• The magazine of the Korean Society for Advanced Composite Structures
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• v.6 no.1
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• pp.37-42
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• 2015

• Proceedings of the Korean Geotechical Society Conference
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• 2005.10a
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• pp.461-468
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• 2005

The D-ROG(Digitalized Restoring of Grouting) Method is the restoring method for structures subjected to differential settlement and tilting by means of high grout injection pressure. This study investigate effect of grouting through in field test which applied D-ROG method in different condition(overload, ground condition).

• Proceedings of the Korean Geotechical Society Conference
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• 2009.03a
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• pp.405-410
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• 2009

This paper presents a case study that achieved both of serviceability and safety of the building through soil reinforcement and restoration around foundations subjected to serious differential settlement using D-ROG method. The building which has one basement floor and three ground floors is founded on soft ground and differential settlement occurred to the maximum extent of 678mm. The foundation type of the building is a independent mat foundation. Soil profiles consist of landfill layer, alluvial layer, weathered rock, and soft rock. The bearing layer consisting of gravel and weathered rock is located 16.0~17.0m below the bottom of the building. As a result of soil reinforcement and restoration, the recovery ratio of more than 90% can be attained with the maximum set-up of 657mm.

• 지반과기술
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• v.10 no.2
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• pp.57-62
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• 2013

• Proceedings of the Korea Concrete Institute Conference
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• 2006.05a
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• pp.230-233
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• 2006

Conventionally, it used to be focused on simply prevention of further settlement of structures, where, much of problems were raised and sometimes the construction itself was not possible. Further, rough estimation of the ground, which is unseen, often incurred many troubles in the maintenance. D-ROG method is a high-tech technology that changes almost all of the concepts on the conventional grouting, is expanding its application scope spanning from the restoration of settled structures to ground strengthening works necessary for building enlargement and remodeling.

• Proceedings of the Korea Information Processing Society Conference
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• 2001.10b
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• pp.1435-1438
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• 2001

MGCP는 IETF에서 제안한 VoIP기술의 표준 프로토콜로서 특유의 단순함(Simplicity)을 이용하여 다른 프로토콜과의 연동을 용이하게 구현할 수 있도록 설계되었으며, 현재 다양한 시스템과 프로토콜로 구성되어 있는 망을 통합하기 위한 적절한 해결책으로 부각되고 있다. 본 논문에서는 MGCP기반의 AX-Gateway 시스템의 설계기법에 관하여 기술한다. MGCP기반의 AX-Gateway 시스템은 H.323과의 연동을 위하여 내부적으로 자신에게 연결된 Endpoint의 상태정보를 유지하도록 설계하였다. 이러한 구조를 통해 자신에게 전달되는 호처리 요청에 대한 유효성을 MG 차원에서 검사함으로써, Call Agent의 부하를 줄여 시스템의 안정성과 성능 향상을 기대할 수 있다. 이렇게 구현된 AX-Gateway 시스템의 성능을 측정하기 위하여 통화음질과 지연, 최대 동시 통화 사용자의 수를 측정한 결과를 나타내었다.

• Journal of Technology Innovation
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• v.21 no.1
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• pp.165-198
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• 2013

The purpose of the study is to identify risk factors and analyze risk impacts to increase R&D outcome by taking into consideration the activities undertaken in each phase of New Product Development(NPD) process. The paper builds on survey research that has been developed new IT products within the past 5 years at SAMSUNG and LG subsidiaries in the Republic of Korea. This study identified risk factors in accordance with NPD process and evaluated the identified risk factors with survey questionnaires. To analyze the risk impacts were used to perform a logistic regression analysis based on R&D output. The impact of risk factors were higher for the low-output group. High-output group took a risk into consideration unique undertakings in project management and managed risk factors effectively in order to increase R&D output. Consequently, with the aim of improving output of R&D, a risk management is necessary to identify the risk factors for each phase of NPD and focus on managing risk factors with great effect.

• Journal of Advanced Marine Engineering and Technology
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• v.35 no.7
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• pp.957-965
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• 2011

The wakes of a cylindrical body have been investigated. The cylindrical body was attached with a thin film. The film is made of silicon with configurations of 50mm(W) ${\times}$ 150mm(L) ${\times}$ 0.3mm(T). The cylinder wakes have been measured with PIV experiments under the conditions with and without the thin film. The diameter of the installed cylinder body is 30mm and the Reynolds numbers are 2730, 6160 and 9750 with the diameter. The measurement system consists of an Ar-ion laser(6W), a high speed camera(1024 ${\times}$ 992 pixel, 500fps) and a host computer. FFT analyses have been carried out using the velocity vectors obtained by PIV measurements at the point X/D=1.52 and Z/D=0.52. For understanding the three-dimensional flow structures, a new Volumetric PTV(particle tracking velocimetry) has been constructed, in which the same four high-resolution cameras have been used. It has been verified that the flexible film suppresses or damps the vortices separated from the cylinder body, which makes the cylinder's wakes stable. With increase of Re numbers the intensity of the dominant frequency of the wakes become smaller.

• Journal of the Korean GEO-environmental Society
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• v.13 no.10
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• pp.85-94
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• 2012

Recent development trend of construction projects in the urban area is the efficient use of insufficient land, however caused to difficult construction conditions because of many adjacent structures. This paper presents the case study that analyzed the ground settlement of railroad structure for the double track railway project of Gyeongui line, adjacent to the high rise building under ground excavating for substructure work, considering interaction of soft ground characteristics. Field survey and measurement works were carried out during construction of station and excavation of high rise building, and field data were analyzed to find the source of settlement of platform and railway. In addition, the soil reinforcement and foundation restoration were performed using in-situ injection method, i.e., D-ROG(Digitalized Restoring On Grout) method which filled the pore of bottom and around of foundation with micro-cement.

• Journal of Korean Theatre Studies Association
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• no.53
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• pp.203-233
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• 2014

Depuis les $ann{\acute{e}}es$ 1990, sous l'influence de la $pens{\acute{e}}e$ postmoderne, des ${\oe}uvres$ $d{\acute{e}}constructivistes$ ont fait leur apparition dans le $th{\acute{e}}{\hat{a}}tre$ $cor{\acute{e}}en$. Cependant, cette approche est plus remarquable dans le domaine du $th{\acute{e}}{\hat{a}}tre$ pratique que dans celui de $l^{\prime}{\acute{e}}criture$ dramatique. Par exemple, ce mouvement a $commenc{\acute{e}}$ avec les metteurs en $sc{\grave{e}}ne$ OH Tae-suk et GUI Gook-seo au $d{\acute{e}}but$ des $ann{\acute{e}}es$ 1990. Leur ont $succ{\acute{e}}d{\acute{e}}$ ensuite les metteurs en $sc{\grave{e}}ne$ CHOI Yong-hoon, de la troupe de $th{\acute{e}}{\hat{a}}tre$ Chak Eun Shin Hwa, et PARK Kun-hyung. De plus, actuellement, de jeunes metteurs en $sc{\grave{e}}ne$ travaillent avec $perspicacit{\acute{e}}$, tels que KO Sung-woong, KANG Lyang-won et YOUN Han-sol. A $l^{\prime}oppos{\acute{e}}$ de ce $th{\acute{e}}{\hat{a}}tre$ pratique, $l^{\prime}{\acute{e}}criture$ dramatique des $pi{\grave{e}}ces$ de $th{\acute{e}}{\hat{a}}tre$ demeure au niveau de $l^{\prime}{\acute{e}}criture$ $repr{\acute{e}}sentative$ et est encore sans grande valeur. Pour $r{\acute{e}}fl{\acute{e}}chir$ ${\grave{a}}$ ce $probl{\grave{e}}me$, nous $consid{\acute{e}}rerons$ les $pi{\grave{e}}ces$ de Michel Vinaver dont la dramaturgie oppose $l^{\prime}{\acute{e}}criture$ $d{\acute{e}}constructiviste$ au principe $repr{\acute{e}}sentatif$ et ${\grave{a}}$ $l^{\prime}{\acute{e}}criture$ traditionnelle en ${\acute{e}}chappant$ au principe de $causalit{\acute{e}}$. Avec sa $strat{\acute{e}}gie$ de montage $sp{\acute{e}}cifique$, il $proc{\grave{e}}de$ avec une ${\acute{e}}criture$ $fragment{\acute{e}}e$ tout en $ins{\acute{e}}rant$ des dialogues $h{\acute{e}}t{\acute{e}}rog{\grave{e}}nes$. Il trouve ainsi le silence des mots, un $pr{\acute{e}}sent$ sensible, la $mat{\acute{e}}rialit{\acute{e}}$ des mots et des images ostensives ${\grave{a}}$ travers des dialogues $juxtapos{\acute{e}}s$, une $simultan{\acute{e}}it{\acute{e}}$ et une $discontinuit{\acute{e}}$ du dialogue. En examinant ses $pi{\grave{e}}ces$ de $th{\acute{e}}{\hat{a}}tre$, nous explorons cette nouvelle ${\acute{e}}criture$ qui $r{\acute{e}}siste$ au $r{\acute{e}}gime$ dramatique de la $repr{\acute{e}}sentation$. Toutefois, nous n'encenserons pas seulement cette ${\acute{e}}criture$ postmoderne. Plus $pr{\acute{e}}cis{\acute{e}}ment$, nous $rel{\grave{e}}verons$ ses limites, dans les circonstances $pr{\acute{e}}sentes$, en $r{\acute{e}}fl{\acute{e}}chissant$ aux limites du $th{\acute{e}}{\hat{a}}tre$ postmoderne depuis le $d{\acute{e}}but$ des $ann{\acute{e}}es$ 2000. Ce faisant, nous souhaitons $d{\acute{e}}finir$ de nouvelles $possibilit{\acute{e}}s$ $esth{\acute{e}}tiques$.