• Physical Therapy Rehabilitation Science
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• 제11권2호
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• pp.172-180
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• 2022

Objective: The purpose of this study was to investigate the effects of squat exercises using elastic bands of ballet dancers on muscle activity, arabesque angle, and static balance of ballet dancers during arabesque posture. Design: A randomized controlled trial Methods: A total of 25young female ballet dancer svoluntarily participated in the study. The participants were randomized to the elastic resistance squat group(n₁=13) and body squat group(n₂=12). The squats exercise was applied to a total of 12 exercises per four weeks and consisted of 15 times per one set in one to two weeks, 4 sets in three to four weeks. All subjects were evaluated muscle activity, arabesque angle, and static balance during arabesque posture at before-after intervention. All participants were measured muscle activity, arabesque angle, and static balance during arabesque posture at before-after intervention. Results: Elastic resistance squat group and body groups showed a significant increase in the muscle activity, angle, and static balance ability during arabesque posture(p<0.05). In the comparison between the groups, the elastic resistance squat group showed a significant increase in muscle strength, angle, and static balance during arabesque posture (p<0.05). The results showed that the elastic resistance squat exercise was more increased than the body squat exercise in all variables (p<0.05). Conclusions: Therefore, when planning a training program for a ballet dancer, the elastic resistance squat movement can be applied as an exercise method to improve the muscular performance and balance ability of the ballet dancer.

• 한국산학기술학회논문지
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• 제12권12호
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• pp.5469-5476
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• 2011

본 연구는 대학발레전공생들의 자기관리에 영향을 주는 요인에는 어떠한 것들이 있는가를 푸코의 규율권력과 연계하여 분석하는 것을 목적으로 수행되었다. 이를 위해 서울시와 대전시에 소재하고 있는 4년제 대학교의 발레 전공 4학년 학생 10명을 대상으로 면담법을 실시하였으며, 얻은 자료를 수집, 분석하여 다음과 같은 결론을 도출하였다. 먼저, 발레전공무용수들이 효과적인 체중조절을 실천하기 위한 체중조절방식에는 단식, 한가지음식먹기, 물리적인 힘을 가하거나 섭취하기 등이 있었다. 그렇다면 이렇게 체중조절의 실천을 지속하게 하는 보이지 않는 시선이 무엇인지 살펴보면, 규율의 힘이 무용수들의 몸에서 자동적으로 행사하게끔 하는데 있어 중요한 역할을 하는 통제의 도구로 본 연구에서는 '거울과 체중계'을 들 수 있었다. 또한 무용수들의 체중관리의 또 다른 지속요인으로 서로간의 감시방식인 시놉티콘 현상이 존재하고 있었으며, 마지막으로 권력자의 배치에 관한 문제도 체중조절의 지속적인 실천에 작용하고 있음을 알 수 있었다.

• 한국운동역학회지
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• 제26권2호
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• pp.183-190
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• 2016

Objective: The objective of this study is to present a scientific basis for ballet dancer training methods by analyzing the relationships between subjective assessment of the ballet movement 'Grand pas de chat' and kinematic and electromyographic factors. Method: The subjects were 14 professional dancers with 15 years of experience on average. Four cameras and a wireless electromyogram were used to examine kinematic factors, and the filmed videos were analyzed by 3 experts for subjective assessment. Results: Although no differences in kinematic factors were found between the excellent dancer group and the non-excellent dancer group divided based on the experts' assessment, some difference was found in electromyographic factors, especially in relation to the gastrocnemius muscle, rectus femoris muscle, and erector spinae muscle. A relationship between subjective assessment and kinematic and electromyographic factors was found, and factors such as right-side rectus femoris activation, time required, left-side gastrocnemius activation, and front-back displacement affected subjective assessment. Conclusion: This study showed a relationship between subjective assessment and kinematic and electromyographic factors. To receive higher scores in subjective assessment, it is necessary to extend the hang time by using the lower limb muscles. The findings of this study also indicate the necessity of weight training in order to improve dancing techniques.

• 한국운동역학회지
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• 제17권1호
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• pp.185-190
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• 2007

The purpose of this study was to investigate the effects that breathing, thoracic and abdominal, had on the smoothness while performing ballet pour de bra. Five skilled ballet dancers(age: $24{\pm}1$, height: $163.4{\pm}2.88$, weight: $44.4{\pm}1.34$) with experience of over 10 years participated in this study. Each participant performed the ballet movement three times with abdominal respiration and with thoracic respiration. The kinematic data was recorded at 60 Hz with three digital cameras (Sony VX-2100). The pour de bra movement consists of two phases, up and down. The up phase is defined as the movement from the en bas through the en avant to the en haut. The down phase is defined as the movement from the en haut through the $\grave{a}$ la seconde to the en bas. During these two phases the Jerk Cost (JC) factor was calculated for the shoulder, elbow and wrist to quantify the smoothness. The group who performed the movement while abdominal respiration had a lower JC factor and so it was concluded that while abdominal respiration the smoothness of the movement was increased as opposed to the thoracic respiration.

• Physical Therapy Rehabilitation Science
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• 제11권4호
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• pp.585-590
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• 2022

Objective: The purpose of this study was to investigate the effects of neuromuscular training of ballet dancers with chronic ankle instability on ankle stability and posture controlability. Design: A randomized controlled trial. Methods: A total of Thirty-twoyoung female ballet dancers with chronic ankle instability have voluntarily participated in the study. The participants were randomized to the neuromuscular training group(n₁=11), elastic resistance squat group(n₂=11), and control group(n₃=10). The intervention was applied to a total of 18 exercises per six weeks and conducted in each group for one hour a day, three times a week. All subjects were evaluated for Cumberland ankle instability tool(CAIT), static balance at before-after intervention. Results: In the comparison of the effects within the groups, the effect of the intervention on CAIT and posture control was significantly increased in the neuromuscular training group and elastic resistance squat group (p <0.05). In the comparison of the effects between the groups, the neuromuscular training group, and elastic resistance squat group were found to significantly increase more than the control group (p <0.05). The effect of ankle stability is similar in neuromuscular training and elastic resistance squat training, neuromuscular training is more effective in improving posture control rather than elastic resistance squat training. Conclusions: When planning a rehabilitation training program for a ballet dancer with chronic ankle instability, neuromuscular training can be applied as an intervention method to improve ankle stability and posture control ability.

• 복식
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• 제52권3호
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• pp.49-60
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• 2002

This study is to study the peculiar world of work that endeavored the stage setting and costume production in Ballet-russe centered around one of 20th representative artist Pablo Picasso and Diaghilev. Picasso worked four pieces ballets such as parade, Le Tricorne, Puchnella, and Le train bleu with Diaghilev. The originality of costume was well represented without losing the whole work's sense of unity. and designed foreasy movement as well as visual effect. As cubic is most common in parade especially, cubic stave costume were introduced at dancing costume of Paris manager and New York manager flrst time in Ballet's history. Picasso used the Cubism for dancer's beautiful appearance and primary color and decoration for oriental feeling. Picasso pursued the beauty and action at the same tome, and tried to represent the stage setting, impersonation and costume towards units, so the Importance of his work has still been referring.

• 문화기술의 융합
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• 제6권2호
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• pp.153-159
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• 2020

캐릭터 댄스는 발레 전공자나 무용수, 안무가의 표현력을 향상시킬 뿐만 아니라 창조적 움직임을 통해 공연의 생명력을 불어넣는다. 포괄적인 교육적 함의가 내포되어 있는 캐릭터 댄스는 발레교육 현장에서도 자료부족과 미비함으로 연구가 진행되는 데 어려움이 있었으며 통속적인 개념조차 정립되지 않은 상태에 존재하였다. 본 연구는 캐릭터 댄스의 개념 정립을 위해 시기적으로 발레공연에서 캐릭터 댄스의 도입부터 현재까지 나누어 살펴보고 형태를 범주화하였다. 또한 발전 발향을 모색해보고자 하였다. 체계적인 범주와 개념정립의 올바른 이해를 통한 캐릭터 댄스는 무용전공자와 유아, 아이들, 비전공자에게 다양하고 확장적인 교육형태를 제공해 주는 것이 가능하다. 캐릭터 댄스에 대한 교육적 함의에 대한 시론(試論)적 연구는 발레 교육뿐만 아니라 다방면의 기초자료를 활용될 것으로 생각되며 본 연구자는 차후 심도 있는 연구가 지속되기를 기대한다.

• 대한족부족관절학회지
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• 제10권2호
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• pp.267-270
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• 2006

Os trigonum syndrome is a clinical disorder characterized by posterior ankle pain which occurs in excessive plantar flexion. The pain is elicited by the impingement of os trigonum between the calcaneus and the posterior edge of tibial plafond. Mostly, symptoms can be improved with nonsurgical management, however surgery is required for refractory cases. We report of a case of os trigonum syndrome in a female ballet dancer, which was successfully treated with subtalar arthroscopic excision of os trigonum.

• 트랜스-
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• 제6권
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• pp.97-127
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• 2019

본 연구는 춤을 소재로 한 영화가 무용전공 고등학생의 무용 열정과 정서 상태에 미치는 영향을 파악하고 분석하는데 목적이 있다. 이를 위해 무용전공 고등학생 총 112명(여자 104명, 남자 8명)을 대상으로 무용열정과 정서설문지를 실기하였다. 본 연구의 목적을 달성하기 위해 관람한 영화로는 춤을 소재로 한 영화인 <퍼스트 포지션 First Position>, <빌리 엘리어트 Billy Elliot>, <마오의 라스트 댄서 Mao's Last Dancer>를 관람하였다. 수집된 자료는 SAS 9.4통계프로그램을 이용해 빈도분석, 탐색적 요인분석과 신뢰도 분석, t-test와 ANOVA, 상관관계 분석과 선형구조관계모형을 실시하여 분석한 결과는 다음과 같다. 첫째, 무용영화 관람 후 학년에 따른 무용열정과 정서 상태에서 유의한 차이가 나타났다. 둘째, 무용영화관람 후 전공에 따른 정서 상태에서 유의한 차이가 나타났다. 셋째, 무용영화 관람 후 무용경력에 따른 무용열정과 정서 상태에서는 경력과 무관하게 부정정서에서 유의한 차이가 나타났다. 넷째, 무용영화 관람 후 무용전공 고등학생들의 정서 상태(부정정서)에서 유의한 차이가 나타났다.

• 한국정보통신학회논문지
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• 제19권1호
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• pp.127-135
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• 2015

본 연구에서는 DIBR(Depth-Image-Based Rendering) 기법을 사용한 다시점 중간 영상 생성을 하는데 있어서 최종 중간 영상의 화질을 개선하기 위한 방법으로 깊이 정보의 확장과 메쉬 구성 (즉, 표면 재구성) 그리고 이 방법들을 교차 적용하여 어떤 것이 가장 좋은 결과를 낼 수 있는 지에 대해서 실험하였다. 마이크로소프트사에서 제공하는 브레이크 댄서와 발레 영상을 사용하여 실험 결과를 살펴보았고 다양한 틈새 영역 채움 알고리즘을 적용시켜 분석해 보았다. 실험 결과는 기존의 점 구름만을 활용하는 것보다 깊이 정보를 확장하는 방법과 메쉬 구성 방법을 모두 시켰을 때 가장 좋은 결과가 나타났다. 그리고 틈새 영역 채움 알고리즘을 적용하기 전에는 깊이 확장만으로도 충분히 화질이 향상됨을 확인할 수 있었다.