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Kim, J. Y., "An outsider of the border and the borderline," Journal of Studies on Korean National Movement, Vol. 97, 2018, pp. 89-121.
DOI
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2 |
Kristeva, J., "Giotto's Joy", Semiotics and Visual Arts, Vision and Language, 1995, pp. 147-180.
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3 |
Moon, E. B., People Who Brought Colors, Ahn Graphics, 2019.
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4 |
Patterson, J., A Concise history of theatre, Translated by Shin Il-soo & Kim Jimyeong, Sigma press, 2016, pp. 243-247.
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5 |
Shin, C. H., "Tone of Colors in Films-The Case of Christmas in August", Literary Criticism, Vol. 38, 2010, pp. 291-311.
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6 |
Yoon, G. and Cheon, H. J., "The History and Characteristic of Sports Movies in Korea", The Korean Journal of Physical Education, Vol. 59, No. 3, 2020, pp. 33-45.
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7 |
Kim, J. G., "Interactive Significance of Black in Film Color, Authority and Innovation", Cartoon and Animation Studies, Vol. 55, 2019, pp. 395-418.
DOI
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8 |
Kim, J. G., "Black in Along with the Gods, Interaction between (Non)Material and Perception", Cartoon and Animation Studies, Vol. 57, 2019, pp. 563-581.
DOI
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9 |
Cho, J. Y., "The comedy tragedy that became more pronounced after the color was removed...'Parasite' black and white version", Yonhap News, 2020. 5. 3.
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10 |
Kim, J. G., "The Style and Cultural Significance of Film Color White", Journal of KOEN, Vol. 14, No. 4, 2020, pp. 187-198.
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11 |
Kim, J. W., "Why did domestic directors make movies in black and white in an era when color is natural?", Cine 21, 2018.
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Goethe, Johann Wolfgang von, Zur Farbenlehre, Translated by Kwon Osang, Minumsa, 2003.
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13 |
Kim, C. J., Comedia Delarte, Theater and Human, 2005.
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14 |
Kim, J. G., "A Study on the Colour-Style of Film", Film Studies, Vol. 18, 2002, pp. 271-299.
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15 |
Joo, E. W., "Fiction Films'(Re) Writing History in the Cases of Ode to My Father(Gukjesijang) and Forrest Gump", Society and History, Vol. 120, 2018, pp. 195-234.
DOI
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16 |
Heller, E., Wie Farben auf Gefuhl und Verstand wirken 2, Translated by Lee Younghee, Yedam, 2002.
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17 |
Kim, E. J. and Kim, G., "A Study of Color Image in the Film Stalker", Journal of Digital Interaction Design, Vol. 16, No. 2, 2017, pp. 33-44.
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Kim, J. G., "A Study of the Color Technology in Film", Film Studies, Vol. 19, 2002, pp. 141-170.
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19 |
Eco, Umberto, "How Culture Conditions the Colours We See", Marshall Blonsky, ed., On Signs, The Johns Hopkins University Press, 1985, pp. 157-175.
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20 |
Chang, W., "A Study on the anthropological shape in Hans Belting's Bildwissenschaft", The Korean Journal of Art and Media, Vol. 17, No. 2, 2018, pp. 37-54.
DOI
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21 |
Cho, Y. S., The Association of Colors : a symbol of colors led by language and culture, Guardian, 2017.
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Kim, J. G., "Film Editing Style and Tears in the Audience", Locality and Communication, Vol. 19, No. 1, 2015, pp. 87-113.
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Kim, J. G., "Screen Performance of the Korean Actor Choi Min-sik", Journal of Korea Entertainment Industry Association, Vol. 14, No. 8, 2020, pp. 131-140.
DOI
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24 |
Kim, J. G., "Black God and White Devil in Parasite(2019)", Cartoon & Animation Studies, Vol. 61, 2020, pp. 317-338.
DOI
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25 |
Kim, J. G., Cinematic Color Aesthetics, Communication Books, 2014.
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26 |
Kim, J. G., "Perfume : The Story of a Murderer as Semiotique, Blue of Abjection", Film Studies, Vol. 35, 2008, pp. 171-190.
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Kim, J. G., "A Study on Film Color of S. Eisenstein", Film Studies, Vol. 58, 2013, pp. 87-109.
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28 |
Tae, J. H., "A Study on the Method of Representation Proposed by Nostalgic Films as a Cultural Memory", Korean Journal of Journalism and Communication Studies, Vol. 57, No. 6, 2013, pp. 417-440.
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Kim, J. H., "The Correspondence of Colors in Bacovia's Poems", East European and Balkan Studies, Vol. 14, No. 1, 2005, pp. 1-17.
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Kim, T. H., "A Study of the Image-Crystal in the Film Paju", Korean Association for Visual Culture, Vol. 15, 2010, pp. 279-307.
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31 |
Pastoureau, M. and Simonnet, D., Les couleurs expliquees : en images, Translated by Go Bongman, Art culture, 2020.
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