to make the presentation as a gesture of memorial service for an anonymous Athenian girl who deceased circa 2400 years ago. The pragmatic efforts of Greek scholars and museologists through exhibition show us a way to find a solution to the continuous threat of cultural resources by massive construction projects and land development, and to overcome public indifference to the history and cultural heritage.