• Title/Summary/Keyword: Audio Signal

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A Color Image Watermarking Method for Embedding Audio Signal

  • Kim Sang Jin;Kim Chung Hwa
    • Proceedings of the IEEK Conference
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    • 2004.08c
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    • pp.631-635
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    • 2004
  • The rapid development of digital media and communication network urgently brings about the need of data certification technology to protect IPR (Intellectual property right). This paper proposed a new watermarking method for embedding contents owner's audio signal in order to protect color image IPR. Since this method evolves the existing static model and embeds audio signal of big data, it has the advantage of restoring signal transformed due to attacks. Three basic stages of watermarking include: 1) Encode analogue ID owner's audio signal using PCM and create new 3D audio watermark; 2) Interleave 3D audio watermark by linear bit expansion and 3) Transform Y signal of color image into wavelet and embed interleaved audio watermark in the low frequency band on the transform domain. The results demonstrated that the audio signal embedding in color image proposed in this paper enhanced robustness against lossy JPEG compression, standard image compression and image cropping and rotation which remove a part of image.

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Study on novel hierarchical parametric stereo coding method for Multichannel audio signal (멀티채널 오디오 신호의 계층적 코딩이 가능한 파라메트릭 스테레오 코딩 방법에 대한 연구)

  • Moon, Han-Gil
    • Proceedings of the IEEK Conference
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    • 2008.06a
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    • pp.875-876
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    • 2008
  • Parametric stereo coding is a technique to efficiently code a stereo audio signal as a monaural signal plus small amount of parametric overhead to describe the stereo image. The stereo properties are analyzed, encoded, and reinstated in a decoder according to spatial psycho-acoustical principles. However, coding of multichannel audio signal using parametric stereo still requires considerable bit-rate. In this paper, enhanced parametric stereo coding for multichannel audio signal is proposed.

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Audio-signal Transfer System Design and Evaluation based on Power Line Communication

  • Kim, Kwan-Kyu;Yeom, Keong-Tae;Kim, Yong-Kab
    • Transactions on Electrical and Electronic Materials
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    • v.9 no.3
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    • pp.123-127
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    • 2008
  • The paper is to solve the problem of existing audio signal transfer system which has a difficulties of system organization and the increase of additional install cost and unfriendly interior. To solve the existing system, we drew the new audio signal transfer system based on PLC and evaluated it. A transmitter and a receiver were designed using the PLC chip INT5500CS. An audio signal transfer system was configured with a CD player to which audio signals are sent from the transmitter and a speaker connected to the receiver. For performance evaluation of this system, a USBPre external sound card and Smaart Live 5 which is a PC-based sound measuring program were added. As a result of our experiment, the measured signal level is $2{\sim}3$ dB lower than reference signal, latency is 16.69 ms, and the specific character of coherency is bad in high frequency band. Otherwise, this system transmits and receives signals over 90 % in good condition as a result of measuring pink noise, frequency (1 kHz), and phase, magnitude. In view of the result so far achieved, the system designed this study has excellent performance, it resolves defect of existing audio signal transfer system.

Implementation of Tone Control Module in Anchor System for Improved Audio Quality

  • Seungwon Lee;Soonchul Kwon;Seunghyun Lee
    • International Journal of Internet, Broadcasting and Communication
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    • v.16 no.2
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    • pp.10-21
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    • 2024
  • Recently, audio systems are changing the configuration of conventional sound reinforcement (SR) systems and public address (PA) systems by using audio over IP (AoIP), a technology that can transmit and receive audio signals based on internet protocol (IP). With the advancement of IP technology, AoIP technologies are leading the audio market and various technologies are being released. In particular, audio networks and control hierarchy over peer-to-peer (Anchor) technology based on AoIP is a system that transmits and receives audio signals over a wide bandwidth without an audio mixer, creating a novel paradigm for existing audio system configurations. Anchor technology forms an audio system by connecting audio sources and output equipment with On-site audio center (OAC), a device that can transmit and receive IP. Anchor's receiving OAC is capable of receiving and mixing audio signals transmitted from different IPs, making it possible to configure a novel audio system by replacing the conventional audio mixer. However, Anchor technology does not have the ability to provide audio effects to input devices such as microphones and instruments in the audio system configuration. Due to this, when individual control of each audio source is required, there is a problem of not being able to control the input signal, and it is impossible to individually affect a specific input signal. In this paper, we implemented a tone control module that can individually control the tone of the audio source of the input device using the audio processor core in the audio system based on Anchor technology, tone control for audio sources is possible through a tone control module connected to the transmitting OAC. As a result of the study, we confirmed that OAC receives the signal from the audio source, adjusts the tone and outputs it on the tone control module. Based on this, it was possible to solve problems that occurred in Anchor technology through transmitting OAC and tone control modules. In the future, we hope that the audio system configuration using Anchor technology will become established as the standard for audio equipment.

Modeling and Analysis of Class D Audio Amplifiers using Control Theories (제어이론을 이용한 D급 디지털 오디오 증폭기의 모델링과 해석)

  • Ryu, Tae-Ha;Ryu, Ji-Yeol;Doh, Tae-Yong
    • Journal of Institute of Control, Robotics and Systems
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    • v.13 no.4
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    • pp.385-391
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    • 2007
  • A class D digital audio amplifier with small size, low cost, and high quality is positively necessary in the multimedia era. Since the digital audio amplifier is based on the PWM signal processing, it is improper to analyze the principle of signal generation using linear system theories. In this paper, a class D digital audio amplifier based ADSM (Advanced Delta-Sigma Modulation) is considered. We first model the digital audio amplifier and then explain the operation principle using variable structure control algorithm. Moreover, the ripple signal generated by the hysteresis in the comparator has a significant effect on the system performance. Thus, we present a method to find the magnitude and the frequency of the ripple signal using describing function. Finally, simulations and experiments are provided to show the validity of the proposed methods.

A Digital Audio Watermark Using Wavelet Transform and Masking Effect (웨이브릿과 마스킹 효과를 이용한 디지털 오디오 워터마킹)

  • Hwang, Won-Young;Kang, Hwan-Il;Han, Seung-Soo;Kim, Kab-Il;Kang, Hwan-Soo
    • Proceedings of the IEEK Conference
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    • 2003.11b
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    • pp.243-246
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    • 2003
  • In this paper, we propose a new digital audio watermarking technique with the wavelet transform. The watermark is embedded by eliminating unnecessary information of audio signal based on human auditory system (HAS). This algorithm is an audio watermarking method, which does not require any original audio information in watermark extraction process. In this paper, the masking effect is used for audio watermarking, that is, post-tempera] masking effect. We construct the window with the synchronization signal and we extract the best frame in the window by using the zero-crossing rate (ZCR) and the energy of the audio signal. The watermark may be extracted by using the correlation of the watermark signal and the portion of the frame. Experimental results show good robustness against MPEG1-layer3 compression and other common signal processing manipulations. All the attacks are made after the D/A/D conversion.

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A Study on the Audio watermarking for High Quality Digital Audio (고음질 오디오를 위한 디지털 오디오 워터마킹에 관한 연구)

  • 김정태;구대성;이강현
    • Proceedings of the IEEK Conference
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    • 2000.06c
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    • pp.125-128
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    • 2000
  • In this paper, we proposed the high quality digital audio watermarking algorithm in the frequency domain. The spread spectrum technique is used to encrypted a stream of information by spreading the data as much of the frequency spectrum as possible. It's technique adapt well to data hiding in audio signal. We have used the perceptual model and MDCT/IMDCT for the high qualify digital audio watermarking. The proposed watermark algorithm preserved high quality audio data from watermark signal.

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An Image Watermarking Method for Embedding Copyrighter's Audio Signal (저작권자의 음성 삽입을 위한 영상 워터마킹 방법)

  • Choi Jae-Seung;Kim Chung-Hwa;Koh Sung-Shik
    • The Journal of the Acoustical Society of Korea
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    • v.24 no.4
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    • pp.202-209
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    • 2005
  • The rapid development of digital media and communication network urgently brings about the need of data certification technology to protect IPR (Intellectual property right). This paper proposed a new watermarking method for embedding owner's audio signal. Because this method uses an audio signal as a watermark to be embedded, it is very useful to claim the ownership aurally. And it has the advantage of restoring audio signal modified and especially removed by image removing attacks by applying our LBX(Linear Bit-expansion) interleaving. Three basic stages of our watermarking include: 1) Encode . analogue owner's audio signal by PCM and create new digital audio watermark, 2) Interleave an audio watermark by our LBX; and 3) Embed the interleaved audio watermark in the low frequency band on DTn (Discrete Haar Wavelet Transform) of image. The experimental results prove that this method is resistant to lossy JPEG compression as standard image compression and especially to cropping and rotation which remove a part of Image.

Digital Watermarking Using Psychoacoustic Model

  • Poomdaeng, S.;Toomnark, S.;Amornraksa, T.
    • Proceedings of the IEEK Conference
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    • 2002.07b
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    • pp.872-875
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    • 2002
  • A digital watermarking technique applying psychoacoustic model for audio signal is proposed in this paper. In the watermarking scheme, the pseudo-random bit stream used as a watermark signal is embedded into the audio signal in both speech and music. The strength of the embedded signal is subject to the human auditory system in such a way that the disturbances on host audio signal are beyond the sensing of human ears. The experimental results show that the quality of the watermarked audio signal, in term of signal to noise ratio, can be improved up to 3.2 dB.

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Serial Transmission of Audio Signals for Multi-channel Speaker Systems (다채널 스피커 시스템을 위한 오디오 신호지 직렬 전송)

  • Kwon, Oh-Kyun;Song, Moon-Vin;Lee, Seung-Won;Lee, Young-Won;Chung, Yun-Mo
    • The Journal of the Acoustical Society of Korea
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    • v.24 no.7
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    • pp.387-394
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    • 2005
  • In this paper, we propose a new transmission technique of audio signals for the serial connection of the speakers of multiple-channel audio systems. Analog audio signals from a multi-channel audio system are converted into digital signals with signal processing steps and transferred to each speaker through a serial line. The signal processing steps contain data compression and packet generation in association with audio signal characteristics. Each speaker gets its corresponding digital audio signals from the transmitted packets and converts the signals into analog audio signals to make sounds with the speaker All the proposed functions in this paper are modeled in VHDL. implemented with FPGA chips, and tested for actual multi-channel audio systems.