• Title/Summary/Keyword: French Revolution

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Costume Before and After the French Revolution - A Study of the Influence of European Enlightment to European Costume - (프랑스 혁명(革命) 전(前), 후(後)의 복식(服飾) 연구(硏究) - 계몽주의(啓蒙主義) 사상(思想)이 복식(服飾)에 미친 영향(影響)을 중심(中心)으로 -)

  • Hong, Ki-Hyeon
    • Journal of Fashion Business
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    • v.1 no.2
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    • pp.20-30
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    • 1997
  • The purpose of this study is to examine the influence of European middle class, ethos to costume. This study is concerned with historic situation about enlightment and French revolution, and the change process of costume before and after the French Revolution. In order to investigate the relationship, this studies include the phenomenon of costume in the basis of thoughts of the age (enlightment), political event (French revolution) and social system (middle classes). The Influence of enlightment to costume of man and children were which emphasized practical aspect. Children costume was developed independently from costume of adult before French revolution. French revolution played a roll in silhouette, color, texture of costume for man. Especially pantalons which names Sans-culotte generalized as modern clothing for man. Women freed from corset because of the influence of neo-classicism for a while. However, costume of woman did not change much because women were excluded from of enlightment.

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A Study on the Incroyables and Merveilleuses Costume after the French Revolution (프랑스혁명 이후의 Incroyables와 Merveilleuses 복식에 대한 연구)

  • 이유경
    • The Research Journal of the Costume Culture
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    • v.12 no.3
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    • pp.429-440
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    • 2004
  • The age after the French Revolution was the period of experiment and change in dress for both men and women. Directly after the close of the Reign of Terror, Directoire(1795-1799) became the extreme fashion known as incroyables and merveilleuses which mean 'impossible' or 'unimaginable'. This study aimed to investigate the sociocultural phenomena which affect to clothing change through the French Revolution period and clothing analysis of incroyables and merveillues. Furthermore, this study will contribute to establishing the theory of clothing culture and help predicting clothing change in accordance with social circumstances. Incroyables and merveilleuses represent extreme opposites in sleekness of attire and grooming. Incroyables required an unkempt, wrinkled appearance and a contrived carelessness. Merveilleuseses show the exaggerated transparency and simplicity in the fashions of female. Also, they devoted to the worship of the antique and the masculine fashions. This fashion madness appeared as the result of revolutionary social change. Their costume showed characteristics of the transition period between French Revolution and Classic period. However, they simply carried existing tendencies to the point of caricature by an enthusiastic overstatement.

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The French Revolution and Mathematical changes (프랑스 혁명과 수학의 변화)

  • Choi, Jong-Sung
    • Journal for History of Mathematics
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    • v.20 no.1
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    • pp.33-44
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    • 2007
  • This paper examines a historical case- the French Revolution- of conceptual change in mathematics. The case that is a space of possibility gave birth to a new community of mathematical practitioners. Carnot and Monge shared the particular conceptions of the problems, aims, and methods of a field and contributed to found Ecole Polytechnique. I intend to show how Carnot's and Monge's mathematical endeavours responded to social, political and technological developments in French society.

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A Study on the Characteristics of Clothing Behavior during the French Revolution (불란서 혁명기 의생활에 나타난 특성고찰)

  • 김인숙
    • Journal of the Korean Home Economics Association
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    • v.19 no.4
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    • pp.1-8
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    • 1981
  • French Revolution, while re-establishing the political and social structure, had also changed the cultural conditions of French life and manners. clothing, as with other features of daily life, had some characteristic changes, which this article tried to specify and related with the social conditions. Those specific changes pointed out as typical and discussed herewith are: 1. Clothing manipulated as a political identity kit. 2. Simplification of colors and forms of men's costume. 3. Tendency toward uniformity. 4. Clothing as the symbol of political utopia. 5. The attraction of military uniform. 6. Moral decadence.

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A study of girl's costume in nineteenth century (19세기(世紀) 소여복(小女服)에 대한 연구(硏究))

  • Lee, Yun-Young;Kim, Jin-Gu
    • Journal of the Korean Society of Costume
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    • v.13
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    • pp.73-79
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    • 1989
  • During nineteenth century, there broke out a great revolution in the history of girl's costume and with new condition toward girls. 1. Girl's costume followed their mother's attitude of the era and it was influenced by mother's costume. 2. Girl's costume was closely related with politics, economy, society culture and thought of the era. 3. Rousseau's Englightment made a revolution on girl's costume and it was direct revolution which affected on the French Revolution and the independence America. 4. Development of textile industry by industrial revolution brought on a change in raw material, quality, and quantity of textile, more gave a variety to raw material and ornament of girl's costume. 5. The invention of Sewing machine made it possible ready made production of girl's costume.

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French Society and Culture of the XVIIIth and the XIXth Centuries as Viewed by the Goncourt Brothers (공쿠르 형제가 본 18세기와 19세기 프랑스 사회와 문화)

  • Jang, Yun-Wuk
    • Cross-Cultural Studies
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    • v.45
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    • pp.349-380
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    • 2016
  • In this article we tried to discover the predilection of the Goncourt brothers for the noble culture of the eighteenth century. It is well known that two brothers sought to bring forth the aristocratic world formerly reigned by Louis XV and Louis XVI. The favorite themes of the Goncourts included rococo, rocaille, Kings' mistresses, and antiques. Were the brothers fascinated by the culture of the eighteenth century only because they were themselves in the lineage of an aristocratic family? Are there any other reasons behind their predilection for the eighteenth century? This research started from these questions, because we believe that, in their preoccupation with such culture, there must be other reasons beyond their aesthetic predilection. We first studied ideological grounds to answer these questions. Our attention was particularly drawn to the relationship between their attachment to aristocratic culture and their rejection of bourgeois culture in their time. We then attempted to discern the meaning of their studies on the French Revolution, in the wake of the revolution of 1848. By means of this approach, we found that they overestimated the vibrant and energetic culture of the eighteenth century, and they wanted to propose such culture to their contemporaries, in an effort to forget the terrible memory of the year 1848. We can therefore say that the Goncourt brothers proposed a remedy for the psychological torment of their time.

A Study on the Establishment of an Administrative Organization for Monument Conservation during the French Revolution (프랑스 대혁명기 기념물보존 행정조직의 탄생과정 고찰)

  • CHO Younghoon;KIM Youngjae
    • Korean Journal of Heritage: History & Science
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    • v.56 no.3
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    • pp.254-273
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    • 2023
  • In 2023, the Cultural Heritage Administration of Korea is transforming a system that has been in existence for the past 60 years. In these circumstances, an increasing recognition of the need for such changes is intended to start the study of the historical context in the conceptual development of cultural heritage. The employment of imported concepts of heritage created the demand for understanding at least the original contexts. Many European concepts have been introduced. In this study, the French Revolution is selected as the starting point for historical research on conceptual development. France opened a new horizon to national heritage since the establishment of the Republic at the end of the 18th century. The French Revolution placed monuments denied by the collapse of the Ancien Regime back into the boundaries of protection. In this process, the Commission des Monuments and the Commission Temporaire des Arts were created. There were limits to conservation activities in the context of the revolution and war. However, it is meaningful in that they established conservation principles with instructions and created new value for looking at monuments. It was pioneering in that it demonstrated the perspective of national heritage. This is significant because the top flow of conceptual development has led to a monument historique, bien culturel, and patrimoine culturel in France. This history provides a universal essence and has great implications for Korea as a divided country

A Study on the Influence of India in the neo-classical french Clothing (프랑스의 신고전주의 복식문화에 미친 인도의 영향에 관한 연구)

  • 박형애;정흥숙
    • Journal of the Korean Society of Costume
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    • v.50 no.4
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    • pp.21-36
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    • 2000
  • History confirms that the eastern style was reflected in various parts of the western culture including clothing. In this paper we show some evidence that the influence of India on the French clothing during the neo-classical period(1789-1820) was substantial. Among others, the use of muslin, kashmir shawl and banyan during the period is greatly emphasized. The muslin imported from India was used as the textile for the chemise mown, a typical clothing during the period. Indian muslin was used, because it was of better quality compared to the muslin manufactured in England and France and it was not expensive. The kashmir shawl imported from kashmir in India was also a popular item in Europe not only because it matched well with simple color of chemise gown, but because it expressed the tone of Greek and Roman. Banyan which was most popular clothing worn by men in 18th century Europe originally came from India, which goes back to the Kaftan clothing in the Central Asia. Banyan was an informal home style clothing different from the conventional tight men's wear. It is true that the muslin, kashmir shawl, and banyan also became fashion items throughout the 19th and 20th century to the English and other European people. However, we limited our attention to the influence of India on France because we think the French Revolution and Napoleon's conquest of Egypt are far more important factors when considering the influence of Indian culture on Europe.

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What Makes France a Fashion Power: A Socio-historical Approach (프랑스 패션 파워 형성의 배경이 된 사회·문화적 요인)

  • Cho, KyeongSook
    • Journal of the Korean Society of Costume
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    • v.66 no.2
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    • pp.32-44
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    • 2016
  • Having set a trend for luxury fashion brand markets since the $17^{th}$ century, France has established the norms and the forms of the fashion business. In addition, it has maintained its status as a leading fashion power by discovering economic value from the intangible value of design and brand, and developing fashion into a high value-added industry. This paper aims to examine the socio-cultural factors that have exerted a positive influence on the formation of "fashion power" in France from a historical perspective. It will focus on four major external historical factors that made France the top fashion power: insights and innovation of French leaders as well as their constant concerns and efforts for the promotion of fashion, a tradition of experimental cultures and arts, open and the public-centered social environment and an atmosphere of cherishing the values of creation, and the establishment of a legitimate system that protects them.