• 한국의류산업학회지
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• 제5권3호
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• pp.227-234
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• 2003

The purpose of this study is to investigate how the Post-modernism social cultural pattern has been reflected in collar of costume. In the classes social, collar in costume is the expressive medium of ideology and status symbol such as Passium of ancian Ezypt and Byzantin collar which is examined religion belif. The conspicuous function of collar can be examed as the ruff collar, which is the expressive medium of self-confidence, but the whisk collar and the flat collar means decline the authorized conspicous function. In the cultural pattern of Post-modernism, collar in costume presents the coexistence of double-sides value such as androgyny, dividinism and eclecticism. For example, the tailored collar or shirt collar in women's suit with delicate materials express the self-confidence, energy and intelligence, and the round collar or the draped collar in men's suit with rough material express the sensibility and liberty. In the deconstructivity through breaking the basis form of the collar, callar can be transformed in to sleeve, cape or hat on occasion. In conclusion, the function of collar changes by the cultural pattern and expresses the spirit.

• 한국의사학회지
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• 제34권2호
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• pp.11-23
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• 2021

In this study, we examine Cho Heon-yeong's medical theory about neurasthenia by looking at the contents and prescriptions of 『Neurasthenia Treatment (神經衰弱症治療法)』. Discourse about neurasthenia caused many problems in Joseon society during Japanese colonial period. This book consists of fist volume about general summary, second volume about treatment and prescription list. Cho Heon-yeong's theory in this book has following characteristics. First, eclecticism of Korean Medicine and Western medicine appears in the reinterpretation of Western medicine diseases and the acceptance of some Western medical theories and treatments. Second, the Korean medical disease name of neurasthenia is 'Simgizeung (心氣證)' for relevance with seven emotions (七情) and mind (神). Third, he evaluates neurasthenia as not a dangerous and incurable disease, but rather a positive phenomena of the mind and body. Fourth, he treated neurastenia by compromising dispersion (解鬱) and invigoration (補虛).

• 한국의사학회지
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• 제34권1호
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• pp.11-22
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• 2021

In this study, we examine Cho Heon-yeong's medical theory in obstetrics and gynecology by looking at the contents and prescriptions of 『Buinbyeongchiryobeob (婦人病治療法)』. This book is a clinical text on obstetrics and gynecology written in the 1940's. This book consists of an Introduction, Jeungchi (證治), Yangjinhanchi (洋診漢治), Cheobangnonhae (處方論解) and refers to 『Donguibogam(東醫寶鑑)』, 『Keongakjeonseo (景岳全書)』, 『Junguihaksajeon (中醫學辭典)』, 『Jejungsinpyeon (濟衆新編)』, 『Uihakipmun (醫學入門)』 and 『UijongKeumkam (醫宗金鑑)』. Cho Heon-yeong's theory in this book has the following characteristics. First, his medical eclecticism is centered on Korean Medicine, with incidental use of Western medicine. Second, he regarded weakness (虛證) as a vital factor in obstetrics and gynecology. Third, he added "mental state" to the list of basic physiological characteristics of women. Fourth, he presented a new diagnostic standard based on a spectrum of fire (火) and cold (冷). There are 363 prescriptions in this book, and 171 of them are from 『Donguibogam (東醫寶鑑)』. The books frequently used prescriptions are all designed to supplement (補藥). There are 48 prescriptions that original to Cho Heon-yeong. Additionally, this book contains eopsaeng (攝生) and pretended stimulation therapies and exercise methods.

• 한국과학교육학회지
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• 제25권2호
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• pp.133-145
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• 2005

이 연구의 목적은 예비교사들의 과학철학적 관점과 공룡의 멸종 관련 대안적 가설에 반응하는 유형과의 관계를 조사하는 것이다. 초등 예비교사 37명과 중등 예비교사 52명을 대상으로 하였으며, 예비교사들의 과학철학적 관점을 검사하는 도구로는 소원주 등이 개발한 PPP 문항을 이용하였다. 공룡 멸종에 관한 대안적 가설로는 공룡의 멸종 원인에 대한 여러 가설중 보편화된 운석 충돌설과 화산 온실설을 제시하였다. 먼저 예비교사들에게 공룡 멸종에 관한 대안적 가설을 읽기 전에 그들이 가지고 있던 생각을 조사하고, 대안적 가설 I(운석 충돌설)과 대안적 가설 II(화산 온실설)를 차례로 제시하여 읽게 한 후, 기존에 가지고 있던 생각에 대한 변화 정도를 조사하여 유형을 분석하였다. 연구 결과 예비교사들의 과학철학적 관점은 초등 중등 대부분 절충적 입장을 나타내고 있었으며 귀 납주의와 절충적 입장의 경계 및 반증주의와 절충적 입장의 경계에 해당하는 좁은 범위에 수렴하고 있었다. 초등 예비교사들의 경우 부분적 이론 변화에, 중등 예비교사틀의 경우 거부 반응 유형에 가장 많은 비율을 차지하고 있는 것으로 나타났으며, 초등 예비교사들은 절충적 입장인 경우 부분적 이론 변화에, 중등 예비교사들은 절충적 입장인 경우 거부 반응 유형에 높은 빈도를 나타내었다.

• 한국산학기술학회:학술대회논문집
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• 한국산학기술학회 2009년도 추계학술발표논문집
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• pp.37-40
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• 2009

미국 뉴포트의 주택들은 20세기를 전후로 하는 시기에 당시 최상류층의 휴양용 저택들로서, 미국의 절충주의 건축을 대표할 수 있는 특징을 갖고 있는 주택들이다. 본 연구에서는 미국에서 유럽의 건축적 전통과 영향을 절충주의적 철학에 따라 자신들의 형식으로 완성한 양식상의 전개를 살펴보고자 한다. 단순히 외국의 건축으로서 보다는 전통적 건축보다 외국의 영향에 의한 근대건축 문화를 이룩한, 우리나라의 건축 양식적 문제를 상호 비교하여 살펴보는 한 사례가 될 수 있을 것으로 본다.

• 한국의류학회지
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• 제38권6호
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• pp.796-809
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• 2014

This study identifies formativeness and the Korean consciousness of the vernacular design in a Korean designers' collection in order to discover the internal characteristics of vernacular expression elements. The study is based on a theoretical review and an analysis of cases collected from Korean fashion designers' clothes. Research is limited to international collections of clothes presented by Korean fashion designers since 2,000. The process of Korean vernacular designs in fashion were analyzed for formativeness in form, color, pattern and detail. The research findings identified formativeness and Korean's consciousness of modern fashion designs that reflect vernacular designs as follows. First, they are round, flexible line and shape based on assimilated with nature, rhythmic curve to express life force and asymmetry based on an ecstatic world based on nature. Second, a white color explained the pure mind and racial peculiarities in regards to the five colors that expressed the thinking of traditional rituals such as prayers for comfort of life and ancestor worship. Third, there were patterns around shape of nature, praying, and Korea culture. Finally, there were skills of Korean traditional handcrafts such as embroideries, knit-works, gold foils, and quilts where clothes expressed the hardship of life and strong willpower to overcome. In conclusion, the clothing of Korean vernacular designs contains characteristics such as natural beauty, decorativeness, shamanism, and eclecticism.

• 한국의류산업학회지
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• 제16권6호
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• pp.835-848
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• 2014

This study investigated the relationship between inner characteristics manifested through the characteristics of artistic styles and formativeness manifested through external expressions of architectural styles in the early Medieval Period and early Renaissance Period. The method applied to this study is as follows. First, a historical document research was conducted centering on academic theses, related books, and academic databases; in addition, a case study identified the aesthetic characteristics of women's clothes. The conclusion of this study is as follows. First, the following is the analysis of the relationship between the artistic mode and architectural formativeness in the early Medieval Period and early Renaissance Period that represent a turning point in artistic paradigms. Second, the inner characteristics and eclecticism of the artistic mode literally appear in the formativeness of architectural style in the early Medieval Period, and the eclecticism in the architectural style appears to be expressed through a combination with new styles based on the application of the retro mode such as the eclectic adoption of cultural styles of various regions based on the tradition and technology of ancient Rome. Third, the trend of the aesthetic characteristics commonly appear in the modern style of expression related to the aesthetic characteristics of western women's clothes in the early Medieval Period; in addition, the early Renaissance Period was analyzed as decorativeness and respectively manipulability.

• 디지털융복합연구
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• 제11권1호
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• pp.447-457
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• 2013

노구치가 생각한 공간은 19세기와는 달리 고대 의식의 환경과 관련된 개념을 조각하고 이 개념을 조각적 공간에 포함시켰으며 또한 기술과 새로운 재료를 일상생활의 조각적 미학에 도입했다. 미술계뿐만 아니라 정원 조각, 무대 디자인 등에서도 공간에 대한 인식을 깨우쳐 주었다. 정원과 놀이터는 공간, 그 독특함을 보여주며, 그의 예술적 특성과 작품에 대한 연구의 결과로써 다음과 같은 결론을 얻을 수 있었다. 노구치의 작업은 동양의 미학을 서양의 모더니즘 양식에 결합함으로써 동 서양 예술의 합류점을 이루었으며, 예술의 사회적인 기능과 실용적인 미학 그리고 기능이 통합된 합리적 형태를 조형적 특성으로 하고있으며, 조각에 대한 그의 접근법은 공간이 최고라는 이해에 기반을 두고 있다는 것이다. 위의 연구 결과를 통해 알 수 있듯이 노구치의 공간적 조각은 상징적 표현과 재료에 대한 민감함, 예술가의 끊임없는 공간의 창출에 대한 노력으로 탄생된 것이며, 노구치에 대한 연구는 공간개념의 발전에도 도움이 될 뿐만 아니라 조형예술가에게도 기여할 수 있으리라 기대한다.

• 대한가정학회지
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• 제44권9호
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• pp.1-8
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• 2006

The purposes of the present article are to suggest pragmatism as offering a philosophical paradigm for mixed methods research, to explain the fundamental principles of mixed methodology, and to present examples of research for understanding how to apply it to family studies. Mixed methods research is the class of research where the researcher mixes or combines quantitative and qualitative techniques, methods, approaches, concepts or language into a single study. Mixed methodology has its roots in pragmatism, which is a new philosophical paradigm to criticize the traditional dualism and to endorse eclecticism and pluralism. The present article argues that mixed methods research has the potential to answer a broader and more complete range of research questions, and to provide strong evidence for a conclusion through convergence and corroboration of the qualitative and the quantitative methods.

• 복식문화연구
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• 제14권5호
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• pp.755-765
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• 2006

This study is on the esthetic characteristics in the haute couture work of Chanel. It first reviews the lives and the fashion philosophy of Chanel, a senior designer and Lagerfeld as representatives of the maison, from the haute couture collection since 2000. The results of the study are the following. First, reinterpreting the tradition, Chanel reproduced historical dress items or silhouette with modern sense, or she created a new modern Chanel image through her original restructuring and dismantling. Second, Chanel expressed balanced beauty of compounded eclecticism by accord between simplicity and ornamentation, which meant her design showed impartial beauty with simple silhouette, decoration with colors, accessories, and ornaments. Third, Chanel did not divide the value between men and women, and instead expressed androgyny through dismantling each gender's characteristics by borrowing or mixing. As a result, she emphasized the female image or created a new style through expressing symbolic image embracing masculinity.