• Journal of the Korean Graphic Arts Communication Society
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• v.29 no.1
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• pp.75-83
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• 2011

As screen printing is changed by automation recently, could print more exactly. However, must suffer great many trial and error to have still gotten perfect result. By the way, at this step, fair time and money should be invested. Therefore, if search for optimum condition in early time visualizing screen printing process using simulator program before progress printing, is judged that may be correct and gets printing result efficiently. In this paper, searched optimum printing speed and ink viscosity using FLOW-3D program. Also, the result could confirm truth that is agreeing almost with experiment contents. Through this, is thought that may expect extension of screen printing wide application that vivify advantage of screen print if use simulation program.

• Textile Coloration and Finishing
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• v.32 no.1
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• pp.19-26
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• 2020

The previous study reported that the quaternary copolymer of MMA, BA, MAA, and NEA was expected to be a good monomer composition for a binder polymer with good rubbing fastness for digital textile printing(DTP) pigment ink. However, the rubbing fastness of the dyed fabric with the quaternary copolymer binder containing pigment ink is not enough to be commercially used. Therefore, this study aims to optimize MMA:BA:MAA:NEA composition for improved rubbing fastness. And the binder polymer with various MMA:BA:MAA:NEA compositions were synthesized using miniemulsion polymerization. The particle size, viscosity, molecular weight, and Tg of the synthesized binder were evaluated. And the color strength and rubbing fastness of the black pigment ink dyed cotton fabrics with the prepared binders were also evaluated. Then, the stiffness of undyed and dyed cotton fabrics were evaluated to investigate the changes in touch as the binder structure changes.

• Proceedings of the KIEE Conference
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• 2007.11a
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• pp.100-101
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• 2007

Polymer thick film capacitors were successfully fabricated by using ink-jet printing and screen printing technology. First, a bottom electrode was patterned by ink-jet printing of a nano-sized silver ink. Next, a dielectric layer was formed by the screen printing, then a top electrode was pattern by ink-jet printing of a nano-sized silver ink. The printed area of the dielectric layers were changed into $2{\times}2m^2$and $4{\times}2m^2$, and also the area of the electrodes were patterned with $1{\times}1mm^2$ and $1{\times}3mm^2$. The thickness of the printed dielectric layer was ranged from 1.1 to $1.4{\mu}m$. The analysis of capacitances verified that the capacitances was proportional to the area of the printed electrode. The capacitances of the fabricated capacitors resulted in one third of the calculated capacitances.

• Journal of Korea Technical Association of The Pulp and Paper Industry
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• v.33 no.3
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• pp.18-23
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• 2001

The effect of pulp consistency on the deinking properties in the ozone deinking of ONP was investigated in order to develop the environmentally friendly deinking method. The pulp consistency and ozone treatment time were varied for this purpose. Higher pulp consistency during ozone treatment gave better ink removal efficiency than the conventional deinking method. In was also found that the increase of pulp consistency can decrease the ozone treatment time which can meet the deinking quality. WRV of ozone deinked pulp obtained at 10% and 30% of pulp consistencies was lower than those of the conventional deinking method. However, the higher pulp consistency during ozone treatment improved WRV. Highest brightness was obtained at the ozone treatment condition of 30% pulp consistency and 10 minutes. The lower brightness at the other ozone treatment condition should be originated from the excessive decrease of ink particle size and then decrease of true ink removal efficiency. Scott bond was increased with the increase of pulp consistency and treatment time. However, the improvement of breaking length with ozone treatment was no significant.

• Journal of Korea Technical Association of The Pulp and Paper Industry
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• v.39 no.1 s.119
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• pp.25-29
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• 2007

Print mottle is the spotty and cloudy appearance of the ink on the substrate. Print mottle is influenced significantly by the characteristics of the paper with regard to homogeneity of its structure and its coating. The print mottle can be counteracted, in particular by altering the absorption characteristics of the inks, by changing sequence in which the inks are printed, or by using a advanced coated paper. In this study, we investigated the effect of ink dispersion to the print mottle through trial printing test and also analyzed the correlation between properties of coated paper and subjective results by statistic method. The result of this study is expected to be applied the basic data to solve the problem of printing mottle.

• Journal of Electrochemical Science and Technology
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• v.12 no.1
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• pp.146-158
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• 2021

This paper reports the preparation of an ink-jet printed flexible electrochromic device based on a water-soluble viologen-functionalized dendrimer. Polyamidoamine (PAMAM) dendrimers were modified with different concentrations of 1-1 bis(propylamine)-4,4'-bipyridylium dibromides to obtain solution-processable electrochromic materials (K1/2 and K1). FTIR, NMR, and elemental analyses are used to characterize synthesized viologens. Moreover, their electrochemical properties were investigated using cyclic voltammetry in an electrolyte solution consisting of 0.1 M HCl to find the optimum viologens. The low-cost ink-jet printer was used to print the prepared water-soluble electrochromic inks onto the ITO coated PET substrate to form desired transparent patterns. The electrolyte was applied on the printed electrochromic ink to make a sandwich with another ITO coated PET to prepare the electrochromic devices (ECD). By applying an electrical potential (0 to -2 V), the transparent ECD's color changed from colorless to blue. The color changes for the optimum ECD (K1), which had more viologen units on the dendrimer, was accompanied by an optical contrast of 47% and 311.5 ㎠C-1 coloration efficiency at 600 nm.

• The Journal of the Convergence on Culture Technology
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• v.9 no.3
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• pp.509-518
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• 2023

Although German Neo-expressionism and Chinese modern ink painting are separated by thousands of miles in geographical space, they have a similar origin time, and there are many commonalities between them. In the aspect of creative attitude, artists of both styles can absorb and resist foreign styles, return to the past and conquer the tradition. In the aspect of formal expression, the objects of both paintings are representational rather than realistic, and the material characteristics of the media are emphasized. At the inner spiritual level, both expressionism and modern ink painting pay attention to social concern, and show the uncertainty of postmodernism together. The commonality between German neo-expressionism and Chinese modern ink painting does not mean to eliminate the difference, but to maintain the coexistence of difference and commonality.

• Korean Journal of Heritage: History & Science
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• v.46 no.1
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• pp.102-123
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• 2013

This paper is a study about the Gang Sehwang's (姜世晃 1713~1791) Ink Orchid Painting. Gang Sehwang is a representative literati gentleman who painted Four Gentlemen, for the first time, during the late Joseon Dynasty. There are 20 pieces of Ink Orchid Painting of his in Korea. His recognition of the Ink Orchid Painting can be understood through his records and analysis of his Ink Orchid Painting. He considered the sketch from the nature (寫生), practice of old paintings (古畵), and copy-training of the manual of paintings (畵譜). Particularly, Gang Sehwang focused on the copy-training of old paintings (古畵臨倣) which integrates the will and spirit of old literati gentlemen. This means that he had recognized the picture as a means of 'literature carrying morality (載道). Also, we could read self-discipline (修己的) values from his continuative copy-training of the manual of paintings (畵譜臨倣). Next, his Ink Orchid Painting were divided into the first half of the term (his 30s to 40s) and the second half of the term (his 60s to 78 years old). He had polished up on the Jieziyuanhuazhan ("芥子園畵傳") during the first half of the term and on the Shizhuzhaishuhuapu ("十竹齋書畵譜") or the Maejuknanguksabo ("梅竹蘭菊四譜") during the second half of the term. Therefore, it could be understood that he had depended on the manual of paintings (畵譜) for a long time. Nevertheless, he had completed the elegant and graceful Pyeoam Orchid (豹菴蘭)' based on his skill of the manual of paintings (畵譜) in his 70s. Finally, the 18th century Ink Orchid Painting and painters who lived (worked) at that time were investigated. He made?? the Albums of Calligraphy and Painting (書畵合壁帖) with Shim Sajeong (沈師正) and Choi Buk (崔北). They also interacted with each other by Calligraphy and Painting (書畵). Also, Yi Insang (李麟祥) and Im Heeji (林熙之) contributed to the diversification of the 18th century Ink Orchid Painting style by imitating Ink Orchid Painting with the manual of paintings (畵譜). Moreover, it is meaningful that the Ink Orchid Painting of Gang Se-hwang and the18th century Ink Orchid painters influenced the foundation of the 19th century Ink Orchid Painting fashion.

• Journal of the Korean Graphic Arts Communication Society
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• v.20 no.1
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• pp.123-132
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• 2002

The literature often mentions the hardness of water in dampening solutions as possible source of problem. In most literature describes that the water hardness affects print quality. However water hardness affects not only print quality, but also emulsification of ink and dampening solution. Therefore the purpose of this study was to determine if water hardness actually affects the emulsification rate of dampening solution and ink. And this study for the factors determining the emulsion velocity, we have measured water pick-up and calculated emulsion velocity constant 'k' and activation energy.

• Journal of the Korean Graphic Arts Communication Society
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• v.14 no.2
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• pp.65-80
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• 1996

Ink trap is one of the important factors to determine the color in multi-color overprints. This study was carried out for the purpose for analyzing the relationships between ink traps and color differences in two-color solid overprints. The specimens were printed under four different conditions that the overprinting ink sequence of M(Magenta) or C(Cyan) and the overprinting method of W(Wet-on-Wet) or D(Wet-on-Dry) were changed altermately, that is M+C-W or C+M-W and M+C-D or C+M-D.