• 패션비즈니스
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• 제14권5호
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• pp.78-92
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• 2010

The culture phenomenon, which the desire of self expression is noticeable and the diversity of gender identity is widely accepted, simply makes a difference in the lifestyle of one human being rather than the dichotomous classification of male and female. Now, the delicate and aesthetic sensitivity classified as the feminine characteristics is no longer the exclusive property of female and this refers to substituting it as a social gender from the concept of biological sex. This phenomenon has influenced on the male culture and is creating various codes according to the cultural gender extended from the gender as a social role. Also, the transition into the western lifestyle has extended the aesthetic emotion to accommodate new codes from the diversification and globalization of lifestyle. The mansumer power, which does not care too much about the money for the emotionally attached items, has enabled various fashion styles. After analyzing the diversified clothing behavior conducted by these people in connection with the social phenomenon, First, this shows the phenomenon of emotional value pursuit that finds pleasure over the clothing as the item of augmented reality is added to the concept of play, in which the real space referred to as garment and virtual space of playing the rock, paper and scissors game meet together within the augmented reality. Second, the convergence concept has enabled the coordination of new style by obscuring the area of design concept and this refers to the changes in design from the development of new items and transformation into double-style details. Third, the divergence that intensively provides specific use/convenience and specialized value shows a change in the fashion market from the phenomenon that admits various gene rations of culture and specifically, takes differently about the recognition of middle-aged males. Fourth, the variety seeking tendency receives attention as the value of future design together with the phenomenon of discriminative value pursuit. In the male fashion, it is linked to the collaboration with the design area and this tells that the fashion with the narcissistic cross-dressing and motto of neutral gender without being sided to male/female is rising.

• 한국의류산업학회지
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• 제15권4호
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• pp.565-573
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• 2013

This study focused on the cultural differences between South Korea and the U.S. in terms of male consumers' sex role attitude and its influence on grooming and apparel shopping behavior. Purposive samples of American and South Korean males aged between 20 and 40 years were surveyed. The sample sizes were 219 and 233 for American and South Korean consumers, respectively. The data were analyzed by structural equation modeling and ANOVA using SPSS 12.0 and AMOS 14.0. The results indicated that only grooming was influenced by the perceived femininity in the case of South Korean men; however, the model for American men indicated a significant positive influence of femininity on grooming and recreational apparel shopping behavior. In other words, American male consumers who perceive themselves feminine were more likely to be engaged in grooming and recreational apparel shopping behavior. On the other hand, for South Korean men, recreational apparel shopping behavior was not influenced by their sex role attitude, or whether they considered themselves feminine or masculine. This means that recreational apparel shopping behavior is a gender-specific behavior in the U.S., but not in South Korea. The findings of this study indicated that culture has influence on consumers' approach to shopping and appearance. South Korean male consumers were more likely to acknowledge themselves as being feminine, enjoy apparel shopping and grooming compared to American male consumers.

• 한국콘텐츠학회논문지
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• 제20권7호
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• pp.107-117
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• 2020

대중문화 콘텐츠로서 소비되는 애니메이션은 당대의 사회문화적 변화와 가치관을 스토리와 캐릭터의 시각적 표현을 통해 나타나며, 관객들은 애니메이션 감상 및 캐릭터 수용 과정에서 작품에 나타난 성 역할 행동을 사회적으로 통용되는 여성 및 남성의 이미지로서 학습하게 된다. 본 연구는 디즈니 애니메이션 중 스토리와 여성 캐릭터 설정에 현대적 여성상의 변화가 반영된 것으로 평가받는 '뮬란', '라푼젤', '모아나', '겨울왕국2'를 선정하고, 중심 여성 캐릭터의 의복 및 몸짓 표현을 분석하여 애니메이션 캐릭터의 성 역할 행동 표현이 시대적/사회적 흐름에 따른 변화 양상을 보이는지 알아보았다. 이를 통해 정형성을 탈피한 스토리 구성 및 캐릭터 설정 변화와 대조적으로 주인공으로서 여성 캐릭터의 시각적 표현에는 정형적 이미지의 성 역할 행동 표현이 사용되고 있음을 확인하였다. 본 연구는 애니메이션의 시각적 표현과 내포 의미를 확인함으로써 주요 수용자인 어린이 및 청소년 대상의 애니메이션 리터러시 교육에 대한 연구의 중요성을 강조하고자 한다.

• 한국가정과교육학회지
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• 제29권4호
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• pp.49-64
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• 2017

본 연구는 청소년의 가족건강성, 공감능력과 행복감의 일반적인 경향을 알아보고, 가족건강성, 공감능력이 행복감에 미치는 영향력을 살펴봄으로써 이를 통해 청소년의 행복감을 증진하는데 도움을 주는 방향을 모색하고자 한다. 첫째, 청소년이 인식하는 공감능력은 '개인적 고통'을 제외한 '관점 취하기', '동일시', '공감적 관심'에서 중간 값 보다 높게 나타났으며 성별에 따른 공감능력의 차이를 살펴보면, 여학생이 남학생에 비해 전반적으로 공감능력이 높았다. 청소년이 인식하는 가족건강성은 하위영역 모두에서 중간 값보다 높게 나타났고, 성별에 따른 가족건강성의 차이를 살펴보면 '의사소통 및 유대'를 여학생이 남학생 보다 높게 인식하는 것으로 나타났다. 청소년이 인식하는 행복감은 중간 값보다 높게 나타났으며, 성별에 따른 차이는 나타나지 않았다. 둘째, 청소년의 행복감에 공감능력 중 동일시, 공감적 관심, 개인적 고통이 영향을 미치는 것으로 나타났고, 가족건강성의 하위변인 중 가족존중 및 애정, 역할공유 및 문제해결력, 재정적 안정이 영향을 미치는 것으로 나타났으며, 이들 변인들은 행복감을 39% 설명해 주고 있다. 따라서, 청소년의 행복감을 증진시키기 위해서는 건강한 가족관계 형성을 위한 가족관계 강화 프로그램을 활성화하고 공감능력 향상 프로그램을 개발하여 학교나 가정에서 지속적인 교육이 이루어져야 할 것이다.

• 성인간호학회지
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• 제21권6호
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• pp.652-665
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• 2009

Purpose: This study was conducted to identify job experiences of male hospital nurses. Methods: Data were collected from 20 male nurses working at general hospitals, through semi-structured in-depth interviews. The interviews were recorded and subsequently transcribed verbatim. Using content analysis, data were coded and categorized. Results: The analyzed domains were motivations for choosing nursing, occupational experiences (3 subdomains), and attitudes toward the future. A total of 85 significant statements were selected from the data and classified into 32 categories. The nurses' motivations for choosing nursing were advantages of employment, their aptitude, scarcity value of men, professionalism and job security, good promotion, stable income, and family influence. In occupational experiences, they were assigned to special fields and dissatisfied with vertical relationship, promotion system, their salary, and gaps in military service time; they had difficulties in adapting to female-dominated groups and encountered gender role stereotype and preconception; they were satisfied with their distinguished performance, but had damaged self-esteem, and were stressed and disappointed in their work. In their attitudes toward the future, they considered their career changes, but tried to make professional and personal advancement. Conclusion: These findings have implications for recruiting and retaining male nurses in clinical settings.

• 복식문화연구
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• 제4권3호
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• pp.325-336
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• 1996

The main purpose of this study was to find the roles of sex related clothes. The result of the study showed that he effects of sex related clothes were vast and strong. 1. It appeared that sex related clothes affected the wearer's outside aspects and also inferred the wearer's inside characteristics. Subjects judged the wearer's sex by sex related clothes, and confidence in judgement about the wear's sex also appeared stronger when cue of sex related clothes is more clear than being ambiguous. Judging the model's impression when subjects evaluated other's appearance and personality ,clothes affected it and clothes also had a strong impact when subject inferred others's characteristics such as ability and activity. Among the three kinds of sex related cue like men's clothes, women's clothes and ambiguous clothes, when a model wore men's clothes, he mode's impression judged by the subjects was most favorable and positive. But respondents sex role identity appeared that it didn't affected the judgement of the wearer's sex, evaluation and inference of wearer's characteristics. But this result didn't match with the gender schema theory.

• 방송공학회논문지
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• 제12권5호
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• pp.414-422
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• 2007

본 논문은 한류현상의 중심에 놓여 있는 한국 TV 드라마의 국내외적 위치를 살펴보고, 한류, 특히 TV 드라마가 성장할 수 있었던 원인을 열렬한 팬덤에서 찾고 있다. 논문은 팬덤을 연구함으로써 자본주의적 문화산업의 상품을 소비자가 어떤 방식으로 소비하고 타협하며, 이로부터 의미를 찾아내어 자신들의 문화, 즉 대중문화로 재생산하는지의 과정을 이해할 수 있다고 주장한다. 구체적으로는 여성의 팬덤을 관점으로 삼아 한국 드라마가 어떤 과정을 거쳐 팬덤을 형성해 왔고, 국내외적으로 여성의 장르로서 자리매김을 하게 되었는지, 팬덤의 역할은 무엇인지, 한국 드라마는 최근의 트렌드 - 남성 시청자에게 주로 소구하는 사극(史劇) 제작의 트렌드 - 에 따라 남성의 장르로 진화하고 있는지 등의 문제를 살펴본다. 그리고, 한류가 기본적으로 국제간 문화교류라는 점에 비추어 소프트파워(soft power)로서의 한류가 직면하고 있는 문제점을 짚어본다.

• 복식
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• 제58권6호
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• pp.158-171
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• 2008

The purpose of the study was to examine how changes of women's sexual identity and gender role were expressed in designs of dance costumes by analyzing costumes used in creative dance works. Related articles, dance magazines, Internet information and dance costumes were used for the analysis of various performance cases to express persona and animus of a woman. The results of the study were as follows: 1. As a woman's role, persona, has recently changed into active propensity, dance directors have come to prefer bold and daring image of female dancer to strongly express animus, the masculine inclination of a woman. 2. Female dancers' costumes were frequently associated with daring body exposure such as body painting on half-naked body, to reflect the above and a number of female dancers dressed daringly in masculine style trom head to toe. Also, pants or hot pants instead of skirt were frequently used as dance costumes to symbolize animus. In addition, colors in dance costumes became vivid and bold in comparison to the simple and soft colors used in the past.

• 한국콘텐츠학회논문지
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• 제14권1호
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• pp.88-96
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• 2014

이 연구는 성(gender) 역할과 정체성 역시 사회적 구성물이라는 전제하에 그동안 가부장제가 지지하는 '지배적인(hegemonic) 남성성', 이상적인 '남성다움(manhood)'을 재현해 왔던 TV가 시대적, 사회적 변화에 따라 어떻게 이를 달리 재현하고 있는지를 밝혀보고자 하였다. 이를 위해 최근 시청자들로부터 높은 호응을 얻고 있는 주말 예능프로그램 <아빠! 어디 가?>와 <슈퍼맨이 돌아왔다>에 대한 서사분석(narrative analysis)을 실시하였다. 분석결과, 두 프로그램 모두 전통적으로 여성의 역할로 규정돼온 '육아'와 '가사'를 서사의 중심에 놓고 기존의 권위적이고 엄격한 아버지와 달리 탈권위적이고 감정표현에 익숙한 아버지를 이상적으로 묘사함으로써 새로운 남성성을 제시하였다. 그러나 남성들의 '육아'와 '가사'가 일종의 '놀이'로 구현됨으로써 이로 인한 여성들의 억압된 일상과 고통은 배제되는 한계가 드러났다.

• 복식
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• 제54권7호
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• pp.135-150
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• 2004

The purpose of this research was intended to investigate drag queens' and drag kings' gender identity not only as a comic and desexualized drag borrowing external characteristics of the opposite sex but also as the subject visualizing and performing' the third sex'. It also aimed to examine formative aesthetic characteristics and aesthetical value of drag queen's and drag king's fashion and to confirm the functions of drag queen's and drag kins's fashion to establish, visualize and Perform the discordant sex. For this process, research steps were as follows : 1. Understanding drag, drag queen and drag king in social, psychological context as well as in gender context. 2. Finding visualized forms which drag performance interchange with mass media 3. Analyzing similarities and differences between drag queen's fashion and drag king's fashion. 4. Examining the aesthetical characteristics and the value of drag queen's and drag king's fashion. The results of characteristics of drag queen's fashion could be categorized into stereotype, mimicry, kitch, inconsistency and commercialism. And the characteristics of drag king's fashion could be divided into reality, self-consciousness, mimicry, inconsistency, subversion and multiplicity. Drag queens create plausible impressions of feminity through the use of wigs, dresses, jewelry, makeup, hormones and through &role Playing&. Similarly drag kings produce a plausible masculinity taking gay male aesthetic using suits, crotch stuffers, facial hair, and greased hair. Male and female impersonation produce very different notions of gender performance for male and female embodiment. Drag kings' performance of masculinity demands authentic property of bodies so rather nonperformative, while drag queens' performance of femininity depends on more visible and theatrical fashion.