• 한국의류산업학회지
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• 제18권4호
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• pp.509-519
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• 2016

The purpose of this study is to present important guidelines for effective eye-shadow color coordination according to T.P.O. such as 'Day time to Night', 'Special Occasions', 'Holiday Accents', 'Seasonal Looks' and 'Animated Characters'. The method is as follows; This study examined the 100 works of her published in the?500 EYE MAKEUP DESIGNS?. For this research analysis, three specialists selected a total of 100 photo-works through 3 rounds of evaluation. This study analysis was conducted based on the colors and tones of eye-shadows identified under Munsell's basic color chart. The study findings are as follows; First, 'Day time to Night' was found to have similarity coloration most frequently, presenting a more stable look in the Natural makeup. Second, 'Special Occasions' showed similarity, accent, and complex colorations mainly. Third, 'Holiday Accents' showed diverse types of colorations such as accent, complex, similarity and contrast. Forth, 'Seasonal Looks' was found to use a variety of colorations including similarity, contrast, accent, gradation and complex. Fifth, 'Animated Characters' showed contrast coloration the most for dramatic effect along with accent and complex colorations to give a unique and symbolic look. The color scheme database(DB) obtained in this study will be present important guidelines for future in eye-shadow makeup design.

• 한국전통조경학회지
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• 제28권1호
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• pp.102-112
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• 2010

정원의 재식설계(planting design)는 환경과 식물의 생리적인 특징을 파악하고, 그 식물이 가지고 있는 색채, 질감, 형태의 심미적인 호기심에서부터 출발하여 다른 식물들과의 관계를 어떻게 해야 하는지 결정해야 한다. 많은 디자이너들은 전통적으로 색상요소를 중점적으로 구상하는 경향이 있다. 본 연구는 제킬(Gertrude Jekyll)의 먼스태드 우드(Munstead Wood), 비타(Vita Sackvill-West)의 시싱허스트(Sissinghurst), 로이드(Christopher Lloyd)의 그레이트 딕스터(Great Dixter), 존스턴(Lawrence Johnston)의 히드콧 매너(Hidcote Manner)의 4개의 정원을 사례로 한다. 먼스태드 우드의 플라워 보더(flower border)는 끝에 연한 회색과 파란색을 식재하고, 중심으로 갈수록 화려한 빨간색과 오렌지색의 강한 클라이맥스를 만들고 있다. 기존에 등한시했던 흰색과 파란색을 사용하였다. 시싱허스트는 그 이전까지 거의 사용되지 않던 퍼플색(purple color)을 사용하였으며, 딕스터에서는 원래 놓여있던 마젠타색과 동시에 뚜렷한 오렌지색의 혼합으로 기존에 형성되어 있는 색에 대해서 충격을 느끼게 하고, 병치를 통해 원하는 효과를 이룰 수 있게 하였다. 히드콧 매너는 강력한 레드 보더(Red border)를 탄생시켰다. 4명의 작가들은 관찰자의 진행방향에 따라 섞이는 색의 배열, 색의 조절을 통해 정원이 실제보다 크거나 작게 느껴질 수 있는 공간체험을 위해서 색을 사용하였다. 인식 공간에서 주색상과 부차적 색상을 혼합하여 배열할 때, 감상자로 하여금 머릿속에 총체적으로 인식하는 기법을 사용하였다. 재식설계에서 시간은 계절을 유지하여 연출하자는 것으로 주제 색상을 전개할 때, 색상 그라데이션을 사용하거나 색상대비 효과를 유도한다. 또, 재식설계에서 공간은 색상의 구역을 정하는 방식으로 이루어졌다.

• 한국의상디자인학회지
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• 제25권2호
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• pp.135-150
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• 2023

The purpose of this study is to understand the formative characteristics of futuristic virtual fashion revealed in virtual fashion platforms targeting the human body. First, the current status of fashion in the metaverse and futurist fashion were reviewed and summarized by referring to prior research. Next, among the items posted on DRESSX, "futurism" was searched and those resturning a positive result were collected as research subjects. The characteristics were organized into design elements: colors, shapes, materials, and patterns. Futuristic aesthetic characteristics were derived from the characteristics of each design element. As a result, color showed the characteristics of achromatic, vivid and neon colors, multi-color and gradation, multi-color due to reflected light, and color conversion. As for the form, a body-concious look or exaggerated silhouettes, spatial expressions in geometric structures, forms imitating living things, and fluid silhouettes using clouds were prominent. Materials showed the digitization of universal clothing materials, application of industrial materials, use of metal materials, and unrealistic materials. In the patterns, geometric abstract patterns, patterns that reveal the digital world view, and moving fluid patterns appeared. The aesthetic characteristics of futurism in virtual fashion were revealed in four categories: visual dynamics, high-tech sensibility, variability, kineticisim. Visual dynamics were revealed in geometric forms, and intense neon colors. High-tech sensibility was prominent in the use of metal and industrial materials, light emission, and patterns of the digital world view. The expression of multiple colors by reflected light and the change showed the variability of futurism. The use of unrealistic materials, such as clouds and fire and fluid silhouettes expressed kineticisim. The infinite expressiveness of virtual fashion made it possible to actively express the aesthetic characteristics of futurism.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2005년도 추계종합학술대회
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• pp.517-520
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• 2005

In this paper, we propose a motion picture processor for CSTN-LCD without gamut problem. The proposed method employed CDF(Cumulative Density Function) in order to perform a mutual independent in image gradation and color balance. In addition, the proposed method has solved a gamut problem used by conversion of RGB system and CMY system. Also, we apply the BFI (Black Field Insertion) to the design to compensate for response time of a LC (Liquid Crystal). The proposed hardware architecture has been implemented and verified using a FPGA on prototype board. Visual test and standard deviation of histogram were introduced to evaluate the result of the proposed method and the original ones.

• 한국식품영양학회지
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• 제22권4호
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• pp.587-597
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• 2009

Peeled chestnuts were stored at different temperatures($-10^{\circ}C$ and $-20^{\circ}C$) and after blanching at $90^{\circ}C$ for different lengths of time(0, 10, and 20 min) for 6 months. After the storage period, the texture, color, DSC and sensory characteristics were analyzed. Hardness, fracturability and chewiness increased with storage time, whereas springiness and cohesiveness decreased. Additionally, the L* decreased and a* and b* increased with storage time. Analysis of the DSC revealed that the peak of the retro gradation was approximately $46{\sim}60^{\circ}C$ and enthalpy for the peak increased with storage time. Additionally, the increment of enthalpy for samples stored at $-20^{\circ}C$ and blanched was lower than that of samples stored at $-10^{\circ}C$ and non-blanched samples. The sensory evaluation scores were also higher for samples stored at $-20^{\circ}C$ and blanched samples than for those stored at $10^{\circ}C$ and non-blanched samples.

• 한국인쇄학회지
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• 제10권1호
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• pp.55-67
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• 1992

The character of standing box printing reguires a rich representation on a light and a shade of color and cause the modern photographs to be abundant of the ink and also show the continuity of which any other printing is incapable because of its profound gradation.The clear printing in gravure can be said to be due to the good transfer of the ink-the completion of the transference of the ink into the stencil paper and the clear transference of the printing tone.The most inportant matter is the distance between the printing press and the doctor line. It is the matter of the structure and arrangement because of giving the most affect on the dryness of the ink in the cell.The glue of the ink in gravure changes by the kinds of the dye and the cellusolve used.

• 한국인쇄학회지
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• 제10권1호
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• pp.81-90
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• 1992

The charater of standing box printing reguires a rich representation in a light and a shade of color and caues the modern photographs to be abundant of the ink and also shows the continuity of which any other printing is incapable because of its profound gradation. The clear printing in gravure can be said to be due to the good transfer of the ink - the completion of the transference of the ink into the stencil paper and the clear transference of the printing tone. The most inportant matter is the distance between the printing press and the doctor line. It is the matter of the structure and arrangement because of giving the most affect on the dryness of the ink in the cell. The glue of the ink in gravure changes by the kinds of the dye and the cellusolve used. To make the printing somoothly progressive from the high glue of the ink to the low glue of the ink will have to be used, which will be possible to choose the ester.ose the ester.

• 복식
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• 제50권7호
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• pp.75-96
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• 2000

Modern clothing is approached in the level of art, and it becomes the means of expressing individuality in modern society uniformed by the development of information society. In this modern society, modern men need the recovery of humanity and expectations of handcrafted skills for the succession of tradition culture. Prior to expressing individuality, we should examine our traditional culture and combine it with western culture. Quit started to be used for practical purpose such as life items, but it is expanded to the fields of art. Used in dress and its ornaments design, quilt is often applied to the addition of aesthetic factors or cubic material feelings by transforming its warming effect. Hereby, this study has a purpose to create high value added modern dross and its ornaments design by expressing the modern clothing is approached in the level of art, and it becomes the means of expressing individuality roe-dimensional characteristics of quilt, and applying the color combination and the surface of butterfly wings to dress and its ornaments design. The following are the results of this study. 1. The concept of quilt started for practical purposes, but it is expanded to decoration in modern times, and it is confirmed that quilt can be variously applied to handcrafted modern design. 2. Quilt removes the plane character of textile and it riches the three-dimensional material of dress and its ornaments. Applying these characteristics, the expression of transparent wings were possible with 3 transparent layers of textile. 3. The spledid color of butterfly wings are expressed by coloring oganza and felt, and the various colors of felt showed rich color gradation. 4. The form and pattern of butterfly wings are applied as modeling form and line, and the transformation. repetition and expansion of unit forms determined the form of quilting lines. By designing the characteristics of back wings for the composition line of clothing, the form characteristics of a motif could be emphasized. 5. By using felt, oganza, Damdam yarn and ostritch feathers in expressing butterfly wings, the warm material of Linbun is felt, and the tip hair of wings are expressed by croche techniques using Damdam yarn.

• 한국콘텐츠학회논문지
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• 제9권9호
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• pp.68-79
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• 2009

분산맵은 텍스트 영역이 주변과의 색상 혹은 밝기 변화가 심하다는 특징을 이용하는 방법으로 특히 잦은 포맷 변환에 의하여 해상도가 낮거나 일정하지 않은 웹 이미지의 텍스트 영역을 추출하는 데 적용할 수 있다. 그러나 이전의 분산맵을 적용한 방법들은 입력 영상 전역에 고정된 마스크를 한 번만 적용하는 광역 분산맵을 사용하므로 텍스트 크기가 매우 작거나 큰 경우, 획의 색상에 gradation효과가 있는 경우, 각도, 위치, 색상 등이 복잡한 경우 텍스트 추출 성능이 안정 적이지 못하다. 본 논문은 2단계 분산맵을 사용하여 Web 이미지에서 텍스트 영역을 안정적으로 추출하는 방법을 제안한다. 제안된 방법은 광역 및 지역 분산맵이 각 단계에서 적용되며 서로 계층적 관계를 가진다. 1단계는 텍스트 영역 추출 재현율을 높일 수 있도록, 충분히 큰 글자 혹은 작은 글자도 추출할 수 있는 일정한 마스크 크기를 가진 광역의 수직 및 수평 색 분산맵을 적용하여 유사 텍스트 영역을 추출한다. 2단계에서는 1단계의 각 연결요소영역에 새로운 마스크 크기를 가진 명암 분산맵을 적용하여 최종적인 텍스트 영역을 추출한다. 2단계 분산맵 적용에 의하여 1단계에서 구한 유사 텍스트 영역에 남아 있는 배경 부분이 많이 사라지게 되어 추출 정확률이 높아진다. 제안한 방법을 400개의 Web 이미지에 적용한 결과 배경이 복잡해도 비교적 안정적으로 텍스트 영역을 추출하는 것을 확인할 수 있었다.

• 한국콘텐츠학회논문지
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• 제19권4호
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• pp.663-674
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• 2019

자연의 소재인 나뭇잎을 모티브로 하여 새롭게 개발한 색유리 플래스터 기법과 방염기법을 실험하고 도자화병과 융합하여 새롭고 독특한 데코레이션이 가미된 인테리어 화병을 만드는 것이 이번 연구의 배경이다. 이를 위한 연구 개발 방법은 첫 번째 색유리 플래스터 기법을 설명한다. 두 번째 방염기법을 설명하고 데코레이션 방법을 연구한다. 세 번째 화병의 역사와 종류를 알아보고 네 번째 16개의 화병을 현대적으로 디자인 하고 나뭇잎을 활용하여 백자토와 청자토로 산화와 환원으로 실험하여 결과를 설명한다. 이 실험결과를 통해 요변에 의한 특이한 색감 표출의 결과를 얻었고 나뭇잎 주변에 부드럽고 따뜻한 갈색 계열의 방염 그라데이션이 형성 되었다. 이러한 독특한 실험 효과를 이용하여 생활 인테리어 자기와 조형자기, 산업자기에 확장하고 응용하면 좋은 효과와 결과를 얻을 것을 기대한다.