• Architectural research
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• 제13권2호
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• pp.23-30
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• 2011

Critical regionalism has been consistently influential in architecture since the 1980s. While acknowledging its contribution to the discipline of architecture, this article inquires into two co-related issues in critical regionalism as elaborated upon by Kenneth Frampton: critical subjectivity and identity. Regarding critical subjectivity, critical regionalism demands one to stand critical of both tradition and technological development. It assumes that one can locate herself in a neutral zone unshackled from both conditions so that she can make an unbiased judgment. This article criticizes this form of subjectivity by illuminating the situated nature of the subject in the continuity of tradition within which one always stands. The second issue is identity. Keeping the identity of a region through architecture is accepted as a rule in critical regionalism. However, how we shall understand the identity is unclear. This article introduces a notion of identity as rooted in the dialectics of opposites, and demonstrates it by referring to Le Corbusier's architecture and Tetsuro Watsuji's philosophy of climate. The objective of this series of inquiries is not to shake the validity of critical regionalism, but to renew and extend its significance for contemporary architecture.

• 한국실내디자인학회논문집
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• 제13권6호
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• pp.20-28
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• 2004

The purpose of this research is to understand and explore the view of the current architectural and interior design approach through Critical Regionalism created as one of the movements opposed to Contemporary. Critical Regionalism as a critical view about the contemporary architecture is based on integrated critical thinking toward a built environment surrounded by regional facts such as natural environment, materials, light, weather, unique culture where exist the specific places. The architectural themes of Critical Regionalism based on Kenneth Frampton's view and interpretation about contemporary architecture can be understood as follows; the concept of the place, tectonics, expression by abstraction and phenomenologlcal interpretation. Critical Regionalism has two distinctive features, which are the connection to the Contemporary and critical aspects to develop processes of an architectural design.

• 건축역사연구
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• 제21권1호
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• pp.27-46
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• 2012

The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War II, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

• Architectural research
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• 제19권1호
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• pp.21-26
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• 2017

This research examines the historic preservation of Korean modern architecture by applying Kenneth Frampton(1930-)'s concept of critical regionalism. It explores the representative Korean modern architect Gil-ryong Park (1898-1943) and two of his buildings: the Hwashin Department Store (1935) and the No-soo Park house (1937-1938). The former was in the hot spot on the preservation. There were plans to preserve this building but that it ended up being demolished in 1987. The latter building, however, has been preserved and is currently being used as a museum. These two Korean modern buildings are explored through the frame of Kenneth Frampton's critical regionalism, in particular focusing on three important concepts: "dialectical expression," "place-form," and "sustainability." In this sense, this research will provide pioneering research in understanding the preservation of Korean modern architecture through a representative Western modern theory. In the early $20^{th}$ century, Korean modern architecture, which was built during the Japanese colonial period (1910-1945), could be interpreted as critical regionalism because it represented a dialog between the West and the East, in particular between Western modernism, Japanese modernity, and Korean tradition in the East Asian context. Understanding Korean modernism in this context of a cross-cultural perspective enables scholars to define both the origins and uniqueness of Korean modern architecture.

• 건축역사연구
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• 제18권6호
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• pp.7-22
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• 2009

This writing is to understand some trends and its meaning of Regionalism Architecture in Jeju Island since 1950's. This thesis began with an interest in the identity crisis implicit in the simultaneous striving for modernism and the so-called regional values in Jeju Island. Regionalism is a response in architectural terms to re-establish continuity in a given place between past and present forms, and also a unique result related to particular places, cultures and climates in region. This is one way of looking at the issues of regional identity. The study began by observing the general characteristics of contemporary ideas on Regionalism in Jeju architecture. This means that tracing the history of development of Regionalism architecture in research area is not the focus of this thesis. The thesis demonstrates that Regionalism architectures in Jeju shows some trends related to the local cultural elements (or ideas) such like traditional architectural forms, natural environment, local construction-materials, etc. In summation, in the perspective of Regionalism architecture,mostofbuildingsin Jeju bring out them only as vernacular architecture as it was once produced, by the simple combination and imitation without any creative interaction of the regional culture. I stress the point in this paper that, in over the last fifty years, there have been very narrowed attempts to design the regional values in the main, and also point out that there are problems in the manner in which local architects have gone about trying to define the regional themes. So, a grate depth is required to understand the phenomenon that Jeju area is with its various nuances of traditions, art, culture, climate and light and then to reinterpret it into the modern building type with all the high sense. In addition to that, some conclusions are reached on future directions and the significance of the study.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.39-43
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• 2006

In recent years, local governments are interested in constructing museums of various scales in relationship to unique factors of each region regarding their positive effects on tourist industry. However, many museums have failed to reflect regional characteristics resulting uniformed, uninteresting museum architectures. This study analyzes museum architectures designed by Ando Dadao, Antoine Predock's, Charles Correa, Carlo Scarpa, and Ricardo Legorrata based on 7 criterias of Kenneth Prampton's critical regionalism theory which are natural environment, materials, light, weather, unique culture, and history. It Is hoped that this study may serve as a stopping stone towards designing museums that reflect distinctive regional identities of Korea.

• 한국실내디자인학회논문집
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• 제26권5호
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• pp.75-82
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• 2017

The aim of this study is to find phenomenological characteristics in the background and contents of Kenneth Frampton's architectural theories and their contribution to architectural phenomenology. His theories reflect on the interpretations of Modern architecture synchronically and diachronically. This difference makes Frampton have more concrete direction for architectural phenomenology. Hanna Arendt, who contribute to form Frampton's architectural theory, introduced various concepts of Heidegger's phenomenology to Frampton. And criticism of image centered late capitalism also act as a background for Frampton to relate to phenomenology. Frampton emphasized the importance of 'critical regionalism' and 'tectonic' as a poetics of construction as the resistance of globalization. All of these have relations to 'place' and 'perception' that are main themes of phenomenology. Frampton explains his theory with phenomenological terms and above all things, he assimilates concerns of architectural phenomenology with critical thinking. In these aspects, his theories can be recognized as playing an important role to the development of architectural phenomenology.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.126-134
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• 2013

The purpose of this study is to recover historically disconnected regionality and to propose the meaning of regionality in the contemporary architecture. Plus, it is to analyze the expression elements of the regionality and to propose the regionality's sustainable value shown in the contemporary architecture. Range of research methods is as follows. First, it reviews and prospects for Research on the meaning of regionality. Second, it looks at the three different points of view; traditional, Regional, and cultural perspective on Regionality. Also, it extracts the elements of the expression, centered on regionalism projects shown in the modern architecture. Third, it studys the sustainability's meaning and the sustainable value appeared in the contemporary architecture. Fourth, it analysis case studies and the value regarding the application of critical regionalism, focusing on the work of Alvar Aalto architecture. In addition, it proposes the sustainable value regarding the expression centered on regionalism projects This study appears to present the meaning of regionality in the contemporary architecture, in order to recover historically disconnected regionality. In particular, the expression of regionality shown in the Alvar Aalto's architecture is made on the basis of local traditions, society and culture. And, Building forms and building materials to adapt to climate was provided as a unified relationship. This study looks forward to help seeking the various proposals and guide for the applicability and the sustainabe development of the regionality in the contemporary architecture.

• 한국실내디자인학회논문집
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• 제17호
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• pp.216-222
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• 1998

With the continued integration through scientification and the progress I the technology of construction around the world Korea's inability to stay within the mainstream of the movement has put it in danger of losing it's very identity. As such Korean cityscapes are filled with overwhelming prevalence of buildings and constructs void of national identity but rather reflective of unconditional application of the western standards of architecture which has so far been the compass of the movement. Accordingly the purpose of this research is the understanding of the current world view concerning of architecture the critical regionalism through the examination of the background of theory which reflect the architectural Kenneth Prampton and also through Ricardo Legorrata Charles Correa Antoine Predock's analysis. Furthermore this research hopes to explore and offer a methodology through which a unique Korean identity can be established in Korea's Modern architecture.

• 한국농촌건축학회논문집
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• 제18권2호
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• pp.1-9
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• 2016

Vernacular perspectives had been ignored in the movement of modern architecture. This study's purpose was to review vernacular perspectives and to identify vernacular characteristics of earth architecture. Six representative contemporary earth architects were selected, and then their works were analyzed. Themes of vernacular architecture based of Frampton's critical regionalism were emerged. Findings were as following: 1) constructed by considering the local climate and the region's natural characteristics, 2) constructed with local materials seeking integration of structure and finishing work, 3) having tectonic form included regional characteristics, 4) creating space of various senses and expression of texture through earth modeling, 5) presenting homogeneity of sense of place between site and architecture, and 6) pursuing ecological and sustainable architecture. These characteristics of contemporary earth architecture reflect the vernacular architecture inherited continually in architectural history. Therefore, contemporary earth architecture has been in line with contemporary architecture aiming for sustainability.