• 한국주거학회논문집
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• 제13권6호
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• pp.21-29
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• 2002

The purpose of this study is to investigate the changes of architectural characteristics of the rural houses in Jeju area for the last half a century. 72 houses in eight villages, which have been spontaneously renovated or added, were chosen as the rersearch samples. The subjects were classified into three groups-traditional, modernized, and contemporary houses-mainly by their construction years. Based upon these classification, the factors of change and continuation in building layout and spatial composition of dwellings have been investigated. As the results, Jeju rural houses show the tendency of the various and rapid changes in overall shape and spatial composition, but the traditional concepts of composition in plan has been maintained. Especially, the open structure of three-folded houses and the utilization of traditional floor system have been maintained as major design concepts to compose a house.

• 한국주거학회논문집
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• 제6권2호
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• pp.191-204
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• 1995

On this research. The method of space analysis(Space syntax) is used to investigate the relation between composition and configuration in the houses of four modern architects. Space analysis represent that the houses permutate the morphological properties of depth and rings to embed domestic fuctions within the hoe and to interface household memgers. Two of the house are judged to be well composite but banal: The other appear more inventive in relation compositinal principles to space configuration, to create a measure of subtlety and richness in life style which is lacking in the examples where form is manipulated in the abstract. On this research. It is discoverd that Knowledge of both the internal laws of form and the social logic of space is required to generate the practical conjunction of formal rigour with fuctional ease which we recognise in the houses of architects.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.151-154
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• 2005

These days we are more interested in the space of architecture that how the change is likely to affect and how to be realized human. Human beings are recognizable the space and the creation of the space is eventually effected through human beings being perceptible the space of architecture and the equivalence of the space. That is the light, one of phenomenological elements, has been the first visual experience at birth. This study will concentrate on the importance of the phenomenological light especially indoors and study how architectural elements influence human beings with the light as one of the basic design factors for human life. That is exactly purpose of this research paper and this paper can make our lives worth living significant with the actively various uses inside spaces through the phenomenological light as a natural light in our human beings.

• 한국실내디자인학회논문집
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• 제23권6호
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• pp.125-132
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• 2014

The purpose of this study was to investigate that to see how their traditional characteristics were reflected and expressed in Hanoi vietnamese contemporary public restaurants. For this, We visited Hanoi twice to have onsite research in August 2012 and 2013. According to the results of surveying Vietnamese public restaurants, all of the 12 cases had humane characteristics reflecting Vietnam traditional culture, showing Vietnamese unique traditional characteristics including intangible elements such as natural environment, life culture elements such as food culture, and formative aesthetic elements using indigenous ornaments. Different from luxury restaurants that had trade names on the theme of historical stories related to people or places and expressed various concepts formatively using photographs of Vietnamese politics and history and ornamental elements such as tableware, however, the public restaurants were simple in theme or concept. It is probably because most of the surveyed cases were situated in the old quarter to the north of the Hoan Kiem Lake and in the area to the west of the lake and their target customers were local people, so they reflected the Vietnamese traditional residence style and common people's life rather than designing the restaurants intentionally with specific concepts. As to the spatial expression characteristics of the surveyed cases, casual restaurants in Hanoi expressed only basic structure using basic construction materials and techniques with outdoor spaces in the form of Vietnam traditional tube house, and therefore, the overall atmosphere was contemporary. In indoor spaces as well, the general level was low, using uncharacteristic common design and color and cheap finishing materials and furniture. 83% of all cases showed the pattern of VM-VM-VT, being mainly contemporary by partially adopting Vietnamese unique ornamental elements for their outdoor and indoor spaces and using traditional elements supplementarily.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.51-61
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• 2015

The purposes of this study were to examine the characteristics of elements composing the cultural identity of Chinese architectural and spatial design, and to analyze the expression characteristics and influencing factors of contemporary restaurant design. With these purposes, first, this study reviewed related literature in order to find the characteristics of tangible elements observed in intangible elements and space expression characteristics forming the cultural identity of China. Second, this study conducted a case study in order to understand the expression characteristics of the design of Chinese restaurants in Shanghai and to find factors influencing the design. In order to sample the subjects of the case study, the researcher selected 18 restaurants that were recommended repeatedly in books on Chinese restaurants and tourism and major Internet sites or highly evaluated by visitors, and then choose 15 of them that were found to be fit for the purpose of the survey. According to the result of the survey, the restaurants were largely grouped by type into 10 cases of fine dining, 3 of middle-class casual dining, 1 of fast food, and 1 of luxury tea house serving traditional tea and snacks. Of these restaurants, 46.7% (7 cases) were of CM-CM-CM type, namely, using contemporary simple elements in all of external spaces, indoor spaces, and decorations, 20% (3 cases) were of CM-CM-CT type, using contemporary and simple external and indoor spaces, and traditional furniture or articles, 20% (3 cases) were of CT-CM-CT type, using traditional external spaces such as traditional buildings, contemporary simple finishing of indoor spaces, and traditional articles such as palace lanterns and traditional doors and windows, and 13.3% (2 cases) were of CT-CT-CT type, using traditional elements in their original forms in general. Through this research and survey, cultural identity showing Chinese traditions observed in the expression characteristics of restaurant spatial designs was confirmed, and it was also found that the identity was underlain by ideologies, values, lifestyles, etc. that had long accumulated through the long history of the country and exerted a great influence.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.3-10
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• 2012

Vilhelm Wohlert is the Danish architect who designed Louisiana Museum of Modern Art near Copenhagen. Because of Louisiana Museum's popularity, Vilhelm Wohlert's name was started to be aware since 1990s. Although he is a well-known architect in Denmark, unfortunately his name is unknown in other countries. He designed various design projects from small scale furniture design to large scale museum and public projects. There are three programmatic categories in his architecture: exhibition programs including Louisiana Museum, residential program including private houses, and public programs including churches and schools. This thesis focuses on his residential design projects. Even though he designed a multi-family houses, Wohlert's house design consists of mainly one-off large private houses located in a nice natural environment. In chapter 3, the general history of his house projects was studied. Among them, the first exhibition house for Forum was explained more deeply to show Wohlert's early house design philosophy. In chapter 4, three built house projects were analyzed in detail. Analytical diagrams were used to show the key elements in the residential space. They are program composition, circulation, spatialization elements, final construction. His buildings have been compared with Alvar Aalto, Frank Lloyd Wright, and other Scandinavian architects. But there are some major differences that make Wohlert's design unique. In chapter 5, the case analysis results were summarized together to highlight the specific design characteristics found in Wohlert's residential design process. The universal spatial quality found in his residential projects can be applied in contemporary spatial designs.

• 한국전통조경학회지
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• 제38권4호
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• pp.86-100
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• 2020

본 연구는 경기도 남양주에 위치한 중요민속문화재 제130호 '궁집'과 그 일대에 대한 복합문화시설화 계획을 진행한 결과물이다. 특히, 차후 공공에 개방될 궁집과 한옥 부속사들로 구성된 역사·문화단지의 외부공간을 계획하고 설계하는 새로운 접근을 소개하고 그 시사점을 제공하는 데 목적을 둔다. 기존 궁집은 건축적으로 원형이 잘 보존된 상태지만, 궁집과 건물군으로 구성된 단지로서 대상지는 체계적인 공간 체험에 대한 계획의 부재, 구체적인 공간프로그램의 미비, 관리되지 않은 녹지로 인한 공간의 음지화 등의 문제로 공공공간으로 활용하는 데 문제점이 발견되었다. 따라서, 본 연구에서 제시하는 계획안은 크게 공공공간으로서 역사경관에 대한 의미 존중과 현대적 활용에 대한 균형을 추구하였다. 기초조사와 연구를 통해 도출된 계획의 전략은 크게 궁집의 장소성 강화, 대상지의 생태적 특성 존중 및 주변 환경과의 시각적 조화, 동시대에 적합한 공간프로그램의 제시이다. 이 전략을 바탕으로, 전체 공간에 대한 틀을 개념적으로 외원(外園), 간정(間庭), 주정(主庭), 후원(後園) 나누고 체계적인 경관 활용과 체험을 제안하였다. 본 계획안은 건축 문화재는 원형 그대로 보존하되, 궁집의 장소성에 기반한 전체 공간의 합리적 토지이용과 의미 있는 경관체험을 엮어내려는 조경적 접근 방식이 가장 큰 특징이다.

• 한국주거학회논문집
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• 제27권6호
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• pp.65-75
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• 2016

Activities in the dwelling are inseparable from housing design. Spatial features often result from patterns of activities that take place within the dwelling. Activities are further elaborated to affect house plans, furniture, arrangement, and equipment. However, discrepancies still exist between housing design and behavior, where housing design often fails to accommodate activities and behavioral dimensions within the family and the dwelling. This paper addresses the relationship between dwelling activities and housing design by means of a qualitative study that aims to understand the needs of the Indonesian dwelling through activity analysis. To do so, the research adopts a methodology that involves collecting data from measurements of the house, house plan analysis, and photographs, in addition to in-depth semi-structured interviews with families. Taking Bandung as a case study, 9 houses and families were selected as respondents that share similar family life-cycles, number of family members, and building size. The findings from the study suggest that spacious and open plans are preferred by the family, while maintaining family privacy. Guest areas are used to host formal guests and to restrict visitor access in the house. Service areas such as kitchens and laundry areas are the core areas for household activities for cooking, laundry, and drying. To meet social activities such as community gathering, open plan design is necessary to allow flexibility of furniture reconfiguration to accommodate extra guests.

• 복식
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• 제67권2호
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• pp.68-87
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• 2017

The New Look, which Christian Dior presented in 1947, has been a source of inspiration for contemporary fashion designers, as well as designers for the House of Dior, and has a great influence on them. The purpose of this study is to compare and analyze the aesthetic characteristics of Christian Dior's New Look and the New Look that Christian Dior House designers reinterpreted. The subject and the scope of this study were limited to Christian Dior and the New Look designed by Gianfranco $Ferr\acute{e}$, John Galliano, and Raf Simons who are regarded as worthy successors. The research method was a literature review on previous studies on Christian Dior and related literatures to examine the history of the House of Dior and the aesthetic characteristics of the New Look presented by Christian Dior. Then, an empirical study was conducted through the analysis of collection photographs from 1989 to 2016 that were gathered from the Mode et Mode and Hi Fashion, and websites (British Vogue, Firstview). The results of the study were as follows. First, the aesthetic characteristics of Christian Dior's New Look in 1947 used femininity to express an elegant and beautiful woman, structural property to render the contours of a woman's body, and innovation that changed the formal and gloomy social atmosphere in the post-war years. Second, the aesthetic characteristics of the New Look by Christian Dior were compared with those of the New Look made by designers for the House of Dior. The elegant femininity of Dior can be seen as gorgeous femininity, and sensual femininity, minimalistic femininity, structurality is represented by the spatial structurality of Dior and $Ferr\acute{e}$, the organic structure of Galliano, and the orthodox structure of Simons. Moreover, Dior's retro innovativeness appeared to be $Ferr\acute{e}^{\prime}s$ androgyny innovation, Galliano's deconstructive innovation, and Simons' romantic futuristic innovation.

• 한국실내디자인학회논문집
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• 제19호
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• pp.45-52
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• 1999

This study is on Buckminster Fuller, who is generally known as a structure engineering architect, and his influences. Fuller's radical and utopian ideas and designs were regarded as 'paper architecture'. But considering today's high cost of energy and the limited natural resources, Fuller's Dymaxion theory must be re-evaluated. Fuller's influences on the contemporary architecture are summarized as follows. 1) His idea of controlling the environment through the use of technology influenced today's 'High-Tech' architects. Architecture is no-longer designed purely by its formal character, but becomes a tool of investigating environmental significance of modern technology. 2) Through systemizing mechanical equipment, Dymaxion House prototype, and aggregation of high-tech mechanical equipments, influenced Archigram & Metabolist's capsule idea. It is expressed as a plug-in module equipment of 'High-Tech' architecture which has flexible interior with mechanical exterior image. 3) Megastructure. The Manhattan dome project gave an influence to many engineer/architects who tried to achieve an ideal artificial environment. This is in connection to 1960's utopian projects. Today's megastructures show new possibilities in urbanism and architecture. Fuller's comprehensive idea of humans living in harmony in the universe shows possibilities not only in structural engineering, but in solving various problems that confront today's architecture.