• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2005년도 춘계학술대회 논문집
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• pp.848-854
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• 2005

In mechanical design part, though many design methodologies have been developed, most of them are applicable for detailed design. Therefore, when people had to do conceptual design, they relied on their individual creativity. To improve this phenomenon, some methodologies are developed such as TRIZ and axiomatic design. In this paper, both TRIZ and axiomatic design methodologies will be reviewed. In addition, some papers which contain conceptual design case study will be also dealt with. These case studies are results of application both axiomatic design and TRIZ methodology.

• 유통과학연구
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• 제13권3호
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• pp.21-29
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• 2015

Purpose - This paper addresses the role of designers in design-oriented firms and how they should work together with other organization members. The aim of this paper is to investigate how designers generate ideas and cooperate with others as well as how their participation in decision-making reflects on corporate design strategies. Research design, data, and methodology - An in-depth exploratory study examined how designers actually perform their roles in enterprises; in addition, information, knowledge, communication among designers, and sources of creativity were examined. Hanssem and Ikea grew as design-intensive businesses in a declining industry. Data were obtained from interviews with the design staff of each company as well as secondary sources. Results - Designers were found to use their designs to communicate with customers as well as with communities outside of the enterprise; they also participated in overall decision-making in relation to important design strategies. Conclusions - This study emphasized the increasing importance of the innovative and creative role of designers; thus, it might substantially help companies to develop their own design capabilities and deploy design strategies.

• 한국정밀공학회지
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• 제24권9호
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• pp.86-94
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• 2007

The design process must be planned carefully and executed systematically in order to support designers who are faced with many engineering design problems. In particular, conceptual design stage is very important than other stages such as detailed design or manufacturing stage on designing engineering systems. When designers are faced contradictory situation in task, conceptual design usually requires inventive thinking which depends on their creativity. And in order to develop good concepts, it is necessary to resolve contradictory situations during conceptual design. This paper presents a structure of systematic conceptual design process for designing engineering systems. And we developed the automatic feeding screw device using the proposed design process structure.

• 공학교육연구
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• 제23권2호
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• pp.3-13
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• 2020

Key objective of cornerstone design is that students are able to experience developing creative design concepts through team activities, but the objective is hard to achieve. Based on a study of research materials, this paper asserts that the possibilities of creative problem solving can be promoted in question-centering ideation model if design artifacts are represented in some forms that could invoke design thinking and then the solution space is appropriately established. In particular, design problem on which divergent questions are asked should be explored and defined so that it can be a linguistic artifact represented by various visual aids. It is recommended that curriculum is modified so that students can experience creative conceptual design.

• 한국실내디자인학회논문집
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• 제5호
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• pp.37-44
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• 1995

Memphis originated from Radicalism in Italy came into being in 1981 as a experimental design group. Basically Memphis represented changed concept of design and the task of the designer by innovative design with unusual shapes and colors. What Memphis intended to demon-strate is the diversity of expression of design creativity and possibilities of new stimuli. As a result, Memphis has shown ways of redefining the field of design. In the 1990, the diversity of design movenment reflects the plualism of fragmented, specialized society. Design is faced with new task. It must do more than merely de-fine an object and its function. So from this point of view, this study interpretates ideas of Memphis design theory and attitude.

• 휴양 및 경관연구
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• 제12권4호
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• pp.79-90
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• 2018

Yesan-gun was selected to receive a "Village Community Garden Project" in 2018 to foster a sense of community and improve the urban landscape by working with neighbors to create a happy living space for residents. Yesan-gun selected Sapti Park, located in Yesan-eup, as the project site. The project was carried out through the design charrette method (an intense period of collaborative creativity) to allow residents to propose and design park concepts themselves for the community garden construction project to ensure that that the park facilities would provide something for everyone to enjoy. This study followed the actual design project that actively introduced the design charrette in planning the community garden, describing the entire design process from planning to construction and revealing how the opinions of residents were projected onto the design drawings. The purpose of the project was to advance user-participation design methods by reviewing the progress of the design charrette process and to examine how storytelling, the act of conveying ideas through a fun and persuasive story, transformed the plans for the community garden.

• 한국정보전자통신기술학회논문지
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• 제12권6호
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• pp.573-581
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• 2019

4차 산업혁명의 시대를 맞아 인공지능, 빅데이터 및 사물인터넷 등의 기술을 다룰 융합적 창의력을 갖춘 고급 공학인력을 양성할 필요성이 더욱 커지고 있다. 본 논문에서는 4차 산업시대를 위한 융합적 창의력을 갖춘 실무형 공학인재를 육성하는데 필요한 산학협력을 기반으로 하는 설계 중심의 새로운 공학교육 방안들을 제시한다. 기존의 공학교육혁신 활동의 장단점을 분석하고 교육 제도 및 교육환경의 요구조건에 대해 경험을 바탕으로 실제적인 필요 요소를 제시한다. 산학 협력 환경 마련을 위한 방안, 종합설계실 구축과 설계교육 운영 방안, 산학협력 기반의 교육 운영 방안, 종합설계 관리를 위한 공학인증 운영 시스템 구축 방안들을 다룬다. 특히 정부의 지원과 협력 방안에 대해서 기존의 활동에 대한 분석과 함께 새로운 역할을 제시하며 혁신적 공학교육의 핵심 요소인 효과적인 설계 교육을 학습자 중심의 교육방법론을 접목하여 수행하는 방법에 대하여 논한다. 제안하는 방안들은 대부분 저자의 교육 현장에서 그 필요와 효과가 검증된 것들이다.

• 한국주거학회논문집
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• 제24권3호
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• pp.121-133
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• 2013

The purpose of this study is to analyze the design characteristics of external appearances of Hundertwasser's housing projects through both literature review and field study, and to understand how Hundertwasser's architecture philosophy was embodied in the design of external appearances so such projects. The subjects of the analysis are: Hundertwasser House; In the Meadow Bad Soden; The Forest Spiral Darmstadt; and The Green Citadel Magdeburg. The conclusion of the study is as follows. The fundamental architecture philosophy of Hunderwasser is the close linkage between mankind and nature. He has proven, through his four housing projects mentioned above, that it is possible to build houses without destroying and in harmony with nature. Hundertwasser had identified vitality, irregularity and diversity as being the source of beauty of nature. Using the human creativity, he had embodied such elements into his housing projects, thus suggesting an ideal housing environment whereby humanity is respected. Hundertwasser made use of organic curved line and spiral shapes that exist in nature when designing his housing projects. His creativity was articulated through vitality, diversity, and irregularity in colour schemes and a wide range of form. Indeed, he was an architect pursuing the underlying nature of both human and nature. The current living environment in Korea can be characterized as being standardized and desolate, which is a result of housing projects being focused too much on functionalism. Through its analysis of Hundertwasser's housing projects, one of the objectives of this study is to contribute to a new design paradigm being called for today, including for housing projects to be more ecological and environmental-friendly. By motivating architects and appealing to their clients, this study hopes to motivate those involved in various housing projects to think progressively. Such an attitude change could assist in transforming and thus enhancing the overall living environment in Korea.

• 한국언론정보학보
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• 제66권
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• pp.28-58
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• 2014

2010년 말의 종편 승인 결정에서 현재 시점에 이르기까지 한국 방송산업은 상당 수준의 구조적 변동을 겪고 있다. 그 가운데 가장 특징적인 모습 하나는 단단한 수직결합 체계를 통해 국내 방송영상산업에서 강력한 콘텐츠 지배력을 유지해오던 지상파 제작 단위로부터 핵심 인력이 대규모로 유출되고 있는 현상일 것이다. 이 연구는 이와 같은 제작자 엑서더스 현상의 배후로서, 상업적 거대 미디어기업을 통해 방송부문에서 시장논리를 확대하려는 목적의식적 제도설계의 존재를 지목하고, 이와 같은 외부 요인이 방송산업 내부의 다양한 요인들과 맞물려 어떠한 양상을 빚어내고 있는지를 분석한다. 그 결과, 지상파 잔류보다는 이탈이 개인적 사회적 보상 차원에서 더 다양하고 더 큰 긍정유인을 제공한다고 본 제작자들 나름의 합리적 선택을 매개로 현재와 같은 대규모 이탈이 발생되었음을 확인하게 된다. 그러나 일부 복합 미디어 기업을 통해 진행되고 있는 이러한 창의성 재배치 과정이, 장기적으로 제작자들에게 더 많은 기회와 가능성을 보장하는 방향으로 귀결될지에 대해서는 다양한 의문이 제기된다. 이에 이 연구는 현재의 제도적 설계에 내재한 문제점을 지적하고, 이를 개선하기 위한 노력을 촉구한다.

• 복식문화연구
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• 제17권4호
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• pp.691-708
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• 2009

The purpose of this study was to find the methodology of design plan that could raise the brand power by looking around the driving force of the design innovation through the case study of Louis Vuitton which has been evaluated to be successful in brand revolution by designer Marc Jacobs. Research methods were theoretical studies looking for various analysis and valuations about Louis Vuitton's design innovation and analysis about articles in International Herald Tribune and New York Times. Driving force of Louis Vuitton's design innovation could be summarized as designer's creativity and full supports for designers, establishment of BI by strategic cooperation between design and marketing parts, active design plans by collaboration with modern artists, existence of Logo as a symbol of brand, business mind pursuing adventures and dreams, and directors' artistic sensitivity and supports for culture and art.