• 대한화학회지
• /
• 제55권5호
• /
• pp.846-856
• /
• 2011

이 연구에서는 중학교 1학년 과학영재들의 비유 만들기의 각 단계에서 나타나는 심상적 사고의 특성을 심상적 정보처리 과정의 측면에서 분석하였다. 연구 결과, 과학영재들의 비유 만들기 과정에서 이미지 산출, 이미지 조작, 이미지 표현의 심상적 정보처리 과정이 나타났다. 또한, 과학영재들은 비유 만들기 과정에서 지각 심상, 기억 심상, 상상 심상의 세 가지 유형의 심상을 활용하는 것으로 나타났으며, 활용한 심상의 유형에 따라 심상적 정보처리 과정에 차이가 있었다. 이를 바탕으로 비유 만들기에서 활용한 심상의 유형에 따른 심상적 정보처리 모델을 제안하였다. 이 연구의 결과는 비유적 사고와 심상적 사고의 상호 작용을 강조함으로써 과학영재의 심상적 사고를 촉진할 수 있는 비유 만들기 전략의 효과적인 활용 방안을 마련하는데 유용한 시사점을 제공할 수 있을 것이다.

• 한국콘텐츠학회논문지
• /
• 제13권11호
• /
• pp.130-137
• /
• 2013

이 연구는 무용심상 훈련프로그램을 통해 무용수들이 인식하고 있는 신체지각과 창의적사고의 관계성을 밝히고자 시도하였다. 무용수의 내적심상과 외적표현은 자기감응의 확산적 표현과정이며, 신체지각과 창의적 사고의 관계성을 입증하였다. 그 핵심은 상상력을 통한 문제인식과 해결의 적극적인 사고과정이며, 새로운 지각과 그 소통능력을 의미한다. 그러므로 무용심상은 신체와 정신의 통합원리에 근거한 지각훈련이고, 폭넓은 내적상상의 다양성과 외적표현의 적극적인 사고를 통해 새로운 소통을 창조해야 한다.

• 영어영문학
• /
• 제56권6호
• /
• pp.1255-1279
• /
• 2010

Much has already been learned about what goes on in the minds of second language writers as they compose, yet, oddly enough, until recently little in the L2 research literature has addressed writing and mental imagery together. However, images and imaging (visual thinking) play a crucial role in perception (the basis of mental imagery), in turn, affecting language, thinking, and writing. Many theorists of mental imagery also agree that more than just language accounts for how we think and that imagery is at least as crucial as language. All of these demands, to be sure, are compounded for EFL students, which is why I investigate EFL students' writing process, focusing on the use of mental imagery and its relationship to the writing. First I speculate upon some ways that imagery influences EFL students' composing processes and products. Next, I want to explore how and whether the images in a writer's mind can be shaped effectively into a linear piece of written English in one's writing. I studied two university undergraduate EFL students, L and J. They had fairly advanced levels of English proficiency and exhibited high level of writing ability, as measured by TOEFL iBT Test. Each student wrote two comparison and contrast essays: one written under specified time limitations and the other written without the pressure of time. In order to investigate whether the amount of time in itself causes differences within an individual in imagery ability, the students were placed under strict time constraints for Topic 1. But for Topic 2, they were encouraged to take as much time as necessary to complete this essay. Immediately after completing their essays, I conducted face-to-face retrospective interviews with students to prompt them for information about the role of imagery as they write. Both L and J have spent more time on their second (untimed) essays. Without time constraint, they produced longer texts on untimed essay (149 vs. 170; 186 vs 284 words). However, despite a relatively long period of time spent writing an essay, these students neither described their images nor detailed them in their essays. Although their mental imagery generated an explosion of ideas for their writings, most visual thinking must merely be a means toward an end-pictures that writers spent in purchasing the right words or ideas.

• 한국수학교육학회지시리즈A:수학교육
• /
• 제52권1호
• /
• pp.19-41
• /
• 2013

What is the foundation of mathematical thinking? Is it logic based symbolic language system? or does it rely more on mental imagery and visuo-spatial abilities? What kind of neural changes happen if someone's mathematical abilities improve through practice? To answer these questions, basic cognitive processes including long term memory, working memory, visuo-spatial perception, number processes are considered through neuropsychological outcomes. Neuronal changes following development and practices are inspected and we can show there are neural networks critical for the mathematical thinking and development: prefrontal-anterior cingulate-parietal network. Through these inquiry, we can infer the answer to our question.

• 한국멀티미디어학회논문지
• /
• 제25권10호
• /
• pp.1457-1467
• /
• 2022

The relationship between film and culture is established through a shared focus on people's lives. Culture changes at different times, which makes a dynamic and complex relationship between film and culture. Understanding this relationship helps to provide better support for current filmmaking. The purpose of this study is to provide insights into the macro issue of film and culture by exploring the relationship between film theme and culture concept. To this end, we used a case study to explore the connection between themes and culture concepts in Disney's Mulan (1998, 2020) through literature and analyses of culture concepts (Chinese "imagery" and Postmodernism). The study concludes that, "Culture assemblage" and "Vision is king" have become cultural trends that influence the creation of film theme and style to a certain extent; how to balance the relationship between the core idea of film theme and the external forms is an important issue in current filmmaking. The article contributes to promote thinking about culture in film creation, and its research perspective on different cultures and histories is innovative.

• 한국콘텐츠학회논문지
• /
• 제16권9호
• /
• pp.779-790
• /
• 2016

본 연구는 중국 고대예술의 이미지 서사와 시각문화에 관한 연구로, 문학과 회화형식이 결합된 복합적인 텍스트와 시각성을 연구대상으로 하였다. 특히 고대예술의 시각적 사유방식과 이시동도(異時同圖)적 표현, 고대의 도상 서사방식과 만화예술의 칸의 상호 해석을 통한 매체적 합일성 그리고 도상서사의 만화적 연원과 현대적 수용방식이다. 중국 고대의 시각에 대한 인식은 전통적인 양식적 형상과 의미적 상징을 포괄한다. 예술의 서사적 이미지로서 도상의 형상적 사유와 시각적 표상은 예술 창작활동 가운데 중요한 의의를 가지며, 예술적 사유 또한 시각적 표상과 분리되어 질 수 없다. 시각적 이미지를 매개로 하는 도상적 서사방식은 일종의 이성적 사고를 지닌 창의적 언어표현이다. 고대예술의 이미지 사유방식과 이시동도적 시공간표현 특징은 일종의 예술적 공간의 시간화로 현대 만화예술의 사유공간으로서 또 다른 조형적 수용방식이다. 이러한 이미지의 서사방식은 새로운 조형미와 매체형식 그리고 문화가치가 결합된 현대인의 대중적 미적욕구와 소통을 필요로 한다.

• 대한치매학회지
• /
• 제16권2호
• /
• pp.48-53
• /
• 2017

Background and Purpose Torrance Tests of Creative Thinking (TTCT) is a well-known and commonly used measure of creativity. However, the TTCT-induced creative hemodynamic brain activity is rarely revealed. The purpose of this study is to elucidate the neural correlates of creative thinking in the setting of a modified version of the figural TTCT adapted for an functional magnetic resonance imaging (fMRI) experiment. Methods We designed a blocked fMRI experiment. Twenty-five participants (11 males, 14 females, mean age $19.9{\pm}1.8$) were asked to complete the partially presented line drawing of the figural TTCT (creative drawing imagery; creative). As a control condition, subjects were asked to keep tracking the line on the screen (line tracking; control). Results Compared to the control condition, creative condition revealed greater activation in the distributed and bilateral brain regions including the left anterior cingulate, bilateral frontal, parietal, temporal and occipital regions as shown in the previous creativity studies. Conclusions The present revealed the neural basis underlying the figural TTCT using fMRI, providing an evidence of brain areas encompassing the figural TTCT. Considering the significance of a creativity test for dementia patients, the neural correlates of TTCT elucidated by this study may be valuable to evaluate the brain function of patients in the clinical field.

• 제어로봇시스템학회:학술대회논문집
• /
• 제어로봇시스템학회 1993년도 한국자동제어학술회의논문집(국제학술편); Seoul National University, Seoul; 20-22 Oct. 1993
• /
• pp.265-270
• /
• 1993

In an intelligent man-machine interface, it is very effective to support human thinking and to be in communication in some intuitive fashion. For this, sharing experience between the party concerned, human operators(s) and the interface is essential. It is also necessary to keep mutual understanding in some conceptual levels. Here in the present paper, figures which are an aspect of concepts and form a basis of mental image are discussed.

• 한국디지털건축인테리어학회논문집
• /
• 제11권3호
• /
• pp.53-59
• /
• 2011

In creative design, it is necessary to understand the characteristic of architectural design. In the world of design problem, a distinction can be made between those that are well-defined and those that are ill-defined. Well-defined problems are those for which the ends or goal, are already prescribed and apparent, their solution requires the provision of appropriate means. For ill-defined problems, on the other hand, both the ends and the means of solution are unknown at the outset of the problem solving exercise, at least in their entirety. Most of design problems is ill-defined, which is unknown at the beginning of the problem solving exercise. In order to solve the design problem, Designers take advantage of the search methods of problem space, such as global-search-methods(depth-first-methods, breath-first-methods), local-search-methods(generate and test, heuristics, hill-climbing, reasoning) and visual thinking, which is represented through sketching. Sketching is a real part of design reasoning and it does so through a special kind of visual imagery. Also in the design problem solving it have been an important means of problem exploration and solution generation. By sketching, they represent images held in the mind as well as makes graphic images which help generate mental images of entity that is being designed. The search methods of problem space and a visual thinking have been crucially considered in the architectural design. The purpose of this paper is to explore the property of design by means of the pre-existed-experiment data and literature research. The findings will help design the architectural design for more creative results.

• 대한화학회지
• /
• 제54권1호
• /
• pp.150-157
• /
• 2010

이 연구에서는 비유를 사용한 '농도와 반응속도'에 대한 학습에서 학생들의 인지적 정의적 변인들의 상 하위 수준에 따른 대응 관계 이해도와 대응 오류 유형의 차이를 비교하고, 이 변인들과 대응 관계 이해도와의 관계를 조사하였다. 사전검사로 논리적 사고력, 시각적 심상화 능력, 비유 추론 능력, 자아 효능감, 인지욕구 검사를 실시하였다. 비유를 사용한 수업을 진행한 후, 친숙도 검사와 대응 관계 이해도 검사를 실시하였다. 연구 결과, 시각적 심상화 능력과 친숙도를 제외한 모든 인지적 정의적 변인의 수준이 상위인 학생들의 대응 관계 이해도 점수가 하위 학생들보다 통계적으로 유의미하게 높았다. 또한, 과잉 대응, 대응 불이행, 불가능한 대응, 인위적 대응, 부적절한 대응, 무분별한 대응, 비유물 속성 보유 등의 대응 오류 유형의 빈도가 학생들의 인지적 정의적 변인의 수준에 따라 다른 양상을 보였다. 학생들의 대응 관계 이해도 점수는 모든 인지적 정의적 변인들과 정적인 상관이 있었다. 다중 회귀 분석 결과, 과학 성취도, 논리적 사고력, 친숙도가 대응 관계 이해도에 대한 유의미한 예언 변인으로 나타났다. 이에 대한 교육적 함의를 논의하였다.