• Korean Institute of Interior Design Journal
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• no.7
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• pp.79-86
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• 1996

This study is searching the characteristics of transferred element in composition of architectural spaces ; it is ultimate goal that frame of reference is arranged system about path of horizontal direction is two-dimension and stairs of vertical in three-dimension as transferred element in Architectural plan. With the exception of stylized discussion or rhetorical analysis about these, it is analysed as element in physical order of a whole architecture in relation to another elements in composition of architecture spaces. And one who is perceptible and cognitive through spaces is the subject. Consequently , these elements are classified concept of location and circulation. And it can't think that the formal is divided the latter for accept behavior of pedestrican and thinking system to consider verticality and time property is absolutely conceptual elements in space of architectural plan.

• Korean Institute of Interior Design Journal
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• v.20 no.2
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• pp.131-138
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• 2011

This study describes development process of residential architectural space in the Richard Meier's residential works through chronological analysis. By analyzing house layout, floor plan, elevation, materials and colors and light entering of his residential works, changes in his architectural space has been studied. Richard Meier's early work is designed as three-dimensional shape, and places emphasis on geometric form. However, recently completed residential works by Richard Meier focuses on the horizontal sun shading louvers, which has ability. In addition, teak and a special UV protective glass are used to control natural environment. Through this research, it was found that Richard Meier has maintained his architectural language in terms of the design layout of the house and planar with colors that appear on the initial project. Using light input methods and materials used for active development, it was found that many design elements were applied and developed.

• Journal of the Regional Association of Architectural Institute of Korea
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• v.20 no.6
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• pp.9-16
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• 2018

The purpose of this research was influenced by the historical background of Japanese modern architecture by the circulation of Kuma Kengo's architectural works and he wanted to look at the values and directions he was pursuing and how they were expressed in his works. The results of the review are summarized as follows. First, metabolism was developed as a reaction of modernism in modern architecture, focusing on growth through infinite reproduction by looking at architecture and cities as organisms and by using unit space as cells. Kuma Kengo, on the other hand, argues that focusing on the possibility of decimation of unit members by sequencing the elements that make up the space smaller than the unit space is closer to an ecological architecture. Second, what Kuma Kengo says is "erase the architecture" that is naturally related to the environment and disappears when its use is exhausted. His argument is expressed in individual architectural works through 'visual erase', 'particle painting of materials' and 'independence through dependency.' Through this, Kuma Kengo's ecological architectural languages were influenced by the ecological causes of metabolism, but they differed from the perspective of seeing architectural circulation as an organism. If metabolism was intended to realize circulation with growth potential based on the module of unit space, Kuma Kengo sought to implement circulation with the extinction of the unit members of space.

• Journal of The Korea Institute of Healthcare Architecture
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• v.16 no.4
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• pp.33-40
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• 2010

Gross-to-net ratio is the important factor determining size of the building. However it was determined as the empirical method without the exact basis in the existing planning. This paper proposes more accurate methods for determining the gross-to-net ratio of architectural planning in general hospital. This paper analyzes the difference of gross-to-net ratio according to the various conditions and presents the elements of influencing on gross-to-net ratio. These elements is evaluated by applying in the typical hospital case. In conclusion, gross-to-net ratio is influenced by the accuracy of the space program, form type of the space and correspondence potential about the internal variation. In addition, This study has proved that empirical approach is a standard of minimum area.

• Journal of Korean Association for Spatial Structures
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• v.13 no.2
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• pp.47-55
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• 2013

The design composition elements and the mechanical behavior of trusses have been investigated for Pratt trusses. As a result, it was determined that the design composition elements of the trusses consist of the composition of webs, the distance between joints, the chords profile, the depth of the truss, and the double chord composition. In addition, by analyzing models with a variation of elements, comprehensive features of structural behavior have been presented for variations of design of Pratt trusses. This is to provide more effective and useful design information on truss structure in the architectural and structural planning stage.

• International Journal of High-Rise Buildings
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• v.13 no.1
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• pp.69-83
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• 2024

In this study, we focused on 'Adaptive Reuse', which has the concepts of space reconstitution and social and cultural regeneration, so that previously constructed highrise buildings can accommodate various changes in modern society, and new spatial design was developed based on the characteristics of adaptive reuse. We sought to present the concept and direction, detailed strategies, and architectural response elements of space reconstitution for the purpose of realizing the typical spatial reorganization required by modern society and seeking directions and methods of space reconstitution that can be applied to future society. The purpose is to do so.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.34 no.3
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• pp.11-21
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• 2018

This paper explores the structure of space in architecture from a viewpoint that individual unitized spaces are gathered to form the whole. To understand the spatial structure of architecture, firstly we need to understand each unitized spaces, and secondly, one must understand how the following adjacent spaces are connected to form the whole building. this gives salience to a fact that understanding the whole comprehensively. It is the most fundamental bases that must be understood and unitized when understanding the spatial structure of an existing building and designing a new one. It is necessary to hypostatize space as an abstract notion. In regards to this space examines the logical flow of structure within actual space. Hypostasieren process includes the process of shaping space and the shape information. In this process we need to refer to the properties of space and the morphological characteristics of physical elements. The segment of the unitized space is the realization process of the basic space. This study aims to provide a theoretical basis for analysis and design of spatial structure by comparing several representative methods of segmenting unitized space.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.05a
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• pp.222-226
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• 2007

Buildings form interior space when part of an external environment is limited by a physical surface. And, the interior space forms an appearance of building when space-defining elements, such as floor, wall, and roof. An appearance or a form of building has a lot of meanings depending on the physical and psychological conditions, as well as symbolism. Especially, the prevailing meaning of form in the modern age was, "Form follows function," was quite different from the meaning of form in the architectural era of Louis I. Kahn, who asserted "Form always supercedes function," when functional modernism was still existed even after some 50 years later. Existing studies on Louis I. Kahn usually analyzed his architectural terminology and philosophical concepts of Centrality, Light, Order, Form, and Design; or they were focused on an overall plane and the principle of composition. The purposes of this study are: (1) to investigate how the formal composition characteristics of building are expressed on skylights; and (2) to demonstrate that the formal composition characteristics of skylights plays an important role in constructing a whole structure of building in relation with other architectural elements.

• Journal of the Society of Disaster Information
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• v.15 no.1
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• pp.121-132
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• 2019

Purpose: This study aims to analyze the meaning of architectural space of Alvar Aalto, which is based on architectural theories of periodic flows and the form of the space with the various elements applied to the works. Method: It analyzes the interrelationships of light, form and material in triangular composition by synthesizing the architectural vocabulary of Alvar Aalto from the viewpoint of modernism. Results: The architectural works of Alvar Aalto are centered on the combination of light, form, material, and space diversity, emphasizing social awareness and linking the human scale with the building environment. Conclusion: The structure of the Alvar Aalto is a synonym of nature and culture, society and individuals, standardization and diversity, universality and locality, intellectual and emotional, scientific and human psychological. It is possible to apply reciprocity elements to architectural spaces in a comprehensive manner while being different from each other in terms of rationality and immediacy.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2004.11a
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• pp.92-97
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• 2004

This purpose of this study was about the analysis on the dynamic expression of geometric manipulation in interior composition elements. The paradigm of contemporary times became different from paradigm of modern times. The change of paradigm is caused by the side effect of paradigm of pre-times. In the contemporary architectural condition, architecture have a tendency to plural characteristics. This study investigates systemically ‘the DYNAMISM’ as a part of contemporary interior space's feature, based on geometric manipulation in interior composition elements. First of all, the dynamic characteristics of architectural space. The second, relationship between the architecture and geometric manipulation.