• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1997.11a
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• pp.39-43
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• 1997

본 논문에서는 ActiveMovie와 같은 stream data 기반의 library에서 실시간으로 사용될 수 있는 영상 특수효과 filter들을 소개하고, 알고리즘 개발 및 구현방법에 대해 기술한다. ActiveMovie는 기본적으로 mpeg decoder 및 Video for Windows(.avi file) decoder를 제공하여 프로그래밍을 수월하게 한다. 또한 각 module에 filter라는 개념을 도입하고 filter graph라는 구조를 이용하여 filter의 추가, 삭제를 용이하게 한다. 본 논문에서는, 디지털 영상 특수효과 중에서 Mosaic, Wind, Ghosting 등의 point processing filter들을 실시간으로 처리하기 위한 고속의 알고리즘을 제안한다. 제안하는 알고리즘은 픽셀의 포인터를 특정 위치로 이동시키지 않고 단순히 주소값을 하나씩 증가시키는 연산을 이용하여 실시간 특수효과를 얻을 수 있도록 한다. 또한 이와 같은 특수효과 알고리즘들을 ActiveMovie환경에서 구현함으로써 제안된 기법에 의하여 실시간 동영상 특수효과 처리가 가능함을 입증한다.

• Proceedings of the IEEK Conference
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• 2006.06a
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• pp.75-76
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• 2006

A new broadcasting standard for Digital Multimedia Broadcasting(DMB) has been announced in Korea to provide audio, video, and data broadcasting services. There exist two types of DMB; terrestrial DMB and satellite DMB. And in order to service DMB on the single system, the integration of RF module is required. In this paper, we describe an integrated RF tuner module that can receive T-DMB and S-DMB at the same time, which includes an L-band down-converter, a Band III tuner, and a S-DMB tuner.

• IE interfaces
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• v.9 no.3
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• pp.22-33
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• 1996

The KOREASAT satellite, the first Korean commercial communication and broadcasting satellite, has been launched in August 1995, and has started to provide the communication and preliminary broadcasting services, respectively, in March and July 1996. In this paper the network configurations and characteristics of the services which the KOREASAT satellite provides are described. The services, which are provided by the KOREASAT satellite with its twelve communication and four broadcasting transponders, are the direct broadcasting service, the video relay service including the TVRO, SNG and TV/CATV program distribution, the company-wide communication service including VSAT and TSAT, and the other services with the digital line, trunk relay, telephone line, mobile data, music broadcasting services, etc. A communication transponder has the 36MHz bandwidth and 14W output power, and a broadcasting transponder has the 27MHz bandwidth and 12OW output power.

• Journal of Digital Convergence
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• v.19 no.3
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• pp.203-209
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• 2021

In this study, a prototype design model was proposed for developing an online recruitment system through multi-dimensional data crawling and social media analysis, and validates text information and video interview in job application process. This study includes a comparative analysis process through text mining to verify the authenticity of job application paperwork and to effectively hire and allocate workers based on the potential job capability. Based on the prototype system, we conducted performance tests and analyzed the result for key performance indicators such as text mining accuracy and interview STT(speech to text) function recognition rate. If commercialized based on design specifications and prototype development results derived from this study, it may be expected to be utilized as the intelligent online recruitment system technology required in the public and private recruitment markets in the future.

• KIPS Transactions on Software and Data Engineering
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• v.6 no.1
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• pp.15-22
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• 2017

With the advance of Internet Technology, various social network services are created and used by users. Especially, the use of smart devices makes that multimedia contents can be used and distributed on social network services. However, since the crime rate also is increased by users with illegal purposes, there are needs to protect contents and block illegal usage of contents with multimedia forensics. In this paper, we propose a multimedia forensic technique which is identifying the video source. First, the scheme to acquire the sensor pattern noise (SPN) using morphology filtering is presented, which comes from the imperfection of photon detector. Using this scheme, the SPN of reference videos from the reference device is estimated and the SPN of an unknown video is estimated. Then, the similarity between two SPNs is measured to identify whether the unknown video is acquired using the reference device. For the performance analysis of the proposed technique, 30 devices including DSLR camera, compact camera, camcorder, action cam and smart phone are tested and quantitatively analyzed. Based on the results, the proposed technique can achieve the 96% accuracy in identification.

• Journal of Broadcast Engineering
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• v.20 no.2
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• pp.310-339
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• 2015

In this paper, the possibility of a terrestrial fixed 4K UHD (Ultra High Definition) and mobile HD (High Definition) convergence broadcasting service through a single channel employing the FEF (Future Extension Frame) multiplexing technique in DVB (Digital Video Broadcasting)-T2 (Second Generation Terrestrial) systems is examined. The performance of such a service is also investigated. FEF multiplexing technology can be used to adjust the FFT (fast Fourier transform) and CP (cyclic prefix) size for each layer, whereas M-PLP (Multiple-Physical Layer Pipe) multiplexing technology in DVB-T2 systems cannot. The convergence broadcasting service scenario, which can provide fixed 4K UHD and mobile HD broadcasting through a single terrestrial channel, is described, and transmission requirements of the SHVC (Scalable High Efficiency Video Coding) technique are predicted. A convergence broadcasting transmission system structure is described by employing FEF and transmission technologies in DVB-T2 systems. Optimized transmission parameters are drawn to transmit 4K UHD and HD convergence broadcasting by employing a convergence broadcasting transmission structure, and the reception performance of the optimized transmission parameters under AWGN (additive white Gaussian noise), static Brazil-D, and time-varying TU (Typical Urban)-6 channels is examined using computer simulations to find the TOV (threshold of visibility). From the results, for the 6 and 8 MHz bandwidths, reliable reception of both fixed 4K UHD and mobile HD layer data can be achieved under a static fixed and very fast fading multipath channel.

• Journal of Korea Game Society
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• v.9 no.2
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• pp.3-12
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• 2009

In this study, by both qualitative and quantitative measurement on the purpose of deriving the sensitive amusement factor. I consider the fear of horror games as "the amused fear" and analyze it, which is based on the play theory by Roger Caillois. On the basis of this, I classified the amusement fear in horror games into the 4 factors. I conducted some positive tests through the player's response in order to verify them. The test is conducted measuring the heart rate of each experimenter by cardiometer while they are playing horror games. By analyzing the video data, I gave a name to the point that the amusement fear factors are expected to influence psychologically and physiologically as the fear point. At this point, I examined if the measured heart rate makes the outstanding difference or not, when compared average heart rate with experimenter's heart rate. In addition, I also examined if there is a statistical correlation of heart rate by attaching player's subjective data through the questionnaire. Consequently, it was statistically turned out that the experimenter's heart rate which is measured rose dramatically than usual, and that there are close correlations among subjective data. I also found out that the amusement fear factor at the relevant point plays a major role in experimenter's psychological and physiological response. In this study, I could prove the horror factor as a meaning of amusement factor using both theoretical method and positive method establishing a standard set that is helpful for further production and planning of the game.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.39A no.4
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• pp.195-205
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• 2014

The ultra-high definition television (UHDTV) has been considered as a next generation broadcsating service. However the conventional digital terrestrial transmission system cannot afford the required transmission data rate of UHDTV, and thus adopting ultra-high order constellation, such as 4096-QAM, into the conventional DTT systems has been studied. In particular, when the ultra-high order constellation is adopted into the digital video broadcasting-2nd generation terrestrial (DVB-T2) unequal-error protection (UEP) properties of a codeword of an error correction coding and ultra-high order constellations should be properly matched by bit mapper in order to enhance the decoding performance. Because long codeword results in a heavy computational complexity to design the bit mapper, the DVB-T2 divided it into cascaded blocks, the bit interleaver and the bit-to-cell DEMUX, and there have been many researches related to each block. However, there are few published study related to design methodology of bit interleaver. In this respect, this paper proposes a design methodology of the bit interleaver and presents bit interleavers of 1024-QAM and 4096-QAM according to the proposed design algorithm. The newly designed interleavers improved the decoding performance of the error correction coding by maximally 0.6 dB SNR over both of AWGN and random fading channel.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.33 no.3
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• pp.123-155
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• 2022

This study focuses on the management of the news production system in broadcasting companies. This paper concentrates on the process of data registration and metadata management in order to examine whether the currently produced news can have value as a 'public record' in the long term, and whether reliable and accurate information is preserved. In addition, the user experience in the current system is analyzed through in-depth interviews with Ingest Managers, Editors, and Archive Managers, who are closely related to metadata creation compared to other members of the its News Department. Finally, a sustainable metadata quality management method is sought to increase the value of news footage as a 'public record'. In this study, these points can be found out: the metadata of the news agency footage is input manually according to the user's will or working style, that is, the user-friendly metadata input system is insufficient. Accordingly, it can be seen that the quality of the metadata of the news video continues to deteriorate. As an alternative to overcome this, it is found that work flow improvement, system improvement, classification system and metadata improvement plan, etc. are definitely necessary in the short and long term.

• The Korean Journal of Archival Studies
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• no.78
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• pp.197-249
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• 2023

This paper focus on the demand for broadcast and video archive contents by users outside broadcasters as the archive openness and sharing projects of terrestrial broadcasters have become more active in recent years. In the process of creating works using broadcasters' released video footage, the study examined the criteria by which video footage is selected and the methods and processes utilized for editing. To this end, the study analyzed the the case of the 5.18 footage video sharing project 〈May Story(Owol-Iyagi)〉 contest organized by KBS in 2022, in which KBS released its footage about the May 18 Democratic Uprising and invited external users to create new content using them. Analyzing the works that were selected as the winners of the contest, the research conducts in-depth interviews with the creators of each work. As a result, the following points are identified. Among the submitted works, many works deal with the direct or indirect experience of the May 18 Democratic Uprising and focus on the impact of this historical event on individuals and our current society. The study also examined the ways in which broadcasters' footage is used in secondary works. We found ways to use video as a means to share historical events, or to present video as evidence or metaphor. It is found that the need for broadcasters to provide a wider range of public video materials such as the May 18 Democratic Uprising, describing more metadata including copyright information before releasing selected footage, ensuring high-definition and high-fidelity videos that can be used for editing, and strengthening streaming or downloading functions for user friendliness. Through this, the study explores the future direction of broadcasters' video data openness and sharing business, and confirms that broadcasters' archival projects can be an alternative to fulfill public responsibilities such as strengthening social integration between regions, generations, and classes through moving images.