• 제목/요약/키워드: Color Coordination

검색결과 200건 처리시간 0.021초

착색시간에 따른 칼라렌즈 색좌표 이동 (Color lens CIE L*a*b* coordination transfer by tinted time)

  • 정병만;박광호;김용근
    • 한국안광학회지
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    • 제8권1호
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    • pp.53-57
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    • 2003
  • 5분 간격으로 착색시간을 증가시켜 R, G, Y, B칼라렌즈를 제작하였다. 색 좌표 분석은 분광측색계와 CIE $L^*a^*b^*$ color system를 사용하였다. 착색 시간에 따른 색좌표 이동 형태는 $b^*(Y-B)={\beta}a^*+{\alpha}$이며, 거의 선형적으로 변하였다. 적색의 경우 착색시간이 길수록 $G{\rightarrow}R$, $B{\rightarrow}Y$ 형태로 이동하고, Parameter ${\alpha}$, ${\beta}$ 값은 각각 -3.49, 0.90을 얻었다. 녹색의 경우 색좌표 이동은 $R{\rightarrow}G$, $B{\rightarrow}Y$ 형태이다. 10분의 착색 시간에서 가장 순수한 녹색 칼라를 얻었다. Parameter ${\alpha}$, ${\beta}$값은 각각 -0.72, -0.55을 얻었다. 황색과 청색의 경우 모두 착색 시간이 길수록 순수한 색이 된다. 황색에서 Parameter ${\alpha}$, ${\beta}$값은 각각 14.11, 1.58이고, 청색에서 Parameter ${\alpha}$, ${\beta}$값은 각각 -11.62, 1.30을 얻었다.

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밀라노 컬렉션에 나타난 밀리터리 룩 분석 (An Analysis on the Military Look of the Milan Collections)

  • 추미경;김혜경
    • 한국생활과학회지
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    • 제16권2호
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    • pp.381-393
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    • 2007
  • This study was intended to analyze and investigate a diversity of aesthetic values expressed in the military look of the Milan collections by using content analysis method to find what design characteristic and image emerged concretely in the later 20th century. A total of 334 military look works shown in fashion magazines such as Vogue and Collezioni Donna over the period between 1996 and 2000 were collected as research data, which were classified into 5 categories such as item, silhouette, color, color coordination, fashion image. The results were summarized as follows: first, it was found that coat was the most preferred item in expressing the military look image. Second, it was found that the straight line was the most preferred silhouette, which indicates that it was the most suitable silhouette in expressing the bisexual image of the military look. Third, in the colors of the military look, achromatic colors such as black and white were found to be of the highest frequency, which shows that achromatic colors continued to be proposed as fashionable colors around 1996 and this influence was reflected in the military look. Finally, in terms of the item of color coordination, monochromatic coordination accounted for more than half of the military look, through which it could be explained that designers utilized it greatly to make an effective expression of the masculine image.

한국도시여성의 얼굴색과 의복색과의 배색이미지에 관한 연구 (A Study on Coordination Image of Korean city woman's Face Color (5YR 7/3) and Clothes Colors)

  • 이정옥
    • 대한가정학회지
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    • 제33권2호
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    • pp.168-180
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    • 1995
  • The purpose of present study was to examine how each clothes colors on the basis of 5YR 7/3 face color affect clothes colors images as follows : (1) what general consciousness of clothes colors in, (2) how the impression of the harmony of 5YR 7/3 face color and clothes colors is, (3) when we divide clothes colors according to the property of colors- chromatic color and achromatic color, cool color.neutral color.warm color, in tone, in color colume- if there is the difference of visual evaluation, (4) image analysis of 45 clothes colors with the view of each kind of adjectives. The result of this study is as the following: 1. As a result of the analysis of general consciousness on clothes colors, when subjects chose clothes, they most considered colors and they also considered their face colors. They would choose the color of clothes, which were becoming to their having clothes colors or their face colors when they bought clothes. 2. The impressions of coordination of 5YR 7/3 face color and clothes colors consisted of three dimensions - evaluation, activity and harmony. 3. It was known that as a result of the analysis of visual evalutional differences according to dividing the clothes colors by property of colors, there were such notable differences that they might effect the coordination images of face color and clothes colors differently. 4. After arranging 45 clothes colors on the graphs in 17 adjectives, gethering them thogether in each dimension and as the result of the analysis in the evaluation dimension, estimation of yellow, light green column were low and that of achromatic colors were high. That is, it was known that the evalution dimension was concerned with hue of the color properties. In activity dimension, there were different image according to each adjectives. That is, it was known that the evalution dimension was concerned with hue of the color properties. In activity dimension, there were different image according to each adjectives. That is, it was known that the activity demension was concerned with value and chroma of the color properties. In harmony dimension, achromatic columm was high and yellow, green yellow, vivid green columm were low in harmony. That is, it was known that the harmony demension was concerned with hue of the color properties.

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20세기 말 밀리터리 룩 패션에 표현된 색채연구 - 1996년부터 2000년까지 패션잡지를 중심으로 - (A Study on the Color Expressed on the Military Look of the Late 20th Century Fashion - Focused on the Fashion Magazines from 1996 to 2000 -)

  • 추미경;김혜경
    • 복식
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    • 제62권1호
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    • pp.62-75
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    • 2012
  • The purpose of this study is to analyze the color and color coordinations and their aesthetic values expressed in the military look designs from 1996 to 2000. The research data were gathered from Vogue and Collezioni Donna from this period. Total of 1004 works were collected and used for this study. The results were summarized as follows. In the colors of the military look, achromatic colors such as black and white were found to be of the highest quantity, which indicates that achromatic colors continued to be proposed as fashionable colors since 1996, and this influence was reflected in the military look. In terms of color coordination, monochromatic coordination accounted for 52.7% of the military look, through which it could be presumed that designers utilized it greatly to make an effective expression of the masculine image of the military designs.

마티스의 이국취미와 작품에 나타난 색채 (The Exotic Tastes and Characteristics of Colors in Matisse's Works)

  • 이금희
    • 한국생활과학회지
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    • 제24권2호
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    • pp.267-284
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    • 2015
  • The purpose of this study is to extract the color chip from the works of Matisse with the exotic tastes, to analyze the characters of adjacent colors, and to suggest the color coordination of artistic character. The research method is based on the literature study which analyzes visual materials. The results are as follows. Considering the colors of Japanese taste, He employs vivid and strong tone in red, yellow, and blue, light tone in pink, purple, and green and deep tone in green, purple, blue and black. His color scheme is very bold and splendid. In his Algerian taste, red is very popular, but an attention should be paid in his development of orange and blue tones. In general, the usage of various tones brings colors into less relief and make the contrast of tones more conspicuous. His Spanish taste, based on red and orange, attracts attentions with strong impressions, but sometimes, dark or adjacent pale tones creates strong, mild and murky atmosphere. The Moroccan taste, based on the development of blue tones which have strong attraction implies the lightness but represents silent and calm. The Rumanian taste, represented in primary colors of red, yellow and blue and achromatic colors is bright and clear. In addition, its light tone in various colors represents peace and romance. The coordination of the exotic colors with the unique adjacent colors created by Matisse is not based on the established color coordination theory, but extracts colors in the aspect of culture borrowing. Therefore, it can double the effects of the color scheme expressed in the existing designs and be used as the global and multi-cultural design sources.

섬유.패션디자인을 위한 컬러코디네이션 지원모델 개발 (A Study on the Color coordination System to fashion)

  • 정재우;이재정
    • 디자인학연구
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    • 제18권1호
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    • pp.167-174
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    • 2005
  • 본 연구는 컬러 코디네이션 지원모델과 도구를 개발하여 디자이너의 감성적 직관적 의사결정을 객관적으로 지원하는 것을 목적으로 한다. 이를 위해 본 연구의 선행연구인 '섬유컬러 그루핑 체계에 관한 연구'에서 제안된 컬러 그루핑 체계와 대표 어휘를 바탕으로 본 연구에서는 배색 그룹의 설계를 통해 실용적으로 사용할 수 있는 컬러 코디네이션지원 모델을 제작하였다. 본 연구의 결과를 요약하면 다음과 같다. 첫째, 컬러 그룹을 구성하기 위한 기본 컬러 도출을 위해 $1999{\sim}2003$년까지의 5년간 세계 4대 collection, 2002 F/W 2003 S/S 시즌의 Street 패션, 자 그룹별 대표 브랜드에서 총 687개의 컬러를 수집하였다. 둘째, 687개의 수집된 컬러는 비색 그룹을 위한 추출을 위해 3단계의 과정을 거쳐 총 144색의 컬러로 정리하였다. 셋째, 최종 추출된 컬러는 선행전구에서 제안한 그루핑 체계인 브라이트, 파스텔, 딥, 뉴트럴 그룹으로 분류하였고, 4개의 대그룹은 다시 12개의 소그룹으로 분류하였다. 넷째, 제시된 각 그룹 내의 색깔은 그룹 내에서의 코디네이션은 물론, 타 그룹과도 서로 대치 될 수 있는 크로스 오버코디네이션 개념을 도입하여 커러 코디네이션 체계를 구축하였다. 다섯째, 위와 같이 계통 색조별 4개의 대표 그룹(12개의 소그룹)으로 된 배색 체계를 구성하는 총 144개의 컬러를 섬유패션 디자인 산업의 대표 소재라 할 수 있는 면사에 염색하였다. 또한 글로벌 비즈니스로서의 패션 산업적 특성과 연관 디자인 산업분야와의 호환성을 고려해 시스템을 구성하는 각 색상에는 팬 톤 컬러 기호와 CMYK 값을 명시했다. 여섯째, 완성된 면 소재의 얀(yarn)을 크로스 코디네이션이 용이하도록 디자인된 용기에 포장하여 패션 실무자들이 쉽게 활용 할 수 있는 컬러 코디네이션 시스템을 완성하였다.

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존 갈리아노 패션쇼에 나타난 현대패션코디네이션 특성 (The Characteristics of Modern Fashion Coordination in the John Galliano's Fashion Show)

  • 진경옥
    • 복식
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    • 제55권6호
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    • pp.51-66
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    • 2005
  • Fashion is to emphasize the importance of total coordination in creating an image. Therefore, modern fashion is not the conformation of fixed beauty but it exist in the expressed form of the variety and the completion according to the individual's personality for the self image of the clothes, the hair and make-up, the accessories and the like. This study Is aimed at reviewing one of the tendency of modern fashion coordination and the characteristics of John Gallianos fashion work and there upon, analizing the characteristics of John Galliano's fashion show, who is one of the most leading fashion designer, by dividing them Into four categories in large: 1) The maximum effect of fashion image by make-up and hair style 2) Adventurous fashion coordination with daring decoration 3) Fascinating fashion coordination Harmonized with color 4) Enlargement in the concept of fashion coordination by experimental way of clothing

컬러 정보를 이용한 무인항공기에서 실시간 이동 객체의 카메라 추적 (The Camera Tracking of Real-Time Moving Object on UAV Using the Color Information)

  • 홍승범
    • 한국항공운항학회지
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    • 제18권2호
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    • pp.16-22
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    • 2010
  • This paper proposes the real-time moving object tracking system UAV using color information. Case of object tracking, it have studied to recognizing the moving object or moving multiple objects on the fixed camera. And it has recognized the object in the complex background environment. But, this paper implements the moving object tracking system using the pan/tilt function of the camera after the object's region extraction. To do this tracking system, firstly, it detects the moving object of RGB/HSI color model and obtains the object coordination in acquired image using the compact boundary box. Secondly, the camera origin coordination aligns to object's top&left coordination in compact boundary box. And it tracks the moving object using the pan/tilt function of camera. It is implemented by the Labview 8.6 and NI Vision Builder AI of National Instrument co. It shows the good performance of camera trace in laboratory environment.

남성복의 동일 색조 색상 코디네이션에 대한 조화감 지각 (The Harmony Perception According to Color Coordination of Identical Tone for Menswear)

  • 임지영
    • 복식
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    • 제57권6호
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    • pp.32-45
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    • 2007
  • Among 96 color combination stimuli, male students evaluated 47 set as harmonized, but female students evaluated 32 set, so proved that male's range of harmony more extensive than that of female. Specially red shirt and yellow red necktie in all tone was evaluated as harmonized coloration by both male and female students. Female evaluated as the best harmonious coloration that red shirt-yellow necktie in dark, blue shirt-yellow necktie in dark, purple shirt-red necktie in light, green shirt-blue necktie in dull, and male evaluated red shirt-yellow red necktie in light, blue shirt-yellow necktie in light, purple shirt-red necktie in light, green shirt-yellow necktie in dark. It is significant difference between female and male on red-green in vivid, and blue-purple in vivid, blue-blue in dull, blue-yellow in dark, and purple-purple in dull. And shirt color and necktie color, necktie color and tone, tone and perceiver' gender influenced on the harmony evaluation by interaction.

현대 남성의 패션이미지 연출에 관한 연구 (A Study on the Fashion Image Coordination of Modern Men)

  • 이은숙;김새봄
    • 한국의상디자인학회지
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    • 제14권3호
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    • pp.93-109
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    • 2012
  • The purpose of this study is to examine the modern men's fashion coordination to see the image in the center of TV dramas in terms of Habitu that is formed within hierarchy and class. The subjects range is included fashion style, color, accessories, hairstyle and appearance. 950 pictures used in the analysis sheet. In research methods, content analysis and basic statistics were used. The results of this study were as follows. First, the hierarchy image formed by Habitus is significant difference. The upper layer is coordinating elite luxurious and prestigious image of the fashion styles. The middle layer is coordinating neat and capable image. The lower layer does not care about the appearance and image appearing weary life is coordinating. Second, the class image formed by Habitus, CEO often interests in fashion image coordination. Senior executive is represented clean and luxurious image. General white color dresses in a suite such as office look. Blue color does not care about the fashion coordination and is expressed an easy dress for labor. Architects of the unstructured free-spirited image is represented. Physician and resident physician dress in shirts, no pattern tie, pants, robe. And they is coordinating neat and tidy attire to represent professional and reliable image.

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