• Title/Summary/Keyword: Digital codec

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Application of Turbo Code for Digital Audio Broadcasting (DAB) System (디지털 오디오 방송을 위한 터보부호의 응용)

  • 김한종
    • The Journal of Korean Institute of Electromagnetic Engineering and Science
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    • v.13 no.2
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    • pp.176-187
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    • 2002
  • The digital Audio Broadcasting (DAB) system adopts Coded OFDM(COFDM) for channel coding. The COFDM is a combined technique of multicarrier transmission(OFDM) and punctured convolutional coding with viterbi error correction. Because the channel coding is an important topic for OFDM systems, this paper proposes a new turbo coded OFDM system that replaces the existing RCPC codec by a turbo codec without modifying the puncturing procedure and puncturing vectors defined in the standard DAB system for compatibility. The performance of a new system is compared to that of the conventional system under the frequency selective Rician fading channel and the frequency selective Rayleigh fading channel in conjunction with DAB transmission mode I suitable for the terrestrial single frequency network(SFN) broadcasting. The standard system's performance was improved with the aid of turbo codec.

The Implementation of Multi-Channel Audio Codec for Real-Time operation (실시간 처리를 위한 멀티채널 오디오 코덱의 구현)

  • Hong, Jin-Woo
    • The Journal of the Acoustical Society of Korea
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    • v.14 no.2E
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    • pp.91-97
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    • 1995
  • This paper describes the implementation of a multi-channel audio codec for HETV. This codec has the features of the 3/2-stereo plus low frequency enhancement, downward compatibility with the smaller number of channels, backward compatibility with the existing 2/0-stereo system(MPEG-1 audio), and multilingual capability. The encoder of this codec consists of 6-channel analog audio input part with the sampling rate of 48 kHz, 4-channel digital audio input part and three TMS320C40 /DSPs. The encoder implements multi-channel audio compression using a human perceptual psychoacoustic model, and has the bit rate reduction to 384 kbit/s without impairment of subjective quality. The decoder consists of 6-channel analog audio output part, 4-channel digital audio output part, and two TMS320C40 DSPs for a decoding procedure. The decoder analyzes the bit stream received with bit rate of 384 kbit/s from the encoder and reproduces the multi-channel audio signals for analog and digital outputs. The multi-processing of this audio codec using multiple DSPs is ensured by high speed transfer of date between DSPs through coordinating communication port activities with DMA coprocessors. Finally, some technical considerations are suggested to realize the problem of real-time operation, which are found out through the implementation of this codec using the MPEG-2 layer II sudio coding algorithm and the use of the hardware architecture with commercial multiple DSPs.

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Reed Solomon CODEC Design For Digital Audio/Video, Communication Electronic Devices (디지털 오디오/비디오, 통신용 전자기기를 위한 Reed Solomon 복부호기 설계에 대해)

  • An Hyeong-Keon
    • Journal of the Institute of Electronics Engineers of Korea TC
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    • v.42 no.11
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    • pp.13-20
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    • 2005
  • For Modern Consumer and Communication Elecronic Devices, Always Error Protecting HW and SW is used. The Core is RS(Reed Solomon) Codec in Galois Field GF($2^8$). Here New 2 to 3 Symbol RS Decoder Design and Encoder design Method using Normalized error position Value is described. Examples are given to show the methods are working well.

Implementation of Encoder and Decoder for TV-Anytime Metadata (TV-Anytime 메타데이터의 부호화기 및 복호화기의 구현)

  • Kim Myounghoon;Kim Hyeokman;Yang Seungjun;Kim JaeGon
    • Journal of Broadcast Engineering
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    • v.10 no.1 s.26
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    • pp.57-67
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    • 2005
  • In the paper, we propose a TV-anytime codec that encodes and decodes TV-Anytime metadata according to the TV-Anytime specification so that the resulting binary TV-Anytime metadata can be transferred efficiently through the broadcasting network where the data bandwidth is restricted.. We describe the broadcasting environment that the TV-Anytime codec will be applied to, and the required functionalities of the software modules in detail. For the design of software modules, we show how to Implement the modules for metadata fragmentation. encoding, decoding, and the fragments management. The proposed TV-Anytime codec can be utilized as the core components to a personalized digital broadcasting system providing ECG(Electronic Content Guide) and segmentation information services according to TV-Anytime standard.

Security Enhancing of Authentication Protocol for Hash Based RFID Tag (해쉬 기반 RFID 태그를 위한 인증 프로토콜의 보안성 향상)

  • Jeon, Jin-Oh;Kang, Min-Sup
    • Journal of Internet Computing and Services
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    • v.11 no.4
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    • pp.23-32
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    • 2010
  • In this paper, we first propose the security enhancing of authentication protocol for Hash based RFID tag, and then a digital Codec for RFID tag is designed based on the proposed authentication protocol. The protocol is based on a three-way challenge response authentication protocol between the tags and a back-end server. In order to realize a secure cryptographic authentication mechanism, we modify three types of the protocol packets which defined in the ISO/IEC 18000-3 standard. Thus active attacks such as the Man-in-the-middle and Replay attacks can be easily protected. In order to verify effectiveness of the proposed protocol, a digital Codec for RFID tag is designed using Verilog HDL, and also synthesized using Synopsys Design Compiler with Hynix $0.25\;{\mu}m$ standard-cell library. Through security analysis and comparison result, we will show that the proposed scheme has better performance in user data confidentiality, tag anonymity, Man-in-the-middle attack prevention, replay attack, forgery resistance and location tracking.

Network design for correction of deterioration due to hologram compression (홀로그램 압축으로 인한 열화 보정을 위한 네트워크 설계)

  • Song, Joon Boum;jang, Junhyuck;Hwang, Yunseok;Cho, Inje
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 2020.11a
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    • pp.377-379
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    • 2020
  • The hologram data is having a dependence on the pixel pitch of the SLM (spatial light modulator) and the wavelength of light, and the quality of the digital hologram is proportional to the unit pixel pitch and the total resolution. In addition, since each pixel has a complex value, the amount of data in the digital hologram also increases exponentially, and the size is bound to be very large. Therefore, in order to efficiently handle digital hologram files, it is essential to reduce the file size through a codec and store it. Recently, research on enhancing image quality damaged by the codec is actively underway. In this paper, the hologram image of JPEG Pleno, which is the standard hologram data, was used, and the image quality damage that occurs whenthe holographic image is encoded and decoded through the JPEG2000, AVC, and HEVC codec is enhanced with a deep learning network to find out whether the image quality can be improved. we also compare and quantitatively find out the degree of improvement in image quality.

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Implementation of the AAC Audio CODEC for Digital Audio Broadcasting (디지털 오디오 방송을 위한 AAC 오디오 코덱 구현)

  • 장대영;홍진우
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 2000.11b
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    • pp.43-48
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    • 2000
  • This paper introduces MPEG-2 AAC codec system fur digital audio broadcasting. This system consists of encoder and decoder, and this system provides MPEG-2 system multiplexing and demultiplexing functions. Four DSPs are adopted fur encoder and three DSPs fur decoder. Each DSP processes system control, I/O control, and audio signal processing, multiplexing and demultiplexing. This paper also discusses about some near future estimations related to DAB system and services. And at the end of this paper describes about future development plans.

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MRBR-based JPEG2000 Codec for Stereoscopic Image Compression of 3-Dimensional Digital Cinema (3차원 디지털 시네마의 스테레오 영상 압축을 위한 MRBR기반의 JPEG2000 코덱)

  • Seo, Young-Ho;Sin, Wan-Soo;Choi, Hyun-Jun;Yoo, Ji-Sang;Kim, Dong-Wook
    • Journal of the Korea Institute of Information and Communication Engineering
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    • v.12 no.12
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    • pp.2146-2152
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    • 2008
  • In In this paper, we proposed a new JPEG2000 codec using multiresolution-based rendering (MRBR) technique for video compression of 3-dimensional digital cinema. We introduced discrete wavelet transform (DWT) for stereoscopic image and stereo matching technique in the wavelet domain. The disparity was extracted using stereo matching and transmitted with the reference (left) image. Since the generated right image was degraded by the occlusion lesion, the residual image which is generated from difference between the original right image and the generated one was transmitted at the same tine. The disparity data was extracted using the dynamic programming method in the disparity domain. There is high correlation between the higher and lower subbands. Therefore we decreased the calculation amount and enhanced accuracy by restricting the search window and applying the disparity information generated from higher subband.

Overview of H.264/AVC Scalable Extension (H.264/AVC-Scalable Extension의 표준화 연구동향과 알고리즘 분석)

  • Park Seong-ho;Kim Wonha;Han Woo-jin
    • Journal of Broadcast Engineering
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    • v.10 no.4 s.29
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    • pp.515-527
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    • 2005
  • A next-generation codec should be developed to be a scalable video codec(SVC) that not only maximizes the coding efficiency but also adaptively copes with the various communication devices and the variation of network environments. To meet these requirements, Joint Video Team (JVT) of ISO/IEC and ITU-T is standardizing H.264/AVC based SVC. In this paper, we introduce research directions and status on SVC standardization and also analyze techniques and algorithms adopted in the current SVC.

Turbo Coded OFDM for Digital Audio Broadcasting System (디지털 오디오 방송을 위한 터보 부호화된 OFDM)

  • Kim, Han-Jong
    • Journal of the Institute of Electronics Engineers of Korea TC
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    • v.38 no.11
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    • pp.19-29
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    • 2001
  • The Pan-European Digital Audio Broadcasting(DAH) system's performance is characterized and improved with the aid of turbo codec. From the fact that the first bit among the four coded bits at the RCPC coding defined in the Eureka 147 DAD system is not. punctured and always transmitted, this paper proposes a new turbo coded DAB system model that replaces the existing RCPC codec by a turbo codec without modifying the puncturing procedure and puncturing vectors defined in the standard DAB system for compatibility. The performance of a new system is compared to that of the conventional system under the Rician fading channel and the Rayleigh fading channel in conjunction with DAD transmission mode I and III suitable for the terrestrial single frequency network and satellite broadcasting.

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