• 한국운동역학회지
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• 제21권3호
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• pp.327-334
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• 2011

The objective of this study was to develop a scientific approach for investigating Korean dance in detail, and to examine the intense expressions and various movements, which are based on Danjeon breathing. For the purpose, we analyzed the movement changes and distribution of forces resulting from the switch in movement between exhalation and inhalation while bending, which is the most basic movement in Korean dance. The following conclusions were drawn from this study. In Korean dance, bending with breathing involves less back-and-forth-movement and more up-and-down movement, as compared to bending without breathing; this indicates greater body stability and a wider range of movements while bending with breathing. In addition, less time is required for bending with breathing at the point of switching from exhalation to inhalation, and it involves less movement of the supporting leg; thus, vending with breathing involves faster switching from bending movements to extending movements. While bending, the raised leg goes through a less smooth curve while breathing, which indicates stronger movement of the toes. Bending with breathing requires a greater braking force than bending without breathing, and the vertical force, generated by switching from exhalation to inhalation, is transferred to extending movements using the ground load. The results of this study can be potentially employed to investigate the expressions used in Korean dance on th basis of its principle of forces. Korean dance has evolved into various creative forms, and basic analytical studies of these diverse forms and related breathing methods re required in the future.

• 한국엔터테인먼트산업학회논문지
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• 제14권5호
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• pp.115-130
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• 2020

본 연구의 목적은 에어로빅댄스 활성화를 위한 체중변화와 운동몰입에 관한 연구를 차이 분석하여 지속적으로 에어로빅댄스 활성화가 되도록 제시하는데 주된 목적이 있다. 이러한 연구 목적을 달성하기 위하여 2020년 4월에 경남에 소재한 일반 에어로빅댄스 회원들을 대상으로 선정하고 비확률표집방법(Non-Probability Sampling)의 하나인 편의표본추출법(Convenience Sampling Method)으로 표본 추출을 이용한 설문지로 시행하였다. 이와 같이 본 연구에서 얻어진 결과는 다음과 같다. 첫째, 인구통계학적 특성은 부분적으로 차이가 높게 나타났다. 연령은 40~49세, 신장은 160cm이상, 직업은 주부, 체중변화는 시작 후, 체중변화량은 -3kg 이상, 참여강도는 100분이상, 참여빈도는 4일, 참여기간은 5년이하가 가장 높게 나타났다. 둘째, 체중변화(신체자신감, 활동자신감, 댄스자신감, 심리안정효과, 댄스활동효과, 수행동작효과)와 운동몰입(행위몰입, 인지몰입)에 부분적으로 높은 차이가 나타났다. 셋째, 체중변화(신체자신감, 활동자신감, 댄스자신감, 심리안정효과, 댄스활동효과, 수행동작효과)와 운동몰입(행위몰입, 인지몰입)에 부분적으로 높은 영향이 미치는 것으로 나타났다.

• 한국학교ㆍ지역보건교육학회지
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• 제6권
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• pp.49-63
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• 2005

The purpose of this study was to investigate the weight control behaviors, the degree of fatness and dance major on behalf of finding the effects of eating disorders. 779 female high school students, 283 dance major students and 496 general major students, were participated in the study. A self-reporting type of questionnaire survey was conducted during the period from $6^{th}$ May to $18^{th}$ April of 2005. Collected data were processed using SPSSW in 12.0; they were analysed through frequencies, percentages, means and standard deviation, and stepwise multiple regression analysis. The results of this study are as follows : 1. With regard to the level of eating disorders(EAT-26), 33.9% of risk group of eating disorder female dance students, and 13.7% of risk group of eating disorder female general major students. Weight-control behaviors in this research were 1) weight control concerns, 2) weight control trial, 3) weight control methods (prescription of M.D., ways of weight control), 4) eating habits. First, 56.6% of subjects had high concerns about weight control, and 92% of subjects had tried weight control. Second, only 5.1% of subjects were prescribed by M.D. Third, subjects had been using wrong methods(25.7%) of weigh control such as fasting, using drugs, vomiting, wearing laps etc. Fourth, 42.7% of the subjects had bad eating habits. The degree of fatness was as follows: 1) BMI(Body Mass Index), 2) self report about weight 3) distorted body image. Depending upon the BMI, the subjects with obesity were not found in female dance students; Comparatively, 36.9% of dance students were fat and 1.4% of the students were very fat. In terms of distorted body image, only 14.9% of all subjects were the same between the subjective degree of fatness and the objective degree of fatness. 2. As a result of multiple regression, six variables were found significant($R^2=11.6%$, P < 0.01). Concerns about the weight control significantly influenced on eating disorders(EAT-26). At the same time, major(dance), wrong methods of weight control, distorted body image, prescription of M.D, and eating habits had significantly influenced on eating disorders. This results indicates that the risk of eating disorders among female dancer students was very high. Therefore, professional intervention is needed for female dance students to prevent the eating disorders.

• 산업융합연구
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• 제19권6호
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• pp.187-195
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• 2021

본 연구는 여성노인의 라인댄스 프로그램 참여에 따른 면역기능 및 염증변화의 특징을 규명하고자 수행되었다. 이를 위해, Y시에 거주하고 있는 60-70세 여성노인 18명을 선정하였으며, 12주간 라인댄스 프로그램에 참여한 운동군 9명과 동일한 기간 특별한 신체활동에 참여하지 않고 일상적인 생활을 해온 통제군 9명의 두 집단으로 무작위 선정하여 분류하였다. 대상자들의 면역기능 및 염증을 측정하여 자료를 수집하였으며, 자료분석은 SPSS 24.0을 이용하여 평균과 이원변량분석을 실시하였다. 그 결과 면역글로블린인 IgA은 증가하였으나 유의한 증가를 보이지 않았고 IgG(p<.05), IgM(p<.05)은 라인댄스 운동군에서 유의한 증가가 있었으나 통제군에서는 유의한 차이가 나타나지 않았다. 염증지표인CRP(p<.05)은 라인댄스 운동군에서 유의하게 감소하였고, 통제군에서는 유의한 차이가 없었다. 따라서 규칙적인 라인댄스 프로그램은 여성노인의 면역 향상 및 염증 감소에 매우 효과적인 운동프로그램이라 할 수 있으며, 염증을 감소시키고 면역기능 개선에 도움을 줄 수 있음을 보여주는 결과로, 향후 여성노인들의 건강유지와 만성질환 예방을 위해 적극적인 신체활동 프로그램 개발과 중재의 필요성을 시사한다.

• 대한안전경영과학회지
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• 제19권1호
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• pp.95-101
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• 2017

The purpose of this study was to investigate the biomechanical of K-Pop dance movement. The study was conducted on 15 male and 15 female subjects in 20-30 age groups. And they choose 150 K-Pop dance choreographies in the top 10 ranking of the main charts. We analyzed the RoM, joint moment and impulse force of the highlight movements. First, During the K-Pop dance motion, the usage of knee joints are more than the hip joints and the ankle joints, and female dancers has a larger range of motion than the male dancers. Second, male dancer uses more than female dancers when they compared the load of male dancers and female dancers. In particular, flexion and extension of the hip joints are mostly used in this study. Third, the impulse force of male dancers was greater than of female dancers, but it was statistically insignificant, this is equal to the impulse on walking. In conclusion, Female dancers use more range of motion than male dancers, but male dancer choreography requires greater torque, which can strain joints. Most choreographic exercises involve movements such as hip joint, knee joint, flexion of ankle joint, extension, rotation, and jumping.

• 지능정보연구
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• 제29권4호
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• pp.1-13
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• 2023

스마트폰의 대중화와 인터넷 기술의 발달은 사람들이 콘텐츠를 소비하는 방식을 크게 바꾸었다. 최근 우리가 가장 많이 소비하는 콘텐츠는 단연 동영상이라고 할 수 있다. 본 연구는 영상 콘텐츠 분석을 통해 글로벌 동영상 공유 플랫폼 유튜브에 어떤 영상들이 제작되고 소비되는지를 분석하는 것을 목표로 한다. 연구에서는 다양한 영상 주제 중 무용을 주제로 선정하고 데이터를 수집하였다. 2019년부터 2021년까지 총 3년간 유튜브에 업로드된 영상 중 무용이라는 키워드와 관련된 영상에 대한 정보를 수집하였고 분석 결과 현재 유튜브에 많이 업로드되는 무용 영상의 종류와 높은 조회수를 보이는 무용 영상에 차이가 있음을 확인할 수 있었다. 본 연구의 실증 분석에 따르면 사람들이 주로 관심을 갖는 무용 영상은 브이로그처럼 무용 전공자들의 일상을 엿볼 수 있거나, 입시 따라하기나 초중고교 무용발표회처럼 영상 시청의 목적성이 분명한 경우였다. 특히 높은 조회수를 보이는 브이로그는 현직 전문 무용수보다는 무용과에 재학 중인 대학생이나 중고등학생이 제작한 경우가 많았다. 본 연구에서는 무용이라는 주제를 예시로 삼았지만 연구에 사용된 방법론은 다른 주제에도 사용가능하며 이를 통해 콘텐츠 생산자 입장의 추천 시스템을 개발할 수 있을 것이라 기대한다.

• 대한지역사회영양학회지
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• 제14권4호
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• pp.383-391
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• 2009

This study was performed in order to compare the differences in dietary self-efficacy and eating behaviors as well as the relationship of weight control attitudes according to eating disorder perception and obesity index for high school girls majoring in dance. Almost half (45.5%) of the subjects perceived eating disorders, and the rate of underweight group was 45.7%. Forty-four percent of the group that perceived eating disorders were in modern dance, while 55.0% of the group that did not perceived eating disorders were in Korean dance (p < 0.05). For the obesity index, a similar rate was shown between the different types of dance for the underweight group, but in the normal group, 54.5% were in Korean dance (p < 0.05). Most (82.0%) of the group that perceived eating disorders had fears on obesity, while only 53.3% of the non-perceiving group had fears on obesity (p < 0.01). Over half (58.3%) of the underweight group had fears on obesity, while 77.2% of the normal group showed fear in that (p < 0.05). For necessity of weight loss to do dance performances, 25.0% of the underweight group and 57.9% of the normal group need that (p < 0.05). Most of the group that perceived eating disorders (92.0%) answered that they had experience in very low calorie diets, while only 40.0% of the non-perceiving group had experience (p < 0.001). For necessity of calorie education, 42.0% of the group that perceived eating disorders and only 20.0% of the non-perceiving group answered is needed (p < 0.05). For eating behavior, the group that perceived eating disorders had lower total scores compared to the non-perceiving group (p < 0.001), The group that perceived eating disorders showed lower scores for restraint eating (p < 0.01) and emotional factors (p < 0.001) except by external eating. This study showed that high school girls majoring in dance have high interest in weight control and problems with wrongful body images and eating behaviors, as well as need for calorie education were suggested. Thus, it is necessary to develop and execute a proper weight control education program for the subjects. (Korean J Community Nutrition 14(4) : 383${\sim}$391, 2009)

• 한국운동역학회지
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• 제21권1호
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• pp.77-83
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• 2011

In dance sport, hip movement is the most basic and essential technique, connecting the body movements to make the body move organically, and providing an overall balance of body movements. From that perspective, this study focused on the Cucarachas movement, representing a series of efficient hip movements in the center of gravity. For the purposes of this study, 4 dance sport participants who had won prizes at international contests were selected in order to analyze such variables as the radius of gyration (shift) on the hips and the shift of the center of gravity when scapula depression was performed and when it was not. To examine differences in these kinematic variables, a paired t-test was conducted, resulting in the following findings: First, the dancers were found to be able to control scapula depression, and a significant difference was observed in the vertical axis(Z) between the times when scapula depression was performed and when it was not. Second, when scapula depression was performed, shifts in the left-right axis(X) and anterior-posterior axis(Y) were found; the left-right axis showed a greater difference than the anterior-posterior axis. Third, scapula depression was found to have an influence on the shift to the left-right axis(X) of the center of gravity.

• Human Ecology Research
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• 제53권1호
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• pp.81-92
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• 2015

Daily dance Ganggangsullae is recommended for youth to help their diet, improve their team life and know Korean culture. Its performance costumes were fusion hanbok and casual wear shown at the Second Daily Dance Ganggangsullae Contest Conference of Myeongryang Battle Festival in 2013. A fusion hanbok shows the Korean traditional spirit, but it is not practical. Casual wear is practical, but it does not show any Korean identity. Therefore, their combination is needed to reflect the Korean identity and practicality. For this, a literature review and an online search were conducted for the history, purpose and dance motion of daily dance Ganggangsullae. And photographs of participating teams were gathered from Jeonnam Information & Culture Industry Promotion Agency. Goguryeo costumes were used for design motifs. Four designs were sets of T-shirts and pants for the summer. Style 1 is designed using sam, jikryeong, go, round and triangle pattern with rippled cotton. Colors were from Wang Huiji's mural painting. Style 2 is designed using dansuui, beonryeong, go, round and quadrangle patterns with rippled cotton. Colors were from a Deokheungri mural painting. Style 3 is designed using sam, round ryeong, go, quadrangle patterns, prints with cotton jersey and denim. Colors were from a Gamsinchong mural painting. Style 4 is designed using dansuui, jikryeong, go, a flame pattern, a bow and arrow shape with cotton, knit and jersey. Colors were from a Muyongchong mural painting. This study is helpful to anyone who wants to develop Korean-style performance costumes.

• 한국산학기술학회논문지
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• 제16권2호
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• pp.970-977
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• 2015

본 연구의 목적은 보아의 넘버원 댄스 핵심동작의 생체역학적 3차원분석이며 보아의 전문 안무가가 실험에 참가하였다. 핵심동작의 관절 동작범위는 견관절과 주관절의 전후회전, 분절 동작범위는 몸통과 골반의 좌우회전이 가장 크며 몸통이 골반보다 더 크다. 무게중심이동 속도는 상하방향이 가장 빠르고 좌우, 전후방향 순이다. 최대각속도는 상지관절의 견관절과 주관절 및 하지관절의 고관절과 슬관절의 전후회전에서 가장 크게 나타났으나 족관절의 동작범위와 각속도는 거의 생성되지 않았다. 그리고 최대 회전파워는 상지 견관절과 하지 슬관절을 중심으로 원위분절로 갈수록 작게 나타나고 회전력은 고관절 외전모멘트가 가장 크고 슬관절은 신전모멘트가 크게 나타났다.