• 제목/요약/키워드: Chinese silk

검색결과 111건 처리시간 0.023초

Ancient herbal therapy: A brief history of Panax ginseng

  • Maria Assunta Potenza;Monica Montagnani;Luigi Santacroce;Ioannis Alexandros Charitos;Lucrezia Bottalico
    • Journal of Ginseng Research
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    • 제47권3호
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    • pp.359-365
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    • 2023
  • Ginseng was the most revered of the herbs in ancient times in China, Korea, Japan, America. Ginseng was discovered over 5000 years ago in the mountains of Manchuria, China. References to ginseng are found in books dating back more than two millennia. It is revered by the Chinese people as it is considered a herb for everything use and therefore for a wide range of diseases (currently its Latin name derived from the Greek panacea, meanings, that is, for everything). So, it was used exclusively by the Chinese Emperor's, and they were willing to pay the price without problems. Increasing its fame, ginseng brought a flourishing international trade that allowed Korea to supply China with silk and medicines in exchange for wild ginseng and later along with what grows in America.

황색실크 생산용 특수누에 품종 '골든실크' 육성 (Breeding of New Silkworm Variety Golden silk, a Yellow Cocoon Color for Spring Rearing Season)

  • 강필돈;이상욱;정이연;손봉희;김용순;김기영;김미자;홍인표;이광길;박광영
    • 한국잠사곤충학회지
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    • 제49권1호
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    • pp.14-17
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    • 2007
  • 다수성 품종으로 육성된 골든실크는 새로운 봄누에 특수용도 품종으로서 육성경위와 주요특성을 하면 다음과 같다. 1. 일본종계 원종 잠311은(견색적$\times$흑아)$\times$잠125 교잡 육성한 무늬 품종으로 황색고치를 짓고, 중국종계 원종 잠312는 잠304$\times$괴축과 교잡 육성한 무늬 없는 누에품종으로 황색고치를 짓는 품종이다. 2. 2006년 춘잠기 지역적응시험 결과는 골든실크의 주요특성은 - 실용 부화비율은 97%, 화용비율 및 상견비율은 대조품종보다 우수하였다. 수량성 등 다른 조사항목에서는 대조보다 좋지 못하였으나, 전령기간은 1일 12시간이 짧아 사육노동력을 줄일 수 있는 이점이 있다. - 견사장은 1,031m였고, 견사섬도는 2.97 데니어 이었다. - DNJ 함량은 대조 춘수잠 3.81 mg보다 14% 높은 4.34mg으로 우수 하였고, 동충하초 생산력 검정에서는 동충하초 생체중이 1개당 대조 1.41g보다 낮은 1.20g이였다. 3. 잠종생산능력에 있어서는 일본종계 원종 잠311의 나방당 산란수는 604개로 대조보다 많았고, 최청에서 발아까지의 일수는 54일 이었다. 중국종계 원종 잠312의 산란수는 493개로 일반장려품종의 원종과 산란성이 비슷하였고, 최청에서 발아까지의 일수는 52일이었다.

A Case Study of Shanghai Tang: How to Build a Chinese Luxury Brand

  • Heine, Klaus;Phan, Michel
    • Asia Marketing Journal
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    • 제15권1호
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    • pp.1-22
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    • 2013
  • This case focuses on Shanghai Tang, the first truly Chinese luxury brand that appeals to both Westerners and, more recently, to Chinese consumers worldwide. A visionary and wealthy businessman Sir David Tang created this company from scratch in 1994 in Hong Kong. Its story, spanned over almost two decades, has been fascinating. It went from what best a Chinese brand could be in the eyes of Westerners who love the Chinese culture, to a nearly-bankrupted company in 1998, before being acquired by Richemont, the second largest luxury group in the world. Since then, its turnaround has been spectacular with a growing appeal among Chinese luxury consumers who represent the core segment of the luxury industry today. The main objective of this case study is to formally examine how Shanghai Tang overcame its downfall and re-emerged as one the very few well- known Chinese luxury brands. More specifically, this case highlights the ways with which Shanghai Tang made a transitional change from a brand for Westerners who love the Chinese culture, to a brand for both, Westerners who love the Chinese culture and Chinese who love luxury. A close examination reveals that Shanghai Tang has followed the brand identity concept that consists of two major components: functional and emotional. The functional component for developing a luxury brand concerns all product characteristics that will make a product 'luxurious' in the eyes of the consumer, such as premium quality of cachemire from Mongolia, Chinese silk, lacquer, finest leather, porcelain, and jade in the case of Shanghai Tang. The emotional component consists of non-functional symbolic meanings of a brand. The symbolic meaning marks the major difference between a premium and a luxury brand. In the case of Shanghai Tang, its symbolic meaning refers to the Chinese culture and the brand aims to represent the best of Chinese traditions and establish itself as "the ambassador of modern Chinese style". It touches the Chinese heritage and emotions. Shanghai Tang has reinvented the modern Chinese chic by drawing back to the stylish decadence of Shanghai in the 1930s, which was then called the "Paris of the East", and this is where the brand finds inspiration to create its own myth. Once the functional and emotional components assured, Shanghai Tang has gone through a four-stage development to become the first global Chinese luxury brand: introduction, deepening, expansion, and revitalization. Introduction: David Tang discovered a market gap and had a vision to launch the first Chinese luxury brand to the world. The key success drivers for the introduction and management of a Chinese luxury brand are a solid brand identity and, above all, a creative mind, an inspired person. This was David Tang then, and this is now Raphael Le Masne de Chermont, the current Executive Chairman. Shanghai Tang combines Chinese and Western elements, which it finds to be the most sustainable platform for drawing consumers. Deepening: A major objective of the next phase is to become recognized as a luxury brand and a fashion or design authority. For this purpose, Shanghai Tang has cooperated with other well-regarded luxury and lifestyle brands such as Puma and Swarovski. It also expanded its product lines from high-end custom-made garments to music CDs and restaurant. Expansion: After the opening of his first store in Hong Kong in 1994, David Tang went on to open his second store in New York City three years later. However this New York retail operation was a financial disaster. Barely nineteen months after the opening, the store was shut down and quietly relocated to a cheaper location of Madison Avenue. Despite this failure, Shanghai Tang products found numerous followers especially among Western tourists and became "souvenir-like" must-haves. However, despite its strong brand DNA, the brand did not generate enough repeated sales and over the years the company cumulated heavy debts and became unprofitable. Revitalizing: After its purchase by Richemont in 1998, Le Masne de Chermont was appointed to lead the company, reposition the brand and undertake some major strategic changes such as revising the "Shanghai Tang" designs to appeal not only to Westerners but also to Chinese consumers, and to open new stores around the world. Since then, Shanghai Tang has become synonymous to a modern Chinese luxury lifestyle brand.

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다변량 해석법에 의한 누에 육종소재의 탐색 2. 주성분 SCORE에 의하여 분류된 주요잠품종간의 TOP 교잡에 의한 조합능력 검정과 예측 (Classification and Selection of the Breeding Materials in the Silkworm, Bombyx mori, by Multivariate Analysis 2. Combining Ability and its Pre-estimate for the Top Cross Set made from the Silkworm Parental Lines Selected by Principal Component Analysis.)

  • 정도섭;이인전;이상몽;김삼은
    • 한국잠사곤충학회지
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    • 제32권1호
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    • pp.17-30
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    • 1990
  • 주성분분석에 의하여 분류된 148개 보존잠품종중에서 제일주성분 score에 따라 10개의 교배모품종을 선발한 후 (정등, 1989), 이들로부터 Top-교잡에 의해 24개 교배조합을 작성하고 조합능력검정을 행함과 동시에 주성분과 교배조합능력과의 상호관계를 분석하였다. 1. 선발된 육종모품종중에서 일본종계 N$_{39}$ 및 중국종계 $C_{46}$ 이 대부분의 형질에서 일반조합능력이 높았다. 2. 특정조합능력은 형질 또는 교배조합에 따라 차이가 심하였다. 3. 육종모품종의 제1주성분 score는 5영경과일수, 전령경과일수, 수견량, 전견중, 견층중, 견층비율, 견사장, 견사량, 해서사장, 생사량비율, 소절등의 일반조합능력과 고도의 정의 상관관계가 있었다. 4. 유사도거리(D$^2$)는 수견양, 해서사장, 해서사량, 해서율, 생사량비율, 소절등의 특정조합능력과 정의 상관이 있었다. 따라서 교배조합의 양친이 원연일수록 이들 5개형질에 대한 특정조합능력은 높게 나타났다. 5. 육종모품종의 특성을 이용한 주성분분석의 제1주성분 score에 의해 일반조합능력의 예측이 가능하였다.

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중국전통 전지공예와 현대도자장식의 융합에 대한 연구 (An Introductory Study on Convergence of Traditional Chinese Paper-cutting Art and Contemporary Ceramic Decoration)

  • 이신청;위정기;엄붕;김원석;노혜신;김성민
    • 디지털융복합연구
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    • 제18권9호
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    • pp.351-356
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    • 2020
  • 본 연구는 중국전통 전지공예와 현대도예의 융합을 시론적으로 다룬 것이다. 전지공예는 중국인이 오랫동안 일상에서 즐겨온 팝아트적 예술이며, 현대도자는 이로부터 창작의 소재와 모티브를 공급받아 작가의 창의성을 자극하며 도예의 새로운 길을 열고 있다. 순수한 평면예술인 전지공예는 도자기를 만나 3차원 공간으로 전이되어 새로운 예술언어로 번역되었으며 도자재료는 그 가소성과 수용성으로 말미암아 전지공예 내포하고 있는 음양허실의 조화는 물론 전지작품에 대한 새로운 해석까지 가능하게 하였다. 본 연구는 이와 같은 양자의 융합에 대한 경향성과 가능성을 보여주고 있다.

Intentional Identities: Liao Women's Dress and Cultural and Political Power

  • SHEA, Eiren L.
    • Acta Via Serica
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    • 제6권2호
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    • pp.37-60
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    • 2021
  • Before the tenth century, the dress of elite women in and around China often reflected "Han" Chinese fashions and preferences. In funerary paintings and relief sculptures of Sogdian and Xianbei couples from the sixth century, for example, women wear "Han" Chinese-style clothing. Even in the Tang dynasty (ca. 618-907), when exchange with Central Asia via overland Silk Road trade impacted the styles and patterning of elite dress and men incorporated clear Central Asian attributes into their dress, elite women in the Tang sphere wore recognizably Tang fashions. Chinese-style dress in these centuries clearly conveyed cultural import and, likely, political power, especially after the founding of the Tang dynasty. However, the straightforward borrowing of Tang women's dress shifted in the Khitan Liao dynasty (ca. 907-1125). The Liao, in contrast to other states that shared a border with China in previous centuries, saw themselves as political equals to the Song dynasty (ca. 960-1278) court in the south. The Liao court was interested in Song customs and culture and incorporated artistic motifs and practices from the Song court. However, the Liao courtly idiom was never fully subsumed into the greater world of the Song - rather, the Liao used facets of Song courtly culture for their own ends. One way this is manifested is through the dual administrative system, a bureaucratic organization that, among other things, regulated and distinguished between who was permitted to wear Khitan and non-Khitan dress. In this paper, I will examine the material evidence from funerary contexts for how the dress of elite Liao women both engaged with the dress of the Song, while also maintaining a certain amount of cultural autonomy. Through their dress, elite Liao women signaled clear messages about their status, identity, and difference to their Song counterparts.

국제철도(철의실크로드)운송이 동북아 경제역교에 미치는 영향과 효과에 관한 연구 (effects of the Iron Silk Road construction on Northeast sia's economy)

  • 박흥순
    • 한국철도학회:학술대회논문집
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    • 한국철도학회 2005년도 추계학술대회 논문집
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    • pp.494-499
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    • 2005
  • Transportation routes by land like a human being blood vessel should exist for economic and trade exchange in Northeast Asia. Thinking from this point of view. I believe that TSR(Trans Siberian Railroad) and TCR(Trans Chinese Railroad). which will be connected with I would like to talk about .not only the effects of various international railroads and their connections but also economic activation TKR(Trans Korean Railroad). can play important roles. In this study, and effects in Northeast Asia which will be resulted from various international railroads construction. I tried to figure out comparative superiority and comparative advantage of the trade structure and industries in South and North Korea to find out the possibility of economic unification in East Asia. especial1y in Northeast Asia. This study also includes the effort to find out how trade exchange between South and North Korea can be expanded as a result of being a member of East Asia economic zone.

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Ancient Seaports on the Eastern Coast of India: The Hub of the Maritime Silk Route Network

  • DAYALAN, DURAISWAMY
    • Acta Via Serica
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    • 제4권1호
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    • pp.25-69
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    • 2019
  • India has occupied the most important position of sea trade in the entire South Asian region since the beginning of maritime trade. The extensive maritime trade network between the Harappan and Mesopotamian civilizations as early as the $3^{rd}$ millennium BCE is testimony to the long maritime trade history of India. The Harappans constructed many seaports including the first high-tide dockyard in the world for berthing and servicing ships at the port town of Lothal, Gujarat. From the dawn of the historical epoch, the maritime trade network of India expanded extensively. The long 5422.6 kms coastline of the Indian mainland (excluding the coastlines of the Andaman and Nicobar islands and the Lakshwadweep Islands) is well known for its several seaports manly located at river mouths or outlets to the sea. The main objective of this paper is to discuss in detail all the major ancient seaports on the eastern coast of India and their maritime trade activities. The narrative of these ports is based on archaeological explorations and excavations, foreigners' accounts, Indian literary sources, inscriptions, archival materials, and the field study and personal observation of the author.

Evolution and Identification of Thermo-Tolerant Hybrids in the Silkworm, Bombyx mori L.

  • Begum, A.Naseema;Rekha, M.;Basavaraja, H.K.;Ahsan, M.M.
    • International Journal of Industrial Entomology and Biomaterials
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    • 제6권2호
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    • pp.171-178
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    • 2003
  • Four thermo-tolerant lines of silkworm, Bombyx mori, (L.) viz., A HT, B HT (Chinese type) and F HT, G HT (Japanese type) were evolved by utilizing the breeding resource material (identified from initial screening at a temperature of 31 ${\pm} 1^{\circ}C$ and relative humidity 85 ${\pm}$ 5%) through conventional breeding. These tolerant lines were crossed with productive breeds and forty four hybrids were evaluated on eight economic traits by the Multiple Trait Evaluation Index Method. Ten hybrids were short-listed based on the average evaluation index value larger than 50 for eight economic traits studied. The identified ten hybrids recorded higher index values (> 50) for most of the traits studied. Single hybrid G ${\times}$ CSR12 indicated average index value larger than 50 for six traits viz., pupation number (58), cocoon weight (67), shell weight (65), average filament length (74), raw silk % (69), reelability % (51) except for shell ratio % (41). The standard deviation of the cocoons in the above hybrid was 8.41 in the hybrid cocoon length and width measurement. However, two selected hybrids viz., A ${\times}$ CSR5 and G ${\times}$ CSR13 recorded average index value larger than 50 for all the traits viz., pupation number (57, 60), cocoon weight (50, 54), shell weight (56, 57), shell ratio percentage (59, 53), average filament length (55, 60), raw silk percentage (63, 67) and reelability percentage (53, 53). The standard deviation of the cocoons in the two selected hybrids viz., A ${\times}$ CSR5 and G ${\times}$ CSR13 was 8.41 and 8.06 respectively in the cocoon length and width measurement.

16세기 감로도의 과학적 조사와 보존 (Scientific Analysis and Conservation of Nectar Ritual Painting in the 16th Century)

  • 안지윤;천주현;김수연
    • 박물관보존과학
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    • 제14권
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    • pp.13-22
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    • 2013
  • 국립중앙박물관 소장 감로도(증7551)는 16세기에 제작된 것으로 추정되며 일본 교토[京都]의 류간지[龍岸寺] 주지인 에지마고도씨가 2010년 기증하였다. 전체적으로 화면과 회장 견의 결실, 얼룩, 꺾임, 충해 등에 의한 손상이 심하여 이에 대한 보존처리를 필요로 하였다. 보존처리는 표면오염을 제거하고 결실부위 보수 후 본래의 형식대로 장황하였다. 회장부분과 화면부분의 직물 조사결과 견직물과 마직물을 사용하였다. 채색안료는 크게 여섯 가지 색의 계열로 나눌 수 있으며, 붉은색은 진사, 연단, 노란색은 황단, 금, 백색은 연백, 녹색은 석록, 푸른색은 석청, 검정색은 먹을 사용하였다.