• 제목/요약/키워드: Geometric Forms

검색결과 205건 처리시간 0.027초

A NOTE ON LIGHTLIKE HYPERSURFACES OF A GRW SPACE-TIME

  • Kang, Tae Ho
    • 대한수학회논문집
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    • 제33권1호
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    • pp.305-315
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    • 2018
  • This note provides a study of lightlike hypersurfaces of a generalized Robertson-Walker(GRW) space-time with a certain screen distribution, which are integrable and have good properties. Focus is to investigate geometric features from the relation of the second fundamental forms between lightlike hypersurfaces and leaves of the integrable screen distribution. Also, we shall apply those results on lightlike hypersurfaces of a GRW space-time to lightlike hypersurfaces of a Robertson-Walker(RW) space-time.

시모그래피의 조형성을 응용한 현대 패션 디자인의 표현유형과 미적 특성 연구 (Expression types and aesthetic characteristics of modern fashion applying the formativeness of symmography)

  • 권기영
    • 복식문화연구
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    • 제29권3호
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    • pp.361-373
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    • 2021
  • The purpose of this study is to contribute to the role of lines in creative design development by analyzing the expression types and aesthetic characteristics of modern fashion using geometric formativeness of symmography. A literature study was conducted of works since 2009 to examine the general consideration of lines together with analysis of the concept and characteristics of symmography in the formative arts field, and to analyze the expression types and aesthetic characteristics of modern fashion design using the formativeness of symmography. The infinite sense of formativeness and original expression of symmography are used in formative arts such as space design, installation art, and industrial design. Expression types of modern fashion design using geometric formativeness of symmography can be classified into the following three types: two-dimensional graphic pattern, relief surface, and three-dimensional spatial. First, the two-dimensional graphic pattern type forms an optical pattern, providing individuality and visual interest to the textile design. Second, the relief surface type expresses the plane in various ways, so that the thickness changes according to how lines overlap. Third, the three-dimensional spatial type expands the boundaries of clothing and creates a fantastic spatial beauty. Next, the aesthetic formativeness of fashion design using symmography can be classified into repetitive rhythmicity, geometric self-similarity, and optical spatiality. Symmography enables a myriad of geometric patterns to be developed depending on material, color, and the designer's imagination, and helps inspire a variety of designs in fashion that sculpt a three-dimensional human body.

인도의 전통자수 MIRROR WORK에 관한 연구 (A Study on India's Traditional Embroidery, Mirror Work)

  • 한연희
    • 한국의상디자인학회지
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    • 제13권1호
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    • pp.99-112
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    • 2011
  • The purpose of this research is to study India's traditional embroidery method, Mirror Work, and to evaluate the examples of contemporary costumes as well as the applications of art to clothing that have been influenced by this technique, in order to expand its usage for creation of a new fashion image. Research in the literature and application of works related to Mirror Work have demonstrated: First of all, as a traditional embroidery method that represents the folk art of India, Mirror Work displays unique methods used in different regions and the way that various methods and materials were combined by the use of mirrors, beads, and $appliqu{\acute{e}}$. Secondly, it was found that the presentation of Mirror Work in the $pr{\hat{e}}t$-a-porte collection is based on a traditional embroidery method using both developed materials and adapted methods to express traditional reproducibility, geometric simplicity, and aesthetic characteristics of complex decorations. Thirdly, new plasticity for art to wear clothing can be created through various methods aside from embroidery, for example by a technique of wrapping crochet laces and tapes around the mirror for decorative purposes. Based on these results it can be inferred that, from the perspective of multiple forms for decorations, Mirror Work shares multiple forms of personal aesthetic goals through the mirror's unique quality for expression and enhanced images of artistic decorative art. Also, the introduction of traditional materials and methods for today's folk art and traditional costumes can be the subject of unique aesthetic characteristics based on different perspectives of the recreation of tradition. Finally, it can further create a new plasticity within the globalization phenomena.

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자크뮈스 패션 컬렉션에 표현된 신-해체주의 특성 (Characteristics of Neo-deconstruction expressed in the Jacquemus fashion collection)

  • 유송주;이연희
    • 한국의상디자인학회지
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    • 제23권4호
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    • pp.39-56
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    • 2021
  • The purpose of this study was to observe the expressive characteristics of Neo-Deconstruction design, examine the expressive characteristics of Neo-Deconstruction design in the collections of Jacquemus, and analyze their internal meanings. For research, observations were made based on the concepts and expressive characteristics of Deconstruction through prior research and literary review, and analysis was conducted focusing on the expressive characteristics of Neo-Deconstruction. The scope of analysis included a total of 605 photographs collected from a total of 17 season collections of Jacquemus from the 2013 S/S to the 2021 S/S season. The results are as follows. First, the Neo-Deconstruction of Jacquemus expresses the youth culture using bright images such as diverse colors and patterns with 'positive playfulness' and pass on positive messages with deconstructive and playful forms, such as exaggeration and reduction and recombination and reconstitution. Second, with tendencies of 'symbolic receptivity', Jacquemus gained inspiration from his own life, memories, and hometown, and attempted to express the street women of places such as southern France, Paris, and Monaco in a number of collections. Also, he proposed designs that can be worn easily by anyone, regardless of gender, and as plus size models began to become more common respect was given to the tastes and preferences of diverse individuals without distinctions based on body type or sexuality. Third, 'geometric simplicity' was generally expressed by pursuing simple and practical fashion with the addition of details, such as geometric forms including stripes or asymmetrical expressions centering around everyday material that is used in clothing. Fourth, with "open communication," Jacquemus constructed his identity by addressing the various needs of consumers based on social network services and continuously sharing his creative ideas with the public. He is gaining popularity in a unique way by responding quickly to the changing atmosphere of society.

Hack의 법칙과 집수평면의 기하학적 특성 (Hack's Law and the Geometric Properties of Catchment Plan-form)

  • 김주철;이상진
    • 한국수자원학회논문집
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    • 제42권9호
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    • pp.691-702
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    • 2009
  • 본 연구에서는 집수평면의 신장도에 대한 검토와 함께 자연유역의 자기유사성 및 자기상사성을 고려하여 Hack의 법칙에 대한 체계적인 접근을 수행하여 보았다. DEM으로부터 추출된 대상유역의 집수평면들은 Hack의 법칙에 대한 두 가설이 상호작용을 할 경우 나타날 수 있는 유역 형상들에 대한 모집단처럼 나타났다. 유역면적에 따른 집수평면 신장도의 변화를 도시해 본 결과 유로연장을 기반으로 한 고전적인 지형인자들보다는 관성적률을 기반으로 한 신장도가 보다 직관적인 결과를 줄 수 있을 것으로 판단되었다. Hack의 법칙에 대한 지수 h는 Gray (1951)의 연구결과와 유사하게 산정됨을 확인할 수 있었다. 하지만 대상유역들에 대한 Hurst의 지수 H는 0.96으로 나타나 본 연구에서 고려한 집수평면들은 규모에 따라 등방성 성장률을 가지고 있는 것으로 사료되었다. 이로부터 본 연구의 대상유역들의 형상은 집수평면의 자기유사성보다는 유로연장의 자기상사성에 더 영향을 받는 것으로 추론할 수 있었다.

만델브로 프랙탈 이미지의 생성 및 형태 연구 (A Study on Generation and Types of Mandelbrot Fractal Images)

  • 임미정;조형제
    • 한국인터넷방송통신학회논문지
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    • 제15권1호
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    • pp.217-222
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    • 2015
  • 창조적인 작업을 하는 크리에이티브 디렉터에게는 항상 새로운 디자인의 조형적인 요소를 찾게 된다. 수작업으로 만들어진 이미지가 아닌 컴퓨터 프로그램에 의해 생성되는 프랙탈 이미지는 각 분야에 새로운 디자인을 접목할 수 있는 기하학적인 패턴을 제시한다. 기술과 예술의 융.복합으로 순수 회화에서부터 텍스타일 디자인, 건축디자인, 전시디자인 등 다양한 분야의 디자인에 활용되고 있는 만델브로 프랙탈 이미지의 생성에 대해 알아보고, 생성된 이미지들의 조형적인 원리에 입각한 형태에 대해 분석해본다.

Prestressed concrete bridges with corrugated steel webs: Nonlinear analysis and experimental investigation

  • Chen, Xia-chun;Bai, Zhi-zhou;Zeng, Yu;Jiang, Rui-juan;Au, Francis T.K.
    • Steel and Composite Structures
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    • 제21권5호
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    • pp.1045-1067
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    • 2016
  • Concrete bridges with corrugated steel webs and prestressed by both internal and external tendons have emerged as one of the promising bridge forms. In view of the different behaviour of components and the large shear deformation of webs with negligible flexural stiffness, the assumption that plane sections remain plane may no longer be valid, and therefore the classical Euler-Bernoulli and Timoshenko beam models may not be applicable. In the design of this type of bridges, both the ultimate load and ductility should be examined, which requires the estimation of full-range behaviour. An analytical sandwich beam model and its corresponding beam finite element model for geometric and material nonlinear analysis are developed for this type of bridges considering the diaphragm effects. Different rotations are assigned to the flanges and corrugated steel webs to describe the displacements. The model accounts for the interaction between the axial and flexural deformations of the beam, and uses the actual stress-strain curves of materials considering their stress path-dependence. With a nonlinear kinematical theory, complete description of the nonlinear interaction between the external tendons and the beam is obtained. The numerical model proposed is verified by experiments.

러시아 구성주의(Constructivism) 예술의상 연구 - Tatlin, Rodchenko, Stepanova와 Popova를 중심으로 - (A Study on the Costume of Arts in the Russian Constructivism - Focused on Tatlin, Rodchenko, Stepanova & Popova -)

  • 박윤정
    • 복식문화연구
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    • 제18권3호
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    • pp.550-558
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    • 2010
  • Russian Constructivism, which took the lead in the Russian trend of art until the late 1920's, was influenced by European Cubism and Futurism. Breaking away from the previous realistic tendency, Russian Constructivism, to meet the ideology of the revolution, insisted the "Art into Street" and the "Art in Industry" with its abstract and geometric design. Russian Constructivism effected paintings of mid 1920's, as well as Industrial design and costume design. This operated remarkable changes in Russian form of costume and textile area. An unusual situation like revolution had provided the social justification to develop a new costume design not for the special class of people, but for the general public. In this atmosphere, the plan of clothing mass production began to progress. Although the Russian Constructivism costume of arts shows the similarity in the trend of fashion and the physical forms of those days, its fundamental idea in manufacturing costumes was 'to create costumes to be possible to mass-produce and to be wearable to anyone regardless of the social class'. Therefore, Constructivism costume of arts pursued dynamism and geometric form through non-objective design that has broken away from the handcrafted and traditional standards of the past. These distinct characteristics served as a momentum to seek costume design based on productivity and functionality.

Bicriteria optimal design of open cross sections of cold-formed thin-walled beams

  • Ostwald, M.;Magnucki, K.;Rodak, M.
    • Steel and Composite Structures
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    • 제7권1호
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    • pp.53-70
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    • 2007
  • This paper presents a analysis of the problem of optimal design of the beams with two I-type cross section shapes. These types of beams are simply supported and subject to pure bending. The strength and stability conditions were formulated and analytically solved in the form of mathematical equations. Both global and selected types of local stability forms were taken into account. The optimization problem was defined as bicriteria. The cross section area of the beam is the first objective function, while the deflection of the beam is the second. The geometric parameters of cross section were selected as the design variables. The set of constraints includes global and local stability conditions, the strength condition, and technological and constructional requirements in the form of geometric relations. The optimization problem was formulated and solved with the help of the Pareto concept of optimality. During the numerical calculations a set of optimal compromise solutions was generated. The numerical procedures include discrete and continuous sets of the design variables. Results of numerical analysis are presented in the form of tables, cross section outlines and diagrams. Results are discussed at the end of the work. These results may be useful for designers in optimal designing of thin-walled beams, increasing information required in the decision-making procedure.

Finite element analysis of RC walls with different geometries under impact loading

  • Husem, Metin;Cosgun, Suleyman I.;Sesli, Hasan
    • Computers and Concrete
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    • 제21권5호
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    • pp.583-592
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    • 2018
  • Today, buildings are exposed to the effects such as explosion and impact loads. Usually, explosion and impact loads that act on the buildings such as nuclear power plants, airports, defense industry and military facilities, can occur occasionally on the normal buildings because of some reasons like drop weight impacts, natural gas system explosions, and terrorist attacks. Therefore, it has become important to examine the behavior of reinforced concrete (RC) structures under impact loading. Development of computational mechanics has facilitated the modeling of such load conditions. In this study, three kinds of RC walls that have different geometric forms (square, ellipse, and circle) and used in guardhouses with same usage area were modeled with Abaqus finite element software. The three configurations were subjected to the same impact energy to determine the geometric form that gives the best behavior under the impact loading. As a result of the analyses, the transverse impact forces and failure modes of RC walls under impact loading were obtained. Circular formed (CF) reinforced concrete wall which has same impact resistance in each direction had more advantages. Nonetheless, in the case of the impact loading occurring in the major axis direction of the ellipse (EF-1), the elliptical formed reinforced concrete wall has higher impact resistance.