• 복식문화연구
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• 제18권6호
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• pp.1194-1210
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• 2010

The influence of digital media according to environmental change of multi-media came to have significance more than what we imagine. In accordance with high resolution of HDTV in digital media era, the cautious awareness is required for skin color by the immediate color such as replica of TV color, lighting and clothing. As for the broadcasting makeup expression technique caused by a change in broadcasting environment in the digital media era, the first, There is necessity for natural makeup technique, and for expressing the whole makeup evenly and very delicately. The makeup work gets much more delicate. For the delicate expression, more time is being required than the existing makeup time. Second, Lots of time and manpower are required for elaborate real-object processing on all the production fields such as background set, stage properties, and makeup. Third, Realistic expression is available on the screen. Importance of basic makeup is highlighted. Thus, even the skin care shop came to be prevalent. Development in only HD cosmetics is needed for foundation with fine particle in new material and with diverse colors hereafter. The video-media field is a method that is ignored a sense of distance through vehicles such as camera, picture tube, and several kinds of broadcasting machinery and equipment and that is delivered vividly to viewers through screen, unlike the stage makeup, thereby being needed the makeup technology proper for HDTV according to the changing broadcasting environment and media. The video machinery and equipment are proceeding with being gradually high-tech and precise. Thus, an expert in makeup needs to know common sense on the video machinery and equipment before makeup, and needs to make an effort according to it. And, a follow-up research can be said to be necessary on the advance in makeup method and on more diverse dedicated cosmetics along with a research on color tone proper for HDTV.

• 복식
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• 제61권5호
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• pp.48-63
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• 2011

Digital makeup(DM), depending upon computer graphic softwares, is applied to various fields, e.g. character works in movie and game industries and visual printouts in printing works. Focused on makeup field, DM is extremely conducive to developing, scientizing and informationalizing makeup patterns. Despite of unlimited potential of DM of which market size has been growing day by day, its practical use by domestic makeup experts and educators is much less active than expected as far, due to the lack of knowledge accumulation. The purpose of this study is to suggest some theoretical frameworks to generalize DM techniques and analyze two cases using the frames therefore support academicians' recent efforts to theorize DM techniques. The study 1) defines and categorizes the concepts of DM and DFX(digital special effect); 2) reviews the literature relevant to DM and generalizes the types and methods of DM techniques; 3) applies general frames to analyzing two movie cases, famous for their DM effects; 4) then suggests, based upon analytical results, some efficient ways for makeup experts to use DM techniques in practice. This study contributes to providing the theoretical grounds to conceptualize DM thus broadening makeup artists' interests in DM and awakening the scholarly concerns in cultural technology including DM.

• 한국멀티미디어학회논문지
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• 제18권9호
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• pp.1019-1026
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• 2015

In this paper, we propose a new method of eye, face, and lip makeup techniques on the target face image from several makeup examples without losing detail features such as eyelids, eyebrows, hair. After detection of the feature layer for the skin, we applied our makeup techniques to the target face by using a blending technique. We used a cartoon rendering using bilateral filter. In order to smoothly makeup the target face, we created two Gaussian Weight maps for natural skin makeup effects. Our method did not need to perform complex operations, so the makeup results are so natural. Our experimental results show good performances in various makeups.

• 한국융합학회논문지
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• 제10권3호
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• pp.291-296
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• 2019

영화 시장에서 분장은 산업의 발전에 따라 전문적인 기술의 다양한 분장 방법들이 선보이고 있다. 따라서 영화유형의 변화와 그에 따른 영화분장 트렌드 분석의 필요성이 요구 된다. 무성영화시대의 초기 분장 특징은 스테이지무대 메이크업 분장이 그대로 활용되었다. 유성영화시대의 분장 특징은 리얼리티를 살린 사실적이고 구체적인 분장이 표현되었으며 스트리트 분장, 캐릭터 분장, 특수효과 분장 및 CGI 분장을 볼 수 있다. 4차 산업의 발전으로 CGI특수효과는 영화의 배경뿐만 아니라 분장에서도 정교함과 사실적인 표현이 가능해 졌다. 영화에서 분장은 CGI분장을 단독으로 사용하는 것이 아니라 스트리트 분장, 캐릭터 분장, 특수효과 분장 등이 복합적으로 활용되고 있다. 따라서 다양한 분장 교육이 필요하며 향 후 국내 영화산업에서도 충분한 제정 확보로 특수효과분장 및 디지털 분장 기술부분의 교육 및 개선과 대책이 마련된다면 한국의 영화산업이 국내외 시장에서 더욱 활성화 될 것이라 사료된다.

• 한국정보시스템학회지:정보시스템연구
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• 제30권1호
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• pp.105-121
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• 2021

Purpose Today, through digital services, many people enjoy a conveient and comfortable life. Nevertheless, it is easy to find people in our daily lives who are buried in work without any payment that we did not do before digital services. Such un-payed works under digital environment are called digital shadow works. The purpose of this study is to classification and dynamics of digital shadow works and to suggest research direction. Design/methodology/approach Based on two dimension, voluntary participation ('should' type and 'want' type) and work orientation (management-operation), digital shadow works were classified into four categories - chore, makeup, routine, and quest. Findings In digital shadow work there are four types of dynamics - routine and quest, makeup and chore, makeup and quest, and quest and actions in offline. According to the classification and analysis of dynamics, three research directions in digital shadow work are suggested and discussed- digital shadow works operation mechanism considering dynamics, expansion of existing user theories based on survey method by digital shadow works and social influences by digital shadow works.

• 패션비즈니스
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• 제18권6호
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• pp.57-66
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• 2014

The purpose of this study is to design appropriate digital tools for the production of makeup designs. In this study, we used a three-dimensional facial avatar simulation program developed by the Electronics and Telecommunications Research. This study is based on the creation of three-dimensional CG digital art of facial avatar makeup, produced by using simulation technology. First, the actual application and the tools for digital-optimization and media features were created, leading to the research and cleanup. Second, the theoretical background was applied to the formative elements of oriental colors in the designing process. Makeup design elements include point, line, surface, color, and texture. In this study, effective makeup design was interpreted to be based on the representation of particular elements, notably the design principles of balance, proportion, rhythm, repetition, emphasis, contrast, harmony, and unity. In Asia, design is based on the visibility of red, blue, black, yellow, and white-the colors of the five elements-and the use of points, lines, and shapes. This study was recently under scrutiny in relations to digital simulation and various three-dimensional designs, in terms of how to take advantage of a wide range of applications, and how to apply the findings through media and the dissemination of basic research. This study applies the characteristics of the limited existing stereoscopic three-dimensional and digital simulation programs in order to take advantage of the empirical research, providing a basis to implement this research in a meaningful way. A follow-up study is needed to extend these findings and theoretical foundation through continuous observation and in-depth technical development and research.

• 디지털콘텐츠학회 논문지
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• 제19권9호
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• pp.1653-1662
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• 2018

본 연구는 화장품 앱이 제공하는 가상 메이크업 템플릿과 메이크업 룩의 관계를 조사하였다. 한국의 20대 및 30대 여성 34명을 대상으로 설문조사한 결과, 19개 가상 메이크업 템플릿중 'Bella', 'Hilary', 'Cara' 등 3개를 가장 선호하며, 이에 상응하는 메이크업 룩은 각각 '섹시', '클래식', '내추럴'인 것으로 조사되었다. 전문가의 정성적 평가와 통계적 분석에 의한 정량적 평가를 통해 이들은 메이크업 템플릿과 유사한 메이크업 룩을 선호하고, 전반적으로 고명도의 연한 피부색과 중명도의 밝은 입술색을 선호하는 것으로 분석되었다.

• 대한화장품학회지
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• 제37권1호
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• pp.23-36
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• 2011

본 총설에서는 디지털 커뮤니케이션 환경에 나타나는 메이크업 트렌드에 관한 이론 고찰을 통해 관련성과 특성을 파악함으로써 관련업계 및 연구를 위한 기초 자료를 제공하는 데 있다. 본 연구를 통해 첫째, 디지털 커뮤니케이션 환경의 사회 문화적인 특징으로는 상호작용성, 기술지향성, 감성지향성, 시공간의 혼재성으로 도출할 수 있었다. 둘째, 메이크업에서 전개되고 있는 트렌드의 유형은 상호작용성, 가상성, 유희성, 이동성으로 도출할 수 있었다. 셋째, 디지털 커뮤니케이션 유형이 채택하는 양상은 개방적이고 수평적인 사고를 중심으로 절충적인 혼합을 통해 과거에 있어왔던 스타일이나 장르와의 혼합과 병치로 나타났다. 넷째, 디지털 커뮤니케이션 환경으로 인한 트렌드가 메이크업 트렌드와의 완전한 일치는 일어나지 않았지만 인간의 외형미를 표현하는 전체 틀 속에서 동질성과 유사성을 바탕으로 상호작용을 통해 유기적으로 작용하고 있다는 것을 알 수 있었다. 디지털 커뮤니케이션 환경이 생성되면서 사회가 특정한 국가 간의 경계를 넘어선 다양한 장르의 혼합 및 붕괴의 복합적인 디지털 사회의 현상으로 형성되어 하이브리드 경향이 메이크업 트렌드에서 보여지고 있다.

• 복식문화연구
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• 제18권1호
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• pp.64-79
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• 2010

The digital era in the 21st century is globalized and is collapsed boundary among countries, thereby being able to be said to be characterized most largely by proceeding with being a form like a federation and EU. A change into digital era brought about a change in all the aspects of human behavior and culture, not a change simply in temporal significance and technological significance. In recent days, all the services came to be possibly used the integrated device with the same network owing to innovation of communication technology, which is represented by digital, network, and internet. Now, the broadcasting industry, computer industry, and communication industry are exceeding the peculiar sphere by being mutually merged. Each of industrial sector centering on internet is showing the phenomenon of being united. The hybrid trend, which was formed by phenomenon in the complex digital media society, tended to be indicated in fashion and makeup design. As the digital media era was generated, the hybrid trend induced a change into society in open and horizontal idea. It came to be known that there is independent trend in each field even while organically working in the middle of the whole frame that fashion and makeup express a human being's external beauty. This implies that makeup is not what is always influenced by fashion as an accessory in fashion and a supplementary role, but what can show its contrary phenomenon. This study examined characteristics, which are shown in fashion and makeup due to hybrid influence with greeting the digital media era. This study was carried out in order to be conducive to objective data available for giving help to the future direction and marketing data in product of the relevant businesses, through the results of this study.

• 디지털융복합연구
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• 제10권11호
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• pp.635-640
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• 2012

오늘날 특히 여성의 높은 사회진출로 양성평등화 사회에 돌입한 이래 남성의 메이크업 행위가 갖는 의미는 점차 변화되었다. 사회에서 성(gender)의 역할이 분명히 구분되지 않고, 여성과 남성이기 보다는 '인간'으로서 삶의 가치를 추구하고, 그 과정에서 권리와 책임이 양분되지 않고 양성평등화 사회 속에서 메이크업의 의미 역시 여성의 미적 본능만을 위한 것이 아닌 남성의 아름다움을 추구하려는 본능을 부각시켰다. 급변하는 남성들의 메이크업의 트랜드를 파악하고 좀더 구체적인 미래지향적 남성 뷰티 이미지 형성의 실질적인 기초 자료로 활용되리라 본다.